Southern Italy

Sicily Part 2: To Cefalu and Palermo – Wandering Through the Centuries

| 2suitcasesfor2years

The weather in mid-November was still nice; most of the days were sunny, but cooler.  Sometimes a damp dreary, grey day snuck in and reminded us that winter did come this far south as was the occasion when we started our drive to Cefalu. It was honestly just plain yucky! On the wet roadtrip south, we passed two men selling roasted chestnuts and plastic, one-liter bottles of Vino Novello, young wine, or the Italian version of Beaujolais Nouveau, made from an accelerated fermentation process that eliminates the aging normally associated with vinting wines. With a quick u-turn and purchase our spirits were immediately lifted, as the aroma of the freshly roasted chestnuts filled the car. They took the chill off the day.  The bottles of wine would wait until Palermo.  This continues a tradition started years ago, stopping at roadside stands for any type of food, craft or wine purchase.  Some days we made very slow progress indeed.

Heading inland from the coast road we followed the A19 west across the desolate, mountainous interior of Sicily past sporadically placed hilltop villages of various size.  Calascibetta was particularly impressive from the road; its recorded history dates to its Arabic settlement in 851 AD. An area of 300 rock-cut tombs, Necropoli di Realmese, and a warren of cave dug dwellings at the Byzantine Village of Vallone Canalotto called for further exploration. “Next time,” we agreed as we raced to spend the afternoon in Cefalu.

On the Sicilian list of most beautiful villages, it is also thought to be one of the inspirations for the coastal village “Vigata” where our favorite fictional detective, Salvo Montalbano, created by Andrea Camilleri, enjoys quietly eating his beloved Sicilian dishes on his patio overlooking the beach. A step above the typical crime novel, Andrea Camilleri’s inspector Montalbano critically confronts Italy’s difficult political and social issues.

A graceful, curved beach, with ancient stone homes built to the Tyrrhenian Sea’s edge, under a bold headland defines Cefalu’s beauty. Offshore lie the Aeolian Islands, a volcanic archipelago.

The town’s first settlement was atop the nearly inaccessible 1200ft tall promontory that dominates this spur of land that protrudes into the ocean like a bent knuckle. A new town was established on the coast under the cliff face when the Normans captured it from the Arabs in 1063 and proceeded to anchor the new village with a cathedral that was built to fulfill a promise to the Holy Savior by Roger II, the King of Sicily, upon his survival of a vicious storm at sea that cast him ashore at Cefalu.  Started in 1131, the fortress-like church, with Arab influenced architectural elements, took over 100 years to construct and was finished in 1240.

A handful of tourists sheltered under the tent of a café on the plaza in front of the Cefalù Cathedral, trying to ward of the November chill with coffee or wine.  Unfortunately, the church was closed and we were unable to view its Byzantine mosaics. A trailhead on Via Pitre leads to the top of the massive promontory that towers over the town.  Paths connect the ruins of a Greek temple dedicated to Diana that dates to the 9th century BC, as well as a Saracenic castle.  The panoramic views of the Cefalu and the Sicilian coast are phenomenal.

A plastic curtain at the restaurant shielded us from a sudden downpour as we sat enjoying pizza, just above the gentle lapping waves.  By the end of lunch, the rain had lessened to a misty drizzle and we ventured forth, with our umbrellas at the ready, down slick cobbled lanes to a wide, curved stone staircase.

Legend says the waters of the Cefalino River that feed the The Lavatoio Medievale, a medieval washhouse, were created from the tears of a nymph mourning the loss of her lover.  The waters originate six miles away in the Madonie Mountains near the village of Gratteri and flow under the streets of Cefalu before reaching the sea. Lion-headed spouts filled a series of stone basins that the town’s women used from their construction in 1665 until the last traditionalist scrubbed clothes there in the 1990s. An ancient stone plaque at the top of the stairs is inscribed with the saying “Here flows Cefalino, healthier than any other river, purer than silver, colder than snow.”

Our stay on Via Bara All’Olivella, a street known for its Opera dei Pupi, puppet theatres, was on the edge of Palermo’s historic district and near the classical Massimo Theater. Craftspeople carve and dress the puppets with fine cloth and metal armor, and their workshops can still be visited along the lane. The shows, which can last two hours and have three acts, re-tell the legends of medieval Christians kings, chivalric knights, damsels in distress, and Saracen nobles, with a supporting cast of sorcerers, witches, dragons, giants, and various other evil doers. Sicilian puppetry is a dying art and has been recognized by UNESCO an “Intangible Cultural Heritage.”

Sicily and Palermo have a long, convoluted history with the city as the capital of the Kingdom of Sicily when the Normans ruled.  Later it was a sister city to Naples when it was part of the Kingdom of Naples. Eventually the distinct regions finally agreed to be called Kingdom of the Two Sicilies in 1816, until the unification of Italy in 1870.  The prestige of both cities is seen in the wealth and the number of their churches.  And there really are a lot of them.

Like Naples, this large urban center has fallen on hard times in recent decades.  In the historic center the landmarks have been maintained, but the remaining residential areas have been allowed to deteriorate to the point where the crumbling buildings seem to cry out for restoration.  With oases of beauty scattered about between gritty and raw neighborhoods, Palermo stands in stark contrast to the experience of Cefalu and Taormina.  This doesn’t mean that it wasn’t enjoyable and interesting. On the contrary, along with being fascinating and different, it was a very urban experience!  Plotting our routes between churches exposed us to high culture and art along with the rough-and-tumble ambience of the city, sprinkled with graffiti, as we wandered the streets.

Only a few blocks away from our lodging, we started our morning at Chiesa di San Domenico. It has under undergone many incarnations since the Dominicans commissioned the first church in 1280. The Baroque façade and interior are the result of an expansion in the 1700s. With the burial of many notable Sicilian artists and politicians within its wall, it is recognized as the “pantheon of illustrious Sicilians,” and continues this tradition with modern heroes, most notably the tomb of anti-mafia prosecutor Giovanni Falcone, who was assassinated by organized crime in 1992, and which still receives tributes.

Somehow, we ended up on the top floor of the department store next to the church. Surprisingly, it had a nice café and patio with a view of the Colonna dell’Immacolata on the piazza and the gateway to the La Loggia quarter, one of the original Palermo neighborhoods.

The colorful Vucciria Market on Piazza Caracciolo and the decaying remnants of past glories on the surrounding streets led to the fountain on Piazza Garraffello.  Built in 1591, its beauty was overshadowed by the street art on the grim encircling buildings and haphazardly parked cars that nearly obscured it from view. The area was very quiet when we strolled through but is known for its raucous nightlife that lasts until morning. 

Across from the port a heavenly aroma emerged from a small storefront that was doing an active business. The place got its name from its specialty, Pani câ Meusa – Porta Carbone, a street food sandwich famous in Palermo that is made with boiled and then fried cow spleen and cow lung, grated caciocavallo cheese and lemon, served on a sesame roll.  We thought its strong and rich flavor was a taste that might take a lifetime to acquire.

Two blocks away, the Giardino Garibaldi’s stately centuries-old specimen trees anchored a neighborhood of fine palazzo now functioning as museums and university buildings. 

Around the corner a large, tall-wheeled float shaped like boat, called a Carro Trionfale, was on display in front of the municipal office. On top was a statue of Santa Rosalia, a 12th century hermit who is credited with saving the city from the plague when a relic of the saint was paraded three times around the city in 1624.  The highlight of her weeklong festival, held every July, is the procession when the carro is pulled through the streets by teams of men from the Cathedral of Palermo to the waterfront.  Every year a different district gets the honor of hosting the carro until the next festival.

Farther afield, our wanderings took us down blocks that seemed to retreat further back in time with every step. We saw contemporary street art on urban housing projects within steps of a ghostly unfinished renaissance cathedral, the Santa Maria Dello Spasimo. Started in 1506, it was never completed and now is used as an open-air theater and concert venue.  The juxtapositions of the treasured and the forgotten in Palermo are stunning.

The warren of narrow lanes off the Il Capo district between the Massimo Theater and the Cattedrale di Palermo were ripe for exploration.  Off Via Volturno, two stone columns with decorative capitals, Porta Carini, grace the entrance to the Mercato del Capo, one of the oldest outdoor markets in the city.  Built before 1310, the columns symbolize the neighborhood’s grand past that’s difficult to visualize amidst the colorful canvas awnings of the raucous street vendors.

Nearby is the site of the brutal assassination of Carabinieri General Dalla Chiesa, an anti-mafia investigator, his wife and a police escort. They were murdered by AK47 wielding gunmen on motorcycles one night in 1982. This vicious event epitomizes the Mafia war or Mattanza, the Slaughter, that gripped Palermo and the whole of Sicily from the 1970s to the 90s with thousands of homicides of rival mafioso foot soldiers, journalists, politicians and judges.  Fortunately, things are vastly different now.

Farther along, the street narrows enough that from their balconies, neighbors can easily talk to one other across the lane. At Piazza Domenico Peranni haphazard stalls, some with trees growing through the roofs, house a permanent flea market filled with dusty curiosities.

Every seat of power in antiquity had a triumphal arch to signify its greatness, and Palermo’s is certainly unusual with its columns depicting turbaned Arab slaves. The Porta Nuova gateway was reconstructed in 1570 to celebrate the 1535 triumph of Charles V, Holy Roman Emperor, over Ottoman forces in Tunis. Landing in Palermo after his victory, the monarch paraded 14,000 Arab slaves through the city. Standing next to Palermo’s Royal Palace, the Palazzo dei Normanni, the 140ft tall monument was part of the defensive wall that once surrounded the city.

When the Normans won Palermo in 1072, it is believed they found 300 mosques in the ancient city and proceeded to change them all to churches, many sponsored by baronial families. Grand, lesser and forgotten, it was nearly impossible to avoid the churches as we walked through the historic district. Many were closed, but the larger ones still open to tourists were all different and magnificent.

The Cathedral of Palermo is definitely one not to miss. It was constructed by the Normans in 1184 over a mosque that was built atop the ruins of an earlier Christian church.  It’s undergone many architectural alterations over the centuries, embracing Arabic, Gothic and Renaissance influences which have combined to create a visual compelling architectural façade with numerous interesting details. 

The cavernous inside is rather plain in comparison to some of the richly decorated interiors of other Palermo churches. The piazza in front of the church is perfectly scaled for viewers to appreciate the grandeur of the church behind it.  The roof, tombs and treasury of the cathedral are all accessible for a fee, while entrance to the church is free.

If you are short of time head to the Quattro Canti (Four Corners) intersection of Corso Vittorio Emanuele and Via Maqueda. It is the heart of Palermo’s historic district.  A short walk took to us to the fanciful Fontana Pretoria, a tiered fountain from the 1500s, which is bedecked with mythological figures.

Beyond it three ancient churches ring Piazza Bellini, and back-to-back visits of all three then required Bellini cocktails to loosen our stiff neck muscles afterward to reground us after this celestial bliss.  The Church and Convent of Santa Caterina d’Alessandria was originally built as a hospice in the 1300s.  Its caverneous, highly decorated Baroque interior, with every surface sculpted or painted with cherubs, angels, saints and martyrs celebrating the heavenly kingdom, was built for the cloistered Domenican nuns from wealthy and noble families who arrived a century later, only to close the hospital and open a bakeshop, “i Segreti del Chiostro – the secrets of the cloister,” instead. Hey, everyone enjoys a good cookie, and the nuns are still turning out traditional Sicilian baked marzipan sweets like frutta di Martorana today, from the convent’s original recipes. Near the entrance to the convent its original ruota, a small wheel-like door, is still in use. Through it the cloistered nuns can pass baked goods while remaining unseen, and poor mothers could anonymously leave babies for adoption. The last nuns left the monastery in 2014 and it was opened to the public in 2017.

Across the piazza stands Santa Maria dell’Ammiraglion, named after the Norman admiral, who commissioned it in 1143.  Its exterior is a hybrid of Baroque and Romanesque styles with Arab influences. Inside, golden Byzantine mosaics cover the walls, arches, and domes.

The Arab-Norman architecture continues next door with the fortress-like Church of San Cataldo. The smallest church on the square, its austere block shape has three red bulging domes of Arabic style on the roof.  During the 18th century it was unceremoniously used as a post office until its façade was restored in the 19th century and the building annexed to Santa Maria dell’Ammiraglion.  Without clues to its original interior decoration the inside has been left unadorned, just bare stone.

We only scratched the surface of places to explore on an island that we found enchanting and fascinating.  It could take a lifetime to experience all it has to offer – an interesting idea. We hope to return one day. 

The wing of the plane dipped one last time to reveal the turquoise waters along the Sicilian coast as we headed for Northern Italy.

Till next time, Craig & Donna

Sicily Part One: Taorima and Castiglione di Sicilia – Sunny Ancient Lands

| 2suitcasesfor2years

The clickity clack of our suitcase wheels reverberated through the Porta Catania, the ancient gate through a defensive wall that once encircled the town, as we pulled them past the 14th century Duomo of Taormina, over cobblestones polished smooth by centuries of use and time.  Adorned with crenelations, the church looks more like a fortress than sanctuary and seems at odds with the playful Baroque fountain in the plaza across from it.

Lined with colorful shops Corso Umberto, barely wide enough for a horse cart, connects the two old entrances to the city and is pedestrian only. The adjoining steep, staired alleys were sized just right for the width of a donkey.

Meeting us at the corner, our young host graciously carried our bags up the passageway and to the third-floor room we had rented in a newly renovated guest house.  It was a compact space, but it would work if we sucked in our stomachs. Effortlessly, he trotted up two more flights to the rooftop where he showed us the kitchen, as well as distant views of the Teatro Antico di Taormina, the castle above town, and Mount Etna, all bathed in the last of the sun’s rays. 

The next morning, before the day became too hot, we followed a steep switch-backed trail up the side of Mount Tauro to the Chiesa Madonna della Rocca and the Saracen Castle.  The Arab fortress is believed to be built over an ancient Greek acropolis. Unfortunately, it was closed due to disrepair, but the panoramic view of Naxos on the coast with Mt Etna in the background was phenomenal.

Sicily’s history follows Mount Etna’s turbulent eruptions – quiet for long periods then thrown into turmoil by foreign invasions.  Hanging off the toe of Italy, its large land mass pinches the Mediterranean Sea to the point that the island is only 372 miles from North Africa’s Tunisian coast. For ancient mariners sailing East to West or South to North it was unavoidable, and they collided with it.  Its easy location at the crossroads of the Mediterranean brought Phoenicians, Greeks, Romans, Vandals, Ostrogoths, Byzantines, Arabs, Normans, French, Germans, British, and Spanish for varying lengths of conquest and cultural influence. It’s an interesting gene pool for sure. 

Appreciating a good beach when they found one, the Greeks rowed ashore and established their first colony, Naxos, on the island in 734 BC.  Later siding with the city state Athens in a war against Syracuse, upon defeat the city was completely destroyed in retaliation. The survivors fled to the high ground and founded Taormina.  Visitors continue to be dazzled by their vision to dramatically construct an amphitheater on the edge of a cliff towering over the sea with Mt. Etna, an active volcano, in the background.  

Finally, Piedmontese volunteers, the red shirts of Northern Italy, invaded to unite Italy. Commanded by Giuseppe Garibaldi, the army defeated the Kingdom of Sicily whose territory extended across the boot of Italy and North to Naples.

But before that Taormina with its multiculturalism was a required stop on the “Grand Tours” of the 18th and early 19th centuries once it was mentioned by Johann Wolfgang von Goethe in his Journey to Italy. Paris, Venice, Florence, Rome, Naples and Pompeii, Athens, Istanbul, Cairo and Seville were also treasured destinations.  Remember, this was the time when all land travel was by horse-drawn carriage and water crossings by sailing ships. Think of it as an extended gap year, when young aristocrats were sent abroad for two to four years to sharpen their sensibilities and further their knowledge of the arts, antiquities and the classics.  Taormina’s big draw though, over those other sophisticated cities, was its clifftop location high above the Mediterranean that caught the cool breezes blowing in from the sea during the summer.

The Nordic invasion continued with landscape painter Otto Geleng. Exhibitions of his paintings in Paris and Berlin left critics saying such landscapes couldn’t exist and that he had an “over-active imagination.” He encouraged all his doubters to see Sicily for themselves, then returned to Taormina and opened the town’s first hotel, Timeo, in a renovated palace. His vision inspired a wave of artists, writers, and actors to visit.  In the 1920s D.H. Lawrence lived there. The books In Cold Blood and Breakfast at Tiffany’s were written by Truman Capote during his stay on the island.

The town can really name drop some famous visitors: Salvador Dali, Orson Welles, Cecil Beaton, Jean Cocteau, Rita Hayworth, Greta Garbo, Elizabeth Taylor, John Steinbeck, Cary Grant and Tennessee Williams have all worked on their tans in the golden rays of the Mediterranean sun here. 

The Taormina Film Festival, now in its 67th year, still premieres movies every June on a large outdoor screen set up in the 2300-year-old Greek amphitheater.  It attracts a new generation of sunscreen-wearing A listers: George Clooney, Catherine Zeta-Jones, Nicole Kidman, Russell Crow, Leonardo DiCaprio and Salma Hayek. Imagine watching Spiderman: Far from Home there, as Mt. Etna sputters trails of lava into the night sky in the background. Aside from the film festival, the amphitheater hosts a vast number of concerts and stage productions throughout the year.

Not being on any lists, including Interpol’s or the FBI’s most wanted, we enjoyed a still warm early November day as we wandered through the Giardino Storico Ex Villa Trevelyan, now the town’s public formal garden, but once the grounds of a villa owned by a Scottish noblewoman. Lady Florence Trevelyan fled rumors of an affair with King Edward VIII, settled in Taormina and eventually married the mayor.  During our visit, intricately stoned paths along the cliff edge, with views of the sea, were still lush with blooming bougainvillea and hibiscus. Eventually they led to fanciful, ornamental architectural constructions called Victorian follies.

Rambling on, we passed an antique Rolls Royce being readied at the Grand Hotel Timeo to whisk the bride and groom away after their destination wedding. 

From the top row of seats at Teatro Antico di Taormina, the views continued to be enthralling; Mt. Etna was perfectly framed by the ancient columns of the stage. 

In the other direction, the coast toward Spisone dazzled in the afternoon sun.  Inland, the homes of Castelmola were precariously balanced to avoid sliding off their treacherous slope. 

A stay isn’t complete in Taormina without multiple strolls along Corso Umberto in the mornings for café and pistachio pastries, and later in the day for pistachio Aranchino or gelato.

The broad expanse of Piazza IX Aprile, adjacent to the Porta di Mezzo clock tower and the elegant Baroque Church of San Giuseppe draws a large crowd at sunset to admire the view, and is the perfect spot to enjoy a classic Aperol spritz. 

Located in the foothills surrounding Mt. Etna, Castiglione di Sicilia is on the list of most beautiful villages in Sicily. Less than an hour from Taormina, it beckoned us to visit. The scenic drive along SS185 through the Alcantara Valley was uneventful.  The fields were dormant now and farm tractors were parked to await the spring planting season. The multiple arches of Ponte San Cataldo, a historical railway bridge, graced one curve of the road.  It was now a bridge to nowhere, the train tracks at both ends long ago removed for scrap. Villages we passed showed barely any signs of life beyond a barking dog or two. 

Numerous signs for campgrounds and agrotourism farms along the route promised outdoor enthusiasts escape from city life.  Turning onto SP7i we eventually passed the rustic 12th century Norman Chiesa Di San Nicola, then crossed a small bridge over the Alcantara River, within sight of Castiglione di Sicilia.  Fed by snow melt from Mt. Etna and Nebrodi Mountains, the Alcantara River is one of the few rivers in Sicily that flows all year-round.  Over the millennia the cool waters of the river have carved a dramatic gorge through lava fields left from Mt. Etna’s volcanic eruptions.  Hiking trails above the gorge and swimming in its cool natural pools are popular summer activities in the region.

Commanding the high ground helped increase your chance of survival in the days when pillaging and plunder ruled the land.  Defenders hoped that attackers would tire and move on to an easier target. From the road in the valley, Castiglione di Sicilia looked formidable, with Castello di Lauria commanding the promontory like the rock of Gibraltar. 

Driving into the center of the village, mid-week in the off-season, we nearly had the whole village to ourselves. It felt deserted, almost as if the village had been sacked and the residents had been taken captive. We followed a warren of narrow alleys and stairways around the upper village until we reached Castelluccio, the ruins a of Byzantine tower, in a small park with an overview of the village. 

From here we spotted the belltowers of six ancient churches and monasteries that dot the hilltop. The oldest, Chiesa San Pietro, dates to 1105. Castelluccio, slightly lower than Castello di Lauria, would be our highest point in the village, since the castle was closed in the off-season. That’s the one disappointment we experience when traveling in the off-season – many points of interest are closed due to a lack of tourists.  It’s the old double-edged sword, less crowding versus less accessibility.  For the most part we are okay with this and enjoy wandering to soak up the ambiance of a locale.

A looping around the huge monolithic rock, Via Edoardo Pantano brought us to the foot of Castello di Lauria, the 12th century Norman fortress built upon earlier Greek and Roman battlements. The views of the Alcantara Valley were beautiful from this vantage point. Farther on the Basilica of Maria Santissima della Catena stood atop a wide staircase at the end of a quiet plaza. The patron saint of the town, she is believed to have saved Castiglione di Sicilia from the wrath of Mount Etna on many occasions.  Her feast day is celebrated every May with a procession through the village. 

It was mid-afternoon by the time we were ready for lunch, and our options had dwindled dramatically since arriving.  Only La Dispensa dell’Etna was still open with all the inside tables taken by a large party.  Interestingly, part of the floor of the restaurant has glass tiles that allow you to look down onto artifacts discovered during a renovation. It was a little chilly for outside dining, but we enjoyed, with the guidance of our waiter, several specialties of the Alcantara Valley. The addition of wonderful home-made house wines from the regional grapes, Nerello Mascalese and Carricante, native to the slopes of Mt. Etna, combined with the delicious food made this one of our most pleasurable meals in Sicily.  Following the Etna Wine Path might be the catalyst for future visits to Sicily. 

Till next time, Craig & Donna

Driving South to Sicily: Part One – Herculaneum to Sorrento, or “They Have You by the Coglioni!”

| 2suitcasesfor2years

The car rental agent across from the Naples train station enthusiastically informed us that we were the first drivers of a brand-new Peugeot. Leading us to a shiny set of wheels, parked on busy street in front of the office, he offered a rudimentary description of the car’s technological features, a collision avoidance system and satellite navigation that would show every radar speed camera on the Italian highways.

With our luggage in the trunk and a friendly wave we were off, or so we thought.  Just barely moving forward, the collision avoidance system screeched alive with alarms and red blinking threats on the dashboard display.  It happened frequently as we worked our way through heavy Neapolitan traffic. Scooters, cars, trucks and pedestrians getting close to our bumpers set the system into a frenzy of piercing alarms and flashing lights.  Nerve wracking – it felt like I was Luke Skywalker thundering along in an X-wing fighter while R2D2 whizzed with anxiety, as we tried to evade the Empire’s eradication. In reality we were in bumper-to-bumper traffic.  Fortunately, the congestion eased, and Herculaneum was only a twenty-minute drive from Naples.

We had visited Pompei years earlier, one June when Italy was having an early heat wave and the temperature was over 100F.  As interesting as Pompei was, the size of the site and the heat dampened our enthusiasm for it. This day was quite a different experience, as the weather in November was very agreeable for visiting Herculaneum.

We descended into its excavated ruins, which were destroyed and covered with 53ft of ash on the same fateful night as Pompeii in 79AD.  The towering black walls of solidified ash surrounding the site reinforced the magnitude of the catastrophe. The coastal town was popular with wealthy Romans who built Domus style homes which were richly decorated with frescoes and mosaics.  Arched workshops of boatbuilders lined the shore and were the last refuge of citizens trying to flee, their agony now eternally preserved in casts of their bodies.  The massive amount of ash and volcanic rock that fell created a new shoreline on the Bay of Naples, 2000ft farther west. 

Only a fraction of the size of Pompeii, the Herculaneum archeological area doesn’t draw the immense crowds of the larger site, but is just as interesting and in some ways more so. Unlike Pompeii, which was engulfed in a scorching lava flow which destroyed most of the wood and decorative elements of the homes there, the cooler ash and poisonous gases that killed the populace of Herculaneum preserved the homes to a greater degree, leaving the wooden internal structure of buildings and their interior décors intact.  This combined with an earlier visit to the Naples National Archaeological Museum to see the finest examples of relics recovered from the ruins of Herculaneum and Pompeii provided us with deeper insight into the opulent lifestyle of the 1st century AD Roman Empire.  Herculaneum was easily explored in a half day and enabled us to continue to Sorrento in a timely manner.

With fond memories of the serpentine Amalfi Coast from a trip a fifteen years earlier, we decided to base our new weeklong exploration of the Sorrentine Peninsula in Sorrento.  The route into town along SS145 didn’t disappoint us when rounding a cliff-hugging bend of the road revealed a view all the way out to the Isle of Capri. By staying in the largest town of the region we didn’t have to worry about seasonal closures, which unfortunately were beginning to happen in mid-November.  Only a short walk from the center of town and the waterfront with Mount Vesuvius commanding the horizon across the Bay of Naples, the lovely Villa Rosa Sorrento with its modest off-season pricing and free parking was a terrific value and perfect for us.

With our attempts at immersive travel, we avoid scratching off a list of designated tourist highlights; rather,  we explore a place seeking how to experience how folks live, the everydayness of a place, and whether we would enjoy living there. “Walk a little, then café,” is our slow travel approach as we soak up the ambience of a locale.

La Tana Del Vino on Via Parsano was a delightful find. This small enoteca features regionally produced wines that they decant for you from large stainless-steel vats into your own glass or plastic bottles.  A variety of red, white and rose’ wines were available, most between 3-4€ per liter.  Samples were freely poured and we very pleased with our selection of these table wines. 

Sorrento with its ferry service to Capri gears itself to the high season.  There were still tourists out and about, but the large tour buses and groups were absent in November, the beginning of the rainy season.  We ran between rain drops the best we could on several occasions. 

With the port as our destination for lunch, it was a pleasant stroll along near empty sidewalks to Chiostro di San Francesco, a 14th century convent with a lush, greenery-filled cloister that now hosted other activities and concerts.  On the top floor Raffaele Celentano’s photography school and gallery had a marvelous patio shaded by the canopy of stately tree. A wooden swing hanging from its branches brought smiles to the faces of many gallery visitors as they playfully took a turn.

The panoramic balcony in the public garden across from the convent is a magnet for sunset worshippers.  In the garden the city operates the Sorrento Lift, two elevators that take tourists and residents down to the harbor level where hydrofoils and ferry service is available to Capri, Ischia, Positano and Naples, along with access to the beach clubs and the city’s public beach. 

After washing our clothes in various sinks for two weeks it was time for a thorough laundering, and we lugged our bundle to a laundromat in town. It was a very clean facility. We were amused to notice that the vending machine that dispensed soap products also offered a very broad selection of marijuana products as well, presumably to allay the tedium of the task.  The selections weren’t inexpensive, with many items costing over twenty euros.  This was something unique that we had never come across before in our travels.  The world is changing so quickly, but we can’t imagine dropping a twenty euro note into a vending machine for anything.

With our clothes in the dryer, we decided to head to lunch, and immediately got drenched to the bone in a sudden downpour.  Looking like water rats, we sought shelter under the awning of a pizzeria. Seeing us, the proprietor of Master Hosts (not a very atmospheric name) ushered us inside and kindly insisted we warm ourselves in front of the pizza oven.  Even if we hadn’t been so extremely grateful for his hospitality, this was some of the best pizza and wine we had in Italy, while our fingers de-wrinkled. His graciousness turned a gloomy day into a wonderful afternoon. 

Another rainy night we made our way early to La Cantinaccia del Popolo, a rustic neighborhood restaurant that stays open all year to cater to its loyal following.  Part deli, part gourmet restaurant, the open kitchen is fronted by a glass charcuterie case with an exotic display of dried meats, cheeses, pates, terrines, and olives. The gastronomic delights from the kitchen are plated in their signature deep dish pans.  Packed and noisy, with a friendly staff, delicious food, and a good house wine, this was a cozy place to enjoy the evening. Fortified with a great meal and drink, we faced a cold November rain as we walked back to our inn.  If you prefer to dine later in the evening, reservations are suggested after 8 PM.

Lemons, lemons everywhere!  Regional seafood, pasta, rice, chicken, pastry, and gelato recipes all use this tart fruit in delectable ways. And remember limoncello! The cool breezes of the Mediterranean that blow against the steep mountains of the Amalfi coast create a unique microclimate where lemons flourish and are harvested multiple times of the year, though the most desirable crop is picked between March and July.  This is a strenuous labor-intensive activity as the steep terrain requires all the fruit to be picked by hand and the heavy grates are carried out of the orchards on the backs of men. 

A morning drive along the sinuous coast and a turn into the mountains brought us to Ravello in time for lunch at a small restaurant with only six indoor tables.  Fifteen years ago, as a wedding present to each other, we splurged and purchased a dinnerware set of ceramics featuring the iconic Amalfi lemons, set against a rich blue background.  Over the years everyday use had taken its toll on our plates.  Fortunately, Pascal Ceramiche d’Arte was still painting our pattern and they ship internationally, so we were able to fill in a few gaps in our service.

After coffee we wandered the town’s narrow, high walled lanes down the hill towards the Monastero Di S. Chiara.  Along the way we encountered a construction worker leading a team of donkeys with rigid saddlebags full of sand to a worksite, the ancient alley too tight for any vehicle to maneuver through.

There’s no way around it, “they have you by the coglioni!” when you are trying to find a parking garage in Positano.  In this most beautiful village on the Amalfi Coast we paid through the nose for the privilege of parking.  Water, café, food and parking, even in the off season, are exorbitantly priced.  But on a sunny day, when the sky clears after a morning storm, the dramatic setting of the terraced village is at its best. Positano rises steeply into the mountains from the sea sparkling like a spectacular Byzantine mosaic, radiating light and color.  It’s well worth the splurge even if you have to eat Ramen noodles for the next three days to get back on budget.

To our delight we found a wonderful, affordable spot for a late lunch in Agerola called Jerla as we navigated our way across the mountaintop on the way back to Sorrento.

Getting there required a breathtaking drive through the numerous switchbacks of Strada Statale 366, also referred to as the Via Panoramica, that climbed through the terraced vineyards of San Michele and had incredible views of the Amalfi Coast below.

We each wanted to be in control on this treacherous road. We argued about who got to drive as we sped around the curves, and who was relegated to digging their fingernails into the dashboard.

Til next time, Craig & Donna

Naples – Historic, Gritty and Wonderful

| 2suitcasesfor2years

The Italian countryside seemed to extend forever, a wonderful accomplishment for this region of southern Italy that has supported civilization for several millennia, though it ended abruptly when we rounded a highway curve and came to a halt in traffic. Naples, we had arrived.

It wasn’t until we saw Naples from above that we realized the extent of this metropolis.  From our apartment in the historic center of Naples, near the Piazza del Gesù Nuovo, we walked to the daily market along busy streets lined with ancient 17th and 18th century palazzo, once noble homes of the Neapolitan elite, now subdivided into apartments, their fine architectural details often hidden under graffiti, that lined Via Pignasecca.

Vegetable, cheese, meat and especially bountiful seafood vendors were in a constant state of motion readying their stalls and calling aloud what was available.  It was fascinating and gritty with an underlying character of toughness that street life in Naples demands.

Everything looked wonderful as we planned dinner in our minds and agreed to return later after our day’s activity; how disappointed we were to find the street all tidied up and swept clean by mid-afternoon.  We consoled ourselves with a purchase of a bottle of Piedirosso Campania, a red Italian wine grape that is a specialty of the region. For two euros it was a good everyday wine. Later in the week we purchased a fresh tuna fillet that was excellent.

The funicular at the Montesanto train station saved us from a long and incredibly steep set of stairs that would have otherwise led us to Castel Sant’Elmo. Its six-pointed star design dates from Spanish rule of the Kingdom of Naples in the 1500’s, and is the highest point on Vomero hill.

The thirteenth century fortress dominates Naples’ skyline and has an incredible panoramic vista of the vast metropolitan area that hugs the Bay of Naples. Mount Vesuvius overshadows the scene that extends past Sorrento to the Isle of Capri.

Under the citadel walls in what was once a wealthy monastery the Certosa e Museo di San Martino exhibits a collection of art and artifacts devoted to the monastery’s and Naples’ history, in richly decorated cloisters. 

Outside the formal gardens, the paths along the cliff edge were a quiet retreat.  If you don’t feel the need to tour another fortress or monastery, the Belvedere San Martino scenic overlook offers the same views and is a very popular place to watch the sunset. 

After lunch we followed the stairs of Pedamentina a San Martino downhill to Corso Vittorrio Emanuele which cuts across the mid-section of Vomero hill above Quartieri Spagnoli, the old Spanish quarter. The district gets its name from the garrisons of Spanish troops housed there in the 16th century to quell any rebellions from the restive Neapolitan citizenry. From the sidewalk here we looked down upon canyons of TV satellite dishes and flapping laundry hanging from balconies that extended for block upon block, the sheer number of folks living above one another unimaginable.

Over centuries it has evolved to have the densest population of any neighborhood in Italy. After the second world war, post-war public housing was built for tens of thousands of displaced Italian families that fled the war-ravaged countryside, looking for work and shelter in Naples, though Naples itself was in near ruins, having been bombed over 100 times by Allied forces prior to the liberation of the Italian peninsula from Nazi occupation.  Before retreating from Naples, the Nazis destroyed all of the city’s port facilities along with the water, electricity, and gas infrastructures.  Thus began an era of poverty and destitution that was further fueled by neglect from the central government in Rome.  A century earlier, before fighting against Italian unification, the Kingdom of Naples was the most prosperous, wealthy and industrialized of the pre-unitary Italian states with the largest number of students enrolled in public schools along with the peninsula’s lowest infant mortality rate.  The city was a treasured destination of 17th and 18th century upper-class Europeans on their “Grand Tours.” The poet Johann Wolfgang von Goethe is credited with coining the phrase “See Naples and die” to reflect the city’s grandeur on one such tour.  Though I’m sure he never envisioned how a growing Mafia influence in the mid-1950’s co-opted the phrase.

We worked our way along Corso Vittorrio searching for the Giardino del Claustro, a scenic overlook, but finally gave up when we realized it was behind the entrance to a university. This wandering led us serendipitously to the Church of St. Nicholas of Tolentino where a chorus of angelic voices suddenly filled the sanctuary as we crossed its threshold, stopping us in our tracks. Seeing no one, we listened intently to the anthem, trying to determine its unseen source, until we finally heard the bellowing voice of the choir director.  We were in the school’s chapel!

If anyplace is likely to induce a religious overdose it’s Naples. “The city of 500 domes,” reportedly has 1000 churches, five hundred of which have historical significance and I swear they are all in the ancient center of the city.  Starting at the Chiesa del Gesù Nuovo on the piazza that bears its name, we walked along Via Benedetto Croce in a large loop that brought us first to the majolica-tiled cloisters of the 14th century Complesso Monumentale di Santa Chiarato.

Continuing straight, we eventually came to a street mural of San Gennaro, the patron saint of Naples. This large tribute was painted in the contemporary style of Jorit Agoch, a Neapolitan graffiti artist, in 2015, above the entrance to a bar that stands next to Chiesa Parrocchiale di S. Giorgio Maggiore on Via Duomo.

Earlier we passed a small memorial to Antonio Varvella, nicknamed O’Barone, a sometimes-gruff character, a beloved homeless man who was a fixture in the historic center for many years until his death one wintry night in 2014.

Backtracking, we turned onto Via San Gregorio Armeno, a street famous for its numerous workshops that craft unique, highly detailed hand-made presepi, nativity scenes.  

Almost lost amidst the store fronts of the crèche workshops, the Church of San Gregorio Armeno has a lavish gilded baroque interior. It is a 1500’s renovation of the original 9th century church built over a Roman temple of worship to Ceres, the Roman goddess of agriculture. 

At the end of the lane, the Basilica di San Paolo Maggiore dominates the square.  

Back at our starting point we rested in front of St. Giuseppe Moscati’s statue, the hand of the sculpture shiny from parishioners holding it as they prayed for cures. A local doctor, he dedicated his life to serving the poor of Naples and is credited with many miracles. He was canonized in 1987.  

Facades of many of these churches pale in comparison to their rich interiors. If the door to the church was open, we entered. Some were grander than others, but all of them were interesting.  

Alternating with stops for café, gelato or the ever so refreshing Aperol spritz, we spent several afternoons ping-ponging our way from church to church through the center of a city that has been inhabited since the eight century B.C. when the Greeks named their colony, Neapolis. 

Subsequent civilizations buried the ruins of earlier ones.  The cobbled lanes and churches we toured had been built over Underground Naples, 120 feet of ancient detritus along with ruins of millennia old cisterns, aqueducts, Roman alleys and shops that spread extensively under historic and modern Naples. 

The reward for one of our daily explorations was a savory Margarita pizza from Di Matteo, recommended by our friend Marina, a lifelong Neapolitan, who affirmed, “It’s the only place my family eats pizza.”  A round pizza folded twice to form a triangle is the perfect street food, but when you order it inside and sit at a table to dine it is customary in Italy to use a knife and fork to politely carve these culinary creations that have become so popular the world over.

By the end of the week the hard cobblestones were fatiguing, and we decided to take a cab to Galleria Umberto, an old fashioned, glass domed shopping mall.  A five-minute trip according to Google Maps. It’s a landmark by the waterfront, near Castel Nuovo and Piazza del Plebiscito which we planned to visit afterwards.  

There were several taxis in queue at Piazza del Gesù Nuovo, all pointing in the direction we needed to go, a good omen or so I thought, as we hopped into the first cab.  Hearing our destination, the driver promptly did a U-turn, then another left turn taking us in the wrong direction. I spoke up from the backseat and pointed to the map, my question confidently waved away by the driver. “Donna, he’s taking us in the wrong direction.” “Give him a few more minutes. He’s local – maybe he knows a shortcut.” With a left turn out of the historic center the driver would have redeemed himself, and put us on a course to the waterfront. Instead, he turned right and floored it while ignoring my protest from the backseat. Finally, at a red light he rolled down his window and asked for directions from a police officer.  Oddly, the police officer made eye contact with me and winked.  A right turn brought us into a one lane road where traffic was at a standstill.  By this time what should have been a very reasonable fare was now approaching twenty euros and we were still over twenty minutes away, in the opposite direction from our destination. I believe he had intentionally taken us in the wrong direction to jack up his fee.  It was time to abandon ship. We got out in the middle of the traffic jam, and I handed him five euros.  An eruption of Italian we did not understand pursued us onto the sidewalk as we walked away, and I swear the buildings blushed from embarrassment. Never have I met a cabbie who didn’t know where a landmark was. 

A few moments later as we were walking down the sidewalk, voices called from behind. “Attenzione!”  Two smartly dressed female police officers were telling us to pay the cabbie. These officers looked serious, with handcuffs! My mind raced as I told them he was a thief, and no way was he going to extort more money from us!  Much of this intense discussion was hindered by our lack of Italian.  Twenty-three euros were now on the meter and the driver wanted to be paid.  I repeated, “no way!” multiple times.  Thank goodness for Google Maps.  With it we were able to show the officers our pickup point and what our original route should have been and the time it should have taken.  They immediately saw how deliberately off course we were. They agreed with us and reprimanded the driver and told him he was lucky he got the 5 Euros.  The police officers apologized for his behavior and were sorry that it happened to us.  From where we got out of the cab it took us an hour to walk to Galleria Umberto where two “caffé corretto,” espresso with grappa, were ordered to sooth our frustration. For this very reason we prefer to use the transparency of Uber or Lyft for transportation when traveling; unfortunately, those services were not licensed to operate in Naples.

With our Naples Pass in hand we headed to the National Archaeological Museum.  This was a wonderful museum with a fascinating collection of artifacts, ancient pottery, classical sculptures, and mosaics discovered across the Campania region.  There is also an extensive collection of antiquities from the ruins of Pompei.

Walking back to our apartment we stopped at a small bacari with a few outside tables for aperitivi, the Italian version of happy hour, to savor the golden hour as the sun began to brighten the historic buildings along the boulevard on our last day in Naples.

Sharing the afternoon with friends and sipping Aperol spritzes accompanied with small snacks called cicchetti is a ubiquitous activity in Italy and reflective of “la dolce vita,” the sweet life. It’s a tradition we plan to continue.

Cin cin! Till next time,

Craig & Donna

The Road to Naples – Driving Through Basilicata & Campania: Searching for Family History

| 2suitcasesfor2years

To the south, the Ionian Sea sparkled in the distance as we left Alberobello behind and headed west along the E90.  Our destination in three days’ time – Naples. There was some family history to investigate before that, though, and we set the GPS course to Sassano on a journey to explore the ancestral village of Donna’s maternal grandmother. On the far side of Basilicata, the small hilltop village sits just inside the border of the Campania region.  This would be the culmination of a trip planned years ago, that was originally going to be shared with her mother, before her passing.  Nearer to Naples, we also planned to visit Volturara Irpina, the birthplace of her paternal grandfather. 

Our road trips rarely involved a direct route between destinations and this held true as we turned away from the coast and followed the E847 through the Basento River Valley into the rugged mountains of Basilicata.  Ancient hilltop villages crowned the ridges on either side of the roadway, each looking worthy of future investigation. The Basilicata region has been referred to as “Italy’s best-kept secret” by the New York Times, but it was once the realm of roving bands of brigands. Highwaymen of legend made traveling in the region notoriously unsafe after the unification of Italy in the 1870s.

Under the Royal House of Bourbon, southern Italy fought against unification.  After the war the residents were disenfranchised by unfulfilled promises; with support from Bourbons in exile and the church, which had much of its lands seized, many in opposition to the new government headed to the hills.  These brigands were informally comprised of people with different motives. Former soldiers, some nobles, criminals, peasants, and farmers filled their ranks. The most famous one, Carmine Crocco, aka Donatello, led a band of two thousand men. Your criminal is my guerilla-fighter hero. I guess it depends on which folksongs you listen to.  The region was remote, and severely poverty stricken. During the fascist era of the 1930’s and 40’s, the Basilicata region was used as an open-air prison, where political dissidents were sentenced to exile in remote villages – Italy’s Siberia.

With mountains deforested of wood for fuel, poor soil conditions for farming, an illiteracy rate of seventy percent, bleak employment opportunities in other industries and a central government dominated by northerners that ignored the region, four million Italians chose prospects for a better future and emigrated to the United States between 1880 and 1924.  Others headed to Brazil, Argentina, Canada, Australia and South Africa.  It wasn’t unusual for emigrants from the same village to head to the same new cities overseas where they continued the tradition of campanilismo, the spirit of “loyalty to those who live within the sound of your village’s church bells.” Chicago, Boston, Baltimore, Philadelphia and New York all drew huge concentrations of new immigrants eager to prosper, and societies like the Italian Welfare League helped folks adapt to a new home in a foreign country.

Castelmezzano, castle in the middle, between Albano di Lucania and Pietrapertosa, was our first stop. Descendants of 6th century Greek settlers in the Basento Valley fled to safety in the jaws of the Lucanian Dolomites when Saracen invaders from North Africa forced the local populace from the river valley into the mountains. The smooth sides of the tall, steep tooth-shaped outcroppings that protected the villages of Castelmezzano and Pietrapertosa were perfect for villagers to roll boulders down onto their attackers. 

The same mountains offered safe haven to the brigands of the late 1800’s.  Today the area, only two and a half hours from Naples, is part of the 67,000 acre Parco Regionale di Gallipoli Cognato, a mountainous park with wolves, foxes, porcupines, and wild boar that is a magnet for outdoor enthusiasts who enjoy camping, hiking, biking and rock climbing. 

The area is stunningly beautiful with its unique rock formations, lush forests, olive groves, vineyards, and pastures. During the spring and summer, the small villages of the region host colorful Marriage of the Trees Festivals that combine ancient pagan rites with Catholicism to celebrate fertility and hope. Mid-week in the middle of November the area was nearly deserted, and unfortunately there were not any cafes open. Hopefully, it would be different on the weekends. 

Back on the highway we speculated how interesting a future trip would be, zigzagging back and forth across the valley to explore every hilltop village, large and small. There were so many of them!  We still regret not stopping in Brienza to walk through the historic district at the foot of its 7th century castle, after its profile suddenly burst forth and filled the windscreen as we rounded a curve.

The sun was just setting as we pushed the button on the driveway gate to Affittacamere – Nonno Domenico, located in the valley below Sassano.  Check-in was smooth, but establishing our internet connection required first the involvement of the innkeeper’s teenage son and then his older sister. In the off-season, prospects for dinner were extremely limited. Though Google Maps showed many restaurants in the area, they were closed for the season. After driving around searching, we ended up having a delicious, no-frills dinner at the local pizza parlor. 

We scored big time the next morning for breakfast with our discovery of Pasticceria Tropiano Peccati di Gola & Dintorni. This bakery and café is run by two brothers, Cono and Franco, who are devoted to guiding their customers through the “consumption of sinful delicacies and coffees.”  They offer baked goods of a quality you would expect to find in Naples or Florence, not in the remote area surrounding Sassano. 

The village of Sassano rose sharply from the flat, flood plain of the Tanagro River in the Vallo di Diano, the lower slope of Monte Cervati checkered with the stacked profiles of dwellings built of stone and capped with red tile roofs. 

At the foot of the hill, the spring-fed communal laundry looked newly renovated, with updated washbasins and scrub racks.  Empty laundry detergent bottles indicated recent use.  Outside we refilled our water bottles from an ever-flowing fountain built into the terraced wall.  Basilian monks have been credited with the first construction of a fountain on this site in the 10th century when the village was founded. It’s difficult to believe in this day and age that such facilities are needed and still used. But it reflects the past poverty of the region and the plight of the elderly who still use it.  Just imagine the task of carrying a basket of wet laundry uphill, back to your home to dry.

The lane into the village rose slowly to the small central plaza, Piazza Giuseppe Mazzini, where most of the buildings looked permanently shuttered.  We parked in front of a long-closed butcher’s shop which stood yards from a war memorial that listed the village’s men that did not return from two world wars.  The only sign of life emanated from a tiny bar across the cobbled square, where the barista made small talk with an elderly pensioner sipping prosecco, while warming himself at a sunny table.  We ordered café and planned our morning. Could we find Donna’s grandmother’s home here? 

There are only steep, narrow streets called “carrare,” meaning only as wide as a cart, here. In the early 1900s they would have been filled with farm carts, donkeys, chickens, and a milk cow if you were well off.  Somewhere in the family archive, a photo exists of a young woman returning from the forest with a huge bundle of foraged wood tied to her back.  Water was gathered from the village well and carried home. Extremely hard work and no way to avoid it.

Via San Biagio was a short distance away from the plaza and as steep as expected; it curved its way uphill to a small neighborhood church bearing the same name.  Time has not been kind to the homes on the street. Many showed sign of neglect, with broken stairs and windows along with cobwebbed locks on doors that that looked like they had not been opened in decades. Donna had notes written by her mother, who had passed away only the year before our trip. The familiar clear handwriting stated that Christina D’Alessio DeGondea had lived at Number 10 San Biagio. But Number 10 didn’t exist, only Numbers 9 and 11. A mystery. Perhaps Grandma’s birthplace had been destroyed. 

With a copy of her grandmother’s baptismal certificate in hand, we backtracked past the café to the Church of San Giovanni Evangelista. The 16th century church that stands today was built atop the ruins of an earlier 11th century church destroyed by fire.  Unfortunately, the church and its office were closed during the midweek, the population of the village today only supporting Sunday services, and we missed the opportunity to view its preserved baroque frescoes.  We did catch a glimpse of its notable wooden crucifix by peering through the church’s keyhole. 

Only two hours from Naples and just one hour from the Mediterranean, parts of Sassano are showing signs of renewal with gentrification of some of the architecturally unique homes and those with views of the valley.

Walking along we came to a street named Hoboken, a city in the shadow of the Statue of Liberty only a short ferry ride away from Ellis Island and the promise of new life in America. At a small square we found a mural dedicated to those that emigrated from the village; we sat for a while and wondered about life here in the past. 

For a small village there was an amazing number of churches, but that is true of most towns in Italy. One of our favorites was the Chiesa San Michele. Located on a ridge across from the village, it had a panoramic view of Sassano and was a perfect spot for our picnic lunch. 

Cilento and Vallo di Diano National Park, the mountainous area around Sassano, is also known for its variety of wild orchids, containing 54 of the 120 varieties found in Italy. Earning the village’s second name “paese delle orchidee” – village of the orchids. It sounds so pretty, and it’s the perfect excuse to return when they are in bloom. Afterwards a caretaker at the town’s cemetery helped us search for family headstones.

The next day we drove to the neighboring town of Monte San Giacomo to explore the village of Donna’s maternal grandfather, Nunzio DeGondea. Larger, the village looked significantly more prosperous, with several small cafés and an open restaurant, Dei Tigli Di Totaro Domenico.

Without much to go on we worked our way to the town cemetery near the Santuario Di Sant’Anna on the outskirt of town to search for his family name.  As cemeteries go it was gracefully beautiful and very tranquil, though family history eluded us.  At the Sant’Anna, Donna held me by the belt as I leaned as far as I could over a low wall to pick plump ripe figs from a wild tree.

Later we searched for a large statue of Christ that we had spotted from a lower road as we drove into town earlier.  It was a good excuse for a leisurely drive around, exploring. Eventually, down a dead-end near the Chiesa Madonna di Loreto, we found it.

Not much is known about the origins of Quaglietta Castle, but it is thought to be a Norman feudal fort from the 11th century. And as intriguing as it looked from the road, I had to fight the impulse to follow the exit ramp. Next time!

Our desire to reach Naples before sunset required an early start to leave enough time to visit Volturara Irpina, roughly translated as “valley of vultures,” due to a large population of the birds that once inhabited the area until the 1900’s. The village of Donna’s paternal grandfather, or as I referred to it, DiMeo-ville. Farmacia DiMeo, Avvocato DiMeo, Clinica Medica DiMeo were all businesses lining the main boulevard and plaza around town hall. We had found her people! Folks were cordial, and since we were obviously foreigners, a few stopped to chat with us. When Donna introduced herself to one gentleman, he smiled. Making a sweeping gesture with his arm, he proclaimed, “Multo DiMeo!” Closer to Naples, the town had the feel of a relatively affluent commuter suburb. In the town park a monument paid tribute to the men of the village who died in the world wars, and the September 23, 1943, allied bombing, due to Nazis troops in the area, which caused sixty civilian deaths.  Many DiMeos were among those lost that day.

Once again, we tried to locate the home where Grandpa DiMeo lived before emigrating. We visited the town hall, but our lack of an extensive Italian vocabulary prompted the receptionist at town hall to call for assistance.  In a hopeful frame of mind, we followed a kind woman, slightly older than us, back to the archives where she opened a safe-like door and leafed through the century old, dry and torn pages of several thick volumes of town records, taking notes as she went.  We were still having difficulty communicating, though the gist of it was “your grandfather came from a neighborhood on that side of town,” as she pointed the way.  “The streets are still there; however, the names were changed decades ago.”  With several “mille grazie,” a thousand thank yous, followed by hugs all around (after all, this is Italy) we headed to of all places – Via Alessandro DiMeo. Of course! It was a long, quiet residential street with modest, well-kept older homes on the edge of town. Only a few homes looked like they had been forgotten.  What was confusing though was that off the main road there was a parallel lane and several dead-end spurs that all went by the name Via Alessandro DiMeo.  Walking the street, we stopped to take a photo of some just-harvested walnuts which an elderly man had placed in the sun to dry.  Asking of our interest in the area, he led us further down the road pointing to where the grocer and tailor shops used to be, though he did not know any DiMeos still in residence there. Parting, he insisted we take some walnuts with us. 

Slowing to find a parking space near the McMany Scottish Pub & Pizzeria I suddenly yelled “I just saw your Dad!” “What do you mean?” Donna responded in surprise. “That man could have been his twin – same hair, same nose. He even wore the same glasses. We have to ask him if he’s related.” Parking was not easy, so we circled the block, only to have lost him. The search began and fortunately two blocks on the gentleman had stopped to speak to a friend.  We quickly double-parked and introduced ourselves the best we could as he was saying goodbye to a younger man. “Ciao, il mio cognome è DiMeo,” Hello, my last name is DiMeo. His friend had stayed when he saw us approaching and interpreted our tale for him as best he could. 

Unfortunately, he had been born in a different region and there were not any DiMeos in his family tree, which was difficult to believe. He kindly posed with Donna for a photo, so we could show the folks back home. For those of you who knew Donna’s father, do you see the resemblance to the gentleman in the above right photo? The old photo on the left is Donna’s paternal grandparents, Domenico and Filomina DiMeo.

Till next time, Craig & Donna

Puglia – Alberobello Part 2: Lecce and Nardo – The Florence of the South

| 2suitcasesfor2years

“Signor, mio gattino si è nascosto sotto la yuan automobile ed è salito nel motore.” Roughly translated it means – Sir, my kitten ran under your car and is hiding in the engine! My racing imagination added, I will paint a pagan symbol on your car and you will be cursed for the rest of your life if she is hurt.  I exaggerate a little in jest just so you understand this was a crisis!

The night before we had agreed on an early start to Lecce to rendezvous with our friend Giulia for a day exploring her adopted city.  To help move the day along I offered to retrieve our rental car, which was parked a good distance away, uphill, across from the trullo-shaped Church of Saint Anthony of Padua which crowned the hill.

Donna is the designated linguist of the family. I on the other hand have been lovingly accused of slaughtering a fine romance language with just the utterance of a single word, on more than one occasion.

So, when I heard, “Signor, mio gattino si è nascosto sotto la yuan automobile ed è salito nel motore,” I smiled, as I really didn’t understand a word.  But two very worried young girls and their grandfather were standing next to the car and pointing at the engine.  They had placed a saucer of milk and some cat food near the front tire. I understood and joined the older girl who was on ground, looking under the car and meowing for her kitten, quite convincingly I might add. With no sign of a tail dangling from the undercarriage, I popped the engine hood expecting to find the kitten. Nothing.  I slammed the engine hood hoping the loud sound would jolt her from her hidden perch. Still nothing!  The way the car was parked close to an ivy-covered wall I wasn’t convinced that the kitten hadn’t scampered away unseen earlier.  They were signs of growing concern written on the girls’ faces and a growing crowd of onlookers.  Miming turning the ignition key, I conveyed that I needed to start the car and move it around the corner to jump the curb in order to get better access to the engine from below.  Hesitantly, I turned the starter and was deeply relieved when there weren’t any shrieks of horror from the girls or any fur flying. 

With my entourage trailing along, I drove the car around the corner and put two wheels up over the curb to give me just enough room to shimmy underneath for a closer look.  Fortunately, by this time Donna and Gary were rounding the corner in search of me. Much skinnier and a cat lover, Gary was enlisted to wiggle on his back underneath the car. “I don’t see anything. She’s not here.” I frowned, the girls frowned. “Keep looking.” Time passed. “I see her! she’s tucked up very high – let me have some food.” A few moments later, “I have her!” Beaming with joy, the girls and grandad took the kitten to the quiet sidewalk across the street and set her down on the ground.  Almost immediately, to everyone’s horror, the kitten dashed back across the road. The girls screamed and, oblivious to the traffic, dashed into the street in hot pursuit. The terrified kitten once again raced into her hiding place in the engine!  Mercifully, the second rescue was much faster, and with the kitten firmly in the hands of a local woman who assisted, we jumped into the car and sped away to Lecce.

After circling the port city of Brindisi, the highway (SS613) was a straight shot, past the Mura Urbiche architectural complex that highlights remnants of a once formidable city wall that encircled Lecce, to Giardini Pubblici Giuseppe Garibaldi pretty much in the center of the city.

Even though Lecce is located in the middle of the Salento Peninsular, that is often called the “heel of Italy,” the city has had a long bond with the sea.  Legend has it that the King of Crete, Idomene, was blown off course and shipwrecked here while returning home from the Trojan War.  He married the local Salento King’s daughter, Euippa, and named their newborn girl Lecce, after his Lycia homeland in the eight century BC.

Meter parking was available near the Garibaldi Garden, but we opted to find a 24-hour garage so that we wouldn’t have to worry about time.  Lecce has a population of approximately 96,000 folks, 16,000 of which are students. Their presence was evident with in the jovial sidewalk café life we passed as we headed to meet Giula at the tourist information office on Piazza Sant’Oronzo.  We entered the pedestrian-only historic center through an arched gate that led through the 17th century Palazzo dei Celestini’s impressive, cloistered courtyard. Once the private retreat of nuns, it now seats the regional government. Next door stands the Basilica di Santa Croce with its elaborate façade of carved demons, ogres, gargoyles, and beasts.  It’s enough to send any parishioner questioning his faith inside to seek sanctuary.  Fortunately, our timing to visit Lecce was perfect, as just the month before the façade of the basilica was still under wrap from a multi-year renovation project to freshen the sculptures after centuries of erosion.  Its architect Giuseppe Zimbalo took full advantage of the abundant local rock, called Lecce Stone, with its warm color and malleable characteristics.  His opulent Baroque style along with the lavish designs of his contemporaries is credited with earning Lecce the distinction of being “The Florence of the South” during the 17th century.  The talents of the city’s stone carvers rivaled those in Firenze. 

We had a few minutes to view ruins of the 2nd century Roman Amphitheatre that was undiscovered until construction in 1900 unearthed it. Its full size wasn’t realized until further excavation in 1938 determined it could seat 24,000 spectators.  We think it’s wonderful that ancient archeological discoveries are still happening in cities that have been continuously lived in for over two thousand years.

After joyfully greeting Giulia and making introductions all around, we sat at an outdoor café on the edge of the piazza and relished hearing each other’s adventures over the past year.  “The best way to experience the ambience of historic Lecce is to just wander slowly, discover the small details, touch the walls, enjoy the brilliant light and the warmth of the buildings,” Giulia offered as she stood to lead us through the past glory of Lecce. We followed her along shaded lanes, nearly empty of tourists in late October, past Baroque churches and shops shuttered for the afternoon siesta, still a time-honored tradition in southern Italy. “It’s quiet now, but in the evenings the historic district is transformed into a spirited hot spot. The passegiata brings families into the streets, and later the university students keep it lively with their barhopping.”

Large palazzo, with their arched entrances wide enough for a horse drawn carriage, lined the larger streets. Above, stone buttresses carved with gargoyles and animals supported balconies over the street. Interesting antique door knockers beckoned passers-by to rap on ancient doors, some so covered with cobwebs we wondered how many decades ago they we last used. We resisted the temptation.

As we turned a corner, the large Piazza del Duomo spread out before us.  Unlike other piazza in Italy where there are multiple entrances and shops, this piazza only has one way in and out.  The Lecce stone facades of the Museo di Arte Sacra (once a seminary,) Palazzo Arcivescovile (formerly the Bishops’s residence,) and Cathedral of Maria Santissima Assunta with its belltower enclose the plaza on three sides, giving it the ambience of a tranquil cloister.  The first church on this site was built in 1144 and repaired several times over the next 500 years until 1659 when hometown master architect Giuseppe Zimbalo was commissioned to rebuild the cathedral and design the freestanding 230ft tall belltower in the “Baroque of Lecce” style he helped popularize.  His burial under the altar of the cathedral reflected the honor accorded him.