Normandy

Road Tripping Through Brittany: Saint Malo, Dinard & Dinan or For the Love of Oysters

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Tractors pulling wagons laden with huitres just harvested from the oyster beds of Cancale Bay now replaced the apple carts we passed two days ago in the Calvados region. Leaving Mont Saint-Michel in Normandy, we had entered Brittany in mid-October at the height of oyster season, which is traditionally considered the months that contain “r” in them, September – April. Our destination was Dinard, after stopping for lunch in Cancale, ground zero for huitres aquaculture in France. We had detoured from our route into Cherrueix to see the wide beach there that is popular for land-sailing, where specially designed three wheeled carts, outfitted with a sail, glide along the flat sand and attain high speed due to the strong winds that blow in off the ocean, filling their sails. But a windless day dampened that activity. The weather was pretty miserable that morning with intermittent squalls at times, limiting our explorations and photography. Our course diversion wasn’t a total loss as we found that the small village had several historic windmills and thatched roofed homes, which lent the town an unexpected Dutch and English feel.

Oyster connoisseurs enjoy Brittany oysters for their unique merroir. Just as wines derive a distinguishable terroir from the soil their grape vines grow in, oysters get their signature flavor from the saltiness and temperature of the seawater they are harvested from. The extreme, fast moving  tides, which Victor Hugo once described as “moving as swiftly as a galloping horse,” and cold water of Mont Saint-Michel Bay, which encompasses the ocean from Saint Malo, Brittany to the Cotentin Peninsula of Normandy, impart the oysters grown here with a sweet delicate flavor, which have won them fans the world over. Really, they are the best we’ve ever tasted, and we would order them whenever we saw them offered during our trip. They were also very affordable, which was a delight. Low tide along the coast revealed the extensive network of oyster farm pilings that support the growth of over 5,000 tons of succulent huitres a year.

Oysters have been gathered along the coast of Brittany since this region of France was part of the Roman Empire 2000 years ago. As with all ancient agrarian traditions, women have played a vital role harvesting oysters and Cancale’s town plaza hosts a bronze statue commemorating them. The day we visited, and it took us a while to figure out why, the female figures of the memorial were adorned in pink aprons. Turns out this was in recognition of France’s Breast Cancer Awareness Day, which happens every October. At lunch in a small establishment on the square, of course we slurped a dozen oysters, with just a touch of shallot mignonette sauce. They were divine. On Cancale’s waterfront there is also a daily Marche aux Huitres, surprisingly this oyster market which is open year-round. That old tradition of eating oysters only during the ‘r’ months dates back to King Louis XV in the 1700’s when refrigeration wasn’t possible, and it was unsafe to consume them during the warmer months. It’s also a matter of preference as the texture of the oyster becomes creamier during the warmer months, but today in France they are consumed year-round.

The late afternoon sun was shining brilliantly by the time we arrived in Dinard, found a free parking space on the street, and checked into the Hôtel du Parc Dinard, our home for four nights. The popular vacation spot is practically a ghost town in the fall, with most of its elegant Victorian-era homes battened down tight awaiting winter storms. The quietness was perfect for us, and the town would be our base for visiting Saint-Malo, a short distance away across the Rance Estuary, and farther inland the ancient riverport town of Dinan.

A former fishing village, Dinard was transformed into a vacation hotspot, when the French gentry, wealthy Americans, and British aristocrats discovered its picturesque beaches, and cliffside walks in the late-nineteenth century. A pleasant mild climate, influenced by the nearby warm waters of the Atlantic gulf stream helped set its reputation as “the Pearl of the Emerald Coast.” A who’s who list of celebrities – Picasso, Gary Grant, Joan Collins, Winston Churchill, and Oscar Wilde – frequented the seaside resort. The British film director Alfred Hitchcock visited often enough that the town erected a statue in his honor. Film legend believes he based the house in the film “Psycho,” on one of the town’s elegant mansions and the movie “Birds,” partly on experiences with raucous seagulls along the cliffs here. His relationship with the town led to the establishment of the Dinard Festival of British & Irish Film. Now in its 35th year, it’s held early in October. Prize winners receive a golden Hitchcock statuette.

One of France’s most “British resorts,” the town’s luster faded in the 1960’s when the “jet set” discovered the Mediterranean beaches of southern France. Fortunately, the town has been rediscovered as a holiday destination and today attracts folks looking for vacation rentals in the now sub-divided mansions, who appreciate its quite ambiance and location along the Cote d’Emeraude of Brittany.

One of the best ways to enjoy the town, in any season, is to follow the Coastal Path of Dinard, a 5-mile-long improved trail that hugs the rocky coastline, passes sandy coves and fascinating old architecture. From our hotel we broke our walk into two manageable segments and included a stop at the weekly market one day to purchase supplies for a picnic lunch for later in the day. One afternoon we drove west along the backroads to Saint-Briac-sur-Mer. Here we could see the extreme tides of the Brittany coast, which left boats at their moorings high and dry at low tide.

Just across the water from Dinard the old fortress city of Saint-Malo still guards the natural harbor created by the La Rance estuary as it enters the Gulf of Saint-Malo and the English Channel.  Its ramparts have remained mostly unscathed since their first construction in the 12th century, in order to deter feared Viking attacks. Centuries later the Corsairs of Saint-Malo, French privateers serving the King of France, would pillage foreign ships sailing the English Channel, or extort a transit tax from them, then flee the scene of the crime and seek refuge from the pursuing English Navy under the cannons along Saint-Malo’s ramparts. This tactic was so annoying to the British that they launched an amphibious naval assault against the Saint-Malo corsairs in 1758, but determined the city’s ramparts were impenetrable and instead attacked the nearby town of Saint-Servan and destroyed 30 of the pirate’s ships there.

Outlaws to the English and Dutch, the corsairs of Saint-Malo had more nuanced careers and were well respected as explorers and merchants in France, enriching the town and serving the interests of several French kings over the centuries. Departing from Saint-Malo, Jacques Cartier sailed down the St. Lawerence River and claimed the discovery of Canada for France in the 16th century and sacked a few vessels along the way. Jacques Gouin de Beauchêne would lead the first French expedition into the South Atlantic, raid Rio de Janeiro, find the Falkland Islands, sail through the Strait of Magellan, visit the Galapagos Islands and return to the Atlantic Ocean by sailing west to east across the treacherous waters of Cape Horn. Other corsairs helped establish trade with ports along the west coast of Africa, Southeast Asia and the Pacific, which would evolve into French colonies. Corsair Duguay-Trouin led a Moka expedition to Yemen in the early 1700s, returned with the legendary coffee beans, and French society was changed forever: the café tradition had begun. Saint-Malo prospered.

Walking atop the ramparts that encircle the ancient citadel, it’s difficult to imagine that this beautiful city lay in ruins in September 1944. The D-Day invasion of Normandy had happened three months earlier, but well dug-in German forces, led by a commander who swore to defend the Third Reich to the last man, refused to surrender their reinforced positions in Saint-Malo. It took a relentless, months long campaign of allied aerial and artillery bombardment for the Germans to concede defeat.  The ramparts still stood, but 683 of the town’s 865 historic buildings were leveled, its 6,000 inhabitants homeless. The mayor at the time, Guy Lachambre, petitioned vigorously for the reconstruction council and its architects Marc Brillaud de Laujardière and Louis Arretche not to modernize the war-torn town, but to respect the ancient medieval character of the city and retain its maze of alleys, granite facades and steep slate roofs. It took two years to painstakingly remove the rubble, before rebuilding could start. Workers cataloged the ruins like an archaeological excavation, numbering each brick and stone, so that town’s original building materials could be reused, when possible, to authentically resurrect it from its ashes. Major reconstruction lasted until 1960; however, the Cathédrale de Saint-Malo, the final resting place for the famous Corsairs Jacques Cartier and René Duguay-Trouin, didn’t acquire its new steeple until 1971. The church’s spire, rightfully returned to its place of honor on the citadel’s skyline, was once again a welcome landmark for sailors returning from the sea. Renewed prosperity returned to Saint-Malo in the mid-1960s when folks rediscovered the seaside town as a great place to rent a vacation flat in apartments now vacated by families that moved away during the reconstruction years.

The views from atop the ramparts of the sea and the citadel were great. It’s an easy 1.4 mile loop around the ramparts, with many gateways that descend back into to the walled city or out onto the surrounding beach. At low tide it’s possible to walk across a sandy peninsula to the nearby 17th century Fort Natioinal, or to the small island Grand Bé, where the French writer François-René de Chateaubriand is buried, but be careful not to get stuck out there during an incoming high tide. Afterwards, back in town we found a rustic bar with a fire going in its stove and warmed ourselves with snifters of Calvados and café.

During the high season, parking in Saint-Malo can be problematic. However, if you are staying in Dinard it’s possible to take the small ferry across to the “The Corsair City.” If you are looking for a good read, the book All the Light We Cannot See, written by Anthony Doerr, evocatively tells an intriguing and mysterious story of life during WWII in Saint-Malo.

Traveling 30 minutes south from Dinard, we seemed to have arrived in the 14th century. We were greeted by an equestrian statue of the famous French general Bertrand du Guesclin, which towered above us in the car park. He was known for his many victories over the English during the Hundred Years War. He was so well regarded that upon his death, in 1380, he was given a royal funeral, his body quartered for burial, a practiced usually reserved for France’s kings. “His heart was buried in Dinan in his native Brittany, his entrails were buried in Puy, his flesh at Montferrand, and his skeleton in the tomb of St. Denis outside Paris.” We were off to an interesting start.

Somehow having escaped the destruction that befell Saint-Malo, Dinan’s historic center is filled with charming leaning, half-timbered medieval buildings dating from the 13th to 16th centuries, and shares an ambiance that felt more akin to Rouen than its neighbors Saint-Malo and Dinard.  This morning the narrow-cobbled alleys were busy with activity, modern shops behind the ancient facades, replacing the craftsmen and guild merchants of this market town and riverport who traded with Spain, England, Holland, and the new world colonies.

Our “walk a little, then café,” led us to Marcel, on Rue de la Cordonnerie, a delightful patisserie, where between cheerfully serving customers, the staff was photographing their artistic, mouthwatering temptations to post to the store’s Instagram page. Outside it could have been 1305 or 1673; only folks’ clothing had changed.

Farther along, stores had their merchandise displayed along the sidewalks under the porches of the buildings. This style resulted from the tax code at the time when merchants’ stores were taxed based on their ground floor square footage, but were allowed to expand outward on the higher floors.

Polished from a millennium of footfalls, the cobbled lanes in Dinan glowed with different tones and hues, especially apparent on the damp overcast day we followed the long Rue du Jerzual downhill to the Port de Dinan. It’s an amazing street lined with a vast array of interesting buildings and a tower gate, which was once part of the ramparts which encircled upper Dinan.

The waters of the La Rance river were calm and reflected the boats docked along the waterfront and the emerging autumn colors on the hillside above the river. Here the tributary narrows, no longer navigable for larger ships, a single arch stone bridge allowing only small recreational boats to proceed upstream to the pretty village of Léhon. A bike and footpath also follow the contour of the river to the village, only a 30 minute walk away.

We lunched outside along the quay trying some garlicky escargot and enjoyed the now-sunny afternoon. We were dreading the long uphill walk back and had asked at the restaurant to arrange for a cab, but they cheerfully informed us there was no need as a local small bus stopped just over the bridge and would take us back to the historic center.

The driver stopped at the Basilique Saint-Sauveur for us. Built in the early 1100s, it retained its Roman style façade during a 15th century expansion. But we only had a few moments for outside shots before a late afternoon thunderstorm chased us inside.

The inside has an impressive altar and artworks, while the interior architecture reflects a church renovated over several centuries. One side features Romanesque arches, though the other side displays a Gothic influence.

Rain kept us from walking through the Jardin Anglais, an English-style garden behind the town’s ramparts, with views across the La Rance river valley. We wrapped up a wonderful day in Dinan at the Château de Dinan, once a palace and fortress for the Dukes of Brittany in the 14th and 15th centuries. We seemed to have just scratched the surface of this intriguing town. And looking back it would have been a more interesting locale for a four-night stay.

Till next time,

Craig & Donna

France: Road Tripping Through Normandy – Fecamp, Yport & Étretat

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Overnight showers had cleansed the air, the morning was brilliant with sunshine, and the deep blue sky was checkered with fair weather clouds. We were road tripping west through flat farmlands and pasturelands, which were lined with rows of beech trees to protect the land from the ferocious winds of winter storms. The landscape was dotted with Normande, a breed of dairy cow descended from the cattle that the Vikings brought with them when they settled in the area during the 9th century. A white cow, speckled with brown patches, this breed is favored for its milk’s high fat content, which lends itself perfectly for making CHEESE! More specifically the PDO (Protected Designation of Origin) Camemberts, Livarots, Pont-l’Evêques and Neufchâtels that the Normandy region is famous for. Small signs for fromage and cider pointed down many dirt lanes that spurred off our route.

We were heading to the white cliffs of Fecamp and Yport, in the Seine-Maritime department of Normandy, on the English Channel. While planning this trip we read about high season – over-tourism running rampant across France. Crowds don’t appeal to us, so we’ve been planning our travels to coincide with a destination’s shoulder season for a while now. The articles also suggested visiting places off the usual tourist radar, which is how we came across Fecamp and Yport, our stops before reaching Étretat. In hindsight we should have planned a full afternoon or overnight stay in Fecamp, as the quick glimpses of the Palais Ducal, now ruins, and the Holy Trinity Abbey, as we drove through the historic center, revealed a pretty town and looked intriguing, worthy of further exploration.

Our “walk a little then café,” becomes “drive a little then café,” when we have wheels, and by the time we entered Fecamp it was time to satisfy that late morning craving. Parking in unfamiliar towns is always a challenge, and on a busy Saturday even more so, but we lucked out and found both a parking space and great café near the harbor. The sunny outside tables at Le Coffee de Clo were empty so we were surprised when we entered to see a lively shop nearly full of people busily enjoying the decadent sweet creations we had stumbled across. More muffin than pastry, the baked goods and excellent coffee here are the only excuse you need to detour to Fecamp.

Walking back to the car, we spotted the Chapelle Notre-Dame du Salut, across the harbor, high atop Cap Fagnet. It’s believed that Robert the Magnificent, an 11th century Duke of Normandy, constructed the church in thanks to God for surviving a shipwreck in the waters below the white cliffs of Cap Fagnet. It’s been a pilgrimage site for fishermen, sailors, and their families ever since.

The views from the terrace in front of the church of Fecamp’s harbor, and the southern half of La Côte d’Albâtre, the Alabaster Coast, take in an 80-mile stretch of white cliffs between Etretat and Dieppe on the Normandy coast, that mirrors the distant White Cliffs of Dover across the channel. Locally the cliffs around Fecamp are known as le Pays des Hautes Falaises, high cliff country.

In 1066, William of Normandy set sail from Fecamps’ harbor with a fleet of more than 700 ships, partly financed by the Abbott of Fecamp, to claim the Crown of England, which he had inherited, but this was being contested by Harold, a pretender to the throne.  The issue was settled at the Battle of Hastings when the former became King William the Conqueror. It was also reassuring to learn that the Fecamp monks transitioned away from being international arms merchants, and segued into a more appropriate occupation –  running a distillery in the 16th century, that produced a 27-herb flavored liqueur that would become popular in the mid-1800s and sold as Le Grand Bénédictine.

Eight hundred seventy-eight years after William set sail, on June 6, 1944, during WWII German fortifications along the Côte d’Albâtre failed against an allied amphibious invasion fleet of over 7000 ships and landing craft. It was the beginning of the end of WWII. Scrambling to the top of an abandoned bunker provided us with the perfect vantage point for photos of the coast.

By the time we arrived in Yport the clouds had thickened and were threatening to rain. To our dismay, it poured just as we were parking by the beach promenade. Fortunately, it was an intense but brief shower that cleared into a cloudless sky and revealed a quaint picturesque hamlet and shining white cliffs towering above the sea.

The cliffs along the seafront have been eroding for eons, creating in certain spots deep, long ravines that funneled torrents of water, laden with sand and stone through the cliff face to the ocean, which created beaches in certain places over the ages. These narrow valleys are called valleuses, and the small coastal fishing village of Yport started in one during the Neolithic era.

Without a harbor, fishermen pushed their small boats across a pebbled beach and rowed out through the waves to pursue their livelihood. They repaired their boats and mended their nets on the beach at the foot of the town. This way of life supported the villagers for centuries. Only the invention of the small outboard motor in the early 1900s eased their physical effort, until the 1960s when tourism and a small casino replaced fishing as the town’s driving economic force.

In 1838, the tightly knit community decided to build a church. Men, women, and children gathered tons of smooth stones from the beach, carted them 500m inland, and proudly worked together to mix cement and build the center piece of their town. Horizontally striped with alternating layers of colored beach stones, the façade of the church is beautiful, and unique in Normandy. It is a true testament to the power of community spirit.

By the mid-1800s Parisians seeking a more relaxing retreat than Etretat were frequenting the quiet fishing village. The French painters Monet, Renoir, Schuffenecker, and Vernier visited and painted there, while the 19th century French writer Guy de Maupassant set his novel, ‘Une Vie,’ in Yport. Paths from the center of the town and from behind the casino lead to the cliff tops and join the popular GR21 trail that can be followed north to Fecamp or south to Etretat.

Regardless of how beautiful photos of the Falaise d’Aval are, they don’t rival the physical reality of the calling gulls, wind-swept hair, the whistling wind and the relentless sound of the surf crashing against the stoney beach.

Arriving late on a Saturday afternoon in mid-October, we were surprised Étretat was jammed with tourists. Parking is extremely limited here and finding a space is almost a competitive sport that ultimately just required us to sit in a row and wait for someone to return to their car. It sorted itself quickly enough and luckily, we were only a short walk from one of Étretat’s first lodgings, the Hotel Le Rayon Vert, which to our delight was directly across from the beach and Étretat’s promenade. After checking in, we headed to the top of the towering 300ft high cliffs for sunset, the first of many walks along this beautiful stretch of coast and the perfect way to work up an appetite.

If you have been following this blog, you’ll know my superpower is the ability to find a great pâtisserie, pastelería or pastry shop. It’s a great talent when the hotel wants 16€ per person for breakfast. In Etretat, the boulangerie patisserie “Le Petit Accent” exceeded all expectations!

Set high above the town, it was a steep uphill walk to the Jardins d’Etretat. This whimsical topiary garden, with playful faces as “Drops of Rain,” by the Spanish artist Samuel Salcedo, more so than the Falaise d’Aval, was the catalyst for visiting this seaside resort.

This magical spot has its roots over 100 hundred years ago when a villa and garden were built here by Madame Thébault, a Parisian actress, and friend of the impressionist painter, Claude Monet. Madame Thébault cultivated a circle of creative folks as friends, and Monet along with other painters and writers were her frequent guests. It was from a patio in this garden that Monet found repeated inspiration to capture the essence Les Falaises à Étretat.  His love of the area is evident in the nearly 90 canvases he painted depicting various scenes along the Normandy coast. But the Jardins d’Etretat today are a relatively new botanical masterpiece reopening in 2017 after an expansive reinterpretation led by the landscape architect, Alexander Grivko.

Across from the entrance to the garden, a tall soaring monument pointing skyward, elegant in its simplicity, commands a view out over the cliffs and the ocean beyond. This tribute commemorates the last sighting from French soil of the pilots Charles Nungesser and François Coli on May 8th, 1927. They were flying their biplane L’Oiseau Blanc, The White Bird, from Paris to New York in an attempt to be the first non-stop flight across the Atlantic Ocean and win the Orteig Prize of $25,000. But they disappeared somewhere along their route. It’s believed they made it across the Atlantic, but crashed into the dense wilderness forest of Nova Scotia or Maine. Wreckage of L’Oiseau Blanc has never been found and their disappearance remains an unsolved aviation mystery, that rivals Amelia Earhart’s story.  If Nungesser and Coli had succeeded, they would have beaten Charles Lindbergh in the Spirit of St. Louis by twelve days.

The Notre Dame de la Garde stands alone on the slope below the Monument “L’Oiseau Blanc,” isolated on the cliffs like a small boat surrounded by a vast ocean, its spire like a lighthouse’s guiding beacon, visible far out at sea. It offers a welcome sign for the fishermen and sailors returning home. Unfortunately, it was undergoing renovation when we visited in mid-October.

Walking back through the village we found the Normandy architecture in Etretat intriguing. It encompasses many different styles and runs the gamut from ancient half-timbered buildings embellished with ornate wood carvings, to 18th and19th century designs utilizing the local hard flintstone and incorporating steep pitched slate roofs and turrets into their designs. All fascinating.    

Etretat has been a popular destination since rail service began between the port city of Le Havre and Paris in 1847. Swimming or a day at the beach later became common place with the latest fashion, the full body bathing suits. While society folks were sunbathing on the stoney beach, there was a cottage industry of locals, called pebblers. They collected the beach stones for their high silicone content, which were then pulverized and used for various industrial purposes. It’s now illegal to remove any pebbles from the beach as they are vital natural protection against storm surges and marine submersion of the promenade built across the top of the beach, which is much easier walk on than trekking across the pebbly beach, where each footstep sinks into the loose stones and is exhausting to cross.

The classic 19th seaside resort continues to draw visitors, with the success of the French Netflix series Lupin, based on the writer Maurice Leblanc’s character, Arsène Lupin, the gentleman burglar. Leblanc’s former summer home, where he wrote some of his books, is now the Le Clos Arsène Lupin Museum. Some scenes were filmed locally, motivating a whole new generation to discover the white cliffs. The other French writers and composers who enjoyed their time in the quaint village include Victor Hugo, Guy de Maupassant, and Jacques Offenbach, all of whom are remembered with streets named in their honor.

We also enjoyed our time along the Côte d’Albâtre, but just seemed to scratch the surface of this beautiful part of Normandy.

Till next time, Craig & Donna

The Rouen Lean: It’s not a Dance

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We had narrowly escaped Paris’s evening rush hour as we sped away from Orly through the French countryside. Our destination is Rouen, an ancient port town on the river Seine with a pivotal role in France’s history since the Romans first settled along the graceful bend of the river there. It would be a restart to a trip cut short by covid in 2020.

The last light of the darkening sky reflected off the Seine, like a brush stroke of silver paint across a dark canvas, as we turned away from the river and entered Rouen. We are not fans of night driving, especially in a new locale, and our maps app had difficulty with the narrow one-way streets in the historic center of the city. Frustrated, we decided to park at the first opportunity. Miraculously the planets were aligned in our favor as we entered the Q-Park Palais de Justice Musée des Beaux-Arts, a massive unground parking garage that encompasses several subterranean blocks beneath a park in Rouen’s historic district. Not sure exactly where to park, something urged us to continue through the cavernous space until we found a garage attendant moments before he locked his booth for the night. Friendly and extremely helpful, he explained how their multiday ticket would be the best value for us. Yes, we were so lucky he spoke English. Our good fortune continued at street level when we realized we were only two blocks from our hotel. But we had arrived later than planned and the gate to Le Vieux Carré was locked. Fortunately, another guest was returning to the hotel at that time and let us in. “I saw several keys on the reception desk when I went out, and figured you were one of the late arrivals.” Indeed, a room key with our name on it was there waiting for us.

Early the next morning the unusual, but pleasant aroma of caramelized onions drifted in through our open window. With our tastebuds awakened and appetites whetted we headed out. “Walk a little, then café,” is how we like to describe our wanderings. Our first stop – coffee and pastries. It is France, after all! But where to stop? There’s an abundance of eateries in Rouen, thanks to the city hosting two universities and thousands of students. There were so many places that looked inviting, but the criteria for us first thing of a morning was a café with a table in the sun, a must in mid-October to help alleviate the day’s early chill. Once sufficiently caffeinated, we set out.

Flat as a crepe, Rouen was a walker’s delight and savory with explorations that pulled us in every direction. During the 9th century, Vikings pillaged and then stayed to become the first Normans, and the prosperous town of became the capital of Normandy in the 10th century. During the Middle Ages, conflicts in the region were nearly continuous, but the city somehow evolved into one of France’s gems, with its distinctive medieval half-timbered buildings and three towering, majestic churches which still grace the city’s skyline. 

A who’s who of historical figures have crisscrossed Rouen’s cobbled lanes for centuries. The Anglo-French kings, William the Conqueror, a succession of King Henrys, Eleanor of Aquitaine and Richard the Lionheart viewed the city as their home away from home. In 1431, after inspiring her countrymen to rally against English expansionism, Joan of Arc was captured, tried, and burnt at the stake in Rouen’s Old Market Square. It wasn’t until the Siege of Rouen in 1449 when forces commanded by King Charles of France finally defeated the English. Later the French impressionist painter Claude Monet found inspiration in the city, featuring the Rouen Cathedral over thirty times as he put paint to canvas to catch its essence perfectly. With conflicts never seeming to end in Europe, somehow, this beautiful renaissance city, though deeply wounded, miraculously survived World War II. Most importantly perhaps, in March 1948, Julia Child had her first taste of French cuisine at Restaurant La Couronne, on Rouen’s central square, the Place du Vieux-Marché.  

Open since 1345, La Couronne is France’s oldest inn. Savoring her Sole Meuniere, a lightly breaded fish dish flavored with fresh butter, lemon, parsley and capers, it was an experience she described “as the most exciting meal of my life.” Local oysters and a bottle of Pouilly-Fumé were also enjoyed. She was hooked and a Francophile was born!

The Rouen Lean is not a dance, nor the result of drinking too much wine, but the very obvious tilt exhibited by many of the city’s ancient half-timbered buildings constructed during the Middle Ages. Our hotel was a prime example of this with scarcely a wall or floor that was square, plumb, and level. But that was the charming character and ambiance we were looking for. The half-timbered building’s superstructures were constructed with huge square oak timbers held together only with mortises, tenons, and wooden pegs, while the nonstructural area between the supporting timbers was filled with bricks or stones and covered with plaster. Over the centuries it has proven to be an aesthetically pleasing and durable construction method used to build five to six story houses. Many of the buildings still retain a centuries old, carved wooden sculpture on the front of the building that represented a service or craft that was once conducted there.

Approximately two thousand half-timbered structures from the Middle Ages still stand in Rouen. The abundance of wooden buildings surprised us as most of our travels have been through the countries of Southern Europe, Portugal, Spain, and Italy, where stone was historically used to construct everything. In Rouen, scarce stone was saved for the churches and castles.

Even stone erodes over time and occasionally old churches need a facelift every few centuries, as was evident by all the scaffolding surrounding the15th century, Gothic style, Saint-Ouen Abbey Church, though with a selective camera angle I was able to eliminate most of the temporary platforms from our photo. But the difference between the areas covered by grime and the newly cleaned sections was phenomenal. The multiyear project is scheduled to be completed later in 2024. Though the interior of the church was closed the day we visited, we were able to watch a stone carver as she worked to create a new gargoyle to replace one beyond repair.

Rouen’s three main churches, Saint-Ouen Abbey Church, Église Catholique Saint-Maclou, and the Cathédrale Notre-Dame de Rouen are all located a short distance from each other on the eastern edge of the historic district, but the journey through the narrow lanes connecting them and exploring many other splendid points of interest along the way made for a wonderful day.

After the abbey we window-shopped down Rue Damiette, admiring the handcrafted violins created by master luthier Sarhan Jean-Marc. Farther on, interesting antique stores lined the narrow lane. Behind us the abbey’s belltower rose over the street. A view that hasn’t changed significantly in centuries. One of the best examples of the “Rouen Lean” is at the end of the street across from Saint-Maclou and caused us to stop for a double take. How, we wondered, can these buildings still be standing?

There was a shortage of cemetery space in Rouen during the Middle Ages when the plague revisited the city repeatedly and 75% of its citizens died. At the time it was the custom to bury the dead only until their bodies decomposed.

Then the bones were exhumed and reinterned above ground in the ossuary Aitre Saint Maclou and the grave reused for the newly departed. Hidden away down a discreet side alley, the ossuary complex was expanded several times and functioned as a secondary cemetery until the early 1700s when the remains were removed, and the buildings were repurposed as a school for poor boys. Today the space houses a fine arts academy and exhibition space. Though it’s still a macabre place with skull and crossbones carved into its exterior timbers.

We rested with coffees at a café on Place Barthélémy in front of Saint Maclou. While a lovely spot, the coffees were overpriced to the point that we could have purchased lunch for two if we’d chosen a less touristy spot. Just a reminder, a block or two off the usual tourist routes and prices drop dramatically.

Rouen’s Cathédrale Notre-Dame has been the center of focus since the first early Christian converts built a temple in 395 AD, on the spot where the current church now stands. And, like the city, the church has a turbulent history. Charlemagne visited in 769, but those pesky Vikings couldn’t decide if they hated or loved the place, sacking it repeatedly in the 9th century, only to later claim the Duchy of Normandy as theirs and embrace Christianity after the Viking leader Rollo was baptized in the church and later buried there as well. Nearby, Richard the Lionheart’s tomb only contains his heart.

Romanesque architecture was the rage during the 11th century and William the Conqueror attended the consecration for the first of many expansions and renovations that would follow over the centuries.

More chiseling and hammering continued during the 12th century when successive Archbishops embraced the new Gothic style. In 1204, Philip II of France celebrated Normandy’s merging with his kingdom amidst the new Gothic renovations.

During the 16th century, a second tower in the Renaissance style was built and ornate stonework and hundreds of statues were added to the front of the church, creating the visage that remains today.

Later lightning strikes, hurricanes and Calvinists would wreak havoc on the church. During the French Revolution any metal objects, not hidden away, were seized and melted down to create cannon balls. During WWII the cathedral was heavily damaged by Allied bombs. The damage was so extensive that final restoration wasn’t completed until 2016, when all the scaffolding was finally removed. Built and rebuilt, inside and out, for over eight hundred years, the cathedral is a fascinating place to explore.

The next morning we headed down Rue de Gros-Horloge, Rouen’s main pedestrian-only thorough fare that runs east to west from the cathedral to the Place du Vieux-Marche, a historic market square. This is the street where the city’s famous 14th century astronomical clock, Le Gros-Horloge, seems to transport you backwards through time to the Renaissance. Early in the morning is the best time to experience this landmark without crowds, as later in the day the narrow lane is as busy as Paris’ Champs-Élysées. During our short time in Rouen, we passed under its gilded façade many times and always, like Monet and his multiple paintings of the cathedral, tried to capture this beautiful clock just right in our photographs.

Indulging our wanderlust, we veered left and right off the lane to satisfy our curiosity. We found ancient gargoyles on the Tribunal Judiciaire de Rouen, and whimsical unicorns, a porcupine, and a reference to L’Ordre de l’Hermine, the Order of the Ermine, a medieval chivalric order on the exterior walls of the Hotel de Bourgtheroulde, a former 1500s mansion, built in what is kindly referred to as the Flamboyant Gothic style popular at the time.

Seriously – the Order of the Ermine is not from a Monty Python skit. A small but ferocious animal, during the Middle Ages the ermine was believed to to fight to its death if attacked rather than “sully the purity of its white fur,” and was used by many medieval chivalric orders to symbolize their uncompromising integrity and honor.

There was also the Ordre du Porc-Épic, porcupine, for prickly knights, and the Order of the Golden Fleece, for royal embezzlers. These were actual chivalric orders, though I am taking liberty with their membership.

Today the Place du Vieux-Marché is surrounded with restaurants and cafes with outside tables, which were very lively at Happy Hour when students and folks just off work congregated on the square. Quite a different scene now as opposed to the day in 1431 when Joan of Arc was burned alive at the stake, in the center of the square, though her heart remained untouched by the flames. A beautiful, modern wooden church built in 1979, the Église Sainte-Jeanne-d’Arc now memorializes the spot where her pyre stood. A plaque nearby reads “Oh Joan, you who knew that the tomb of heroes is in the hearts of the living.”

Inside the food market we savored our first fresh oysters from the Brittany coast and purchased some fruit, and of course cheese! A difficult process considering the tremendous variety we could choose from.

Intrigued by Joan of Arc’s story, the next day we headed to the Historial Jeanne d’Arc, which is housed in a wing of the ancient Archbishop’s Palace where part of her trial was held. We were skeptical at first while buying our tickets, thinking we’d just be watching a movie. But we both ended up being enthralled with the interactive digital technologies used to project Joan’s saga onto the old stone walls, floors, and domed arches.

Her history was exceptionally well portrayed and presented as chapters, with each chapter presented in a different room of the architecturally interesting space. We climbed one of the palace’s towers and were rewarded with a timeless view down Rue Saint Romain to the church of St. Maclou; a view that would look familiar to Joan of Arc were she to stand in this spot today, so little changed from her time.

A symbol of defiance, heroine for the French, and a successful military adversary against the English, she claimed God supported Frances’s freedom, but this was a position the Rouen church could not support as they were allied to England and claimed God was on their side. She was tried and convicted for her heresy. Her male jury also had difficulty with her dressing in men’s clothing for battle. As if because she was a woman, she should have worn a skirt and sat side saddle as she rallied the French to fight. But this practicality was viewed as cross dressing and as such was held to be against God’s law. (Though the robes of the clergy were not considered feminine.) The French finally defeated the English and succeeded in uniting Normandy and Rouen with France. Twenty-five years after her execution, Joan’s family petitioned for the trial records to be reviewed. The court determined she had been tried “under false articles of accusation,” and posthumously declared her innocent and annulled her sentence in 1456.

Our time in Rouen was a beautiful look back into Medieval France.

Till next time, Craig & Donna