Travel Couple

A Balkans Road Trip Part 3: Slovenia – The Dance of Death, Castles, & Ljubljana

| 2suitcasesfor2years

With a sharp dog-leg turn to the left we followed the E751 across the bridge above the Dragonja River and crossed into Slovenia from Croatia, leaving the cerulean blues of the Adriatic behind us as we headed into the mountainous “Green Heart of Europe.” Across from each other at an intersection, competing ladies had cartons of fresh picked Spring strawberries piled high on roadside tables.

Ljubljana, Slovenia is only 202 km (126 mi) from the harbor town of Pula, Croatia, a fast 2.5-hour trip, on excellent roads, if you drive straight through. But we had chosen several spots to explore along the way, and we’d be happy if we arrived in Ljubljana before sunset.

With a population of just over two million people, Slovenia’s countryside is wonderfully underdeveloped, and rich with pristine landscapes of forests and farmlands. A fresco of dancing skeletons in Cerkev sv. Trojice, the Church of the Holy Trinity, in the rural village of Hrastovlje was our first destination. Along the way a cluster of homes in the hamlet of Podpeč, seemed to cling for dear life on a steep slope below a karst cliff face, on top of which stood Obrambni Stolp Podpeč, a tall 11th century Venetian watch tower, which is said to have outstanding views across Slovenian Istria region all the way to the Bay of Koper and the Gulf of Trieste.

A few minutes later, after driving between buildings along a very narrow farm lane, where we were sure we would have lost the side mirrors on the car if we hadn’t pulled them in, we were standing in front of the locked iron gate of Cerkev sv. Trojice. A placard picturing the fresco we hoped to see listed a telephone number to call. We dialed, no answer. It was a beautiful Spring Saturday; surely, we thought, the site must be open. Fortunately, there was a small taverna, the Gostilna Švab, nearby that was in the process of opening for lunch. Inquiring about the church, the proprietress was very helpful in calling the gentleman, who she assured us would be there shortly. Pouring two coffees she shared, “he’ll be there by the time you finish these.” The coffee was very good, alleviating the chill of the morning as we sat outside on the tavern’s terrace, and it perfectly satisfied our “drive a little, then café, ritual.

By the time we entered the courtyard of the fortress church several other visitors had arrived, and we spent a few minutes admiring the small church and its belltower. The ancient church, built on a rise above rolling fields, is believed to have been built between the 12th and 14th centuries, with the ramparts and corner towers added later in the 16th century to repel Turkish attacks along this frontier region as the Ottoman Empire fought to expand its control across the Balkan region farther into the territory of the Habsburg Empire, but didn’t succeed. It’s not remembered when the clock was added to the belltower.

Inside the small chapel every wall and ceiling is spectacularly covered with biblical teachings. At some time over the centuries the frescoes were covered with layers of plaster and remained hidden until 1949 when the Slovenian painter and art teacher Jože Pohlen, who was born in Hrastovlje, noticed that areas of flaking plaster suggested earlier paintings underneath and thought a hidden gem might be waiting for discovery. Surprisingly, although historians don’t have an accurate history of the church, they do know thanks to the restoration of the frescoes by Pohlen, and the discovery of a signature that they were painted by Janez van Kastav, John of Kastav, from Croatia, in 1490.

All the religious illustrations were intriguing, but the most unique was the Dance of Death fresco, which depicts 11 skeletons leading a parade of everyday souls that includes a prince, a priest and a pauper to the grave. A stark reminder that, regardless of our stations in life, the same fate awaits us, though a Royal does lead the group to their final destination. Leaving the courtyard, we noticed a sign for local Isteria wines for sale on a door to one of the watchtowers. “Red or White?” “One of each, please,” and with that he unlocked the ancient wood door that was almost falling off its hinges and revealed his impromptu wine cellar.

A farmer’s enclosure across from the church had rusted relics from WWI and WW2 nailed to the top of the fenceposts. A silent and ironic testimony to the centuries of conflict that have fallen upon this bucolic area. We had hoped to stop at Lipica Stud Farm, an almost 500 hundred year old horse breeding facility that was started in 1581 with 24 broodmares and six stud horses brought from Spain originally to create a herd of the magnificent white horses for the royals of the Hapsburg Empire. Today the breeding farm remains dedicated to raising Lipizzaner horses for equestrians around the world.

Unfortunately, the equestrian center was closed the day we were in the area, and we continued on to Predjama Castle. The 13th century fortified chateau was dramatically built halfway into a large cave on a towering cliff face, by the rebellious knight Erazem, whom legend believes was Slovenia’s Robin Hood; he pillaged wealthy towns and protected the local peasants. Betrayed by a castle servant who signaled the enemy with a candle, Erazem met an unceremonious death when a cannon ball fired by troops of the Holy Roman Empire caught him with his pants down as he was using the castle privy.

An audio tour of the castle took us through secret tunnels, a dungeon, and several restored living areas, where only the lord of the castle enjoyed fireplaces, while his staff froze in their quarters. We felt the best element of the castle was its picturesque setting, which can be viewed for free, and thought that unless you have never toured a castle before, the entrance fee wasn’t worth the experience they offered. We enjoyed a very nice lunch at Gostilna Požar, which has a patio with views of the castle.

Ljubljana’s extensive old town along the Ljubljanica River is a beautiful pedestrian only area that spans both sides of the river as it flows through the capital city of Slovenia. Our taxi, on arrival and final departure, from the Parking Tivoli II lot to the French Revolution Square was included in our 5 night stay at the Barbo Palace Apartments. The short ride followed a convoluted route due to pedestrian-only and one-way streets. But it was a nice  introduction to the architectural diversity of Ljubljanica, and we took note of which buildings we wanted to return to later in the week to photograph.

First, we passed the National Assembly Building of Slovenia, a modernist building with a contrasting entranceway surrounded by an immense bronze sculpture created by the work of the Ljubljanica artists Zdenko Kalin and Karel Putrih in the 1950s. The artwork is called the Working People and reflects the collective philosophy of communism and “symbolizes the progress of civilization.”

Adjacent to Park Zvezda was the beautiful, architecturally distinct hull-shaped roof and six column fascia of Ursuline Church of the Holy Trinity, a 1700s Baroque style church with an attached monastery. Across the street was the striking Pillar of the Holy Trinity.

On Mirje Street we passed the remains of the defensive wall and gates of one of Ljubljanica’s earliest settlements called Emona, a Roman colony founded in 14 AD on a pre-existing Illyrian village. Located on an important trading route that linked the Adriatic to the Danube River and the northern Balkans, the town with an estimated population of 6,000 flourished until the 5th century when Visigoths and later Huns invaded the area. Afterward the town slowly declined as folks moved away to other areas for their safety.

The short walk to the Barbo down tree-covered lanes passed the conservatory rooms of University of Ljubljana’s Academy of Music, where melodies drifted on the air, and through the recital rooms windows the heads of students intent on playing their instruments could be seen as they swayed with their music.

Around the corner from the Barbo Palace, the 18th-century residence of Count Jost Vajkard von Barbo, was a splendid view of Ljubljana Castle, across the river with its flags flickering in the wind. Our one-bedroom apartment on the fourth floor was spacious, with a small kitchen and sitting area. Though rather simple in its décor, it overlooked the interior courtyard and the ancient red tile roofs of the buildings across the way, and it was in a convenient location, the staff was quite helpful, and we enjoyed our stay.

At dusk that evening we strolled along the riverbank promenade to Tromostovje, Ljubljana’s famous Triple Bridge, the center of this historic town, which was designed by Slovenian’s famous architect Jože Plečnik (1872 – 1957). His vision transformed Ljubljana from a provincial town of the Austrian Empire into a modern European city and a regional capital within The Kingdom of Yugoslavia in the period between the two World Wars. Under his direction, while respecting the integrity of landmark buildings, the city center was reinterpreted with new bridges, promenades, streets, squares, and parks. New public buildings which uniquely combined classical and modern designs, which blended the city’s ancient Roman heritage with Slovenia’s traditional character, were added to the cityscape.

We walked variations of this route multiple times to explore this fascinating, very livable city where folks biked to work, enjoying the vibe of the university students, and the numerous restaurants and cafes in old town.  

Sunlight brightening our bedroom window revealed a glorious day perfect for hiking to the top of Grajski Grič, Castle Hill. Detoured by a small antiques street fair, we browsed awhile before crossing the river to find the Reber, a narrow-cobbled path, which rises gradually until it transitions to a steep set of allegedly 115 stairs (I can’t believe they counted accurately!), before winding through the wooded hillside and reaching the castle. Along the pathway there was a spot with a nice view over the old town. The paved walkway was another initiative of Plečnik’s and replaced a dirt path that soldiers from the castle once used as a shortcut into town. Interestingly, the location is prominently featured in Vesna, a classic 1953 Slovenian romantic comedy.

Reaching the castle, we walked around its perimeter, where we watched the funicular from the central market ascend the hillside, and found some interesting historical sculptures before heading to the entrance.

The ticket booth to Ljubljana Castleis situated well in front of the castle, and you’ll need to purchase a pass if you want to visit the history museum and climb to the top of its tower. However, you can enter the courtyard of the castle for free to take advantage of a café there, and climb to the top of the ramparts which have a spectacular view of Ljubljana and the Kamnik-Savinja Alps beyond the city.

We used the funicular to descend to Ljubljana’s central market square, where in April only a few vegetable and clothing vendors were set up early in the shoulder season. Though we did find a vending machine that dispenses fresh milk into a bottle you provide or buy at the machine. Adjacent to the central market are two block long colonnaded arcades, that house several restaurants and a variety of shops. Year-round on Friday evenings the area transforms into Odprta Kuhna, the Open Kitchen Market, a popular festive hub for food connoisseurs to try traditional Slovenian dishes and international cuisines, from the numerous food stalls along the street. Unfortunately, we were not in Ljubljana on a Friday, to experience this for ourselves. But we did find some tasty burek at Okrepčevalnica Bureka short distance away on Poljanska Cesta.

We did enjoy some excellent traditional dinners in Ljubljana, the most memorable being at Ljubljančanka near Prešernov Circle, which is located the base of the Triple Bridge. The plaza is the terminus for multiple streets and is surrounded by beautiful buildings that feature a variety of interesting architectural styles.

Architectural diversity is visible on most of the lanes running through Old Town Ljubljana, and contributes significantly to the city’s livability.

One morning we walked across town to AKC Metelkova Mesto, a center of alternative culture that started in 1993 from a squat in a former military barracks. The one block area is covered in continuously evolving street art and is ground zero for nightlife in Ljubljana, with several music clubs and eateries.

Returning to the old town we crossed the Dragon Bridge, an early 1900s structure decorated with Art Nouveau dragon statues. It was not the first time we encountered dragon symbols in Slovenia. Interestingly, Ljubljana’s love of dragon imagery stems from the city’s creation story and the Greek legend of Jason and the Argonauts, in which Jason slayed a tremendous dragon terrorizing the area, after which some of the Argonauts settled along the river. Today the dragon is a prominent symbol on Ljubljana’scoat of arms, representing power, courage, and wisdom.

We found the two churches in old town interesting. Visiting first Franciscan Church of the Annunciation on Prešernov Circle, one of Ljubljana’s most recognizable landmarks, which is painted pink, a color chosen to symbolize joy and hope.

This Baroque church built in the mid-1600s replaced an earlier 13th-century Gothic church. The richly decorated interior is stunningly adorned with gilded altars, delicate stucco work, frescoes, a magnificent organ, and ornate side altars.

Across the river near the central market was the larger Saint Nicholas’ Cathedral. It is the third in a succession of churches on the site which dates from 1262 when a Romanesque style church was built. A 1361 fire severely damaged the structure and saw it refurbished in the Gothic style. But the church was altered again when the Diocese of Ljubljana was established in 1461 and the church became a cathedral. Notoriously, a suspected case of arson damaged the cathedral in 1469. Two hundred fifty years later construction of the Baroque church that exists today was started. One of the church’s most impressive features were the bronze doors created by Mirsad Begić in 1996 to celebrate Pope John Paul II’s visit to the cathedral to mark the 1250th anniversary of Christianity in Slovenia.

While Ljubljana is very easy to walk around in, the distances between points can be quite far. Helpfully, the city provides a free, on-demand electric shuttle service called Kavalir (Gentle Helper) that tourists can use in the pedestrian zone, and which is easy to arrange through your hotel. The drivers are not tour guides but will share information about the city as they whisk you quietly to your destination.

Ljubljana’s size was just right for us, its ambience charming and as a university town it was a nice mix of young and older. We found the city to be one of the nicest European capitals we have visited, and think it would be the perfect spot for an extended stay.

Till next time,

Craig & Donna

P.S. The Ljubljana Card lets you discover more than 30 Ljubljana sights

Zadar: The First Stop on Our Balkans Road Trip Through Croatia, Slovenia, & Bosnia and Herzegovina

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Peering down at the shimmering cobalt and turquoise blue water of the Adriatic Sea relieved the previous day’s anxiety of nearly missed connections. We encountered a long delay at passport control in Paris, before catching our connecting early morning flight to Zadar.

This temporary reprieve was short lived though, as we were confronted with a shuttered rental car window at the Sicily By Car booth, directly across from the small Zadar terminal. It was a Sunday morning – maybe the service at church ran long, or the coffee and pastries at the café were particularly delicious; nevertheless, the other passengers on our early morning flight who had rented with other agencies were long gone. At the terminal’s outdoor café we sipped coffee, waited, and discussed whether or not to cancel our existing reservation.  An hour passed before a car parked behind the booth, and the shuttered window was noisily cranked open. A pleasant young woman greeted us, and the morning’s delay was forgotten. Years ago, we began the habit of asking attendants at the rental car counters for suggestions to non-touristy places to eat. It appears it’s an unusual request from a customer, but folks seem pleased that we sincerely ask for their opinion. “Let me think on that, and by the time paperwork is done and I show you the car, my colleague and I will have some ideas for you.” With the names of three restaurants and a patisserie, “you should definitely try,” we headed off to see waterfalls at Skradinski Buk National Park in a nearly new small SUV, an upgrade from what we had reserved. The park was our first stop on our three-week long Croatian road trip, before our late afternoon check-in at an apartment rental in old town Zadar later.

The sunny April morning was now overcast as we drove into the small village of Benković to see its hilltop castle, and indulge our “drive a little, then café,” philosophy. Unfortunately, the castle was closed and the town seemed deserted in the pre-tourist season. Down the lane from the castle fig trees were setting their fruit and the first flowers of Spring were blooming. The café remained an unfulfilled desire.

We love traveling during the shoulder seasons to avoid the crowds of summer. But one of the drawbacks is fewer, if any, restaurants/cafes are open, especially in the more rural areas.

The drive to the park along Rt56 was semi-desolate, but pretty in an austere way, and passed through Croatia’s garigue shrublands, olive groves, and pine forests. From the road as we drove past Skradin, we could see large charter yachts at their winter moorings on the Krka River, two miles from the sea, sheltering there from fierce Adriatic storms, as they waited for the warmer cruising season to start.  Across the river the road zigged and zagged up the mountainside before leveling off on a high plateau.

Following the signs to the national park we drove down a side road which passed a sprawling abandoned factory site, fronted with several concrete military bunkers. They were relics from the Cold War era like the ones that dot the landscape in Albania. Built in the 1930s, the IVANAL d.o.o. plant was the Balkans region’s first state-of-the-art aluminum processing complex that employed 400 people. It was confiscated by Czechoslovakia’s communist regime in the 1940’s and never upgraded or maintained. Over the decades production fell until the plant was closed after Croatia’s independence in 1991.

The parking lot at the national park was very full, considering it was a chilly Spring Sunday, but the queue at the ticket booth moved quickly. While the falls are quite a distance downhill from the entrance to the park, some folks chose to walk a route through the forest to forage for the wild asparagus that sprouts along its path from March to May.

We opted for a ticket that included a shuttle bus ride to the largest waterfall, Skradinski Buk, at the bottom of a series of equally impressive waterfalls on the Krka River, then a walk back upstream along the waterway to another shuttlebus stop for a return ride to the top of the park entrance plateau. During the summer months the national park also offers a scenic twenty-minute boat ride from the harbor in Skradin,to the base of Skradinski Buk.

The overcast day was actually the perfect weather condition to photograph the waterfalls without heavy shadows or bright highlights, and the falls were thundering, foaming with the snowmelt from the Dinaric Alps, which run through the coastal Balkans region.

Along the way, we stopped at several restored watermills, with their mill races still intact. They were used primarily to grind locally harvested grain into flour, and to wash processed wool. A blacksmith shop also used a waterwheel to drive its furnace bellows to keep the fire hot enough to work the iron, and to power the heavy trip hammers the smith used to shape tools.

A serpentine elevated wooden walkway, without guardrails, twisted through groves of flooded forest, and kept us dry as the spring runoff rushed below us. It’s important to be aware of your footing in these circumstances, and we always waited at a wider part of the walkway for other folks to pass when the boardwalk was too narrow, to avoid fulfilling my mental image of being swept away down the rapids.

Unlike tourist sites in the United States, where everything is fenced to protect us from injury, in Europe you are expected to be responsible for yourself, and aware of your surroundings to guard against mishaps. We thoroughly enjoyed the waterfalls. We don’t see them in the coastal area at home, since we live nearly at sea level.

Zadar protrudes into the Adriatic, on a small peninsula, like a thumbs up sign, its once rough coastline now manicured with a sidewalk that follows its waterfront. Parking was challenging, but after circling the old town twice, we found a metered space near the Apartments Donat, our base for three nights. The rooms in the restored 700-year-old building were small. But the location, on a small lane overlooking the Cathedral of St. Anastasia and the Church of St. Donatus, was very convenient.

The manager of the building, who didn’t live on site, kindly made his parking space, next to the building, available to us for the duration of our stay. While having a rental car provides a lot of freedom, the typical 20 euro daily expense of parking in Europe can quickly add up. It’s not always possible, but we try to stay in hotels that provide free parking when we can.

Later that day we walked along the waterfront to Obala Petra Krešimira, a jetty that was being battered by whipping winds and crashing waves, which lifted large sprays of water over anyone brave or foolish enough to venture out onto it.

Nearby, in front of Zadar’s City Hall was Morske Orgulje, the Sea Organ, an experimental architectural sound installation designed by the architect Nikola Bašić and completed in 2005 to refurbish Zadar’s waterfront which had been neglected since the end of World War Two. The design incorporates polyethylene organ pipes under the marble stairs that lead down to the water. The motion of the waves continuously forces air through these pipes to create a “harmonic symphony crested by the wind, waves, and tides,” that is vented through the rise of the steps. Visually it’s a flat surface, but as we walked across the plaza the ethereal music faded in and out moodily with the motion of the turbulent sea.

The Greeting to the Sun, a solar-powered light installation also designed by Bašić, was a short distance away, closer to the tip of the peninsula. It’s a 22m (72ft) wide disc composed of 300 multi-layered glass plates, embedded into the plaza, which you can walk across. The panels absorb solar energy during the day to turn the disk into a colorful light display in the evening.

We hoped the storm clouds would begin to break apart so we could catch a scene from the spot that “Alfred Hitchcock once declared during a 1964 visit to the city as having “the most beautiful sunsets in the world.”  Alas, during our stay in Zadar the mornings were sunny, the afternoons cloudy, and our sunsets stormy and grey.

The next morning, we set out to properly explore the town, first stopping at the Roman Effigies, a collection of column sections and decorated capitals from the ancient Roman Forum, which stood in the area of Piazza Papa Giovanni Paolo (Pope John Paul II Square). The plaza itself was built over Zadar’s 16th century water cistern.

The piazza located next to the 9th-century Church of St. Donatus and the 11th-century Benedictine Monastery of St. Maria is the center point for the northern end of Zadar. The historic buildings did not open until later in the morning, so we continued down Zadar’s narrow lanes, enjoying the fragrance of orange blossoms while we strolled to Pekara Dalmatinka – Old Town Bakery, a recommendation from our friend at the car rental agency.

On the way, something piqued our curiosity down a narrower side alley and we detoured. There in a small workshop a craftsman was applying gold leaf to a frame. We appreciate old-world talents like this, and I asked in English, and gestured with my cell phone, if I could take a photo of him working. All was lost in translation and the man suddenly walked out, only to return a few minutes with his son who spoke English, and we chatted for a minute. Apparently, few tourists ever poked their heads into the workshop; the frame he was gilding was for a church, and his dad is a busy man, but it is okay to take his picture.

It’s a mistake to arrive hungry to a bakery that confronts you with a display case featuring mouthwatering Croatian pastries. We drooled over Kremšnita, custard cream cake; Madarica, a layered chocolate cake; Makovnjača & Orehnjača, a rolled dough pastry filled with walnuts or poppy seeds; Princes Krafne, a doughnut stuffed with luscious cream; Splitska Torta, a cake with layers of meringue, cream, almonds and figs; and of course Börek, a delicious, coiled phyllo dough pastry filled with feta cheese or spinach.

We planned to walk off our over-indulgence, and headed through Trg Pet Bunara, the Five Wells Square, to find a bench in Queen Jelena Madijevka Park. Tree branches laden with purple flowers hung over the decorative railing at the entrance to the park, which sits atop the city’s old bastion, next to the ancient Venetian Land Gate, and was the perfect spot for a morning picnic.  Built in 1573, it replaced an old Roman gate, and featured a relief of the Winged Lion of St. Mark, the symbol of the Venetian Empire, to celebrate a naval victory over the Turks. From our bench we watched a boat enter the small harbor in front of Zadar’s ancient defensive wall, a continuous activity since Zadar’s founding.

The ancient walls and gates around the city were first built by the Romans and then expanded upon by the Venetians in the 16th and 17th centuries, to defend the city from multiple attacks by the Ottoman Empire.

Several of the ancient gates still stand and allow passage from the old town to the ferry harbor. The top of the ramparts over the gates have been incorporated into a scenic walkway that parallels the waterfront and provides a pretty vantage point to view all the maritime activity, and some vignettes of old town Zadar.

Along this walk we spotted a younger man rowing a small boat with passengers across the narrow harbor, from a small lighthouse to a staired landing on the quay. Apparently, they were on the way to work and his service, like the traghetto in Venice, provided a shortcut. A sign we discovered the next day listed the fee as 2€.

Over the years the population of Zadar has sprawled into new buildings on the mainland, unlike Dubrovnik, which has been gentrified into a theme park. Old Town Zadar, on the other hand, has some newer buildings on its peninsula, but also has many that show the patina of age, and give the town an authenticity and delightful ambience.

Our sunny morning was threatened with rain by noon, so we headed into the Archaeological Museum, where they have an interesting and diverse collection of ancient artifacts, statuary, and busts unearthed in Zadar, from its pre-history through the Roman Era and Venetian times. Especially unusual was the collection of Neolithic Rhytons, a  four-legged ceramic ritual vessel, from the Impresso and Danilo cultures.

From the museum there is a good view of the Church of St. Donatus, and the belltower of Sainte Anastasie across from the ruins of the Roman forum. We’d pass these landmarks multiple times during our stay.

Fortunately, we did have good raincoats, and we scurried to Kavana Centar, a very nice café several blocks away that had some indoor tables still available and offered a reprieve from the rain. Located away from the main square, its menu was very budget friendly.

Though the rain had not stopped, folks continued on with their plans, and soon umbrellas were out everywhere.  After lunch, we headed back to St. Donatus, an unusual tall round cylinder-shaped church built during the 9th century in a pre-Romanesque style. Much of its construction utilized the ruins of the old Roman Forum, upon which it was built.

The fragments of reused columns, capitals, plinths, and cornices were used as fill, and can be seen in several exposed spots along the church’s foundation and interior. Its mammoth interior is 27m (89ft) tall, and at the top is a gallery that overlooks the space below.

The church was deconsecrated in the early 1700s, after which it was unceremoniously used as a wine cellar, warehouse, and Zadar’s first archaeological museum in the early 1900s. Nowadays, along with being a tourist site, it hosts theMusical Evenings at St Donatus, a concert series that utilizes the church’s excellent acoustics, every July.

The Campanile di Sant’Anastasia, the belltower of the Cathedral of St Anastasia and its monastery, is right next to St. Donatus. The campanile was added to the church in the 15th century, four centuries after the church and its monastery were completed. During the high season it’s possible to climb the 186 steps to the top of the 55m (180ft) tall tower for a panoramic view of the city and sea. But unfortunately, in early April it was closed when we visited. Surprisingly, the entrance to the cathedral is on the other end of the building, around the corner from the belltower, and took us a few minutes to figure out its location.

The interior of the Romanesque style church features an open timber truss roof, interesting side altars, an ancient fresco featuring what is believed to be a likeness of the saint, and the remnants of a 13th century mosaic floor, which I almost accidentally fell on, after losing my balance on the uneven stone flooring.

We could only imagine the uproar that would have ensued if I had damaged the antiquity. We wondered if our travel insurance would be of any use in this situation.

There are numerous other churches in old town Zadar. Choosing several churches and connecting the dots between them we found was a good way to see the various neighborhoods on the peninsula.

One of our favorites was the Crkva Gospe od Zdravlja, the Church of Our Lady of Health, set on the edge of a small park. Its small intimate interior was often visited by folks on their way to work in the morning.

Over the course of our wanderings past random buildings, down narrow alleys, and in dim courtyards, we found examples of the many different architectural styles that have graced the city over the centuries.

On our last night in Zadar, we drove off the peninsula to another recommended restaurant, Batak Zadar, located in a shopping center, far away from the tourist zone. We ordered several of their Croatian classics, and a local red wine. Everything was very good, and an excellent value compared to the inflated pricing of the restaurants in old town Zadar.

Though the weather could have been more cooperative, we enjoyed our three-night stay in Zadar, and found the size of the charming city just right for a short stay before the start our three-week road trip through Croatia, Slovenia, and Bosnia and Herzegovina.

Till next time,

Craig & Donna             

Panama: Snowbirds in Paradise – Sand, Sea, and Skyscrapers or A Relaxing Visit to the Azuero Peninsula

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By the time we picked up our rental car at the Tocumen International Airport it was the height of the evening rush hour in Panama City. Fortunately, we were heading into the city, while the traffic lanes carrying the daily exodus of commuters home from the financial capital of Latin America were jammed. It was only a twenty-five minute drive to our hotel on the waterfront, but we missed our exit and had to re-route our way through the now deserted downtown streets to the Hotel Plaza Paitilla Inn, for a one night stay. We chose this 19-floor waterfront hotel after determining it was the best place to get those iconic photographs of the city’s modern skyline along the Pacific Ocean coast. And we were not dissappointed.

Golden light filled the room as we drew back the curtains along a wall of windows to reveal a spectacular cityscape that transitioned through the sunset, twilight, and darkness. It was a million-dollar view and we felt as if we were some place only accessible to billionaires or actors lucky enough to have a movie scene filmed on location here. Surprisingly, the Hotel Plaza Paitilla Inn was an excellent value and very budget friendly.

After discussing our travel plan with the concierge the night before, we departed after an early breakfast to avoid the expected traffic delays as folks took the Friday afternoon off in anticipation of the four days of Carnaval before Ash Wednesday. The nationwide el Carnaval de Panama, which literally happens in every town, is the biggest celebration of the year in the country. It starts in each town with the coronation of a queen and ends with the Burial of the Sardine, which symbolizes the past festivals and enjoyment of drink and food, in the predawn hours of Ash Wednesday, and the beginning of Lent. Little did we know that Panama’s Carnaval is regarded as “one of the largest— and rowdiest — events in Latin America.” Nightly events feature themed parades with elaborately decorated floats escorted by trumpet and drum bands, called tunas. To the benefit of all, water trucks called Culecos spray the revelers in the ninety-degree heat to keep them cool. And between the water trucks, mojaderas, wetters, keep everyone partying around them soaked with water pistols, water balloons, and buckets of water. It’s not a particularly camera-friendly event.

Our destination for the next 5 nights was Posada Los Destiladeros on Playa Los Destiladeros, in Los Santos Province, a 5 hour, 335km (208mi) drive. Leaving the city, we crossed the Bridge of the Americas which soars 64m (210ft) above the Panama Canal, and stopped on the far side at the Mirador de las Américas for our first look at the canal. Two monuments commemorate the arrival of 750 immigrants from China 170 years ago to work on projects relating to the construction of the canal, which created an enduring friendship between Panama and China. The view of the canal wasn’t as impressive as its fact sheet: over 12,000 ships carrying $270 billion worth of cargo pass through the locks of the canal annually. Over 70% of the ships are headed to or are returning from ports in the United States.

Continuing on Rt1 we passed the first of many pillars being constructed to support Panama City’s new Metro 3 line, a double-track monorail project sponsored by the Chinese, that will connect the growing towns of Ciudad Del Futuro and La Chorrea to the city’s Metro 1 and Metro 2 lines, Central America’s first and only subway system that became operational in 2014. Rt1 is alternately called the Pan-American Highway, that famously stretches from Prudhoe Bay, Alaska in the United States, 19,000 miles way to Ushuaia, Tierra del Fuego in Argentina. Though a 100-mile section is missing in the difficult terrain of treacherous Darien Gap region between Yaviza, Panama and Chigorodó, Colombia.

Shopping centers and strip malls with McDonald’s golden arches, Starbucks, and Burger Kings lined both sides of the highway before giving way to open crop- and pastureland. The occasional hilltop offered views of the Gulf of Panama and the Pacific Ocean to the south. While to the north the rural highlands of the Cordillera Central, the jagged mountainous spine of the country, graced the horizon. Veering off the Pan-American Highway we headed west on Rt2 to Las Tablas. The town has been ground zero for Carnaval in Panama since the mid-1800s when two fiercely rival groups representing Calle Arriba and Calle Abajo started to compete in a festive, one upmanship every year before the 40 days of Lent began. The event in Las Tablas is very popular with folks from Panama City seeking to experience a more traditional Carnaval with folkloric music and regional dress, in what many consider Panama’s “heartland.”

Traffic had been slowly building all morning, and by early afternoon the streets of our intended route were blocked with floats being prepared for the weekend’s first parade that night. Folks were already creatively parking along the side of the roads and walking to the town’s central plaza, Belisario Porras. The congestion in the town unfortunately nixed our plans for lunch there, and we continued on for several miles along Rt2 through a scenic landscape of lightly treed hillocks. Cattle grazed in the shade under the trees.

Cars were parked on both sides of the road in front of El Cruce #2. It was a small fonda – a Panamanian roadside food stand, with smoke billowing up from its barbeque pit. It piqued our interests, and we stopped.  The outside grill area was open sided, under a corrugated tin roof. In its shade a man prepped and attended the meats that were smoking above a fire while another was using a machete to shave kernels from ears of corn. The unhusked pile next to him seemed monumental, akin to the Greek myth of Sisyphus and his never-ending task. It was the beginning step in the preparation of masa, a corn flour. It’s a must-have ingredient for traditional, homemade corn tortillas and tamales. The menu hung above a small window to the kitchen filled with women attending various stoves. Everyone was very nice and curious about where we were from, but seemed surprised that we had stopped. A large John Deere combine harvester with a police escort passed as we ate. A small caravan of pickup trucks with farm workers standing in the back followed it slowly down the road. The fonda was a very authentic, nothing touristy about it experience, and the food was good.  The line of traffic behind the harvester slowly disappeared as cars passed it when the opportunity arose.  It wasn’t until the last seconds as we raced past the tractor that we realized we also had to pass the police car! We returned the officer’s wave. It seemed like it was an everyday occurrence in the rural countryside. In Pedasi, the closest town to our hotel, preparations for the Carnaval were also visible down the side streets.

We missed the entrance to the hotel and continued down the road in hope of finding an easy spot to turn around, only to find that the road suddenly ended, with a log across it, at the top of Playa Destiladeros, a short distance away from the thundering waves of the Pacific Ocean, as if an early extension had been washed away in a storm. We were at one of the farthest points south on the remote Azuero Peninsula.

When we made plans for this return layover from our trip earlier in the month to Uruguay and Argentina, we didn’t realize our week coincided with Carnaval, consequently many of the hotels we were interested in were fully booked. After scouring the map for areas we wanted to stay we found Posada Los Destiladeros. While it showed as fully booked on Booking.com and Hotels.com, we were able to book a room directly through the hotel’s reservation page.

From the gated entrance we followed a long twin-tracked road, through a large palm tree covered property with many outbuildings, to the parking area. Through a grove of palm trees, the inviting blue water of the Pacific glistened behind the receptionist.

The vibe was really nice. It’s an unpretentious, tenderly time-worn resort in a verdant oasis of greenery on the low cliffs overlooking a wild beach and undeveloped coastline. The staff were very nice and friendly, and after a few days felt like family. The dinners that emerged from their kitchen were extraordinary!

It’s very unusual that we stay in one spot for 5 nights to unwind. But the Posada Los Destiladeros was the perfect place for us to relax, with easy walks on the beach, lounging around the pool and under palm thatched gazebos overlooking the surf as we waited for sunset every day, which offered a dramatic play of light across sand and surf.

A conversation in the pool one afternoon with another guest, a Panamanian American man visiting family over the week of Carnaval, related that he and his wife had been coming here for years, but “somehow it remains a hidden gem.” Of course, we took several half day trips to explore what else the Azuero Peninsula had hidden away.

Several days later we drove toward the beach town of Las Escobas del Venado. Well suited to the heat and humidity of the region, herds of Brahma cows have rested in the shade of the region since Spanish colonists first brought them to the area in the mid-1500s. At a turnoff for the small ranching town of Los Asientos, a roadside monument highlights the town’s traditional la corridas, bullfights. These are non-lethal events since a 2012 law prohibited the injury or death of the bull; however, la corridas are still popular in rural Panama. Along the road milk cans were placed next to the rancher’s gate, waiting for the local dairy cooperative to pick them.

A little way farther along, the colors of the tombs in a small cemetery seemed to vibrate against the verdant landscape, which receives between 45 and 90 inches of rain every year. A large group of cyclists, followed slowly by a support vehicle, made passing difficult along the narrow hilly road, with many blind curves. Though the congestión they created was well tolerated, without the honking of horns. Drivers respected their safety and gave them a wide berth when they were eventually able to pass. Small artesanal lumber mills along the way vertically stacked their milled lumber, like skis, against a wall to dry.

During the dryer summer months the Rio Oria lazily flows through the ranchlands to the ocean.

Las Escobas del Venado was the closest example of a traditional beach town, with several small hotels build along the shore of the half-moon shaped Playa Venao. It is not by any means a large resort town. The beach is very wide and shallow, especially when the tide is out, and it’s a popular spot to horseback ride or drive an ATV along the sand. Across the water a sailboat was safely anchored out of the wind and rolling waves behind the bluff at the southern end of the bay. The day was very hot, so we didn’t spend much time on the beach, and hugged the shade as we walked to the Almendro Café for our traditional “walk a little then café.”

It was a really nice spot, under large shade trees. Our coffees and pastries were excellent, and its menu looked very good with vegetarian, vegan, and gluten-free choices. It was to our surprise part of the Selina River Hostel which promotes itself as a destination for digital nomads to enjoy the sun, surf, and sand of Playa Venao. We definitely skewed their demographics for the morning.

We continued driving into the highlands along Via Hacia El Carate, a narrow serpentine road that rose through a mesmerizing landscape of hills and valleys. Unfortunately, there were not any places to stop along the way until we reached the Mirador La Vigía, which offered great views of forested ranchlands, backed by the Pacific Ocean on the horizon.

Familiar with the road now, we occasionally stopped along gated pastures to photograph the expansive landscape, that showed little sign of human intrusion, as we followed the same road back downhill.

They were few opportunities for lunch along the way so we decided to head back to the Almendro Café at the Selina River Hostel . We were not disappointed; the food was excellent and healthy. It’s so nice to order from a menu that doesn’t automatically serve French fries with every order.

Nearing our hotel, a rancher blocked the road with his herd of cows as he moved them to a different pasture.

We were back in time to watch the sunset over Playa Destiladeros. We stayed until the last color in the sky had faded away before walking back to the resort’s restaurant, where we usually dined inside to take advantage of the air conditioning and ceiling fans.

Though having breakfast on the veranda, with the sound of the waves crashing in the distance, was a delight during the cool morning hours.

Early morning walks along the beach as the sun crested to the horizon were equally as enjoyable as the sunsets, but more tranquil with squadrons of pelicans swooping low over the surf, looking for fish. Occasionally some would peel away to dive headfirst into the water to catch fish.

Remnants of Carnaval celebrations the night before were still visible in the small towns along our route as we headed back early to Panama City to avoid the traffic. We arrived on the outskirts of the city sooner than expected and decided to spend the afternoon at Perico Island. Located at the end of the very long Amador Causeway which extends for 6km (3.7mi) into Panama Bay, it’s a popular spot for city folks to catch the breezes, picnic, rent bicycles or walk along its full length which offers great panoramic views of the city’s modern skyline and large cargo ships underway to the entrance of the Panama Canal.

After strolling along the waterfront for a while we decided to have lunch at Sabroso Panamá, a uniquely decorated place with a nice vibe, that also had a balcony overlooking a marina. We tried the carimañolas, similar to empanadas, though they are made with mashed cassava (yucca) dough and then fried.

Carnaval celebrations continued that evening and the direct route back to Hotel Plaza Paitilla Inn (we had such a nice experience there earlier in the week we decided to stay there again) along the Cinta Costera, the city’s waterfront park, and the eight lanes of the Pan-American that parallel it were blocked, and we had to circumnavigate our way around it. The massive street party continued well past midnight into the wee hours of Ash Wednesday morning.

Ash Wednesday was our last full day in Panama City, and we spent it exploring the Casco Antiguo, the historic old town district which dates from 1673, and is also known as Casco Viejo or San Felipe.

This town, built on a defensible small peninsula, replaced the city’s original settlement, Panama La Vieja, which was started 11km (7mi) farther east in 1519 when Spanish conquistador Pedro Arias Dávila landed 100 settlers along the coast, and built the first permanent European settlement on the Pacific. The city prospered for 150 years as the Spanish used the town as a base for expeditions to conquer the Inca Empire and sent the plundered gold and silver they seized back to Spain. The city’s wealth did not go unnoticed, and in 1671 the British privateer Henry Morgan landed over a thousand brigands on the Caribbean coast and trekked through treacherous jungles across the Isthmus of Panama to reach the city, which they then attacked, pillaged and burnt to the ground. Six hundred Spaniards died during the assault. Though the booty they looted wasn’t as much as expected, Morgan was declared a British hero, and knighted.

We arrived by Uber to the Catedral Basílica Metropolitana Santa María La Antigua on the Plaza de la Independencia in the center of Casco Antiguo. Its striking façade which blends Baroque and Neoclassical architecture dates from 1688, but the cathedral took more than 100 years to build, and wasn’t consecrated until 1796. Inside, an interesting mural in monochrome blue depicted the indigenous peoples of Panama accepting Chrisitanity.

The Old Town was once a citadel, though the defensive wall which encircled its 36 blocks was taken down ages ago to ease its expansion. Surprisingly, within this small area there were 4 still active historic churches and the ruins of another. Our basic plan was to visit every church and then spur off to other nearby points of interest.

Adjacent to the cathedral was the Museum of Panamanian History, housed in the Municipal Palace of Panama. It’s a beautiful Neo-Renaissance style building with pilasters, arches and decorative cornices. We didn’t tour the exhibits, but we did enjoy resting in the air-conditioning of the lobby.

The narrow-bricked lanes were more suitable for the horse drawn carriages for which they were designed than the cars of today. They surrounded a plaza full of colorful well-maintained 18th and 19th century buildings with decorative iron railed balconies covered by profusely blooming bougainvillea.

Cafes surround the Plaza Simón Bolívar where a grand monument commemorates the Latin America independence hero. Behind it the graceful belltower of the Saint Francis of Assisi Church looms above the plaza. It was a later addition to the original early 1700s church that was damaged during fires in 1737 and 1756.  

Nice views of the modern Panama City skyline were available along the lane leading to the Corredor Artesanal De Casco Antiguo, a trellis-covered lane with flowering vines that offers shade for the indigenous artisans who have stalls along its length.

Back in the center we passed the ruins of the Iglesia de la Compañía de Jesús. It was built as a Jesuit monastery in 1641 and later in the 1740s it also served as the home of the Royal Pontifical University of San Javier, Panama’s first university, until the Spanish Crown banished the Jesuits from the colonies in 1767, and the church and monastery was abandoned. The ruins still standing are all that were left from a 1781 fire that ravaged the complex.

A block away was the Iglesia de San José. The 1670s church is notable for its ornate gold altar, that legend believes was saved from Morgan’s pirates by a priest who painted it black to hide its importance. There is also an interesting collection of religious sculptures and nativity scenes in a side chamber.

Afterwards we headed to the Santa Anna neighborhood, which was outside the walled citadel. While parts of it are in the UNESCO protected area of the Casco Antiguo; most of it is not. We had read that the area has great potential with many older buildings needing renovation, but were surprised by the quick transition from one neighborhood to another. While hopes are high for the barrio, many of the buildings we passed were only colorfully painted facades, with the sky above showing through the windows of roofless buildings.

Returning to Old Town we passed the Iglesia de la Merced, the only church to survive, fully intact, the destruction of Panama La Vieja during the pirate’s 1671 attack on the town. After the attack the church was disassembled by Franciscan monks and moved stone by stone to the new town, where it was painstakingly rebuilt, and is believed to be several years older than Iglesia de San José.

Our “walk a little then café,” beckoned when we happened upon Café Unido, a local coffee shop that pridefully specializes in Panamanian grown coffee, which they consider the best in the world.

A delightfully warm March day wandering the colorful streets of the Casco Antiguo was the perfect way to end our week in Panama. Between the beauty of the countryside and the coast, along with the warm hospitality of the Panamanians, we can understand why the country is a warm weather haven for expats from all across the northern hemisphere.

Hopefully, we will get the opportunity to explore more of the country in the future.

Till next time,

Craig & Donna

Along the Coast of Uruguay: Sand in Our Shoes – Faro de José Ignacio & Punta del Este & Beyond

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After a three-day road trip through the colonial towns of Colonia del Sacramento and Carmelo, then the rural farmlands of Minas and ranchlands of Gorzon, the amount of activity around the traffic circle in Faro de José Ignacio took us by surprise. We had reached civilization again! Not that it was really busy, but literally more cars had passed us in the last five minutes than the last three days, as we pulled into the small collection of shops along Rt10, which leads up from Punta del Este. Some fruit and supplies were gathered for our four night stay at Casa Franca from the Devoto Market, a well-stocked, but typical beach town store that benefits from a captive market. A few doors down the Panadería José Ignacio, a popular bakery, has a very nice selection of bread, pastries and tasty delectables. They also have a pizza and sandwich counter along with tables for eating outside on their terrace. We returned every morning during our stay for fresh from the oven delights.

Folks parked along the road followed sandy paths across the dunes to the beach. The sails of kite surfers filled the sky as we passed the Laguana de José Ignacio, a freshwater lake separated from the South Atlantic Ocean by a sandbank, which it breaches when it rains too much.

Surf pounded against the Playa Balneario across from our host Daniel’s guesthouse in the tiny hamlet of Santa Mónica, only 5km (3mi) west of Faro de José Ignacio, but a sea change in tranquility, compared to our earlier shopping experience. His wife and children waved from their balcony as his friendly dog energetically greeted us. Daniel helped take our bags to our room, which was located through a private entrance to an extension on their home with three other guest rooms. While our chic petite studio didn’t face the ocean it did thankfully have a shaded porch, where we spent many hours.

After settling in we headed to the lighthouse in José Ignacio, located on thumb-like peninsula that juts into the South Atlantic. Its 32m (105ft) tall lighthouse has guided sailors off this treacherous reef coast since 1877.

While Punta del Este has been promoted as a beach resort for wealthy Argentinians and Uruguayans since the early 1900s, and is now known as the “Ibiza of Uruguay”. José Ignacio remained a quiet isolated fishing village without running water or electricity, as the coastal road from Punta ended at the Laguana de José Ignacio. All that changed in 1981 with the construction of a bridge across the lagoon. The infrastructure improvements that came at that time were appreciated, but the town’s small population rallied to prevent the coastal area from becoming a Miami-esque playground, and successfully petitioned the local government to enact ordinances to ensure its quiet, peaceful character remained intact by allowing only single-family homes, no taller than two-stories within the Maldonado region. Along with banning discothèques, pubs and nightclubs, as well as all motorized vehicles on the beaches, jet skis and speedboats are also prohibited in the lagoons. Today the town’s seven miles of pristine beaches attract folks from all over who just want to unwind along what many consider the best part of Uruguay’s 410-mile-long coastline.

We walked out onto the rocky point next to the lighthouse, then down a boardwalk over the dunes to the Playa Brava, a long gracefully curved stretch of sand, scoping out the best spots to return to the next morning for sunrise photos. We strolled along the wide beach between lifeguard chairs. Squealing kids ran into the surf from the beach speckled with blankets and sun umbrellas amidst impromptu volleyball and soccer games. We stopped at El Chiringo, an outdoor restaurant with tables in the sand and shared a pizza for an early dinner.

Heading back to Casa Francawe stopped along the lagoonto watch a beautiful sunset across its calm water. Kite Surfers unwilling to end their day skimmed along the water until it was nearly dark.

The next morning Donna slept in while I rose before dawn and drove back to the lighthouse to watch the sun cast its first rays of light across the rocky headland and lighthouse.

A few hardy fishermen had already made their first casts of the day from the rocks. On the other side of the lighthouse a group of fishermen were readying two large skiffs to push into the surf from the beach. Next to them the first surfer of the day paddled out, and a few joggers pounded along the cool sand in early morning solitude.

After a day of rest and relaxation we wanted to explore the beach towns farther east along the coast as it runs towards Brazil. The weather doesn’t always cooperate, but we were hopeful the sky would clear as we drove along Rt 9 near Rocha. There were a good number of produce stalls along the road hoping to entice travelers to the beaches to shop. We stopped at one with shelves stacked full with jars of local honey, jams, and Dulce de Leche, along with wheels of artisanal cheeses. We purchased a Dambo, similar to Edam or Gouda. It is a traditional local cheese made with the milk from grass fed cows which graze freely in the palm tree studded, pampas rangelands, that define the region. Farther up the road we stopped for our “drive a little then café,” break at a small shop attached to a gas station in the uniquely named town, 19 de Abril.  The town takes its name from an event related the revolutionaries called the Thirty-Three Orientals, who returned from their exile in Argentina on April 19, 1825, an event that eventually started the Cisplatine War, which led to Uruguay’s independence from Brazil.

Normally in the states we avoid like the plague any eateries attached to gas stations, as they are typically places that just offer junk food, but route 9 traversed a semi-rural region, and there were few options. We were pleasantly surprised as we parked to see a mural of a painting by Simon Silva on the side wall of the café. We bought a poster of this image twenty years ago and it still hangs in our home, and it was nice to know that someone else enjoys the image as much as we do. The café Parador 19 de Abril delighted us. It’s a quaint oasis in the wilderness. The cappuccinos and fresh pastries were quite good, and the folks who ran it were very nice.

Folks were slipping and sliding through streams of water that were gushing down the hardpacked sandy roads of Punta del Diablo, as a deluge had descended upon us since our coffee break. The rain was too heavy to wander about, but we contented ourselves with driving through the haphazard layout of the oldest part of the rustic fishing village, that now has brightly painted shops and restaurants but is reminiscent of a village being founded by survivors of a shipwreck, using whatever materials they could salvage from the sea. Taking a horse drawn cart across the dunes was the only way to reach the once isolated village, until a road connecting it to Rt 9 was built in 1968. Larger flat bottomed fishing boats were beached along the gentle curve of Playa del Rivero, awaiting their next awaiting their launch at the arrival of high tide. A fisherman under a rain tarp offered his morning catch. Often during the Uruguay’s winter, June to November, the deep ocean just offshore allows folks to spot humpback and southern right whales breaching from the town’s beaches as they migrate north to the warmer waters around Brazil.

By the time we reached Aguas Dulces the rain had stopped, though the sky was still threatening, and the streets were nearly deserted. The high tide was rough from the earlier storm and was inching its way towards the row of boulders placed along the shoreline to prevent further coastal erosion and homes being swept away.  Laidback and low keyed, Aguas Dulces is a budget-friendly destination for Uruguayan families who enjoy its lifeguard protected beaches when the weather cooperates.

On the way to La Paloma we stopped at Puente Valizas, a picturesque riverside fishing village along the Arroyo Valizas. The tributary flows 10km (6mi) from the Laguana Castillos to the Atlantic Ocean, near the beach resort of Barra de Valizas. The river was busy with fishermen speeding to the Laguana to catch pink shrimp, which thrive in the brackish waters of the lagoon, for the restaurants along the coast.

In La Paloma the afternoon sky was brightening as we walked along the Paseo Marítimo, a boardwalk through the dunes that lined the tranquil waters of Bahía Grande, a small clam shell shaped bay. La Paloma is the largest coastal town east of Punta del Este and is a popular resort area with 20km (12mi) of beaches that are suitable for surfers and families with young children to enjoy.  Eventually we reached El Faro del Cabo Santa Maria, the town’s historic 42m (138 ft) tall lighthouse. Built in 1874, the powerful navigational beacon atop the tower can be seen 37km (23mi) out to sea. When it is open, folks can climb 143 steps to the top for some spectacular views of the coast.

On the way back to Faro de José Ignacio we followed Rt10 across the Laguna Garzón Bridge, an experience that totally took us by surprise, as the 2015 bridge has a unique circular design that resembles a flat donut. It’s really quite unusual but was designed this way to naturally slow the speed of traffic.

Our host and his family the next morning departed for a day trip a few minutes ahead of us. Their dog which watched their leaving from the second-floor deck had somehow escaped and was running frantically around outside the gated area. Fortunately, Donna has mastered that universal dog-call kissing sound, and we were able to lock him securely behind the gate. We called Daniel to let him know.

A few blocks down we stopped to photograph two abandoned properties. They were both very interesting, and we always wonder what the backstory is that goes with these places.

Route 10 hugs the beautiful 33km (20mi) stretch of wild undeveloped coast that extends from Faro de José Ignacio to Punta del Esta.

Reaching the outskirts of Punta we got our first glimpse of the Puente de la barra, a whimsical wavy bridge, that our route followed across the Arroyo Maldonado. Designed in 1965 to force drivers to reduce their speed, it’s said the rollercoaster-like bridge can cause vertigo if you drive too fast across it. On the Punta side there is a traffic circle that made it too easy for us to cross the bridge multiple times, just for the fun of it.

We stopped at a mirador near the “La Ola Celeste,” a stylized sculpture of a wave that overlooks the fast rolling breakers that beat against the waters of the Arroyo Maldonado as the river empties into the sea, and separates Punta from the smaller resort town of La Barra, which has a vibrant nightlife that rivals Punta’s as the best place to party in Uruguay.

This was also a great spot to get an expansive view of the dramatic beaches along the coast and Punta’s modern skyline, which often prompts folks to refer to it as “the St. Tropez or Monaco of South America.” The vista reminded us of Miami Beach.

We stopped for lunch at the Aura Beach House, a small modern café with a light menu, set on the brilliant white sand of Playa La Brava. They also have several rows of lounge chairs under nicely thatched beach umbrellas for daily rent. It was a beautiful, relaxing spot and our food and coffees were excellent; we didn’t want to leave. We found in our travels across Uruguay that street parking was always free, even along the beaches, something that is very rare in the United States.

We weren’t sure what the weather was going to be like the next day, so we took advantage of the splendid afternoon and stopped at The Hand, Punta’s most iconic landmark since the Chilean artist Mario Irarrázabal installed it along the oceanfront in 1982. It was very crowded with a tour group, but we waited for their departure before taking any photos. As it turned out the sculpture was within walking distance of our hotel, and we returned to it several times during our stay in Punta.

We continued on our way to the Faro de Punta del Este lighthouse that stands on the highest point of the narrow peninsula that was Old Town Punta, a whaling port established in the early 1800s.  

Punta, like Montevideo, has a lot of public art on the streets we realized as we drove by the Monumento El Rapto de Europa. The large bronze sculpture references the myth of Europa, a Phoenician princess who was abducted by Zeus in the form of a bull and taken to the island of Crete.  Why it is on a street corner near the beach in Punta, we haven’t a clue. Across the street from the lighthouse were several architecturally interesting homes and the very blue Nuestra Señora de la Candelaria church which had a lovely tranquil interior.

At Punta’s modern marina, sleek motor yachts and sailboats now bob gently in the water where the whaling ships once anchored. The first tourists to Punta arrived in the early 1900s, but it wasn’t until the infrastructure improvements of the 1940’s supported the construction of modern hotels and the town’s first casino that Punta’s reputation as a luxurious destination in South America was cemented. We stayed in the Old Town at Hotel Romimar, a budget-friendly lodging with an excellent breakfast, off Av. Juan Gorlero, Punta’s main shopping street.

We love exploring a new city early in the morning as it wakes up. By 7:30 beach attendants were hard at work carrying lounge chairs and umbrellas from trailers parked along the street, down to the sand and assembling them into tidy rows for their expected sunbathers. It was the perfect time to re-visit The Hand, as the sun was just cresting over its fingertips, and sunlight was reflecting brightly off the row of high-rise condos that fronted the coastline.

Wandering about we spotted several cachilas, old cars that out of economic necessity were lovingly maintained and passed forward through hard times. Some are now totally restored and look as good as the day they rolled out of the showroom. One, an old Plymouth, was creatively covered in a mosaic pattern of old Uruguayan coins.

Families were also out early to claim their preferred batches of sand at Playa El Emir, a small beach on the edge of Old Town Punta with a wonderful view of the coastline, near the Ermita Virgen de la Candelaria. The shrine to the patron virgin of Punta del Este is located on a narrow sliver of land that juts into the South Atlantic Ocean, that is believed to be where the Spanish explorer Juan Díaz de Solís held a mass when he landed nearby in 1516. Our “walk a little the café,” breaks were satisfied that morning with excellent coffee and pastries at Donut City and Cresta Café. Both were only a short walk from the beach.

A day trip the next morning took us to towns west along the coast from Punta that also interested us. Our first stop was at the Escultura Cola de la Ballena Franca, an open wire metal sculpture of a whale tail that overlooks the ocean between the endless beaches of Playa Mansa and Playa Cantamar. It is a popular lookout spot for southern right whales during the peak of their winter migration between July and October.

Casapueblo  is a surreal Guadi structure that captures the essence of the whitewashed cliffside homes on the Mediterranean island of Santorini, Greece. It started as a small wooden shack in 1958, the studio of Páez Vilaró, a Uruguayan abstract artist. He expanded it himself along the oceanfront as his family grew, and friends like Picasso and Brigitte Bardot visited, until a whimsical 13-story structure with 72 rooms stacked upon each other covered the cliff face. Today it is a museum and hotel.

Afterwards we drove to the Laguana del Sauce and enjoyed a quiet lunch overlooking the lagoon from the Hotel Del Lago.

Away from the oceanside a rural landscape quickly unfolded as we drove through farmlands to the Capilla Nuestra Señora de la Asunción, a pretty church that reminded us of settings in the American Midwest.

The next morning, our last full day in Uruguay, we headed west toward the Canelones wine region near Montevideo, an area which produces nearly fifty percent of Uruguayan wines at vineyards which were started four to five generations ago by families which immigrated from Europe. Piriápolis is a small coastal city which grew from a private investment as the country’s first planned resort was along our route. El Balneario del Porvenir (the Resort of the Future) was the vision of Francisco Piria, a wealthy Uruguayan businessman, who in 1890 bought 2700 hectares (6672 acres) of undeveloped land along a beautiful beach, 99km (62mi) from Montevideo. He spent forty years commissioning hotels and a promenade along the oceanfront, which he likened to the French Riviera, before his death in 1933. In 1937 the population of the resort town was large enough to be declared a pueblo, and twenty-three years later it achieved the status of a city. From the landing of a small chapel atop Cerro San Antonio we had a perfect panoramic view of the city that still draws visitors to its beach where families can rent scooter cars for their children to wheel along the promenade. During the high season the Aerosillas Piriápolis chairlift whisks tourist from the marina to the top of the hill. The Castillo de Francisco Piria, the entrepreneur’s home, was on the outskirts of the city as we headed to a wine tasting and overnight stay at the Pizzorno Winery & Lodge.

We arrived at the winery as a tractor pulling a wagon full of just-harvested grapes was being unloaded into a destemmer-crusher, the first step in the long process to create wine.

Founded in 1910, the fourth generation of the Pizzorno family operates the wine estate. It has 21 hectares (52 acres) of vineyards planted with Tannat, Cabernet Sauvignon, Cabernet Franc, Petit Verdot, Merlot, Pinot Noir, Malbec, Arinarnoa, Marselan, Sauvignon Blanc, Chardonnay, and Muscat of Hamburg vines.

We were the only guests that afternoon during the last week of February and thoroughly enjoyed the interesting tour of the wine cellar led by Joaquin, the winery’s sommelier. He   explained their viticulture philosophy which endorses “traditionally harvesting grapes by hand, respect for the ecosystem, environmental conservation through a no fertilization and watering wisely policy, along with green pruning, leaf removal, and bunch thinning to obtain the best grapes, which is reflected in the quality of the wines we make using only our own grapes.”

Afterwards Joaquin’s experience continued to enhance our tasting of four wines as he shared his knowledge of the vineyard’s terroir, and the different grape varietals, along with their aromas, flavors, and recommended pairings with food.

It was our last night of our 15-day trip around Uruguay and we treated ourselves to a luxurious stay in the winery’s posada. It was for many years the family home until it was creatively restored into an attractive boutique inn with four guest rooms overlooking a pool and the vineyards.   

“You will have the posada all to yourselves tonight. Enjoy the pool, and feel free to walk through the vineyard. A nightwatchman will arrive later.”  The golden hour was upon the vineyard as we cooled off in the pool. 

This surely dates us, but it felt like we were in an episode of the TV show Lifestyles of the Rich and Famous hosted by Robin Leach, who used to sign-off with “Champagne wishes and caviar dreams.”

Till next time,

Craig & Donna

Montevideo: Feria, Murals & Carnaval – The Antidote for our North America “Winter Blues.”

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A clearing storm covered Uruguay’s Atlantic Coast as we landed at Carrasco International Airport on the outskirts of Montevideo. We were ten minutes into our forty-minute Uber ride into Ciudad Vieja, the old town section of Montevideo, when the masts of several catamarans poked above the tree line that obscured our view of the oceanfront. Our driver proudly boasted that the country has nearly 660km (410mi) of pristine beach-covered coastline along the Río de la Plata and the South Atlantic Ocean. But the real pride and joy of Montevideanos is La Rambla of Montevideo, a wide coastal esplanade that runs for 22km (14mi) along the city’s waterfront, “one of the longest continuous sidewalks in the world.”

Our ride into the city soon started to follow La Rambla’s serpentine route along the coast, past folks, at the end of the workday, flocking to its breezy shoreline to enjoy all sorts of activities from rollerblading to kite surfing. Several beach areas also had bandstands where musicians were drawing good size audiences. Lovers snuggled on the seawalls, amidst swimmers emerging from the ocean, games of soccer, joggers, aerobic classes, personal trainers, cyclists, sun worshippers, and walkers carrying their ubiquitous Mate carryalls. Enjoying socializing with friends on La Rambla is an important part of life in Uruguay’s capital, where the city’s 1.4 million residents, nearly 40% of the country’s population, have an open invitation to “The Outdoor Living Room of Montevideo.” Come sunset there seemed to be collective quieting as folks stopped to watch the sun sink below the horizon. We could already tell that this could be the antidote for our North America “winter blues.”

The next morning, we were up before sunrise to stroll along the oceanfront, hoping to catch the first rays of sunlight cast across the city. From our room at Hotel NH Montevideo Columbia, we could see seven freighters making their way to port, and the remnants of an old defensive tower. It was part of the quickly built ramparts that once encircled the citadel soon after the Spanish founded the city in 1726, to thwart Portuguese expansion southward along the coast from Brazil.

Street art and sculptures that were a blur yesterday as we sped by were now full of detail. In some places along the esplanade there were images of dinosaurs on relief plaques implanted into the sidewalk that suggested the region’s fauna 85 million years ago.

We reached Playa Ramirez, a large crescent-shaped beach as the sun was breaching the trees and shining upon the city’s modest skyline. A large group of cyclists preparing for the upcoming Vuelta Ciclista del Uruguay sped by. Two women stood in the water and let the gentle morning waves lap around their ankles as they chatted.

Across from the beach was Parque Jose Enrique Rodó. A large sculpture in the center of the park is dedicated to the Montevideo-born philosopher and essayist, who wrote about Latin America pursuing its own cultural identity and spiritual renewal, and the dangers of unbridled materialism.

We started our loop back towards the Ciudad Vieja down one of the park’s palm-lined paths and zig zagged our way through barrios full of colorful street murals, and older 1900’s era buildings with interesting architectural details.

Walking through Barrio Sur along Isla de Flores, bleachers were being set up at the intersections in preparation for one of the last parades of Carnaval. The street was lined with murals dedicated to the local comparsas, large groups of 50-100 candombe drum performers and dancers, who participate in the yearly festival. We spent some time determining a good vantage point for watching the parade later in the week.

The grand Plaza Independencia was a huge contrast to modest barrios we had walked through earlier that morning. In the park’s center a large equestrian statue stands atop the Masoleum of José Gervasio Artigas, a gaucho, military leader, and revolutionary who inspired Uruguayans to fight against Spanish and Portuguese rule. He is considered the father of Uruguay’s liberation movement, though he did not live long enough to see the country’s independence in 1828.

A vast array of different architectural styles can be seen on the buildings around the plaza, but the most intriguing is the chaotic styling of the 27-story tall Palacio Salvo, which eclectically blends elements of Art Nouveau, Art Deco, Gothic, and Renaissance architecture into its design. The iconic mixed-use building has shops, offices, apartments and the Museo del Tango. It was for a short period of time after its completion in 1928 the tallest building in South America.

At the opposite end of the plaza the Puerta de la Ciudadela, one of the old gateways into the colonial citadel, is all that remains of a tall stone defensive wall that was 6 meters (20ft) thick, and totally encircled the small peninsula where Spain established its first colony in Uruguay. After Uruguay gained its independence the demolition of the citadel’s ramparts started in 1829, less than 100 years after their construction, to make room for the growing port city’s expansion.

The old gateway opened to Sarandí, the main pedestrian lane that runs from one end of Ciudad Vieja to the other. At the beginning of the lane was Montevideo’s Walk of Fame, where stars of famous visitors to the city, like Nelson Mandela, the Rolling Stones, Enrique Iglesias, and Olga Delgrossi, Uruguay’s beloved singer and tango dancer, were imbedded in the pavement with sun bursts above their names.  Now mid-afternoon, the day had warmed, and the street was full of vendors under colorful umbrellas, selling all sorts of items geared for tourists.

We wrapped up our day’s wandering about at the Montevideo Metropolitan Cathedral, or as it is formally called the Catedral Metropolitana de la Inmaculada Concepción y San Felipe y Santiago.  In 1790 the construction of the cathedral was started to accommodate a growing congregation in the prosperous city, which had outgrown its first smaller brick church, which was built on the same site in 1740. Inside were some very nice pieces of religious art.

The next morning we continued exploring the old town and watched a wedding party throw rice upon a newly married couple at the Registry Office. We only noticed a sculpture of Montevideo’s version of Romeo and Juliet when a crowd in front of us was pointing up to a balcony. “Our walk a little then café,” routine was satisfied with breakfast at Federación, an artesanal panaderia and café, with tables on the sidewalk and in a small courtyard. It was on the way to several museums we planned to visit, before having a late lunch at one of the steakhouses in the Mercado del Puerto.

Montevideo has over twenty museums that span the spectrum from art and science to tango and carnaval. Around the corner from the café, in a 19th century building, was the Pre-Columbian and Indigenous Art Museum. It is a relatively small museum, but it has an interesting collection of archeological artifacts and an extensive collection of Carnaval masks from across Latin America.

Everything about the South American cowboy can be viewed at the Museo del Gaucho and Currency. It occupies a stately old bank building which in itself is worth poking your head into, but the immense scale of the building overpowers the exhibits of small objects used in the South American cowboy’s everyday life. Many of the fine silver items on display were from the estates of wealthy ranch owners.

The currency exhibit was okay, but we think you really have to admire a country that puts an armadillo on one of their coins. There was also a collection of coins recovered from the wreck of the Spanish galleon El Preciado, which was sunk in Río de la Plata by pirates in 1792, as it sailed for Spain carrying gold and silver to pay the taxes levied against the South America colonies.

Artistic street murals can be found all across Montevideo and we passed several interesting ones on the way to the Museo de las Migraciones. We really enjoyed this museum as it celebrates the country’s diverse population of its immigrants who contributed to making Uruguay the wonderful place that it is. The exhibits confirm the belief that most folks have more in common than what separates us.

It was a long walk back towards the Mercado del Puerto. The cast-iron and glass roofed structure was imported from Liverpool, England, and feels a little like a Victorian era train station; it opened for its first customers in 1868. The old port market used to be the central place to buy supplies, fruits, produce, meats, and fish, but has now been gentrified into an atmospheric food hall, where steakhouses reign supreme, and charge a hefty price for being convenient for the cruise ships passengers which disembark at the port. That being said, we enjoyed the ambience of open wood-fired parrillas, and wafting aromas rising from the various kitchens. It was a challenge to choose a restaurant, as all the dishes that waiters whisked by us looked delicious and tempting.

Later in the week we returned to the area to attend a tablado at the Museo del Carnaval, which also had a great collection of imaginative costumes from past carnavals. As the actors readied themselves for the performance, an announcer stepped forward. There were lots of Spanish words, followed by “Donna DiMeo Hammell” and more Spanish. I speculated that we had won the Uruguayan Lottery.  Or “maybe I’ve been chosen to participate, but I don’t speak Spanish!” Donna’s first thought was, wow, they pronounced my name correctly! The mystery was solved when Donna approached the offstage area, and a smiling theater employee handed her the credit card she had unknowingly dropped earlier.

Tablados are temporary neighborhood stages set up across Montevideo where colorful theatrical and musical performances are put on by groups of actors called Murgas, known for their satirical and humorous songs, who are joined by groups of Parodistas who are recognized for their entertaining parodies of well-known stories or events.

Tablados performances only happen during the carnaval season in Uruguay, which runs for forty days between mid-January and mid-March in Uruguay. The performance we attended lasted two hours and had eight different skits. If you cannot attend one of the carnaval parades in Montevideo the tablados are extremely funny and entertaining and you don’t need to understand Spanish to thoroughly enjoy them. They are also very inexpensive.

Walking back through the newer part of Montevideo the next morning we strolled along

Av. 18 de Julio. The street is named for the day in 1830 when the Uruguayan Constitution was ratified, and is the city’s busiest street with numerous stores, restaurants and bars along its length. At the intersection of Av. Carlos Quijano was the Fuente de los Candados,

the Fountain of the Padlocks. It seems every city has one of these landmarks where couples announce their love by hanging a lock on the metalwork; many of these were engraved with names, dates, or sentiments. What’s unique about this one is that it surrounds a fountain where folks also throw coins to make a wish.

Next to the fountain was a couple busking for tips as they tango danced in front of a café. This was the only time we saw tango dancing in Montevideo, even though the city shares credit with Buenos Aires as the birthplace of the dance. The scarcity of dancers might have been because we were there during carnaval season, and so many other events were happening then.  

Nearby was the Mirador Panorámico de la Intendencia de Montevideo. It’s an open-air viewing platform on the 22nd floor of the headquarters building of the Municipality of Montevideo. Montevideo does not have a very interesting skyline, but the view was expansive, and you can see the port and how La Rambla follows the twists and turns of the coast. There is a small café inside at the mirador. We didn’t find it to be a “must do,” destination, and would suggest trying to time your visit to the mirador around sunset, if possible, to make it more spectacular.

Afterwards we decided to expand our wanderings around the city, and we walked many blocks to the Mercado Agrícola de Montevideo, a historic city market that dates from 1913. We bought some fruit and empanadas for lunch. The most interesting part of our walk was around the Palacio Legislativo, a neoclassical building that is the seat of the Uruguayan parliament. The building’s iconic architecture stands in stark contrast to the large heart felt murals portraying local Montevideans, and the writer Kurt Vonnegut.

Over the weekend the Llamadas parade, one of the largest during carnaval, was taking place Friday and Saturday night in Barrio Sur. The parade celebrates the Afro-Uruguayan culture in the country with numerous comparsas, large groups of 50-100 festively dressed drummers who play traditional candombe rhythms for their dancers who perform along the street ahead of them.

Our Uber driver dropped us as close as possible to the viewing spot we had scoped out earlier in the week. But the streets were full of activity, with roads blocked for charter buses carrying various comparsas and staging areas where the dancers and drummers readied their groups.

We didn’t know advance ticket purchase was required, so we were totally surprised when the intersections were cordoned off and only tickets holders were allowed onto the sidewalks along Isla de Flores street. Fortunately, the area we had chosen had one small section that was open, and we jammed in, shoulder to shoulder, along with several hundred other folks with the same idea, to watch the parade. Folks next to us cautioned us about losing our phones to grab and run thieves, but we never felt uncomfortable in the crowd.

Carnaval in Montevideo is not as elaborate spectacle as in Rio de Janeiro where huge floats dominate the night. We didn’t last until the end of the parade, but it was a hugely fun, very authentic grassroots event that we thoroughly enjoyed. A few blocks off the parade route at Restaurante Palermo Viejo we shared our first chivito. These are huge, layered sandwiches that contain churrasco steak, ham, bacon, mozzarella cheese, lettuce, tomato, and a fried egg on top. The tasty creation was very filling, and it is often referred to as Uruguay’s national dish.

The next morning after a luscious breakfast at El Copacabana, in the old town, we took an Uber over to the Feria de Tristan Narvaja, a Sunday street market that stretches for seven long blocks through the Cordon neighborhood. It features a multitude of vendors selling everything imaginable, along with secondhand clothing, used books, fresh produce, and artist’s handcrafted creations.

Following our “walk a little then café” philosophy we took a break at El Imperio, an eclectically decorated bar, where the barista between serving inside customers ran trays of espressos out to the vendors on the street. We thought the feria was one of the more interesting ones we’ve experienced during our travels and think it’s a must-do activity when visiting Montevideo, if you like this sort of event.

Later that morning we headed to the airport and picked up a rental car we had reserved at Localiza Aquiler de Autos, a very good local agency with reasonable rates, for our 12 day road trip, which we were starting the next day. But first we had one more thing to do locally, and we drove an hour north into the countryside outside of Montevideo. Nearly forty percent of Uruguay’s population lives in Montevideo, but the city’s urban sprawl quickly transformed into gently rolling farmlands and vineyards as we drove through the Canelones region to the Cabaña La Mansedumbre, a rustic, under-the-radar destination restaurant. We eventually turned down a sandy dirt road. A small weather-worn sign hung from the cattle gate across the twin tracks that led to Fredy and Silvana’s ranch. When making our reservation, he had reminded us to close the gate securely so his goats wouldn’t escape.

We were the first guests to arrive that afternoon and were warmly welcomed into the courtyard of the couple’s rural farm stead. A tour of the open-air kitchen followed where we met Fredy’s son Juan, as he was preparing charcuterie boards under an array of sausages and cheeses hanging from the rafters. Heat emanated from a brick oven in the corner. Two large golden tortilla de papas cooled on a countertop under shelves laden with jars or homemade sauces, jams, and jellies. Baskets of fresh bread and rolls which Silvana had baked that morning tempted us with their wonderful aroma. 

Very enthusiastically Fredy explained that everything they use to prepare their dinners is sourced within a 5-mile radius of their farm. Though many items, like the goat cheeses, were made by his neighbor using the goat milk from Fredy’s herd, while the tanat wine we were offered, as we waited for the other guests to arrive, came from a friend’s vineyard at the other end of the road. Bottles of grappa that Fredy had infused with herbs lined a shelf above wine casks which flowed freely all afternoon.

Neither has trained as a chef, but they both share a passion for food and travel which has inspired them to refine their skills over the years, and now share their enthusiasm for great food at their home on the weekends. Seeing their farming community’s potential they have encouraged their purveyors to provide new and different sausages, cheeses, and produce than what was traditionally available in the past.

With everyone’s arrival we were seated at tables under their tinned roof porch. We were hoping to experience a traditional Uruguayan asado, but grilling meats on the parrilla was not part of the gourmet eight course feast that the couple had planned.

Our initial disappointment faded quickly as amazingly delicious dishes emerged from that simple country kitchen for nearly three hours that afternoon. Every dish was uniquely flavored, excellently prepared and presented. Coffee, dessert and grappa crowned the dinner. We wish we had taken notes, but photos of some of the dishes will have to suffice. 

The dinner was nicely paced, with plenty of time to talk with the other guests and enjoy the wine between courses. It was a memorable afternoon, and an excellent farm to table dining experience, along with being the best meal we had while visiting Uruguay.

For reservations Fredy and Silvana can be contacted through phone & WhatsApp +598 99 390 054.

Montevideo consistently ranks as the top city in Central and South America for quality of life. We thought it was a great destination, especially during Carnaval and it exceeded our expectations.

Till next time,

Craig & Donna

P.S. Our 12 day road trip through Uruguay started the next day.

During our stay, Donna had horrible hacking cough, that was so concerning one night we called the reception desk at NH Montevideo Columbia to ask for advice. The hotel, to our relief, had a physician on-call who made a late-night visit to our room. After an initial exam the doctor wrote a prescription for a chest x-ray in the emergency room at The British Hospital, a private hospital in downtown Montevideo. Fortunately, it was a quiet night at the hospital, and we were attended to quickly after checking in. We had a good experience there, the x-rays were negative for lung infection, and the hospital visit was totally covered by our travel insurance.

Street parking everywhere in Uruguay is free!

Driving Through the Baltics: Part 11 – Lake Peipus or Old Believers, Onions, and Honey

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Gently undulating farmlands soon flanked the road as we departed Tartu for a day trip to the Old Believers villages that dot the southern shoreline of Lake Peipus, Estonia’s largest lake which creates part of the country’s border with Russia. The villages are also part of the Onion Route, a 30km (19mi) tourist drive that promotes the area’s culture and “Estonia’s most celebrated onions, the Peipsi sibul, a golden variety known for their long storage life and flavor,” which the Old Believers have cultivated in the sandy soil of the region for several centuries.

The group’s name stems from a schism with the Russian Orthodox Church in the 17th century, in which they did not abide with the reforms Orthodox clergy patriarchates were initiating, and wow, wow, wow regarded the reforms which curled the beards of its elders, “as a corruption of their faith which was heralding the End of Days, and as such the Russian church and state were servants of the Antichrist.” Their dissent wasn’t allowed, and during The Russian Orthodox Synod of 1666-1667 the church and Tsar Alexis sanctioned their persecution. The group’s oppression was so severe that some ardent followers self-immolated in the ultimate act of protest. Thousands of Old Believers chose to escape their persecution and fled across Lake Peipus for refuge, and established a series of farming and fishing communities, in then Swedish-controlled Estonia, in which they prided themselves on their self-sufficiency.

We passed more farm tractors than cars that morning, but it was still a surprise when a large John Deere tractor pulled up alongside us in the gas station to refuel. Varnja is the southernmost village and the gateway to outdoor activities in the Peipsiveere Nature Reserve, which protects the fish and wildlife of the Emajõgi delta.

It’s a beautiful area, and was nearly deserted mid-week at the beginning of October. Fishing was once a viable livelihood, but only a few boats go out nowadays. Instead, some folks have converted them into niche rentals, like the owners of Mesi Tare who have creatively repurposed several small boats into maritime bungalows, both floating and permanently beached.

There wasn’t a soul about in the village, only an idle tractor in front of a barn with bundles of onions hanging from its rafters, or a plume of smoke from a chimney, and the lone dog sunning obliviously in the middle of the lane. Winter preparations were underway with large free-standing globe shaped piles of freshly split wood stacked along the lane or piled in cords neatly along the sides of houses.

As we left the hamlet and headed north on Kesk Tn, the main road connecting all the settlements along the lake, we stopped at Varnja’s Old Believers Prayer House, a red brick structure built between 1928 and 1930, and the nearby Issanda Templisseviimise, the town’s youngest Old Believers chapel constructed in 2015.

As we headed farther north, long narrow inlets, like the fingers on our hands, stretched from the roadside into the lake. Baskets, bowls and buckets of apples were in front of homes with backyard orchards that had what is commonly called in Estonia, “the apple flood.” This abundance is shared with the community, and the apples are free. It’s a long-standing tradition that reflects a spirit of sharing and generosity within Estonian culture. Occasionally, an abandoned stork’s nest crowned a telephone pole along the road, their yearly winter migration to southern Africa had already started in August.

We turned off the main road at every sign that pointed to the way to a kirk, church. The Kasepää Old Believers Church and Cemetery were particularly interesting.  The current 1862 sanctuary sits atop the foundation of a building that is thought to be the site of one of the group’s earliest churches after their exodus from Russia. Graves in the cemetery were marked with the traditional three horizontal-bar Orthodox cross. The configuration dates from the 6th century in which the Top Bar represents the inscription ordered by Pontius Pilate, The Middle Bar, the main beam where Christ’s hands were nailed, and Bottom Slanted Bar symbolizes the footrest and its slant reflects the fate of the two thieves crucified alongside Jesus – upward towards the repentant thief (St. Dismas) and downward towards the unrepentant one.

In Kolkja, a village first mentioned in historical records of 1592, we climbed the Vaatetorn bird-watching tower for an expansive view across the marshes and 3,555km2 (1,373 sq mi) Lake Peipus. The 219km (136mi) long lake has an average width of 82km (51mi), and is surprisingly very shallow, with an average depth of 7m (23ft). At its northern end the lake feeds into the Narva River between the Estonian border city of Narva and the Russian city of Ivangorod into the Gulf of Finland. Ice fishing is a popular winter activity on the lake which typically stays frozen from November to March. Small ice flows remain on the northern part of the lake until early May. Though with the recent climate change folks living along Lake Peipus have noticed a shortening of the ice season.

Afterwards, we stopped at Suur-Kolkja Vanausuliste Palvemaja, an Old Believers house of worship that was constructed in 1883, and its cemetery which was down the lane.

As we left the village an enterprising older woman, with a babushka covering her head, was unloading bags of onions, loaves of bread, and jars of jam from the trunk of a taxi and arranging them on a foldable card table she had already set up along the road. We had assumed the area was nearly deserted, but maybe there was an end-of-day rush hour as people returned home from work.

Although several museums, cafes and restaurants were shown on Google Maps, they were only open on the weekends during shoulder season. Our search for coffee took us to the larger town of Alatskivi, where we were able to satisfy our “drive a little, then café,” philosophy with a good lunch at Kivi kõrts, a bright eclectically decorated tavern, including a restroom decorated in a quirky theme.

We drove farther to Kallaste, a still larger village on the shore of Lake Peipus, but were discouraged from investigating the town in depth by the number of roadwork closures that hindered our travel.

On our return route to Tartu we passed through Alatskivi again and purchased honey from an automated vending machine near beehives in front of a local beekeeper’s home. We enjoy the simplest of things and found this combination of ancient practice and modern technology delightful. The machine even accepted credit cards.

At the roundabout in town, we circled twice to figure out how to reach the town’s library, which had a large wooden sculpture of two hands, with fingers carved from tree trunks, protruding from the ground in front of the building.

Earlier, the server at the tavern suggested we visit Alatskivi Castle,an old Baltic German feudal estate with vast land holdings, that was first mentioned in the historical records of the early 1600s. In 1885 Baron Arved von Nolcken, a widely traveled aristocrat, purchased the estate and reconstructed the old manor house in a Scottish baronial style, that is said to closely resemble Balmoral Castle, which he had recently visited. The von Nolcken family lived in the manor house for twenty years before they left for Germany with all their possessions, including the manor’s silk wallpaper, at the beginning of the Estonian Peasant Revolution in 1905. During the Soviet occupation of Estonia the lands of the estate were a state-controlled collective farm, and the castle was used as school, cinema, and library. Today, after extensive renovations the manor features a fine-dining restaurantand 4 suites available for booking directly through the castle, along with offering  a ceramic studio and workshop in the cellar. There is also a wax museum featuring figures of the manor’s servants; a butler, lady’s maid, cook, baker, groomsman, stable hands, and laundry maid are just a few of the various trades depicted. The exterior of the castle is totally white, and during the winter, with snow on the ground, must shine brilliantly on a sunny day. Or vanish totally from view during an Estonian tuiskav lumi, a blizzard. We wondered – if the walls of the castle could speak, what tales would they tell?

We had a great time exploring the cultures and complex histories of Estonia, Latvia, and regrettably only a small part of Lithuania during our three week-long road trip through these fascinating Baltic countries.

Till next time,

Craig & Donna

Driving Through the Baltics: Part 9 – Sigulda, Latvia to Tartu, Estonia or Spires, Onion Domes and a Neat Cafe

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Mornings with overcast skies, which cleared by noon, had prevailed for the past two days. We hoped that this weather pattern would continue as we headed north from Sigulda to Tartu under a gunmetal gray sky. It would be less than a three-hour drive if we drove directly there, but that’s not our modus operandi. Over wine the night before we had scoured the map along our tentative route and highlighted some picturesque and fascinating stops for further exploration in the region.

After a short 20-minute drive from Sigulda we stopped at Lielstraupe Castle. It was originally constructed in the later part of the 13th century as a crusader fortress by Voldemar von Rosen, a Teutonic knight and vassal to the Archbishop of Riga, who had initiated a crusade into the region to forcibly convert the area’s pagan tribes to Christianity. The thriving medieval village of Straupe grew around the castle and was a merchant town within the Hanseatic League. It was totally destroyed during the Polish – Swedish wars in the early 1600s and never rebuilt. The castle, now a substantial manor home after being rebuilt from ruins after the wars of the 17th century, remained sporadically in the possession of the von Rosen family, through centuries of the region’s conflicts, until 1939. During the Soviet era the manor was used as the Lielstraupe Tractor Station, with its rooms and stables being used for classrooms, workshops, and dormitories. In the 1960s the estate was used as a psychiatric hospital. Since 2023 the castle has been owned by the Municipality of Cēsis, which has opened it to tourists as it undergoes renovations. Unfortunately, we were unable to tour the interior of the manor, since we stopped by before its opening time.

Our “drive a little then café” instincts took us to Valmiera, the largest town in the Vidzeme region with a population of about 51,000. Like Cēsis and Sigulda, its founding is tied to the Northern Crusade in the 13th century. Parking was conveniently located across from Valmiera’s St. Simon Church. Amazingly, the medieval building, which dates to 1283, is believed to have survived the centuries without any major alterations. Russian Czar Ivan the Terrible ruled during the Livonian War (1558-1583), a conflict which included the medieval superpowers Sweden, Denmark, and the Polish-Lithuanian Commonwealth fighting for control of Latvia. Several cannon balls fired by Russian troops into the church’s walls are on display in the church’s narthex as testimony to the strength of its construction. It was a Catholic church until Martin Luther’s Protestant Reformation was brought to Latvia with the signing of the Truce of Altmark in 1629, which ended the Polish-Swedish War (1600-1629).

A short walk from the church were the 13th century ruins of a Livonian Order Castle. As ruins go, these were not very impressive, with only a small L-shaped wall section still standing. However, there was a very interesting 3D relief map of old Valmiera in the courtyard in front of the Museum of Valmiera which showed that the town was ringed with defensive fortifications, which signified the town’s importance within the Hanseatic League, second only to the town of Cēsis in the Vidzeme region. The ramparts stood until they were destroyed in the Russian Empire’s shelling of the city during the Great Northern War in 1702. After the war the castle’s ruins were used as a quarry to rebuild the villagers’ homes destroyed during the conflict. The church was easily located on the map and was a good reference point for understanding how the old town was laid out.

From the castle grounds we then followed a pretty path downhill to the bank of the Gaujas River before succumbing to our call for coffee. We stumbled upon Café Kekss totally by accident. They have several unique small greenhouses, with tables and chairs for 4 people in each enclosure, outside their small cafe. It was a chilly and windy day when we visited, but sitting in one of the glass houses was perfect. The staff was very nice and the barista who took our order delivered everything to our table.

We really enjoyed our experience there, and the greenhouses are a great way to extend the season. Before returning to the car we spent a little bit of time strolling along the Dzirnavu ezeriņa promenade in the park downhill from the café.

It was the last Saturday in September, and unexpectedly we had the road to ourselves, only occasionally seeing another car whiz by. As hoped for, the sun brightened the sky later that morning as we continued our drive through a mostly semi-rural landscape, dotted with farms, towards the Latvia/Estonia border.

Only a short distance away from the border we paused to stretch our legs at Valka-Lugaži’s Evangelical Lutheran Church, our last stop in Latvia. The church’s name first appears in medieval documents of 1477. Prominent nobles were patrons of the church since much of the congregation were the poor serfs who farmed the land of their lords during the feudal era, which unfortunately lasted in Latvia and Estonia well into the late 19th century. Church history notes that the Baron von Wrangell family rebuilt the church many times over four calamitous centuries which saw the region engulfed in wars. The last descendant offered to repair the church in 1910 when a fire collapsed the belltower into the church. With the Lord’s good graces and the steady hand of a bomb disposal expert, an unexploded WW2 bomb, ignored by the communist regime for fifty years, was finally removed from the belltower after Latvia regained its independence in 1991. We crossed over the waters of the Pedeli River into Valga, Estonia. Interestingly Valka and Valga were one town until their separation at the end of World War I. With the collapse of Imperial Russia, Estonia and Latvia declared their independence and a new border was determined which split the town in half down the center of the river. A spirit of unity still remains between the two towns, as extended families now travel freely across the border since the countries joined the Schengen Area, and even share a professional basketball team, the BC Valga-Valka/Maks & Moorits, along with the slogan “One Town, Two Countries.”

A few minutes outside of Valga we turned and followed a secondary road to Sangaste Castle in rural Otepää Parish. More manor home than castle, the estate’s history began in 1866 when F. G. M. von Berg (1845–1938), the last Lord of Sangaste, inherited the property from his uncle Count von Berg, a decorated Russian Field Marshal, and dreaming big decided to build his family a 99-room English style mansion. Its size was only curtailed by an imperial rule that permitted no homes with over 100 rooms unless they were built for the Czar. Von Berg was a successful agriculturalist, having developed a new rye variety, along with establishing a prized dairy herd with milk “so good that it was sold in the markets of St Petersburg.”  Though located deep in the rural countryside, the manor had all the modern conveniences available at the beginning of the 20th century, with a telephone line installed in 1896 and electric lights in 1907.

With Estonia’s independence from Russia at the end of the First World War the new government started to seize the lands and manor houses of Baltic Germans. The government however acknowledged von Berg’s contributions to Estonian agriculture and allowed the aging Baron to stay in his home until his death in 1938. During the communist occupation of Estonia, the castle was used as a Young Pioneer Camp and its interior was altered to have 146 rooms. Somewhere along the line someone determined that the manor was composed of 1.45 million red bricks, or one brick for every Estonian.

In the crossroads village of Sangaste, in front of its church, a lone tree showed off its spectacular yellow leaves, signaling Autumn was finally here.

Four miles beyond Sangaste we glimpsed the onion shaped domes of (EAÕK) Ilmjärve Jumalailmumise, an Estonian Apostolic Orthodox Church, amidst a clearing. The red brick and stone facade of the 1873 church was brilliant in the afternoon sun. Unfortunately, the church was closed, though we were able to peek at the interior through an old-fashioned skeleton lock, and even take a picture. A placard in front of the building noted that the church’s two large bells were donated by the Russian Czar Alexander II. The church suffered during WW2, but its spirit was wounded the most when thieves in 1979 stole the church’s silver treasures used for communion.

We hadn’t expected restaurants in the area to be so scarce and far apart. Many were already closed for the season, though the weather, now cooler in late September, was still very comfortable. Our hope rose when we approached a restaurant across from the ski lift, that was now carrying mountain bike riders to the summit for a thrilling downhill ride, at the Munamägi Ski Center, outside of Otepää, the “winter capital of Estonia.”

But as we neared an employee flipped the sign hanging in the door to CLOSED! It was only mid-afternoon, had we missed the lunch hours? With our stomachs now rumbling we breezed quickly through the town and regretfully bypassed the opportunity to visit the ruins of Otepää’s ancient hill fort from the Viking era, and the remains of a Bishop’s castle where the oldest known firearm in Europe was discovered. We also missed Otepää kirik, the town’s historic church, which in modern times is historically connected to the country’s flag, when in 1884 the blue, black and white flag of the Estonian Student Union was consecrated there during “Estonia’s Awakening.” The Student Union’s design became the flag of Estonia in 1991.

We eventually had a very nice late lunch at Pangodi kalarestoran, a fish restaurant, before  our last excursion to Luke Mõis, an ancient feudal estate that dates from the 13th century. The manor house is an unassuming building that now hosts events and weddings. But the real interests here were the cascading ponds and the Gardener’s Cottage. The estate’s head horticulturalist must have been highly regarded judging by the beauty of his ornately trimmed petite home, in a lovely bucolic setting along one of the ponds. If we had planned better this would have been the perfect spot for an afternoon picnic. It’s a very pretty spot that’s worth detouring to if you are driving from Riga to Tartu.

Tartu was only 30 minutes from Luke Mõis and we arrived to find Estonia’s 2024 Capital of Culture alive with activity as we checked into the Art Hotel Pallas, a creatively decorated boutique hotel, ideally located on a pedestrian mall that led into the town’s historic center.

After dinner we enjoyed a leisurely stroll over the Kaarsild, an arched bridge that spans the Emajõgi River, an important trade route since the Viking era that connects Lake Võrtsjärv to Lake Peipus and is still navigable all the way to the Baltic Sea. We wondered if a Viking ever imagined the bright lights of the bridge and Tartu’s growing skyline reflecting upon the river’s water.  

Till next time,

Craig & Donna

Road Tripping Through the Baltics: Part 6 – Riga, Latvia, or Where Old World Charm Meets Art Nouveau

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We didn’t know what to expect when we first drove into Riga after following the E67 south from Pärnu, Estonia. It was a beautiful drive through evergreen forests that paralleled the Baltic Sea. But as we neared Latvia’s capital and largest city, with a population nearing 600,000, scattered nondescript low-rise apartment buildings sprouted from the landscape. The density of the housing and buildings grew along our route, which was now a six-lane tree-lined boulevard with a tramline. Closer to the city center the road narrowed at Brīvības iela (Freedom Street), and its older character began to shine through with many 19th and early 20th century buildings embracing Neoclassical elements.

Painted bright yellow, the Russian Orthodox St. Alexander Nevsky Church was eye-catching. The Palladian style building with columned facade and domed sanctuary looked solidly constructed of stone, but it is actually a wooden structure erected in the 1820s. An unusual feature was its freestanding belltower that was added in 1863. A building farther down the block was our first introduction to Riga’s early 1900s Art Nouveau architecture.

Continuing into the city center on Brīvības iela we parked along a side street next to the Esplanade Park and walked back through its well-manicured grounds, past statues and a delightfully whimsical birdhouse tree to Riga’s Nativity of Christ Orthodox Cathedral. It’s a beautiful stately building capped with a golden dome. Constructed in a Neo-Byzantine style during the late 19th-century, while Latvia was still part of the Russian Empire ruled by Russian Tsar Alexander II, it is the largest Orthodox church in the Baltic countries. When Riga was under the Soviet Union’s communist control the cathedral was used as a planetarium.

A short distance from the cathedral was the Latvian capital’s Freedom Monument. It’s a 42m (138 ft) tall obelisk that commemorates the soldiers killed during its War of Independence, which raged for two years between 1918-1920, when Latvia declared its sovereignty from a collapsing Russian Empire, but then had to fight off the newly formed communist Red Army of the Soviet Union, which didn’t want Latvia to secede. It was symbolically erected in the same spot that a statue of Russian Czar Peter the Great once stood. Latvia’s hard-fought liberty lasted only twenty years before the Soviet Union’s re- invasion and annexation in 1940. During the Soviet era, communist authorities considered demolishing the female figure of Liberty lifting three gilded stars, that represent the three original cultural regions of Latvia: Kurzeme, Vidzeme and Latgale, but dismissed the idea because they feared it would have pushed the citizenry of Riga to fill the streets in protest.

We secured overnight parking at Autostāvvieta and dragged ourbags noisily behind us, down cobbled lanes for several blocks to the Hotel Monte Kristo, which was located on the edge of the historic district, and had very budget friendly room rates.

We found the pedestrian-only Old Town the next morning a delight to wander through as we worked our way to Livu Square, which many consider the heart of the Riga’s Historic District with its numerous restaurants and umbrellaed cafes surrounding a picturesque square. Feeder streets were speckled with the facades of many Hanseatic League merchant houses from 13th to the 15th centuries that survived the destruction of the Second World War. It felt as if we were in a small village instead of metropolitan Riga.

Just off the square is one of Riga’s famous landmarks, the Cat House. It was built in 1909 and combines Art Nouveau decorations with medieval turrets and two angry cats. Local folklore tells of a wealthy merchant who, when snubbed by members of Riga’s Great Guild and denied inclusion, in response commissioned two cat sculptures. The felines were sculpted with arched backs and raised tails, and positioned on the top of the turrets with their butts insultingly facing the guild. When the merchant eventually received membership into the guild, the offending sculptures remained but were turned to show the guild their better side.

While some folks can persuasively argue that the larger more cosmopolitan Dome Square with the Cathedral of Riga, and its cloister, plus magnificent Baroque pipe organ – one of the largest in the world – and ornately carved 17th-century pulpit, anchoring the plaza, is ground zero for activities in Riga.

Dating from the early 1200s, the cathedral has undergone many alterations over the centuries that include a mishmash of Romanesque, Gothic and Baroque architectural styles that miraculously blend together beautifully. During the communist era the church was closed as a place of worship and used as a concert hall. It reopened for religious services in 1991, after Latvia regained its independence.

The plaza hosts a variety of events throughout the year, including an annual Christmas market, a Midsummer Fair in celebration of the Summer Solstice on June 23rd and 24th every year, and the Miķeļdiena Fair, a harvest festival held at the end of September. There is also a constant rotation of art installations on the plaza. When we visited an inviting open sided room called the Dome Next Door intrigued passersbys to investigate it further.

Then there is Rīgas Rātslaukums, the city’s spacious old 13th-century town hall/market square containing the House of the Black Heads, an extraordinary Gothic-style building originally built in 1334 by the Brotherhood of the Black Heads, a guild for unmarried merchants, shipowners and foreigners, that was for many decades the largest public building in the city. The Brotherhood takes its name from its patron saint, Saint Maurice, a Christian martyr traditionally depicted as a black man. Sadly, the iconic structure was destroyed in 1941 by Nazi bombing during World War II.

Only the building’s original foundation remained and the guild hall’s reconstruction, based on old drawings and early 20th-century photographs was, unfortunately not started until 1996, but then joyfully completed in time to be part of Riga’s 800th year anniversary celebration in 2001.

The plaza in front of the guild hall has excellent acoustics and is a popular spot for folks to gather and listen to classical music buskers. It also hosts a large RIGA sculpture in 6ft tall letters that’s a favorite spot for visitors to take Instagram-worthy selfies.

Across the square is the controversial Latvian Red Riflemen statue, a colossal red stone monument erected in 1971 by the Soviets commemorating a Latvian military unit that was formed as part of Russia’s Imperial army during World War I to defend the country from German invasion. It switched its allegiance to the communist cause after the Bolshevik revolution, with some units fighting against Latvia during its War of Independence. Many think that keeping the statue is an affront to Latvia’s history and want it removed, while others say it should stay to acknowledge a complicated past that the country is still coming to terms with.

Others still will point to the observation deck in the towering 123m (404ft) steeple of the 15th-century St. Peter’s Church that offers an unobstructed 360-degree panoramic view of the historic district and the metropolis that has spiderwebbed out from the center of Riga.

From this vantage point it was easy to understand why Albert of Buxhoevden chose this spot in 1199 to land 23 ships of Crusaders, the Brothers of the Sword, determined to convert the pagan tribes of Livonia to Christianity at the beginning of the Northern Crusade.

While the church is attractive, the streets around it are tight and there’s barely enough room to compose a photograph of the whole church. The church lost it spire and roof during the German Army’s shelling of the city in 1941. (But it was the Soviet Union’s scorched earth advance across Latvia in 1944 that left nearly fifty percent of Riga in rubble.) The resulting fire gutted the building, and it was left in ruins until a 20-year long renovation started in 1954. Fortunately, there were funds in the budget for an elevator, which now makes journeying to the viewing gallery quick and painless. The views out over the city were amazing. And from the tower’s vantage point it was easy to see how the Daugava River was so important to Riga’s prosperity as a naturally protected inland port city, in the early 1900s when Riga was the Russian Empire’s third largest city. We saw the city’s new prosperity emerging in a towering modern skyline across the river. Other points of interest around the church include the Chimney Sweep House and the whimsical Town Musicians of Bremen sculpture that’s based on a Brothers Grimm fairy tale.

We enjoyed all four of these destinations as they were each unique in their own way, but we also loved wandering down the smaller lanes between these sights to savor the ambiance of the Old Town.

Riga’s massive Central Market occupies three cavernous former Zeppelin hangars only a 10 minute walk from the old district. There must have been over 100 food stalls selling fruits, vegetables, cheese, honey, meats & tons of smoked fish. A foodie’s heaven, it was one of the best mind-boggling food markets we have ever been to. Embrace the smoked fish, it’s delicous! There was a remarkable selection available with a variety of flavor nuances depending on the type of fish and the wood or pinecones used to provide the smoke cure.

During its prosperous heydays in the late 19th and early 20th centuries, the city’s merchants and industrialists reinvested their wealth into a building boom that embraced the highly decorative frontispieces of Art Nouveau architecture.

Many fine examples of these buildings are scattered all across Riga, but there is a concentration of them designed by the architect Mikhail Eisenstein on Alberta, Strēlnieku, and Elizabetes Streets in “the Quiet Center,” a treelined residential neighborhood near the Latvian National Museum of Art, that has contributed to Riga being regarded as the “Baltic Pearl,” and the “Paris of the North.” 

To reach the neighborhood we crossed a footbridge over the Pilsetas canal in Bastejkalna, a sculpture filled park. The canal was once part of the defensive moat that encircled medieval Riga, but it was reworked into a scenic park when most of the town’s ancient ramparts were demolished in the 1860s to facilitate the expansion of a growing city. Small tour boats now offer rides along the tranquil scenic waterway. 

Our walk returning to the historic center passed a variety of buildings and protest murals before reaching the Latvian National Theatre, an eclectically designed cultural arts center where Latvia’s independence was declared from its stage on November 18, 1918.

Strolling along Krišjāņa Valdemāra iela in front of the theatre towards the Daugava River offered a nice view of the modern Vansu Tilts bridge and the skyscrapers of Riga’s new commerce center across the river.

The last remaining section of Riga’s ancient defensive wall stands along Torna iela and we re-entered the old town through its Swedish Gate, that dates to the 1600s.

It was an interesting neighborhood with charming narrow cobbled lanes that led to the Saint Mary Magdalene Church (13th-century), St. Jacob’s Catholic Cathedral which was built in 1225 and passed back and forth between Catholic and Lutheran denominations several times over the centuries, and the petite Blessed Sacrament Chapel, all located within a block of each other.

We had many pleasant meals all across Riga during our three days’ stay, as the local restauranters produce delicious, culinary experiences, for tourists and neighbors alike. Our dinner at Ala Pagrabs, an atmospheric subterranean speakeasy that serves classic Latvian fare, great beer, and offers live music, was outstanding. Riga is a lovely city that we thought we could enjoy living in, though the winters might be too cold for us.

Till next time,

 Craig & Donna

An Estonian Road trip: Part 2 – Across the Pine Barrens to the Pakri Peninsula & the Gulf of Finland or Soviets, Swans, Windmills & a Polar Bear

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Dense forest lined the road, occasionally thinning to provide a glimpse of Tallinn Bay. It seemed as if we had only left Tallinn minutes earlier, quickly passing through its outer boroughs to enter a semi-wilderness beyond the city limits. To paraphrase; We weren’t in Tallinn anymore. Lively, and charming, one third (461,000) of Estonia’s 1,370,00 citizens call this “gem of the Baltic,” home.

Only 15 minutes from the center of Old Town, we were in the surprisingly different forested landscape of Eesti Vabaõhumuuseum, the Estonian Open Air Museum, an ethnological recreation of a historic fishing village on the shore of Tallinn Bay, with the wonderful mission of showcasing the country’s rural architecture and way of life during the 18–20th centuries.

A pleasant set of trails through the woodland connected 14 separate areas that featured different buildings.  Some of the buildings have docents dressed in traditional clothing to help explain how residents lived centuries ago. The wooden windmills were particularly interesting and the large sturdy log cabins surely would have made Daniel Boone envious.

Leaving Tallinn behind: this was the first stop of our 21-day road trip through Estonia, Latvia, and Lithuania. There was hardly any traffic on the roads through the sparsely populated countryside that traversed stretches of open fields, bogs, pine forests and swaths of beautiful birch trees. Vast tracks of forest still cover over fifty percent of Estonia’s territory. Set away from the roadway a bike path, just one of 7,230 cycling routes and bike trails in Estonia, loosely followed our route from the Open Air Museum to Keila in search of a mid-morning coffee break.

It was a surprisingly frustrating endeavor. Takeaway coffee from a gas station? No no. This was nearing a crisis situation for us. Those in the know understand that without that a coffee fix, life in the universe is imperfectly balanced. Fortunately, we found a very nice gourmet café, Cake Atelier, on the main road through Keila. Chatting with the owner about our trip through Estonia, she shared that we were in luck today, as it was one of the town’s twice-yearly craft and food festival days and pointed down the road.

We both like exploring local markets and this one in Keila, while very small, was a perfect local event to have stumbled across. Set up in the parking lot of a small strip mall, it wasn’t geared toward tourists. It was simply regional food purveyors sharing what they love to do. Samples were abundant. There were extraordinary amounts of smoked fish, pickles, sauerkraut, and baked goods, along with foraged lingonberries and wild mushrooms.

From July to October foraging for berries and other wild edibles is a popular activity in Estonia and explains why we saw so many cars parked at various spots along the road in the middle of nowhere. We ended up purchasing a bottle of artisanal Rose Hip liqueur from a middle-aged woman who had been an exchange student in Florida in the early 2000s. Her cordial, lovingly crafted from her grandmother’s ancient family recipe, was very tasty. We purchased a bottle and enjoyed it as a nightcap during the rest of our trip.

Next to the parking lot was a pretty church, Mihkli kirik, Keila’s St. Michael’s Church.  This wooden church was first erected here shortly after the Danes conquered northern Estonia in 1219. A century later a larger stone church was constructed to accommodate the worshippers living in the growing village. The present church replaced an older one destroyed during the Livonian War of the 16th century. There were some interesting stone carvings around the door to the church, and an intriguing cemetery that called for further investigation.

Across the way the Scottish House, with its majestic sculptures of highland stags in its courtyard, seemed incongruously placed. But we enjoyed resting, enveloped in its warm wood interior, and lunch was very good.

Our destination at the end of the day would be the guesthouse Pakri Baron, at the foot of the lighthouse, at the top of Pakri Peninsula. But we rarely drive the fastest and most direct route. Our road trips usually connect the dots, and resemble Ws or Zs to points of interest along the way. With that in mind we headed to the Keila Waterfall in Lõokese tee, Meremõisa – gotta love that name – 13km (8 miles) away.

Without any tall mountain ranges, Estonia really isn’t noted for its waterfalls. But the Keila Falls, the third largest in the country, were relatively close. The falls are in a pretty river park that has a trail over a wooden suspension bridge that crosses to the opposite side of the falls. There is a small renovated hydroelectric power plant at the Keila waterfall that first started to produce electricity in 1928; the river park was originally part of the extensive grounds of the Keila-Joa manor. The neo-gothic style building was built in 1833 and is one of Estonia’s best surviving examples of the popular 19th-century architectural style. Unfortunately, the grounds of the manor house/museum were closed the day we were there.

Nearby, the all-wood Kõltsu Manor built in the late 1800s was another fine example of Estonian architecture. The large home was commissioned by a baroness to be used as her summer residence. After World War II, the house and grounds were used by the communist Russians as one of their Pioneer Camps. The name sounds so benign, but in reality, while they did offer camp activities, they were Soviet re-education camps that indoctrinated Estonian youth with communist ideology. Today the manor hosts events, weddings, and outdoor concerts during the summer months.

The forests in Estonia have their own stories to tell. We did not stop at the memorial to the 2000 Jewish victims of the Nazi massacre in 1944 at the forced labor Klooga concentration camp. Closer to our destination we stopped in Paldiski to purchase the makings of a picnic dinner and breakfast the next morning at the guesthouse. Apple trees grew wild along the edge of the road. We picked a few for munching later. White with a pink center, they were probably an heirloom variety called “Eva Kuld,” similar to the Pink Pearl variety. The apples were delicious.

We had timed our arrival at Pakri Baron to coincide with the sunset in hope of getting some nice photographs of the lighthouse and the coast as the sun dropped. However, the weather was fickle. But the guesthouse was wonderfully situated next to the lighthouse, which towered over us, and was a stone’s throw from the Baltic Sea. The still active lighthouse was built in 1889, and during the summer months it’s possible to climb its 275 steps to the top. Unfortunately, it was closed during our visit in mid-September. In front of the lighthouse is a copy of sculpture called The Ship’s Last Sigh (1899) by the Estonian artist Amandus Adamson (1855–1929), who grew up near Paldiski. The sculpture was chosen by vote from 5 of Adamson’s works by the residents of the community in 2008 to commemorate their native son. The guesthouse even had a traditional Estonian sauna in a separate building, just one of the 100,000 saunas in a country of 1.3 million. It’s definitely a cultural thing.

It was still dreary the next morning as we started our drive to the resort town of Haapsalu on the west coast of Estonia. But there were places to explore along the way. We don’t recall how we actually came across the existence of the Ämari Pilots’ Cemetery, but most likely it was a result of scouring Google Maps to find points of interest along our route. More accurately it could be referred to as the Russian Pilots’ Cemetery.

What piqued our interest was the use of tail fins from crashed Soviets planes as headstones to mark the graves of the pilots that died in accidents while flying from the former Russian airbase, Suurküla Aerodrome, during the Cold War era. The cemetery’s discreet location, in a forest almost obscuring it from the road, was so that reminders of the peacetime deaths, from a high accident rate, would not affect the morale of the military base.

The cemetery appeared to be well cared for, but it’s a reminder of a painful and repressive 46 yearlong occupation by communist Russia, unlike the monumental Soviet propaganda sculptures that were in public spaces across the country, which were destroyed or sent to the Soviet Statue Graveyard in Tallinn. This reminder of a dreaded past, like an uncle no one wants to talk about, was left to rest in peace.

Nearby was another reminder of Soviet rule: Murru vangla was a Soviet forced labor camp and re-education center where prisoners were sent to work in a limestone quarry for the duration of their sentences. After Estonia’s independence the prison and quarry were closed and abandoned. Water eventually filled the quarry and partially submerged some of old mining structures and prison buildings. Set against tall, eroded dunes created from slag left over from processing the limestone, the water of the quarry shimmers like a Caribbean beach. The uniquely beautiful manmade setting has slowly become a popular destination for divers and swimming. What’s left of the prison was turned into a museum. There is an admission fee to access the quarry area, but since the day was still heavily overcast, we kept driving a short distance down the road to the Padise Monastery. Founded in the early 14th Century by monks displaced from a monastery in Latvia, it flourished until the St. George’s Night Uprising, when Estonians rebelled against Danish rule and the imposition of Christianity upon them and killed 28 monks. The building was later turned into a fortress, but by the early 1700s the stones of the deteriorating fortification were used to build an adjacent manor house. What’s left of the monastery’s ruins has been preserved and now operates as a museum, and the manor house is now a boutique hotel and spa.

One of the many things we enjoy about traveling during the shoulder season, aside from fewer tourists like us out and about, is the affordability of really nice hotel rooms. Our case in point was our midweek 2-night stay at Hermannuse Maja, which backed up to the ramparts surrounding Haapsalu Castle, cost only €97.00, and included breakfast. Parking was easily available on the street.

Around the corner from our hotel the Müüriääre café, with an attractive interior and tempting food display, was the perfect spot for lunch before exploring the unusually named Haapsalu Episcopal Castle on a cloudy afternoon.

In the late 1100s Christian missionaries followed German merchants along old Viking trade routes into the region known as Livonia, that is today Estonia, Latvia, and Lithuania. The land was originally populated by pagan tribes, but unfortunately located between Orthodox Russia and Catholic Western Europe. Never happy with the status quo, religious zealots called for a Northern Crusade against the Baltic pagans, and with the blessing of Pope Celestine III, persecution began in 1195. The efforts to recruit an army was assisted by a papal bull which declared that “fighting against the Baltic heathens was of the same rank as participating in a crusade to the Holy Land.”  The medieval era was fierce, and bishops not only accompanied the crusaders spiritually into battle, but wielded swords alongside their troops fighting those heathen tribes. Haapsalu Episcopal Castle was built to project the power of the church during the thirty years it took to subjugate the region. In 1583 during the War of Reformation the Catholic stronghold fell to Protestant Sweden and the cathedral became a Lutheran church.

A tall defensive wall still encircles the nearly 1000-year-old castle. And the church has been nicely restored after surviving fires in 1668 and 1726 and neglect during the Soviet occupation when it was used as a granary. Though only the outer walls of the monastery, which was later converted to a palace, remain after the 1668 fire.

We enjoyed walking along the ramparts and climbing the castle’s tower. Surprisingly in mid-September we practically had the site to ourselves. Wandering through the ancient, vaulted dungeon-like rooms of the castle’s museum that showcased life in Medieval era was particularly interesting. The grounds of the castle are quite extensive, and one section in a now dry moat has a medieval themed playground with all sorts of structures for kids to climb on. During the summer the castle hosts a series of concerts, and the town welcomes tourists with a busy schedule of events.

Dinner that evening was across the street at the rustic Talumehe kõrts, which specialized in traditional Estonian dishes.

The next morning, we woke to a perfectly clear sky. The sunny weather was a welcome reprieve from several gloomy days, and we took full advantage of it to explore the picturesque town and walk along the Haapsalu’s bayside promenade. The walkway extends for quite a distance along the waterfront, and is flanked with a variety of architecturally interesting buildings along its length.

At one point we spotted a polar bear standing on an ice flow. A statue! It was one of several exotic animal sculptures, recreated from old photographs of the wooden figures made in the 1920s, for a section of the boardwalk called Africa Beach, a beloved small park from the 1800s. During the Soviet occupation the original wooden sculptures were used as firewood by Russian soldiers. With the Russians finally gone in 1991 the park was revamped as a children’s playground.

A short distance beyond the playground the walkway ends at the 5-story tall Tagalaht birdwatching tower. Climbing the tower offers views over the saltwater marshes of Haapsalu Bay, which is an important stopover for artic birds during their Spring and Fall migrations. Swans, cranes, and a variety of ducks can also be spotted.

The small town existed on the region’s fishing and agricultural base until a visiting physician observed that the local folk used sea mud to treat a number of ailments. He opened Haapsalu’s first therapeutic mud treatment resort in 1825. It soon became a popular destination for several generations of Russia’s czars and aristocracy. A bench along the path commemorates the spot from which the composer Tchaikovsky watched the sunrise when he summered there.

Walking back to town we passed the distinctive green onion shaped dome of Haapsalu’s Maria-Magdaleena kirik, a Russian Orthodox church. The church was consecrated on July 21, 1852. In the audience was the son of Czar Nikolai I, Alexander (later Czar Alexander II, Emperor of Russia, King of Poland and Grand Duke of Finland.)

We worked our way across town to Lake Väikese and savored a delicious lunch overlooking the water from the enclosed patio at Wiigi Kohvik, before following a walking path along the water that circled the lake. Along the pathway we noticed that nearly every home on the lake had a traditional Estonian sauna in their back yard. They were all different sizes and shapes, with some constructed with wood and others totally covered with earth. We wondered if folks jumped into the lake as part of their sauna ritual. Brrr! Just thinking of it made me shiver.

Overall, we had a very nice tme in Haapsalu. The next morning, we checked out early and drove to the harbor at Rohuküla to catch the first ferry of the day to Heltermaa on Hiiumaa Island.

Till next time, Craig & Donna