Sabbatical

Ronda Road Trip – The Pueblos Blancos or Blinded by the Light

| 2suitcasesfor2years

Needing a break from city life we rented a car at the Santa Justa train station and within minutes we were out of Seville heading south to Ronda, one of Andalucia’s many “Pueblos Blancos,” the white villages, so called because of their uniformly whitewashed houses.  Although it was less than two hours from Seville, it took us all day due to the number of planned stops and spontaneous detours we made.

Lime paint was introduced to the region when Rome controlled the Iberian peninsular. Its use was greatly expanded during the mid-1300’s when a bubonic plague pandemic swept through the Mediterranean countries.  Residents of villages were required yearly to cover the outside and the interiors of their homes and churches with a limewash, known for its natural anti-bacterial and insecticidal properties, in an effort to reduce the spread of disease. Community inspections were done, and folks were fined for noncompliance. This mandated conformity was eventually appreciated as an aesthetically pleasing look and a symbol of meticulous tidiness. Fortunately, the custom stayed and has become an iconic signature of southern Andalusia.

Cresting a low hill on the A-375, we spotted a small castle with crenellated walls and towers in a shallow valley not far from the road. Turning towards it we followed a dirt track through farmland not yet ploughed for the Spring planting to a small intersection where the castle stood next to a narrow, babbling brook.  The history of the Castillo de Las Aguzaderas isn’t really known, but it is thought to have been built in the 1300’s by the Moors as they retreated from advancing territorial gains made by the Spanish during the Reconquista. 

Of Spain’s 2500 castles this is the only one that does not sit atop the high ground of a hill or mountain to command the surrounding terrain, but according to its historical placard, stands in a hollow to protect the spring that emerges from the earth outside its wall. With no attendant and an open gate, we were free to scramble around the walls and climb stairs in a terrible state of disrepair to the top of the castle keep for views all around. In the distance an ancient stone watchtower, Torre del Bollo, dominated a hill.

From afar the whitewashed casas of Zahara de la Sierra brilliantly reflected the sunlight like polished marble.  The homes, stacked like building blocks, rose up the hillside until they met a sheer butte. A square tower crowned the butte’s summit.

We followed the long ring road that circles the mount through the village and decided to have lunch at Meson Oñate where we were drawn to the outdoor patio that overlooks the Zahara-El Gastor Reservoir and the rolling farmland that surrounds it. 

After lunch, to work off our delicous meal, we hiked to the Castillo de Zahara, which crowns the mountaintop above the village. It was a well paved steep path at the start, but soon the slope decreased to a manageable incline that zigzagged up the mountain.  For our effort we were rewarded with stunning bird’s eye views over the red tiled roofs of the village and to the distant lake below. A tower is all that is left of a larger Moorish castle from the 13th century that was built over the ruins of a small Roman settlement that once called the mountaintop home. Barely accessible, it provided a safe haven during times of trouble. The castle had a turbulent history with its control passing back and forth several times between the Moors and Spanish. Even French troops once commanded its summit through Napoleon’s conquest of Spain during the Peninsular War that raged in the early 1800’s.

With a last-minute decision to take a longer route to Ronda, we headed into the mountains outside of Zahara de la Sierra on CA-9104, a serpentine road with steep slopes that took us into the Sendero La Garganta Verde, a rugged and wild scenic area that is known for its population of Griffon vultures, and Monte Prieto.  The wind was insanely whipping around us when we parked the car at the Puerto de las Palomas (4500ft above sea level) mountain pass and walked to an observation deck in hope of viewing some vultures.  Griffons are large birds of prey that have wing spans up to nine feet across. We were fortunate to spot some, far off in the distance before we ran back to the car, chilled to the bone.

The sun sets early when you are on the eastern side of the steep Sierra del Pinar mountain range.  The last rays of sunlight still illuminated Grazalema as we drove into the village, but the temperature dropped along with the vanishing light of a February afternoon.

We sat in the plaza and had café across the sidewalk from an interesting statue of a bull being roped.  The statue commemorates the ancient practice of hunting wild bulls. The tradition continued through the Romans and Arabs and was Christianized by the church into the feast of the bull to celebrate the Virgen del Carmen. During the festival, three times a day, a bull is released to run through the village for an hour with the men chasing after, in hopes of roping it. The beginning and end of each bull’s run is announced with fireworks throughout the day.  Sections of an old Roman road that led up into the village are still visible from the mirador on the edge of town.

Enjoying the freedom and spontaneity a rental car offers is a big plus when developing itineraries. Finding convenient and affordable hotels that have free or inexpensive onsite parking was another whole issue.  It was dark by the time we reached Ronda and we were having difficulty finding the hotel’s parking. With one last call to the hotel receptionist the garage door to their secret lair, that was our parking space, was magically revealed to us on a back alley, under the Hotel Plaza de Toros. Only big enough for six cars, our tiny Fiat 500 easily fit in its tight confines.

The next morning revealed that the hotel was in an excellent location, just a block from the town’s famous bullring, Plaza de Toros de la Real Maestranza de Caballería de Ronda, built in 1784. Aside from bullfights it has been used as an armory and calvary training grounds by the Real Maestranza de Caballería de Ronda, a noble order of horsemen in the 18th and 19th centuries.

The promenade next to bullring is dedicated to famous literary talents who were enamored with the “Ciudad Sońada” or “Dreamed City,” as Ronda is also called. While Don Quixote didn’t tilt at any windmills in Ronda, his creator Miguel de Cervantes certainly drew inspiration from the area as he traveled between villages for his day job as Royal Tax Collector. Washington Irving found inspiration in the rugged landscape of southern Spain when he traveled through Ronda in 1828 prompting him to write, “There is something in the austere presence of this Spanish landscape that wounds the soul with a feeling close to the sublime.” He also romanticized the brigands, who some saw as Robin Hood figures that lived in the mountainous terrain surrounding Ronda, and Irving was disappointed in not encountering any on his journey through Andalusia, ignoring the poverty and repressive feudal system that forced many into a life of crime. Ernst Hemingway was drawn to the machismo and pageantry of bullfighting in Ronda, where the sword and red muleta cape were first introduced into the ring by the legendary matador Francisco Romero in 1726.  Orson Welles explained bullfighting as “an unjustifiable yet irresistible, three-act tragedy.” Wells was so fascinated with this quintessential Andalusian village that he chose to be buried here on the hacienda of a bullfighter friend – “A man does not belong to the place he was born in, but to the place he chooses to die.” Spanish poet, José Agustín Goytisolo summed it up best for us with, “We sighted Ronda. It was raised up in the mountains, like a natural extension of the landscape, and in the sunlight it seemed to me to be the most beautiful city in the world.”

The mirador beyond the park overlooked olive groves and spring fields still dormant.  Past them distant mountains faded into the horizon.  The path through the mirador led to the Puente Nuevo bridge that connects the younger old town to the ancient village across the steep sided El Tajo (The Deep Cut) gorge, carved out eons ago by the rushing waters of the Rio Guadalevín.  Finished in 1793 after 34 years of construction, the new bridge isn’t so new anymore, but it was an engineering feat when it was constructed across the shear 390ft deep chasm that divided the village. It replaced a poorly built 1735 bridge that tragically collapsed after only six years’ use, killing fifty people.

Ronda is a fabulous city for walking and as we continued across the bridge into La Ciudad, Ronda’s old-town quarter, we stopped in awe, to photograph the iconic whitewashed houses that are tenuously perched atop the walls of the gorge. Precarious to the point that if their front door slammed too hard the back of the house might fall into the gorge! 

We worked our way to Plaza Duquesa de Parcent in the center of the historic district for lunch. Passing architectural details from Ronda’s Moorish and Spanish past still evident on some of the ancient buildings.

In the off-season not all of the restaurants were open, but it was a beautiful day and we didn’t mind waiting for a table in the fascinating historical surroundings. A few minutes later we were seated at a table in the sun, caddy corner between the Convento de Clarisas de Santa Isabel de los Ángeles and the Convento De La Caridad, both built in the 16th century. The classic symmetry of Ronda’s Town Hall with its two-tier colonnade anchored the far side of the plaza.  

Adjacent to the town hall the Iglesia de Santa María la Mayor is the real draw to this side of the historic district.  With two rows of covered balconies next to an adjoining former minaret turned belltower, it’s a unique façade for a church and it’s built on the foundation of a 14th century mosque. Ronda and Granada were the last Moorish strongholds in Andalusia, and the mosque was ordered destroyed after Ronda surrendered in 1485. King Ferdinand and Queen Isabel immediately ordered that a Gothic church be built upon the spot. 

The balconies on the front were added during the reign of King Felipe II in the 1500s for the well-to-do and nobles of the city to watch maestranza tournaments in the plaza, before the Plaza de Toros de la Real Maestranza de Caballería de Ronda was built. A century later the church was partially destroyed in an earthquake and the rebuilding over the next two centuries embraced a mishmash of Gothic, Renaissance and Baroque styles that sends architectural purists into a frenzy of “how could they.” Though smaller than the churches in Seville, we found the Iglesia very refreshing with its lofty interior and fabulous religious art.

Just inside one of the side entrances, a worn stone stairwell led up to a walled catwalk that wrapped around the side and back of the building. The views from it over the red tiled roofs of the old quarter seemed not to have changed for centuries.

Later that evening we explored the new town and found Grabados Somera, Shallow Engravings, a wonderful workshop and gallery filled with etchings of matadors, senoritas and Ronda, all the creations of master printmaker engraver Pedro Somera Abad. Writing this now we regret not purchasing a print as a souvenir of our time in Spain.

We eventually came across La Casa de Jamon, a gourmet store and Iberian Ham bar that will leave any carnivorous epicure salivating. Here a leg of the best jamon to take back to your casa will dent your wallet an extravagant 600€.  We never realized those acorn fed porkers could command such a price. Along with jamon, they have locally sourced sausages, wine and cheese from the Andalusia region. We decided to order a charcuterie board for dinner and we were not dissappointed with the tasty assortment presented.

The next morning we walked through the Jardines De Cuenca along a walled path that traced the course of the Rio Guadalevín through El Tajo gorge far below. Across the chasm the hanging gardens of the old palatial homes that lined the cliff edge were redolent with color. The path through the park slowly descended to the Puente Viejo; built in 1616, it is the oldest stone bridge over the river.

Across the bridge the route split to go back into La Ciudad, the old town, through the Renaissance era Puerta de Carlos V, where taxes were once levied on the wares merchants brought into the city.  Or we could go downhill to the impressive arched ruins of the Baños Arabes, a 13th century Moorish bathhouse on the outskirts of the city, that provided heated water, an impressive feat 800 years ago.

Along the river that supplied water to the Arab baths, grist mills once stood just inside Ronda’s double ring of fortress walls that protected this side of La Ciudad.  The mills ground wheat harvested from the surrounding countryside. The stones of the outer wall were repurposed long ago. Now only remnants of the massive inner wall, the last line of defense before entering the city still stands, causing us to pause and imagine its former glory. Walking under the last vestiges of Ronda’s mighty defenses, we headed back.

It was lightly raining as we strolled along Carrera Espinel in search of an interesting place for dinner.  Most of the inside tables at the restaurants we passed were taken with diners escaping the damp evening chill.  But the aroma of savory clams drew us to an outside table at Restaurante Las Maravillas, where the waiter was attentive and refueled the tower heater next to our table to help keep us warm. The dinner and wine were delicious.

Plans to visit Olvera and Setenil de las Bodegas the next day were made over dessert and coffee. It had been a long satisfying day, our “walk a little then café” evolved to “walk a little more, then bed.”

Till next time, Craig & Donna

Follow 2suitcasesfor2years on Instagram!

Seville Part 2 – Walking Through History Under the Orange Trees

| 2suitcasesfor2years

One of the tenets of slow travel is the ability to revisit a place many times to savor the changes in its ambience. The Plaza de España in Parque de María Luisa was one such lively spot that we enjoyed and returned to several times. 

It is an iconic landmark for Seville with its eclectic mix of Baroque, Renaissance and Moorish architectural styles embellished with hand painted Mudéjar tiles created across the Guadalquivir River, in the Triana barrio.

Along with an expansive plaza, signature horseshoe colonnade, and boating moat, it has been a popular destination since it was constructed for the Ibero-American Exposition of 1929.  It, along with the Museum of Popular Arts and Traditions, and the Archeological Museum of Seville in Parque de María Luisa, are hubs of activity on the weekends when they fill with friends and families looking for more elbow room.

Several other architecturally interesting buildings were constructed in the park and along Paseo de la Delicias at this time to host exhibitions from countries that were formerly part of the Spanish Empire and which would later be used as consulate building. 

On the way to the park one morning, we stopped for café along the edge of Jardines de Murillo and unsuccessfully tried to order cappuccinos from a brusque waiter who replied, “No,” just no and without any further explanation turned and walked away. Confounded, we left.  This happened again several days later when we were early for a dermatologist appointment, for an overdue skin cancer screening at Hospital Fátima, a private hospital in Seville that facilitates multi-lingual medical tourism services for travelers. We used TripMedic to arrange our appointments.

We found the small café, Bar Puerto Chico, on the block behind the hospital. It was full of folks on the way to work, having the traditional Andalusian breakfast that consists of tostada, soft Mollette bread, perfectly toasted to a golden brown and drizzled with olive oil, a smear of crushed tomatoes and maybe a slice of jamon, along with coffee and zumo natural, fresh squeezed Spanish oranges.  “Dos capuchinos por favor.” The barman smiled this time when he responded with a “No,” but seemed to be delighted that two foreigners had found his establishment, when he explained that they only serve espresso or café con leche. In some local bars cappuccinos just aren’t done. Mystery solved.

Heading back into the city center, the sidewalk along Paseo de la Delicias eventually dips down, near the Escuela de Mareantes (School of Navigation) and widens to a scenic esplanade for bicyclists and walkers, that parallels the Guadalquivir River through Seville for several miles.

Speckled with buskers, sculptures, and benches, there are plenty of excuses to saunter slowly and savour the view. The river is popular with numerous kayaking and sculling clubs that launch miles upstream and then race down the river. 

The waterway on the weekends was always bustling, but even during the week there were a good number of paddlers and rowers on the water, from sunrise to sunset.

It’s also an historic stretch of river that was the Port of Seville, where galleons returning from the Spanish colonies in the Americas during the 16th and 17th centuries unloaded cargo and registered their treasure of gold and silver bullion at the Torre del Oro, tower of gold bullion.  The 118 ft tall tower dates from the 1100s and was part of the Moorish defensive wall that once encircled the entirety of ancient Seville and was the anchor point for a heavy chain that was stretched across to the Triana side of the river to control shipping.

Ferdinand Magellan launched the first circumnavigation of the world from this quay in 1519. For the 500th anniversary of this tremendous feat the city commissioned a full-size replica of his ship, the Nao Victoria, to be moored on the river.  A small vessel by today’s standards, it made us wonder how they ever succeeded in sailing around the world. 

Nearing sundown, the quay along the river fills with folks waiting to watch the sky erupt with color as the sun sets behind the bridge and Triana.

At the base of the bridge stands the lofty, wrought-iron and glass Mercado Lonja del Barranco, designed by Gustave Eiffel in 1883. It functioned as the city’s fish market for several decades before it was re-envisioned in 2014 as an upscale food hall with a contemporary, architecturally beautiful interior.  It’s definitely a fun foodie destination; it is a savory gauntlet of display cases offering the full spectrum of Spanish cuisine prepared by twenty different restautrants.  There is something delicous for everyone available here.

Aside from the completion of the Puente de Triana bridge in 1852, which replaced a well maintained 700 hundred year old Arab-designed pontoon bridge, it’s alleged that the Triana riverfront looks unchanged since Columbus recruited his sailors from the barrio.

While it still retains its authentic character, some wonderful alterations have been implemented, starting with the pedestrian only Calle San Jacinto that starts at the foot of the bridge on the Triana side. It is a lively stretch of outdoor cafes that offer an array of different cuisines.

The ruined dungeons of Castillo de San Jorge castle, located under the Mercado de Triana, are now a museum and Interpretation Center for the 300 year terror known as the Spanish Inquisition.  Nearby a short alley leading up from the river, the “Paseo de la Inquisición,” was the last walk of freedom for many before the prison door slammed behind them.

The mercado is a thriving, lively spot that draws locals for the seafood, meat, cheese and vegetable vendors, along with a slew of always busy restaurants.  We caught a lesson in buying fresh fish while waiting in line at a fish monger’s stand. “Always look at the inside color of the gills, they should be very bright,” is what we gathered as he showed several large whole fish to the customer in front of us as we waited to purchase a filet of tuna to cook back at our apartment.

One stall, which we dubbed the olive porn store, only sold decadent large olives garnished with all sorts of delicious extras.  Another booth offered artfully decorated puff pastries, which were as tasty as they were visually stunning. The mercado was a long walk from our apartment, but one of our favorite traditional markets to shop at, which we returned to several times during our six-week immersion in Seville.

We were on the Triana side of the river one late February morning and came across a crew of city workers with ladders and buckets harvesting all the softball size Seville oranges from the trees that were lining the street. The fruit was brought to the city by the Arabs in the 9th century and Seville now, unbelievably, has 46,000 bitter orange trees that produce close to six million tons of fruit annually. Most of it is sold to be used to make marmalade, but it is also an ingredient in Cointreau, Curacao, Grand Marnier and Triple Sec liquors. Oil from the bitter orange skin is used for cosmetics, pharmaceuticals, and soaps. Recently the city started using the unsold oranges in an innovative Biogas program, where the methane gas created by the decomposing oranges is used to make “clean electricity” to run a water purification plant.

Before continuing our day, we stopped for coffee at one of the cafes that line the riverfront on Calle Betis. From our previous experiences we believed it was impossible to get a bad cup of coffee in Europe. All of it is usually made to order on one of those fancy deluxe espresso machines that you see behind the bars. My wife is more the coffee connoisseur than me as I’ve been known to make a mug of coffee last all day. But that day we both had the worst cup of coffee ever and couldn’t drink it beyond our first sips. It must have been the last pot of drip coffee from the day before that was left on the burner overnight. It’s amazing how waiters can vanish; perhaps ours did from embarrassment, but this could explain the beginning of the inquisition. Bad coffee leading to misplaced aggression, we all know what happens without that caffeine.  Sympathetically the second waiter understood when we explained the situation and he didn’t request payment.

Triana was also famous for the ceramic workshops that painted and then fired in massive kilns the Azulejo and colorful Mudéjar style tiles that adorn many of the historic buildings in Seville.  Along with sailors, Triana has cultivated many famous flamenco dancers, guitarists and bullfighters. The most admired matador was Juan Belmonte who stood famously close to the bulls and was gored several times over a career that spanned 109 bullfights. His statue stands in the plaza across from the Triana Mercado and if you follow his gaze you’ll see Seville’s beloved bullring, Plaza de toros de la Real Maestranza de Caballería de Sevilla, often simply called the Maestranza, across the river. It has been holding corridas in the same ring since 1761. 

Many of the taverns surrounding the bullring are full of corrida memorabilia. Our favorite was Bar Baratillo on Calle Adriano which is also full of shops catering to the Andalusian equestrian tradition.  La Feria de Abril is a colorful weeklong festival that celebrates this Andalusian equestrian tradition with the women wearing traditional traje de gitana or faralaes (flamenco style dress), while the men wear a cordobes hat along with a fitted short jacket, riding trousers and riding boots, refered to as traje corto. Every midday during the festival a parade of carriages and riders, called the paseo de caballos, heads to the bullring to watch the best matadores on Seville’s bullfighting calendar perform. Bullfighting season in Seville starts at the end of Semana Santa, Holy Week, on Easter Day.

Farther behind the bullring the Hospital de la Caridad, founded by the Holy Charity brotherhood in the 1600s, still follows its mission to help the poor and infirm. Its beautiful baroque chapel is now a museum filled with art.

Also, in this neighborhood in Casa Morales, we found one of Seville’s oldest abacerías, a small grocery store with a small tavern in the back, on the corner of Garcia de Vinuesa and Castillejo that is still run by the same family since its opening in 1850. The bodeguita retains its original atmosphere with antique cabinetry in the store and tall, large earthen wine vats lining tavern’s walls. It’s definitely worth a stop here to try their traditional tapas or montaditos, small sandwiches.

Just off Calle Adriano one Saturday in the weeks prior to Semana Santa we came upon a Christian brotherhood training to carry their float for the holy week processional. With military marching precision, the muscular team turned the weighted float around a tight corner and continued down the block in synchronized step. 

We followed the marching band that accompanied them to a fundraiser for the brotherhood.  Very much like a church bake sale, the only difference was they surprisingly sold bottles of various liquors.

We smiled, bought one and saluted Seville’s spirit later that evening.

Salud! – Till next, Craig & Donna 

Seville Part 1 – Living in the Centro Historico

| 2suitcasesfor2years

Our host had given us instructions to make our way to the Jardines de Murillo, past the historic monument commemorating Columbus’ discovery of the new world and then cross the park entering the Santa Cruz barrio through an old gate, under an elaborate balcony. It’s believed this balcony was the inspiration for a scene in Rossini’s comedic opera, The Barber of Seville, where Lindoro and his band of troubadours played a serenade below the window of the stunning Rosina.  We’d pass through this relaxing park many times during our time in Seville while heading out to explore the city or shop at the closest Supermercados MAS. An excellent small grocery store with bakery, meat, cheese, and fish departments. We signed up for their shopper’s club card!

“Continue down Calle Agua,” so called for the ancient aqueduct that ran atop the high wall that parallels its length and supplied water to Royal Alcázar of Seville, a former Moorish palace before the reconquest of Seville in the 13th century by the Castilians. “It turns and becomes Calle Vida.” A few steps down the lane Calle Judería veered off, a reminder that this was once the old Jewish quarter when the Moors ruled the city and continued until 1492 when King Ferdinand II and Queen Isabella decreed that all Hebrews be expelled from Spain.

We continued straight as the high walls of the lane narrowed to a point where walking single file was required, and the clickety-clack of our suitcases reverberated off the shadowed stone walls. With a broad smile and “Hola!” a sample of freshly toasted snacks was enthusiastically offered to us by an energetic saleswoman. It appeared that her mission was to have every tourist who passed her station sample the tasty treats created at Sabor a Espana, the shop that anchored a corner on Plaza de Doña Elvira, our final destination. Centered with a tiled fountain and surrounded by fragrant Seville orange trees, the intimate plaza was an oasis of greenery amidst the ancient stones of the old town.

Our host was waiting as promised with keys and an orientation of the apartment which we would call home for the next six weeks. It was the smallest apartment we had rented during our travels, but it had wonderful rooftop access with a super view of the plaza below and the Royal Alcázar, which was close enough for Seville football star Jesus Navas to kick a soccer ball into, if he were so inclined.

We will be the first to admit that our travels have not been in an orderly systematic approach to working our way slowly around the world. Instead, we seemed to have adopted a hybrid pinballer approach for ricochet shots to select our destinations across the globe. We wanted a location that offered a warm winter but eliminated any coastal towns for concern that a February/March stay would be too cold or damp along the oceanfront. We opted for Seville, with a population of 700,000, as an affordable alternative to staying in Madrid or Barcelona. The city was the ideal choice for an extended stay with near perfect weather and loads of interesting things to do and see within minutes of our apartment in the center of the historic district. This would have been totally prohibitive with our budget if we had booked this during the high season, but traveling in Spain during the shoulder season was very budget friendly and allowed us to immerse ourselves into the city’s cycle of activity.

A wonderful daily ritual soon emerged, with greetings exchanged with the shop attendant as she swept the cobblestones every morning or was offering samples later in the day when we passed.  Of course, we shopped there; the sweet aroma was too enticing to resist and the snacks were delicious. “We’ll walk it off,” we laughed. Then there were the tapas! Two favorite spots were La Fresquita, a tiny standing room only bar, uniquely devoted to “all things Semana Santa.” This included the playing of classical church music and the occasional wave of a smoky incense-filled censer over the countertop.  The other was Las Teresas, an old school tavern decked with polished wood and whole legs of Jamon Iberico dangling above the bar. We walked everywhere in Seville; it was the perfect city to explore by foot. Every direction proved rewarding with interesting discoveries.

Small plazas held cafés. With their tables set in deep shade, they dotted the historic center and provided a quiet spot to just sit back and enjoy the old-world ambiance of this foreign city, with an intriguing mix of Moorish and Spanish architecture. Our “walk a little then café, then walk a little more,” approach allowed ample opportunities to enjoy the sunny days.

Minutes from our door an arched passage under dwellings in the old Jewish quarter opened onto the Patio de Banderas. It was once a courtyard for a tenth century Moorish palace. In the 1700s the buildings that lined it were used as an armory. Later the square was planted with orange trees and converted to a riding ring for the local gentry to use. At the far end another arched gate framed the La Giralda belltower of the Catedral de Sevilla as we exited onto the Plaza del Triunfo. Built in the twelfth century during the Almohades dynasty when the Andalusian region was still part of Muslim Spain, the tower was originally a minaret.

Its square design is based on the Moorish architecture of the Koutoubia Mosque in Marrakech. The interior does not have a traditional set of stairs for the muezzin to climb to the top for the call to prayer. Instead, it was built with a ramp wide enough for the muezzin to ride a donkey to the summit of its 167ft height. I imagine they would have had a high muezzin turnover rate if this accommodation wasn’t made to facilitate the five times a day call to prayer. After a sixteen-month siege that ended in November 1248, the Muslim forces in Seville surrendered and originally wanted to destroy the minaret before their forced relocation from the city, to prevent its repurposing for another religion. Upon hearing this ing Ferdinand III of Castile included in the terms of surrender a passage that threatened “they would all be put the sword” if the beautiful minaret were defiled in any way. In the sixteenth century a new top third was added with renaissance architectural influences that expanded its height to 337ft and included space for its array of 24 bells. Giralda, “she who turns,” is the name given to the weathervane atop the belltower, with the heroic female statue representing the triumph of Christianity. The exterior of the tower blends Islamic decorative relief sculpture, featuring floral forms, intricate geometric shapes and stylized calligraphy, with Gothic, Romanesque and Renaissance architecture. This is referred to as Mudéjar style and is prevalent in many of the historic buildings in Seville and throughout Andalusia. It is an enchanting blending of cultures and a signature of the region.

The lower part of the belltower and the Mudéjar style Puerta del Perdón gate into the Patio de los Naranjos courtyard filled with perfuming oranges is all that remains of the grand mosque that was repurposed as Seville’s first Christian cathedral after the reconquest. The old building stood until 1401 when construction started on the Catedral De Sevilla, https://www.catedraldesevilla.es/cultural-visit/ with the mission to illustrate the city’s emerging importance and wealth as a trading center on the last navigable stretch of the Guadalquivir River. The church elders offered the following inspirational instructions to the builders: “let us build a church so beautiful and so magnificent that those who see it finished will think we are mad.”

The inside of the of the church, also known as Santa Maria de la Sede, is cavernous with eighty side chapels and a ceiling that soars 138ft high. It is the third largest Christian cathedral in the world. The grandiose Gothic woodcarving of the Retablo Mayor, altar piece, is the life work of one artisan, Pierre Dancart, and gilded with an amazing amount of gold from the then newly discovered Americas.

Statues representing four kings of Spain from Aragon, Castile, Leon and Navarra are pole bearers for Columbus’ tomb, belatedly acknowledging that the explorer, who died in poverty, had made a major contribution to the Spanish Empire.

Always up for a climb, we signed on for a rooftop tour of the cathedral. Following our guide, we climbed stairs worn smooth over the centuries through ancient passageways hidden in the walls and towers to the top of the church for a beautiful view across Seville. We were grateful that we didn’t pass up a chance to walk amid the Gothic spires, flying buttresses and gargoyles that adorn the inspirational structure.

When the tour ended, we rested across from the church, on the steps of the Monumento a la Inmaculada Concepción in Plaza del Triunfo. It seems to be a rite of passage for visitors to Seville, to sit here in the heart of the historic district and soak in the ambiance of this beautiful city.

We let your minds imagine life in Seville centuries ago as horse drawn carriages, filled with tourists now, clattered across the cobblestoned square in front of the Royal Alcazar of Seville. Despite the fact that we were visiting in February, every day the queue for the Royal Alcázar of Seville was always exceptionally long, so we opted to buy our tickets and reserve an entry time online.  The same option is available for the Catedral De Sevilla.

The Plaza del Triunfo sits on what was once Seville’s ancient river port until the 900’s when the area was filled, and the Caliph of Cordoba ordered the building, adjacent to it, of the Royal Alcázar of Seville to accommodate offices of the Muslim government and the Caliph’s residence.

It’s been expanded and renovated numerous times over the centuries by both Muslim and Christian rulers. But surprisingly each successive regime savored an appreciation of the previous ruler’s Islamic architecture, intricate wall and ceiling decorations and quiet, lush oasis-like gardens. All are designed to create a sense of wonder, a key element of Islamic art. The Spanish Kings and Queens continued to admire the Muslim architectural style and imported Mudéjar craftsmen from Toledo and Granada to enhance their newer constructions which favored European Gothic, Romanesque and Renaissance architectural styles. 

The importance of the Alcázar evolved significantly as Spain’s colonization of the Americas saw the country grow into the world’s first global empire, all of it directed from this seat of power in Seville. It’s an amazing place is the best way to sum it up.  Today the Alcázar of Seville is still occasionally used as a royal residence by King Felipe VI and Queen Letizia.

Flamenco is synonymous with Seville and one of most enjoyable ways to watch it was to find a street dancer or group busking. Our favorite dancer was Charli La Tornillo. She entertained crowds many afternoons with a passionate, fiery routine near the fountain in Puerta de Jerez Square, located on the tram line not far from the Alcázar. The Jardines de Murillo and the Plaza de España were also reliable spots to find Flamenco dancers.

One Saturday morning we decided to take the tram from the Prado De San Sebastian metro station into Plaza Nueva to start our morning, a relatively short trip in a modern coach through the pedestrian only historic center on a route lined with ancient stone and fin-de-siècle buildings.

It passed Seville’s 15th-century Exchange that now houses the Archivo de Indias, which contains centuries worth of records pertaining to Spain’s colonies in the new world. We first noticed a group of elegantly attired women wearing unique fashionable hats called tocados, or fascinators, walking along Av. de la Constitución, not far from city hall, our final stop. Saturday mornings, it turns out, are when civil weddings are performed in Seville.

It was an interesting morning watching the various fancifully dressed wedding groups queue in the plaza before their assigned time. Unlike civil ceremonies in the states, which usually are lowkey events, civil weddings in Spain are occasions for fashionistas to dress to the hilt.

After the ceremonies, friends and families escorted the bride and groom to nearby restaurants to continue the celebrations.

Seville is also a popular destination for joyful, outlandishly boisterous hen parties. Participants parade through the streets, dressed in quirky outfits, to celebrate their friend and bride to be.

Seville packs a lot into a small space and every direction we headed offered something interesting. The Hospital los Venerables was just a few steps away from our front door, down the narrow Calle Gloria that opens to the aptly named Plaza Venerables. 

It was built in the 1600s as a retirement home for poor, elderly or disabled priests.  The very austere exterior deceitfully hides a wonderfully ornate Baroque chapel and interior, as well as various tranquil courtyards. Today the building is used as a museum dedicated to the Sevillian born (1599) artist Diego Velázquez.  A collection of paintings by 17th century artists Francisco Pacheco, Murillo and Bartolomeo Cavarozzi are also on display.

There was an amazing amount to see in Seville as we wandered all over the city.  We’ll share our walks across this intriguing city in a number of future blogs.

Till next time, Craig & Donna

Christmas in Milan – A Monumental Cathedral, Cemetery and Horse

| 2suitcasesfor2years

Snow started falling as we brewed the morning’s first cups of coffee on the stove using a traditional Italian Moka coffee pot.  Invented by Alfonso Bialetti in 1933, Italians readily accepted it as an easy way to make espresso at home, and it quickly became symbolic of “la dolce vita,” the sweet life and for us a pleasant morning ritual. The day before had been warmer, and bundled up we were able to take our coffee outside on the balcony of our fourth-floor Airbnb rental and enjoy a great sunset view.  This morning though, the tracks of the tram line melted through the thin blanket of freshly fallen snow and left two parallel lines, as if someone had drawn them on this new white canvas with a pencil.

Continuing with our philosophy of slow, immersive travel, we had opted for an apartment in the Isola neighborhood.  Though far away from Milan’s city center, it was situated near the Porta Garibaldi train station and the recently built modern skyscraper complex that surrounds Piazza Gae Aulenti. The illy Caffè here was a frequent stop for comsmopolitan people-watching and excellent coffee.

Nearby were the twin apartment towers of Boeri’s Bosco Verticale, Vertical Forest, famous for their lush foliage-covered balconies, and the Isola and Zara subway stations. The latter was only seven quick stops from the Milan Duomo.

The neighborhood also had numerous tram lines traversing it, but it was impossible to find a hardcopy map of this very extensive system while we were in Milan, though we were able to find this online map of the Milan Tram System while writing this. Ultimately, we relied on our phone’s mapping App to view our tram trips in real time and determine where to change lines to continue our journeys across the city.

Two blocks away, the bi-weekly outdoor food market closed the streets around Piazza Tito Minniti for the bulk of the day while families shopped the stalls for fresh vegetables, cheese, meat and seafood along with socks, pants, dresses and blouses. We enjoyed this aspect of Italian life after learning its subtle nuances – for example, only the vendor touches the fruits and vegetables. There is also a protocol of queueing. Sometimes though our schedule required us to shop around the corner at La Pastaia for fresh pasta or the Penny Market grocery store, where we signed up again for another shopper club card.  We’ve done this in every city where we have stayed long term – Cuenca, Antigua, Lisbon, Cape Town and Kotor. It seems silly, but those small savings do add up and jokingly it helps us feel more like a local.

Emerging from the darkness of the subway station onto the Piazza del Duomo, we were momentarily blinded by the bright sun reflecting off the monumental cathedral that towered before us. Breathtaking in its size and capable of holding 40,000 worshippers, the cathedral is the second largest in Europe, following Saint Peter’s Basilica in Vatican City, and the third largest in the world.  Designed in 1386, the ornate and dramatic Gothic façade of the cathedral is covered with 3,400 statues and spires, which required the recruitment of hundreds of stone masons and artisans from across Europe. 

The opulent exterior belies the cathedral’s spartan interior.  While massive in scale, the interior’s gray stone walls and towering columns are cold and austere even with the soft, filtered light of beautiful stained-glass windows illuminating the space. Most moving was a ghastly sculpture by 16th century Italian sculptor Marco d’Agrate of Saint Bartholomew holding his flayed skin, depicting how he was punished for converting an Armenian King to Christianity in the first century AD.

Wandering around the flying buttresses and sculpted spires on the roof of the church was the highlight of our visit to the Duomo. The day was crystal clear, and the panoramic view stretched from the Milanese skyline to the snowcapped Italian Alps. It was spectactular.

Across the plaza the Museum of the Milan Cathedral has an extensive and interesting collection of art and sculpture that at one time or another was part of the Duomo.

On the other side of the plaza stood Milan’s official Christmas tree, a modern conically shaped metal structure covered with thousands of multi-colored changing lights. Beyond the tree was the famous Galleria Vittorio Emanuele II, where four-story tall buildings and the promenade between them are covered with a spectacular vaulted glass ceiling.  It is considered the world’s first indoor shopping mall, built shortly after the unification of the Italian peninsular into the Kingdom of Italy in the 1860s when Vittorio Emanuele II was named king.  Lovingly nicknamed “il Salotto di Milano,” or “the living room of Milan” by the Milanese, the phrase acknowledges it’s the place to meet friends and be seen.

Wanting to stay in the city center till night fell, so that we could fully appreciated the Christmas lights on the tree in front of the Duomo, we wandered farther afield until we found the Chiesa di Santa Maria presso San Satiro. First built in the 9th century, the present church dates to the Italian Renaissance and  features a gilded interior and a rare example of Trompe-l’œil in a church. This painter’s effect utilizes a forced perspective to create an illusion of depth behind the altar.

After dark the plaza in front of the Duomo continued to fill with people eager to enjoy the festive mood of the Christmas season.  The Christmas tree was stunning, and its modernity nicely complimented the historic buildings surrounding the piazza.

From our balcony we could see the silhouette of Tomba di Manzoni, the grand entranceway and “Hall of Fame” mausoleum for the noteworthy, though not as wealthy, Milanese who are interned at the Cimitero Monumentale. 

As we wandered farther into the cemetery, we realized that monumental might be an understatement. It was difficult not to confuse this extraordinarily extravagant place of entombment for an outdoor sculpture garden with memorials created by a who’s who list of famous 19th and 20th century Italian artists and architects for prominent Milanese families. 

The family names on the mausoleums also adorn roads, parks, tram and subway stations across the city. There seemed to be an afterlife version of one upmanship in play here with each monument more grandiose than the last.  As if competition or success in life was not enough and had to continue till your final committal.  It was a fascinating place to explore. Plan on spending most of the day.

Donna’s mom had passed away the year before and one of our reasons for staying in Milan was to revisit a project her mother was instrumental in as a member of the United State’s Italian American Heritage Foundation and Leonardo da Vinci’s Horse Foundation. She helped for fifteen years in the 1980s and 90s to raise 2.5 million dollars to the see Leonardo da Vinci’s 24ft tall Il Cavallo recreated. The sculpture was finally realized by American sculptor Nina Akamu. 

Da Vinci was commissioned by the Duke of Milan in 1482 to create, at the time, what was the largest equestrian statue in the world, as tribute to his late father, Francesco Sforza.  The full-size clay sculpture was completed in 1491 and was waiting for its terracotta mold to be made and enough bronze amassed for its casting when the French invaded in 1499. Subsequentially, the clay model was totally destroyed by French crossbowmen who used it for target practice.

On its 500th anniversary, da Vinci’s Il Cavallo was unveiled outside the Ippodromo Snai San Siro, Milan’s famous horse racing track. Smaller artistic interpretations of Il Cavallo stand in the plaza behind it. This being modern Italy though a horse just can’t be a horse, and many were psychedelically painted and wore tutus or unicorn horns. Wonderfully whimsical, they definitely made us smile. 

One rainy afternoon we took the tram to the 15th century Sforzesco Castle, seat of power for the Sforza dynasty that lasted only 100 years. But in that time the fortress/palace was expanded to be one of the largest citadels in Europe and filled with works of art by numerous Italian Renaissance artists.  Leonardo da Vinci, Michelangelo, Bramante, Correggio, Bernardino Zenale and Bernardino Butinone were commissioned to adorn the walls and ceilings and sculpt pieces to fill the vast space. Today the castle houses several of the city’s museums and art collections where the artists’ contributions to the palace can still be seen. A heavy fog had blanketed the citadel by closing time and was evocative of the moods cast in the historical fiction novels set in Renaissance Italy by Sarah Dunant. Later that evening we attended an Anglican Lessons and Carols service as a prelude to Christmas, then headed back to our apartment humming Christmas tunes as we window shopped.

Signs for Artigiano in Fiera, the Fair, dotted our route into Milan when we first arrived from Bergamo and piqued our interest.  We hadn’t heard of it before, but with a quick internet search realized it was the shopping event of the Christmas season in Milan. While in line to enter the center we noticed many people pulling large suitcases. Toward the end of our shopping spree, laden with purchases, we realized the bags on wheels were pure genius, and allowed the seasoned pros to carry their holiday shopping with ease. The Fiera is a tremendously popular annual, nine-day event that draws over one million visitors to the Fiera Milano, Europe’s largest exhibition center, located in Rho, just outside Milan. Folks shop for home furnishings, fashion, jewelry, arts and crafts, along with artisanal foods, wines and liquor. The sites’ nine cavernous exhibition halls were filled with vendors from 100 countries, though displays from the twenty regions of Italy occupied ninety percent of the space. Plan on spending the whole day if you hope to see everything. It was all very interesting and entertaining and truly a marathon event. From Milan it’s an easy trip on the M1 subway, which stops right at the venue.

Wanting to make our last night in Milan special, we made dinner reservations at a highly reviewed restaurant, only to be turned away into a rainy night because we arrived early as the staff was enjoying their pre-work communal meal together. (The later you dine out in Italy the more you’ll feel like a local. Though this does take some getting used to and we haven’t mastered this yet.) “Okay, we will have a drink at the corner bar and return,” we agreed.

To our delight, our aperitives were accompanied by small sandwiches with chips and olives.  We had every intention of heading back to the restaurant, but our waiter was engaging, and the Aperol spritzes were very good. We spent the time watching folks fight the wind with their umbrellas through the bar’s rain-pelted window. The specular highlights from the streetlights added magic to the scene. Occasionally some groups popped inside seeking a warm reprieve from the downpour outside, shook out their umbrellas and found a seat.  Recapping our adventures, tentatively planning the next six months, and talking about Christmas with our kids back in the states, the evening flew by until the waiter said they were closing. Umbrellas up! We headed home.

Till next time, Craig & Donna

PS – The Artigiano was canceled in 2020 due to the Corona virus lock down in Italy. Hopefully, it will be allowed 2021.

Reggio Emilia – Fine Food and Ancient Alleys

| 2suitcasesfor2years

Seemingly never-ending waves of softly rolling hills that we viewed from the towers of San Marino, up-close now, were verdant with the new growth of winter cover crops and persimmon orchards, heavy with their delectable late-ripening orange fruit. The landscape, a patchwork quilt of autumn colors and earth tones, dotted the countryside enroute to Reggio Emilia, like the brush strokes of an impressionist painting.

Still elegant nineteenth century villas now stand where Reggio Emilia’s ancient defensive walls once rose, until a surging population demanded city expansion in the late 1800s.  A wide boulevard lined with trees and a well-used bike path now follow its original hexagonal footprint around the bike friendly city.  Bicycling across the flat terrain of Reggio Emilia is a popular way to commute to the train station or work in the pedestrian-only historic center from outlying neighborhoods, and is supported with 125 miles of well-marked urban bike lanes.  Emilia-Romagna has set a regional goal of getting 20% of all commuters to bike to work and funding 2300 miles of dedicated bike lanes.

The Reggiani’s enthusiasm for bicycling dates back to the 1870s, when a hippodrome was part of Parco del Popolo, and continues today with fierce loyalty to area road-bicycling racing teams that compete in the historic Giro dell’Emilia that has coursed through Emilia-Romagna since the race was first held in 1909. Currently it’s an a 1.HC event on the UCI Europe Tour.

With the assistance of the receptionist at Hotel Posta we were able to park on the street, just outside the historic center, without a fee for a week. This is unheard of during high season, but it was a great savings for us that we fully appreciated.  Located in the center of the city on Piazza del Monte, across from city hall, the hotel is in the Palazzo del Capitano del Popolo, a historic building which was originally constructed in 1280 as a governor’s palace. For over 500 years, since 1472, the rooms under its crenelated roof have been used as a hotel.

It has been renovated numerous times during the centuries, but still retains the old-world charm. The room rate was quite affordable in late November and we practically had the place to ourselves. From our window overlooking the piazza we watched the ebb and flow of Reggio Emilia pass below, highlighted by a teachers’ protest, a Christmas parade, and nightly buskers who took excellent advantage of the wonderful acoustics that the small plaza offered.

The city’s three large piazzas, Camillo Prampolini, Di Prospero, and Della Vittoria, are lined with historic buildings, churches and restaurants. During high season they would have been bustling with tourists and cafes tables would have nearly filled the squares.

Now in late November, city workers were hanging Christmas lights from the lamp poles throughout the city and erecting a Christmas tree in Piazza Prampolini, while a large temporary ice-skating rink was under construction near the Romolo Valli Opera House. 

Bundled up against the chill now, only the hearty sat at the few tables left outside, though inside the cafes was not really much warmer. Good coffee and locally produced Lambrusco helped ward off the chill as we expanded our concept of “walk a little, then café,” during our wanderings between churches in this pleasant city. 

Cheese is our weakness and we delighted in every opportunity to try different aged Parmigiano Reggianos. (Longer aging produces a stronger or more flavorful cheese, with some cheeses aged up to 36 months for that intense flavoring.) Paired with a locally produced aged balsamic vinegar, it is a surprisingly tasteful combination.

Oh, let’s just face it – Italian food is our weakness and we thoroughly enjoyed discovering the city’s cafes, bakeries, and restaurants as much as we enjoyed the city’s churches and museums.  Charcuterie boards, pastries and pasta tempted us repeatedly in this culinary temple of gastromic delights.  Here are some of our favorite places: Antica Salumeria Giorgio Pancaldi – always worth the wait for a table. Terme del Colesterolo – you have to love the name and their porchetta sandwiches. La Casalinga – a fresh homemade pasta store with super nice ladies who will stop what they are doing and make any tortellini or ravioli you request if the case is empty. Yes, we did buy some to take to our apartment stay in Milan. Dolce Charlotte – for their savory and sweet baked goods. And Tabarin Osteria Popolare – even though they confused our order with the table adjacent to us it was still a wonderful dining experience.

The Chiesa di St. Francesco stands on Piazza Della Vittoria adjacent to the Romolo Valli opera house. It was built in 1272 to support a Franciscan convent and monastery. The cloister was converted in 1830 into the Musei Civici di Reggio Emilia to house the private scientific and zoological collection of Lazzaro Spallanzani, an Italian physiologist (d. 1799) whose research into nutrient culture solutions advanced the scientific investigations of Louis Pasteur. 

It’s an amazing collection, still displayed as it was originally assembled, in now-antique wood and glass cases, evoking an earlier time.  There is also an extensive collection of regional archeological discoveries that was remarkably interesting.

On the Martiri del 7 Luglio 1960 plaza in front of the museum, (named for five workers killed by police during protests against a neo-fascists political party there on July 7, 1960) there is a moving commemorative monument to the 615 Reggio Emilia Resistance Fighters, both men and women, who made the ultimate sacrifice during WWII, fighting the German Army that occupied Italy.

A short distance away, next to the Romolo Valli Opera House, the Parco del Popolo, People’s Park, provided a tranquil haven speckled with neoclassical sculptures and pathways through a forest of old growth specimen trees, still holding their fall colors. The city’s ancient fortified citadel occupied this space until its demolition in 1848 to make room for the park.

The twin arches of Porta Santa Croce, built in 1199, are now the only reminders that Reggio Emilia was a formidable walled city.  A walk there along Via Roma revealed antique architectural details and a very large, whimsical sculpture of a bucket of fish, across from a street mural at the train station.

Aside from being renown for culinary excellence, the city has a tradition of supporting academics with ties to the University of Modena that date back to 1175.  But the city’s real claim to fame is the Reggio Emilia Approach, born from the aftermath of Italy’s destruction during WWII when men and women were in the work force to rebuild the country. With this new preschool concept parents “desired for a new form of education that would ensure against future generations being brought up in toleration of injustice and inequality. Where children are valued as strong, capable, resilient and rich with wonder and knowledge.” “With a small amount of money sourced from the selling of a tank, three trucks, and a few horses from the war, and with land contributed by a local farmer and building materials from bombed-out buildings, local men and women of all ages built the first post-war preschool for young children.”  A first in Italy, it was a break with parochial education which was the historic norm.

With a region that boasts about its excellent cuisine and fine wines it only makes sense, with a small leap in logic, that some of the most exotic cars and motorcycles built in the world are made in Emilia-Romagna, Italy’s “Motor Valley.” While Reggio Emilia doesn’t have any automobile factories, it’s close enough that you are sure to get the doors of your Fiat 500 rental blown off on the E35 by a passing Maserati, Lamborghini, Ferrari or crotch- rocket Ducati.

They all have museums in the region, but we spotted an advert in our hotel lobby for Ruote da Sogno, a showroom with more than 100 classic cars and 700 restored classic motorcycles and scooters, all in perfect working condition and FOR SALE! 

It was an interesting space that we wandered about freely. They also conduct traditional and online auctions., while the high-tech showroom is also available as a corporate or wedding event space.  The eclectic collection was very interesting, down to the glass refrigerator case full of champagne for auction winners to celebrate with. Vespas with a sidecar are our passion and speed. Do they ship? We asked ourselves. Zoom, zoom!

The city had completed stringing Christmas decorations down the ancient lanes and on the piazzas.  They were especially beautiful at night when the cobblestones glistened from the afternoon rain and the lights reflected off their still-wet surfaces.  The Christmas market on Piazza Camillo Prampolini was in full swing now and we couldn’t resist the opportunity to weigh down our luggage even more. After all, in late December, we would be heading back to the states to enjoy Christmas with our family.

Till next time, Craig & Donna

Vicenza – Grand Architecture, Parks & Waterscapes

| 2suitcasesfor2years

Our mishaps of driving in Italy are still memorable. But they were far more forgivable and less costly before the advent of the remote video surveillance systems that Italian towns use today. Years ago, we had briefly visited Vicenza, home to one of the world’s most influential Renaissance era architects, Palladio. After a long day on the road, navigating down from the Dolomites, we drove through the old city gate under the Tower of Porta Castello, the last remaining tower of a 12th century fortress and wall that once enclosed the Renaissance city.  Today it houses an art gallery, and you can climb to the top for views of Vicenza.

The directions to the hotel were confusing and our GPS at the time was no help.  We had already stopped twice to ask the local polizia for directions, but of the four officers asked, each had a different opinion about where our obscure lane was located, which only befuddled us further.  A few moments later we realized Corso Palladio was a pedestrian-only street and we were intruding on its charming ambience. The hotel assured us they had parking, so we continued along slowly through a thickening crowd that didn’t think anything of us.  It didn’t help that the street signs were impossible to see from the car. Traveling the whole length of the street, we ended at a piazza in front of the Teatro Olimpico, designed in 1580; it’s the oldest indoor theatre in the world, with its unique original stage set still in use. It was Palladio’s last creation before his death.

Across the way two police officers with submachine guns stood by their patrol car in front of the Museo Civico di Palazzo Chiericati, known for its eclectic collection of donated art, antique furnishings and toy soldiers from the Veneto region. There was no mention of the “BIG FINES,” we had momentarily anticipated.  Instead, the gracious officers gave us a police escort to the hotel.  Parking was in the narrow lane, in front of reception.  

Our visit was long enough for dinner and a stroll, the next morning, around the Piazza dei Signori with its massive civic building, the Basilica Palladiana, redesigned to its present form in 1546 by the young, as-yet unknown hometown architect Andrea Palladio.  His architecture can be characterized as a refined rethinking of classical Greek and Roman temples with domed and columned buildings favoring a “harmonic Renaissance aesthetic.” The style was popular with many wealthy Italian families across the Veneto region, who commissioned him to design their palazzos. This grand style continued to be extensively influential into the 19th and 20th centuries where it was favored for municipal and government buildings, i.e., the United States Capitol Building and British Museum, among others.

Our original visit was enough time to realize the city was vastly interesting and that we had mis-planned.  Now we stay a minimum of two nights wherever we go to compensate for time lost traveling between destinations.

We figured seven nights this time should be enough to relax, enjoy the city and sample its livability.

Raised in the suburbs of New Jersey, we always shunned living in a city until we retired and sold most everything, including our cars, to finance this two-year adventure around the world.  To our surprise we now enjoy city life. Especially the walkability of smaller historic cities with their pedestrian only centers, a concept not found in the sprawl associated with urban planning in the United States.

As we neared Vicenza our shuttle driver, Fabrizio, from the Venice Airport, detoured slightly to show us two points of interest on the outskirts of the city that he thought we might enjoy, and were afraid we would otherwise miss. Parco Querini, a semi-formal large open green space with sculpture lined paths and a domed pergola, looked stunning on a late autumn afternoon. It was once the private retreat of a wealthy family and was opened to the public in the 1970s. 

Nearer our apartment, Fabrizio took us past the red and white brickwork of the Chiesa de Santa Croce ai Carmini, with its architecturally distinctive facade. We found both sights interesting and vowed to return.

While walking to the park for a return visit, we found the Boutique Del Pane Vicenza, a delightful small bakery at the very end of Corso Antonio Fogazzaro, past the 14th century Church of San Lorenzo with its intricately carved roped portal and guarding lions that have slowly eroded with time.  Years ago in Italy, the concept of “coffee to go” or “take away” as we have in the states was unheard of. Tradition was you stood at the counter for a quick morning espresso or lingered at a table.  Attitudes have evolved and we are not sure if we agree, but this visit, with coffees and pastries in hand, we snacked in the park.

Nearby the twice-weekly artisanal farmers market, Il Mercato Campagna Amica di Vicenza, brought locally produced cheeses, wines, fruit and vegetables to new meaning with a “zero food miles” philosophy.  The artisanal baker was very popular with folks queued three deep at her counter for a chance to buy a wedge of bread from her huge country loafs.  Around the corner from the market, we found the best vegetarian restaurant we’ve ever been to, NaturaSì Silene Bio Bottega E Cucina. With truly the most flavorful and memorable vegetables.

From our apartment on Contra Motton San Lorenzo we explored the historic center of this delightfully compact, Renaissance city, where we were less than a ten-minute walk from everything. As we strolled past intriguing architectural details, we took note of what to do and where to go later in the week.  Discovering pastelería is our superpower and we put it to good use finding tasty creations to enjoy for the next morning.  Walk a little then café – repeat was a well-paced yet caloric approach that we fully enjoyed in our explorations of the city.  Though some days longer walks between cafes were needed when our belts were too tight. Donna says the solution is simply to wear elastic waist pants.

During the time of the Romans the main street in Vicenza was Via Postumia, a military road that connected outposts across Northern Italy. Later during the Renaissance, noblemen competed in Palios, horse races, on the religious festival days for Sacra Thorn and Corpus Domini, when the main street, now lined with arcaded sidewalks, was used as a racecourse. After the Second World War the street was renamed Corso Andrea Palladio, to honor the great architect for his contributions to the city, and an electric street-trolley coursed down the avenue. The Corso and the historic center of Vicenza have been pedestrian only since 1983. It remains a vital artery, with upscale shopping and restaurants connecting either end of the town and the historic sites in between. It’s the perfect street for La Passeggiata, the early evening stroll locals still enjoy. If you are looking for a traditional Italian bar along the Corso, the Gran Caffe’ with its old-world charm is the perfect place for an espresso or spritz. It attracts a diverse following, and is popular with students, professionals and a cadre of finely dressed older women who seem to be as much of an institution as the café itself.

Vicenza’s relic from Christ’s Crown of Thorns is treasured in the Sanctuary of Santa Corona, which was built by the Dominicans in the late 1200s to safekeep the extraordinary gift from the French King Louis IX to the Bishop of Vicenza. 

The centerpiece of the church is a beautiful altar embellished with pearls, corals, lapis lazuli and polychrome marble. Interestingly, outside hanging on the wall of the cloister is a plaque featuring a Cinta senese, an ancient Italian pig breed that is famous for its flavorful meat.

Palladio has definitely left his mark on the city with buildings of his design on almost every street – at least, it seems that way. A tour of the city wouldn’t be complete without stopping at the Palazzo Barbaran da Porto, a Palladio design built in 1570, that is now a museum with interactive exhibits and video displays as well as three dimensional models dedicated to the architect’s work.  Recognized by UNESCO in 1994 for his influential architectural aesthetic, called Palladian, twenty-four of his Palazzo designs and the city itself have been designated a World Heritage Site.

The city also has a wonderful ambience aside from his architectural masterpieces.  Waterscapes from the Ponte S. Paolo and the Ponte S. Michele over the Fiume Retrone reflect a quaint village vibe unexpected in comparison to the grand Piazza dei Signori just two blocks away.  

Pasticceria Venezia – a Vicenza dal 1964, just up from the bicycle parking on S. Paolo and near the Palladian Basilica, is a terrific place for café and a bite to eat.

On the other end of town just outside the Porta Castello, the Giardini Salvi, a treed greenspace with fountains, has been on the city map since 1580. It was the private park to the Palazzo Valmarana and in a brief moment of 16th century civic mindedness, was open to the public for a few years before being closed again for several centuries.  It wasn’t until the 20th century that the park was permanently reopened for public use.

The district south of the Corso Palladio is also worth exploring with the Duomo di Vicenza, the Cathedral of Saint Mary of the Announcement, as its centerpiece.  Heavily damaged by allied bombing during the Second World War, only the original 1482 Gothic entrance façade remained, while the rest of the church had to be reconstructed.

Diagonally across the street, in the ancient Bishop’s Palace, the Museo Diocesano di Vicenza has a unique collection of Vicentine religious artifacts. Interestingly there is a large collection of fine marble spheres, some the size of bowling balls, given to a former Bishop of Vicenza as gifts.  Discovered on the other side of the piazza during reconstruction after WWII the Criptoportico Romano was the subterranean storage area of a 1st century Roman domus. As interesting as that sounds, if you’ve been in an empty, damp dark basement before, you can skip this.

Around the corner is Righetti’s, a self-service restaurant and another Vicenza institution for over thirty years, that should be experienced. Customers find their own tables and set the cutlery themselves before walking to the back of the restaurant and placing their orders, from the daily changing menu on chalk boards, directly with the cooks in the kitchen.  After dinner, the cashier counts your glasses and plates, then bills accordingly. They are open Monday through Friday for lunch and dinner, cash only.

Although the weather was noticeably cooler, we enjoyed our November off-season visit to this visually pleasing and gentle city. If you are an admirer of historic architecture, Vicenza is akin to finding a lost treasure. The bonus was the lack of large tourist groups, which we imagine could be quite smothering in this quaint city during peak travel months.

Till next time, Craig & Donna

Sicily Part 2: To Cefalu and Palermo – Wandering Through the Centuries

| 2suitcasesfor2years

The weather in mid-November was still nice; most of the days were sunny, but cooler.  Sometimes a damp dreary, grey day snuck in and reminded us that winter did come this far south as was the occasion when we started our drive to Cefalu. It was honestly just plain yucky! On the wet roadtrip south, we passed two men selling roasted chestnuts and plastic, one-liter bottles of Vino Novello, young wine, or the Italian version of Beaujolais Nouveau, made from an accelerated fermentation process that eliminates the aging normally associated with vinting wines. With a quick u-turn and purchase our spirits were immediately lifted, as the aroma of the freshly roasted chestnuts filled the car. They took the chill off the day.  The bottles of wine would wait until Palermo.  This continues a tradition started years ago, stopping at roadside stands for any type of food, craft or wine purchase.  Some days we made very slow progress indeed.

Heading inland from the coast road we followed the A19 west across the desolate, mountainous interior of Sicily past sporadically placed hilltop villages of various size.  Calascibetta was particularly impressive from the road; its recorded history dates to its Arabic settlement in 851 AD. An area of 300 rock-cut tombs, Necropoli di Realmese, and a warren of cave dug dwellings at the Byzantine Village of Vallone Canalotto called for further exploration. “Next time,” we agreed as we raced to spend the afternoon in Cefalu.

On the Sicilian list of most beautiful villages, it is also thought to be one of the inspirations for the coastal village “Vigata” where our favorite fictional detective, Salvo Montalbano, created by Andrea Camilleri, enjoys quietly eating his beloved Sicilian dishes on his patio overlooking the beach. A step above the typical crime novel, Andrea Camilleri’s inspector Montalbano critically confronts Italy’s difficult political and social issues.

A graceful, curved beach, with ancient stone homes built to the Tyrrhenian Sea’s edge, under a bold headland defines Cefalu’s beauty. Offshore lie the Aeolian Islands, a volcanic archipelago.

The town’s first settlement was atop the nearly inaccessible 1200ft tall promontory that dominates this spur of land that protrudes into the ocean like a bent knuckle. A new town was established on the coast under the cliff face when the Normans captured it from the Arabs in 1063 and proceeded to anchor the new village with a cathedral that was built to fulfill a promise to the Holy Savior by Roger II, the King of Sicily, upon his survival of a vicious storm at sea that cast him ashore at Cefalu.  Started in 1131, the fortress-like church, with Arab influenced architectural elements, took over 100 years to construct and was finished in 1240.

A handful of tourists sheltered under the tent of a café on the plaza in front of the Cefalù Cathedral, trying to ward of the November chill with coffee or wine.  Unfortunately, the church was closed and we were unable to view its Byzantine mosaics. A trailhead on Via Pitre leads to the top of the massive promontory that towers over the town.  Paths connect the ruins of a Greek temple dedicated to Diana that dates to the 9th century BC, as well as a Saracenic castle.  The panoramic views of the Cefalu and the Sicilian coast are phenomenal.

A plastic curtain at the restaurant shielded us from a sudden downpour as we sat enjoying pizza, just above the gentle lapping waves.  By the end of lunch, the rain had lessened to a misty drizzle and we ventured forth, with our umbrellas at the ready, down slick cobbled lanes to a wide, curved stone staircase.

Legend says the waters of the Cefalino River that feed the The Lavatoio Medievale, a medieval washhouse, were created from the tears of a nymph mourning the loss of her lover.  The waters originate six miles away in the Madonie Mountains near the village of Gratteri and flow under the streets of Cefalu before reaching the sea. Lion-headed spouts filled a series of stone basins that the town’s women used from their construction in 1665 until the last traditionalist scrubbed clothes there in the 1990s. An ancient stone plaque at the top of the stairs is inscribed with the saying “Here flows Cefalino, healthier than any other river, purer than silver, colder than snow.”

Our stay on Via Bara All’Olivella, a street known for its Opera dei Pupi, puppet theatres, was on the edge of Palermo’s historic district and near the classical Massimo Theater. Craftspeople carve and dress the puppets with fine cloth and metal armor, and their workshops can still be visited along the lane. The shows, which can last two hours and have three acts, re-tell the legends of medieval Christians kings, chivalric knights, damsels in distress, and Saracen nobles, with a supporting cast of sorcerers, witches, dragons, giants, and various other evil doers. Sicilian puppetry is a dying art and has been recognized by UNESCO an “Intangible Cultural Heritage.”

Sicily and Palermo have a long, convoluted history with the city as the capital of the Kingdom of Sicily when the Normans ruled.  Later it was a sister city to Naples when it was part of the Kingdom of Naples. Eventually the distinct regions finally agreed to be called Kingdom of the Two Sicilies in 1816, until the unification of Italy in 1870.  The prestige of both cities is seen in the wealth and the number of their churches.  And there really are a lot of them.

Like Naples, this large urban center has fallen on hard times in recent decades.  In the historic center the landmarks have been maintained, but the remaining residential areas have been allowed to deteriorate to the point where the crumbling buildings seem to cry out for restoration.  With oases of beauty scattered about between gritty and raw neighborhoods, Palermo stands in stark contrast to the experience of Cefalu and Taormina.  This doesn’t mean that it wasn’t enjoyable and interesting. On the contrary, along with being fascinating and different, it was a very urban experience!  Plotting our routes between churches exposed us to high culture and art along with the rough-and-tumble ambience of the city, sprinkled with graffiti, as we wandered the streets.

Only a few blocks away from our lodging, we started our morning at Chiesa di San Domenico. It has under undergone many incarnations since the Dominicans commissioned the first church in 1280. The Baroque façade and interior are the result of an expansion in the 1700s. With the burial of many notable Sicilian artists and politicians within its wall, it is recognized as the “pantheon of illustrious Sicilians,” and continues this tradition with modern heroes, most notably the tomb of anti-mafia prosecutor Giovanni Falcone, who was assassinated by organized crime in 1992, and which still receives tributes.

Somehow, we ended up on the top floor of the department store next to the church. Surprisingly, it had a nice café and patio with a view of the Colonna dell’Immacolata on the piazza and the gateway to the La Loggia quarter, one of the original Palermo neighborhoods.

The colorful Vucciria Market on Piazza Caracciolo and the decaying remnants of past glories on the surrounding streets led to the fountain on Piazza Garraffello.  Built in 1591, its beauty was overshadowed by the street art on the grim encircling buildings and haphazardly parked cars that nearly obscured it from view. The area was very quiet when we strolled through but is known for its raucous nightlife that lasts until morning. 

Across from the port a heavenly aroma emerged from a small storefront that was doing an active business. The place got its name from its specialty, Pani câ Meusa – Porta Carbone, a street food sandwich famous in Palermo that is made with boiled and then fried cow spleen and cow lung, grated caciocavallo cheese and lemon, served on a sesame roll.  We thought its strong and rich flavor was a taste that might take a lifetime to acquire.

Two blocks away, the Giardino Garibaldi’s stately centuries-old specimen trees anchored a neighborhood of fine palazzo now functioning as museums and university buildings. 

Around the corner a large, tall-wheeled float shaped like boat, called a Carro Trionfale, was on display in front of the municipal office. On top was a statue of Santa Rosalia, a 12th century hermit who is credited with saving the city from the plague when a relic of the saint was paraded three times around the city in 1624.  The highlight of her weeklong festival, held every July, is the procession when the carro is pulled through the streets by teams of men from the Cathedral of Palermo to the waterfront.  Every year a different district gets the honor of hosting the carro until the next festival.

Farther afield, our wanderings took us down blocks that seemed to retreat further back in time with every step. We saw contemporary street art on urban housing projects within steps of a ghostly unfinished renaissance cathedral, the Santa Maria Dello Spasimo. Started in 1506, it was never completed and now is used as an open-air theater and concert venue.  The juxtapositions of the treasured and the forgotten in Palermo are stunning.

The warren of narrow lanes off the Il Capo district between the Massimo Theater and the Cattedrale di Palermo were ripe for exploration.  Off Via Volturno, two stone columns with decorative capitals, Porta Carini, grace the entrance to the Mercato del Capo, one of the oldest outdoor markets in the city.  Built before 1310, the columns symbolize the neighborhood’s grand past that’s difficult to visualize amidst the colorful canvas awnings of the raucous street vendors.

Nearby is the site of the brutal assassination of Carabinieri General Dalla Chiesa, an anti-mafia investigator, his wife and a police escort. They were murdered by AK47 wielding gunmen on motorcycles one night in 1982. This vicious event epitomizes the Mafia war or Mattanza, the Slaughter, that gripped Palermo and the whole of Sicily from the 1970s to the 90s with thousands of homicides of rival mafioso foot soldiers, journalists, politicians and judges.  Fortunately, things are vastly different now.

Farther along, the street narrows enough that from their balconies, neighbors can easily talk to one other across the lane. At Piazza Domenico Peranni haphazard stalls, some with trees growing through the roofs, house a permanent flea market filled with dusty curiosities.

Every seat of power in antiquity had a triumphal arch to signify its greatness, and Palermo’s is certainly unusual with its columns depicting turbaned Arab slaves. The Porta Nuova gateway was reconstructed in 1570 to celebrate the 1535 triumph of Charles V, Holy Roman Emperor, over Ottoman forces in Tunis. Landing in Palermo after his victory, the monarch paraded 14,000 Arab slaves through the city. Standing next to Palermo’s Royal Palace, the Palazzo dei Normanni, the 140ft tall monument was part of the defensive wall that once surrounded the city.

When the Normans won Palermo in 1072, it is believed they found 300 mosques in the ancient city and proceeded to change them all to churches, many sponsored by baronial families. Grand, lesser and forgotten, it was nearly impossible to avoid the churches as we walked through the historic district. Many were closed, but the larger ones still open to tourists were all different and magnificent.

The Cathedral of Palermo is definitely one not to miss. It was constructed by the Normans in 1184 over a mosque that was built atop the ruins of an earlier Christian church.  It’s undergone many architectural alterations over the centuries, embracing Arabic, Gothic and Renaissance influences which have combined to create a visual compelling architectural façade with numerous interesting details. 

The cavernous inside is rather plain in comparison to some of the richly decorated interiors of other Palermo churches. The piazza in front of the church is perfectly scaled for viewers to appreciate the grandeur of the church behind it.  The roof, tombs and treasury of the cathedral are all accessible for a fee, while entrance to the church is free.

If you are short of time head to the Quattro Canti (Four Corners) intersection of Corso Vittorio Emanuele and Via Maqueda. It is the heart of Palermo’s historic district.  A short walk took to us to the fanciful Fontana Pretoria, a tiered fountain from the 1500s, which is bedecked with mythological figures.

Beyond it three ancient churches ring Piazza Bellini, and back-to-back visits of all three then required Bellini cocktails to loosen our stiff neck muscles afterward to reground us after this celestial bliss.  The Church and Convent of Santa Caterina d’Alessandria was originally built as a hospice in the 1300s.  Its caverneous, highly decorated Baroque interior, with every surface sculpted or painted with cherubs, angels, saints and martyrs celebrating the heavenly kingdom, was built for the cloistered Domenican nuns from wealthy and noble families who arrived a century later, only to close the hospital and open a bakeshop, “i Segreti del Chiostro – the secrets of the cloister,” instead. Hey, everyone enjoys a good cookie, and the nuns are still turning out traditional Sicilian baked marzipan sweets like frutta di Martorana today, from the convent’s original recipes. Near the entrance to the convent its original ruota, a small wheel-like door, is still in use. Through it the cloistered nuns can pass baked goods while remaining unseen, and poor mothers could anonymously leave babies for adoption. The last nuns left the monastery in 2014 and it was opened to the public in 2017.

Across the piazza stands Santa Maria dell’Ammiraglion, named after the Norman admiral, who commissioned it in 1143.  Its exterior is a hybrid of Baroque and Romanesque styles with Arab influences. Inside, golden Byzantine mosaics cover the walls, arches, and domes.

The Arab-Norman architecture continues next door with the fortress-like Church of San Cataldo. The smallest church on the square, its austere block shape has three red bulging domes of Arabic style on the roof.  During the 18th century it was unceremoniously used as a post office until its façade was restored in the 19th century and the building annexed to Santa Maria dell’Ammiraglion.  Without clues to its original interior decoration the inside has been left unadorned, just bare stone.

We only scratched the surface of places to explore on an island that we found enchanting and fascinating.  It could take a lifetime to experience all it has to offer – an interesting idea. We hope to return one day. 

The wing of the plane dipped one last time to reveal the turquoise waters along the Sicilian coast as we headed for Northern Italy.

Till next time, Craig & Donna

Driving South to Sicily: Part One – Herculaneum to Sorrento, or “They Have You by the Coglioni!”

| 2suitcasesfor2years

The car rental agent across from the Naples train station enthusiastically informed us that we were the first drivers of a brand-new Peugeot. Leading us to a shiny set of wheels, parked on busy street in front of the office, he offered a rudimentary description of the car’s technological features, a collision avoidance system and satellite navigation that would show every radar speed camera on the Italian highways.

With our luggage in the trunk and a friendly wave we were off, or so we thought.  Just barely moving forward, the collision avoidance system screeched alive with alarms and red blinking threats on the dashboard display.  It happened frequently as we worked our way through heavy Neapolitan traffic. Scooters, cars, trucks and pedestrians getting close to our bumpers set the system into a frenzy of piercing alarms and flashing lights.  Nerve wracking – it felt like I was Luke Skywalker thundering along in an X-wing fighter while R2D2 whizzed with anxiety, as we tried to evade the Empire’s eradication. In reality we were in bumper-to-bumper traffic.  Fortunately, the congestion eased, and Herculaneum was only a twenty-minute drive from Naples.

We had visited Pompei years earlier, one June when Italy was having an early heat wave and the temperature was over 100F.  As interesting as Pompei was, the size of the site and the heat dampened our enthusiasm for it. This day was quite a different experience, as the weather in November was very agreeable for visiting Herculaneum.

We descended into its excavated ruins, which were destroyed and covered with 53ft of ash on the same fateful night as Pompeii in 79AD.  The towering black walls of solidified ash surrounding the site reinforced the magnitude of the catastrophe. The coastal town was popular with wealthy Romans who built Domus style homes which were richly decorated with frescoes and mosaics.  Arched workshops of boatbuilders lined the shore and were the last refuge of citizens trying to flee, their agony now eternally preserved in casts of their bodies.  The massive amount of ash and volcanic rock that fell created a new shoreline on the Bay of Naples, 2000ft farther west. 

Only a fraction of the size of Pompeii, the Herculaneum archeological area doesn’t draw the immense crowds of the larger site, but is just as interesting and in some ways more so. Unlike Pompeii, which was engulfed in a scorching lava flow which destroyed most of the wood and decorative elements of the homes there, the cooler ash and poisonous gases that killed the populace of Herculaneum preserved the homes to a greater degree, leaving the wooden internal structure of buildings and their interior décors intact.  This combined with an earlier visit to the Naples National Archaeological Museum to see the finest examples of relics recovered from the ruins of Herculaneum and Pompeii provided us with deeper insight into the opulent lifestyle of the 1st century AD Roman Empire.  Herculaneum was easily explored in a half day and enabled us to continue to Sorrento in a timely manner.

With fond memories of the serpentine Amalfi Coast from a trip a fifteen years earlier, we decided to base our new weeklong exploration of the Sorrentine Peninsula in Sorrento.  The route into town along SS145 didn’t disappoint us when rounding a cliff-hugging bend of the road revealed a view all the way out to the Isle of Capri. By staying in the largest town of the region we didn’t have to worry about seasonal closures, which unfortunately were beginning to happen in mid-November.  Only a short walk from the center of town and the waterfront with Mount Vesuvius commanding the horizon across the Bay of Naples, the lovely Villa Rosa Sorrento with its modest off-season pricing and free parking was a terrific value and perfect for us.

With our attempts at immersive travel, we avoid scratching off a list of designated tourist highlights; rather,  we explore a place seeking how to experience how folks live, the everydayness of a place, and whether we would enjoy living there. “Walk a little, then café,” is our slow travel approach as we soak up the ambience of a locale.

La Tana Del Vino on Via Parsano was a delightful find. This small enoteca features regionally produced wines that they decant for you from large stainless-steel vats into your own glass or plastic bottles.  A variety of red, white and rose’ wines were available, most between 3-4€ per liter.  Samples were freely poured and we very pleased with our selection of these table wines. 

Sorrento with its ferry service to Capri gears itself to the high season.  There were still tourists out and about, but the large tour buses and groups were absent in November, the beginning of the rainy season.  We ran between rain drops the best we could on several occasions. 

With the port as our destination for lunch, it was a pleasant stroll along near empty sidewalks to Chiostro di San Francesco, a 14th century convent with a lush, greenery-filled cloister that now hosted other activities and concerts.  On the top floor Raffaele Celentano’s photography school and gallery had a marvelous patio shaded by the canopy of stately tree. A wooden swing hanging from its branches brought smiles to the faces of many gallery visitors as they playfully took a turn.

The panoramic balcony in the public garden across from the convent is a magnet for sunset worshippers.  In the garden the city operates the Sorrento Lift, two elevators that take tourists and residents down to the harbor level where hydrofoils and ferry service is available to Capri, Ischia, Positano and Naples, along with access to the beach clubs and the city’s public beach. 

After washing our clothes in various sinks for two weeks it was time for a thorough laundering, and we lugged our bundle to a laundromat in town. It was a very clean facility. We were amused to notice that the vending machine that dispensed soap products also offered a very broad selection of marijuana products as well, presumably to allay the tedium of the task.  The selections weren’t inexpensive, with many items costing over twenty euros.  This was something unique that we had never come across before in our travels.  The world is changing so quickly, but we can’t imagine dropping a twenty euro note into a vending machine for anything.

With our clothes in the dryer, we decided to head to lunch, and immediately got drenched to the bone in a sudden downpour.  Looking like water rats, we sought shelter under the awning of a pizzeria. Seeing us, the proprietor of Master Hosts (not a very atmospheric name) ushered us inside and kindly insisted we warm ourselves in front of the pizza oven.  Even if we hadn’t been so extremely grateful for his hospitality, this was some of the best pizza and wine we had in Italy, while our fingers de-wrinkled. His graciousness turned a gloomy day into a wonderful afternoon. 

Another rainy night we made our way early to La Cantinaccia del Popolo, a rustic neighborhood restaurant that stays open all year to cater to its loyal following.  Part deli, part gourmet restaurant, the open kitchen is fronted by a glass charcuterie case with an exotic display of dried meats, cheeses, pates, terrines, and olives. The gastronomic delights from the kitchen are plated in their signature deep dish pans.  Packed and noisy, with a friendly staff, delicious food, and a good house wine, this was a cozy place to enjoy the evening. Fortified with a great meal and drink, we faced a cold November rain as we walked back to our inn.  If you prefer to dine later in the evening, reservations are suggested after 8 PM.

Lemons, lemons everywhere!  Regional seafood, pasta, rice, chicken, pastry, and gelato recipes all use this tart fruit in delectable ways. And remember limoncello! The cool breezes of the Mediterranean that blow against the steep mountains of the Amalfi coast create a unique microclimate where lemons flourish and are harvested multiple times of the year, though the most desirable crop is picked between March and July.  This is a strenuous labor-intensive activity as the steep terrain requires all the fruit to be picked by hand and the heavy grates are carried out of the orchards on the backs of men. 

A morning drive along the sinuous coast and a turn into the mountains brought us to Ravello in time for lunch at a small restaurant with only six indoor tables.  Fifteen years ago, as a wedding present to each other, we splurged and purchased a dinnerware set of ceramics featuring the iconic Amalfi lemons, set against a rich blue background.  Over the years everyday use had taken its toll on our plates.  Fortunately, Pascal Ceramiche d’Arte was still painting our pattern and they ship internationally, so we were able to fill in a few gaps in our service.

After coffee we wandered the town’s narrow, high walled lanes down the hill towards the Monastero Di S. Chiara.  Along the way we encountered a construction worker leading a team of donkeys with rigid saddlebags full of sand to a worksite, the ancient alley too tight for any vehicle to maneuver through.

There’s no way around it, “they have you by the coglioni!” when you are trying to find a parking garage in Positano.  In this most beautiful village on the Amalfi Coast we paid through the nose for the privilege of parking.  Water, café, food and parking, even in the off season, are exorbitantly priced.  But on a sunny day, when the sky clears after a morning storm, the dramatic setting of the terraced village is at its best. Positano rises steeply into the mountains from the sea sparkling like a spectacular Byzantine mosaic, radiating light and color.  It’s well worth the splurge even if you have to eat Ramen noodles for the next three days to get back on budget.

To our delight we found a wonderful, affordable spot for a late lunch in Agerola called Jerla as we navigated our way across the mountaintop on the way back to Sorrento.

Getting there required a breathtaking drive through the numerous switchbacks of Strada Statale 366, also referred to as the Via Panoramica, that climbed through the terraced vineyards of San Michele and had incredible views of the Amalfi Coast below.

We each wanted to be in control on this treacherous road. We argued about who got to drive as we sped around the curves, and who was relegated to digging their fingernails into the dashboard.

Til next time, Craig & Donna

Porto – Part 3: Following a Gilded Path to Foz

| 2suitcasesfor2years

All week long the gate to Capela dos Alfaiates had been locked with no sign of activity, whenever we passed.  This morning as I headed to our favorite pastelaria to secure breakfast, the gate and the doors of the church were opened wide.  Nothing unusual, just limited hours, I thought. As I opened the inner door to the sanctuary and turned, the sweet aroma of lilies was in the air.  And as my eyes adjusted to the light I suddenly faced a delicately shrouded open casket, by itself in a small elegant chapel.  I quickly left, embarrassed for intruding.  Outside the church nothing indicated that a funeral would begin.  It was not how I expected to start the day.IMG_2161Later that morning the courtyard of the church was filled with mourners as we walked to the Porto Cathedral, Sé do Porto.  Not far from the old towers and ramparts of Muralha Fernandina, the cathedral commands the highest point in Porto.  The building outwardly reflects Porto’s turbulent past, with crenels capping its massive shape, when it was the last point of refuge while the city was under siege.IMG_2235Building started in the 1100s, then continued over the centuries. The cathedral combines Romanesque, Gothic and Baroque features, like so many of the other churches in Porto.

It has a beautiful sanctuary and magnificent colonnaded cloisters lined with the blue and white Azulejo tiles along its walls.  The cathedral’s museum complex next door displays a fascinating wealth of ancient religious items.  IMG_2175Exiting the museum, the Pillory of Porto centers the vast plaza in front of the Cathedral.  Criminals once hung from hooks, still visible, on this graceful Manueline column.  It struck us as such a disturbing juxtaposition, this instrument of punishment and humiliation, prominent in front of the cathedral, constantly reminding the good citizens of Porto not to stray from a righteous path. Today tourists lounge on its steps and soak in the surrounding views of Porto.

Following steps, we descended towards the river to Chafariz do Pelicano, an elegant old 16th century public fountain built into one of the supporting walls of the cathedral’s plaza above.  Flanked by sculpted female figures, water pours from a hole in the pelican’s chest into a lower reservoir before flowing out of the mouths of carved faces. IMG_3737Narrow alleys spurred left and right off the steep stairways.  Taking one we came across a lavadouro público (communal laundry) that appeared to be recently rebuilt with new wash basins and roof.

No one was using it when we walked by, but drying laundry hung from the rafters.  The alley was a contrast of old and new.  At the street level modern galleries, boutiques and restaurants sporadically lined the flagstone lane, while above neighbors chatted effortlessly across its narrow width.  IMG_2955Eventually our route merged onto the quay near Fonte do Cubo, a modern sculpture installed upon the ruins of a 17th fountain by the late José Rodrigues, who made his home in Porto.  Behind the square a three-story high fountain covers one wall.  At its center is a 21st century statue of St John the Baptist, done in a primitive style, by João Cutileiro, another famous Portuguese sculptor.  Surrounded by lively, outdoor cafes and throngs of tourists, this is ground zero for the Ribeira waterfront.IMG_3716Walking past the Museu do Vinho do Porto on Rua da Reboleira, we headed to Igreja Monumento de São Francisco, also known as the gold church, to check out its ornate, gilded interior and crypt.

The church sits atop a steep set of stairs that rise from Rua Nova da Alfândega, giving it a commanding view of the river.  Started by the Franciscans in the 13th century, what was once a small church to support their attached convent was expanded and reconfigured over time into the magnificent monument you see today.  Romanesque, Gothic, Baroque and Neoclassical styles blend harmoniously to create an awe-inspiring sanctuary.  There is so much going on inside it’s difficult to decide where to look.  It was not always this overly ornate.

The Portuguese woodcarvers covered every inch of the interior with exuberant sculptures in the early 1700s and then an estimated 400 kilos, 880 pounds, of Brazilian gold dust was used to cover them.  The “Tree of Jesse,” a polychrome sculpture depicting the family tree of Jesus, is a notable example of the technique that is also widely used to decorate the walls. The extravagant display of wealth was too much for the poverty-stricken neighborhood surrounding the church and in protest it was closed for several years.  IMG_3189The church was plundered during the Napoleonic Invasions and used as a stable by French occupying forces.  Then later that century during the Portuguese Civil War the city was bombarded and the cloisters burnt to the ground, never to be rebuilt.  The large crypt under the church was the final resting spot for many of Porto’s famous and wealthy citizens and, as catacombs go, is worth a short visit.IMG_3645It was time for a change of pace. Being so close to the Atlantic Ocean we decided to take Tram Line 1, which conveniently had a stop in front of the cathedral, all the way out to the Foz district, where the mouth of the Douro River empties into the Atlantic Ocean.  There was a short queue waiting for the tram, but fortunately with the arrival of a second tram we able to snag a seat for the journey.

This is the longest tram route in the city and follows the serpentine riverfront for a rattling twenty minutes past a scenic array of Port warehouses, churches, shops, museums and discotheques, before traveling under the Ponte da Arrábida bridge and ending near the Felgueiras Lighthouse at Jardim do Passeio Alegre. IMG_3249 Just shy of our destination the route was blocked by a disabled truck on the tracks.  With no quick remedy in sight we decided to jump ship and head to lunch at the nearest restaurant, which happened to be in Jardim de Sobreiras, right next to our roadblock.  Fuga Restaurante & BarFuga Restaurante & Bar with its outside deck was a perfect spot to enjoy some seafood and wine for lunch.

This part of Porto has a more relaxed atmosphere, without the multi-storied buildings of the historic center and significantly fewer tourists, which made it a nice reprieve.  After lunch we followed the pedestrian bike and footpath along the river into Jardim do Passeio Alegre and walked around its fountains before continuing to Felgueiras Lighthouse.  For thousands of years what lay beyond the western horizon was unknown and the curiosity about it would spur Portugal’s Age of Discovery.IMG_3325We used an Uber ride to head back to our apartment.  It was only slightly more expensive than our tram tickets would have been.

Till next time, Craig & Donna