Driving Through the Baltics: Part 11 – Lake Peipus or Old Believers, Onions, and Honey

Gently undulating farmlands soon flanked the road as we departed Tartu for a day trip to the Old Believers villages that dot the southern shoreline of Lake Peipus, Estonia’s largest lake which creates part of the country’s border with Russia. The villages are also part of the Onion Route, a 30km (19mi) tourist drive that promotes the area’s culture and “Estonia’s most celebrated onions, the Peipsi sibul, a golden variety known for their long storage life and flavor,” which the Old Believers have cultivated in the sandy soil of the region for several centuries.

The group’s name stems from a schism with the Russian Orthodox Church in the 17th century, in which they did not abide with the reforms Orthodox clergy patriarchates were initiating, and wow, wow, wow regarded the reforms which curled the beards of its elders, “as a corruption of their faith which was heralding the End of Days, and as such the Russian church and state were servants of the Antichrist.” Their dissent wasn’t allowed, and during The Russian Orthodox Synod of 1666-1667 the church and Tsar Alexis sanctioned their persecution. The group’s oppression was so severe that some ardent followers self-immolated in the ultimate act of protest. Thousands of Old Believers chose to escape their persecution and fled across Lake Peipus for refuge, and established a series of farming and fishing communities, in then Swedish-controlled Estonia, in which they prided themselves on their self-sufficiency.

We passed more farm tractors than cars that morning, but it was still a surprise when a large John Deere tractor pulled up alongside us in the gas station to refuel. Varnja is the southernmost village and the gateway to outdoor activities in the Peipsiveere Nature Reserve, which protects the fish and wildlife of the Emajõgi delta.

It’s a beautiful area, and was nearly deserted mid-week at the beginning of October. Fishing was once a viable livelihood, but only a few boats go out nowadays. Instead, some folks have converted them into niche rentals, like the owners of Mesi Tare who have creatively repurposed several small boats into maritime bungalows, both floating and permanently beached.

There wasn’t a soul about in the village, only an idle tractor in front of a barn with bundles of onions hanging from its rafters, or a plume of smoke from a chimney, and the lone dog sunning obliviously in the middle of the lane. Winter preparations were underway with large free-standing globe shaped piles of freshly split wood stacked along the lane or piled in cords neatly along the sides of houses.

As we left the hamlet and headed north on Kesk Tn, the main road connecting all the settlements along the lake, we stopped at Varnja’s Old Believers Prayer House, a red brick structure built between 1928 and 1930, and the nearby Issanda Templisseviimise, the town’s youngest Old Believers chapel constructed in 2015.

As we headed farther north, long narrow inlets, like the fingers on our hands, stretched from the roadside into the lake. Baskets, bowls and buckets of apples were in front of homes with backyard orchards that had what is commonly called in Estonia, “the apple flood.” This abundance is shared with the community, and the apples are free. It’s a long-standing tradition that reflects a spirit of sharing and generosity within Estonian culture. Occasionally, an abandoned stork’s nest crowned a telephone pole along the road, their yearly winter migration to southern Africa had already started in August.

We turned off the main road at every sign that pointed to the way to a kirk, church. The Kasepää Old Believers Church and Cemetery were particularly interesting.  The current 1862 sanctuary sits atop the foundation of a building that is thought to be the site of one of the group’s earliest churches after their exodus from Russia. Graves in the cemetery were marked with the traditional three horizontal-bar Orthodox cross. The configuration dates from the 6th century in which the Top Bar represents the inscription ordered by Pontius Pilate, The Middle Bar, the main beam where Christ’s hands were nailed, and Bottom Slanted Bar symbolizes the footrest and its slant reflects the fate of the two thieves crucified alongside Jesus – upward towards the repentant thief (St. Dismas) and downward towards the unrepentant one.

In Kolkja, a village first mentioned in historical records of 1592, we climbed the Vaatetorn bird-watching tower for an expansive view across the marshes and 3,555km2 (1,373 sq mi) Lake Peipus. The 219km (136mi) long lake has an average width of 82km (51mi), and is surprisingly very shallow, with an average depth of 7m (23ft). At its northern end the lake feeds into the Narva River between the Estonian border city of Narva and the Russian city of Ivangorod into the Gulf of Finland. Ice fishing is a popular winter activity on the lake which typically stays frozen from November to March. Small ice flows remain on the northern part of the lake until early May. Though with the recent climate change folks living along Lake Peipus have noticed a shortening of the ice season.

Afterwards, we stopped at Suur-Kolkja Vanausuliste Palvemaja, an Old Believers house of worship that was constructed in 1883, and its cemetery which was down the lane.

As we left the village an enterprising older woman, with a babushka covering her head, was unloading bags of onions, loaves of bread, and jars of jam from the trunk of a taxi and arranging them on a foldable card table she had already set up along the road. We had assumed the area was nearly deserted, but maybe there was an end-of-day rush hour as people returned home from work.

Although several museums, cafes and restaurants were shown on Google Maps, they were only open on the weekends during shoulder season. Our search for coffee took us to the larger town of Alatskivi, where we were able to satisfy our “drive a little, then café,” philosophy with a good lunch at Kivi kõrts, a bright eclectically decorated tavern, including a restroom decorated in a quirky theme.

We drove farther to Kallaste, a still larger village on the shore of Lake Peipus, but were discouraged from investigating the town in depth by the number of roadwork closures that hindered our travel.

On our return route to Tartu we passed through Alatskivi again and purchased honey from an automated vending machine near beehives in front of a local beekeeper’s home. We enjoy the simplest of things and found this combination of ancient practice and modern technology delightful. The machine even accepted credit cards.

At the roundabout in town, we circled twice to figure out how to reach the town’s library, which had a large wooden sculpture of two hands, with fingers carved from tree trunks, protruding from the ground in front of the building.

Earlier, the server at the tavern suggested we visit Alatskivi Castle,an old Baltic German feudal estate with vast land holdings, that was first mentioned in the historical records of the early 1600s. In 1885 Baron Arved von Nolcken, a widely traveled aristocrat, purchased the estate and reconstructed the old manor house in a Scottish baronial style, that is said to closely resemble Balmoral Castle, which he had recently visited. The von Nolcken family lived in the manor house for twenty years before they left for Germany with all their possessions, including the manor’s silk wallpaper, at the beginning of the Estonian Peasant Revolution in 1905. During the Soviet occupation of Estonia the lands of the estate were a state-controlled collective farm, and the castle was used as school, cinema, and library. Today, after extensive renovations the manor features a fine-dining restaurantand 4 suites available for booking directly through the castle, along with offering  a ceramic studio and workshop in the cellar. There is also a wax museum featuring figures of the manor’s servants; a butler, lady’s maid, cook, baker, groomsman, stable hands, and laundry maid are just a few of the various trades depicted. The exterior of the castle is totally white, and during the winter, with snow on the ground, must shine brilliantly on a sunny day. Or vanish totally from view during an Estonian tuiskav lumi, a blizzard. We wondered – if the walls of the castle could speak, what tales would they tell?

We had a great time exploring the cultures and complex histories of Estonia, Latvia, and regrettably only a small part of Lithuania during our three week-long road trip through these fascinating Baltic countries.

Till next time,

Craig & Donna

Driving Through the Baltics: Part 10 – Tartu, Estonia or Wandering through a University Town

The street was alive with activity. Three buskers with drum, sax, and tuba were jazzily rendering Bruno Mars’ “Marry You” on the pedestrian mall full of folks strolling and bicyclists weaving amidst a food fair and participants readying their wacky go-cart entries for a Red Bull event later that afternoon.

There’s a long tradition in Estonia of student rock bands in the 70s and 80s transcribing western songs heard via Radio Free Europe broadcasts to countries behind the “Iron Curtain,” including Estonia. Soviet censors viewed any foreign influence, especially rock ’n roll as a threat to communist ideology, and these street musicians were upholding a long-standing musical tradition.

Tartu has been a university town since the 17th-century, and today 14,000 students give the city, Estonia’s second largest with only a population of 104,000, an energetic youthful vibe. They are an important part of the town’s character and are playfully acknowledged on the café-lined cobblestone plaza in front of Tartu’s City Hall with the ‘The Kissing Students’ sculpture and fountain.

The University of Tartu’s students also played a crucial role in Estonia’s expression of national identity and resistance to Soviet rule in the late 1980’s. Their support of the “Five Patriotic Songs” by Alo Mattiisen led to spontaneous mass singing demonstrations at the Tartu Pop Festival in May 1988. These musical protests spread to Tallin, then Latvia and Lithuania. These peaceful protests culminated in the The Baltic Way, a human chain of two million people which spanned from Tallinn, Estonia to Vilnius, Lithuania in August of 1989. The popularity of these peaceful movements strengthened the determination of Estonians to redeclare their independence from the Soviet Union in 1991. Latvia and Lithuania followed suit soon after.

The Kissing Students’ fountain is really the center of activity in Tartu, a splendidly walkable city. Its car-free center extends north along Küüni tn from the modern Kvartal shopping mall, with an array of nice shops, and an excellent Coop supermarket, past the central plaza all the way to the Botanical Garden of the University of Tartu. And there were numerous points of interest just off this route that we explored during our five-night stay at the Art Hotel Pallas, a boutique hotel nicely located across from the Kvartal mall, with views from our hotel room of the spires atop the town’s city hall and churches. It also had convenient free parking, and a scrumptious breakfast buffet. The pickled herring, yes for breakfast, was really good. It was the perfect spot to get some much-needed R&R after driving through Estonia, Latvia, and Lithuania for three weeks.

One of the nicest things we’ve encountered during our road trip through the Baltics is the extensive amount of public art that graces the region’s cities and small towns. Few are of a historical nature. The sculptures of Lenin and Stalin that the Soviet Union installed during their fifty years of occupation to erase the Estonia’s history were quickly removed from all public spaces, and sent to the scrap yard. The current sculptures now honor influential writers, poets, and folk heroes or are simply artistic inspirations without any political messaging.

Along Küüni there was a sculpture of Irish playwright Oscar Wilde and Estonian writer Eduard Vilde depicted in an imaginary encounter between the literary heavyweights. Though the two never met, Wilde did give a lecture at the university in 1892.

Nearby was the sculpture “Father and Son,” by the Tartu native Ülo Õun (1944-1988). The Visit Tartu website explains the work represents the sculptor with his 18-month-old son, and “is a symbol of the relationship between different generations, where children are increasingly growing apart from their parents.” A side note – the Visit Tartu website has an extensive calendar of events page. In a park they had a pop-up information tent, and detrimentally to our waistlines, it was across from the Kalev Chocolate Shop and cookie store. This Estonian brand makes, in our opinion, some of the best store-bought snacks. You can buy them in grocery stores across the Baltics, but they surprisingly cost less in their own stores.

A diagonal walk through the park took us to Tartu Turuhoone, the town’s old market hall where a large sculpture of “Siga Roosi,” a pig, advertises the building’s entrance and the products available inside. If you have visited Riga’s large market, this wanes in comparison, but the pig immortalized in bronze appears to be smiling.

From here a very pleasant walk along the riverfront promenade that follows the Emajõgi River leads to the Kaarsild, an arched footbridge that spans the river to Ülejõe Park and the neighborhoods east of the historic center.

The approach to the bridge was a perfect spot to admire the beautiful buildings surrounding the town’s plaza which represent an eclectic assortment of architectural styles from the 13th to 17th centuries, when the town was a prominent member of the Hanseatic Merchant League.

At the foot of the plaza the Tartu Kunstimuuseum, a museum of art, occupies a 1793 building that is often referred to as Tartu’s Tower of Pisa. The three-story building’s 5.8 degree of tilt is actually greater than the famous tower in Italy. The tilt was a result of one side of the building being constructed on the medieval footing of the ancient defensive wall that once encircled the town, and the other side was erected above loose soil. As the decades passed, the structure slowly sank into the ground. Polish engineers successfully stabilized the building during the communist era, and it was determined safe enough to house the museum since 1988.

In the other direction there was the reflection of the growing city’s modern skyline reflected on the rippling water of the river. These views were beautiful and equally enchanting in the early evening twilight as we watched the murmurations of European starlings swooping over the river, before they noisily roosted in the park.

Just behind Town Hall and across from a large street mural of the University of Tartu was café/restaurantWerner, an excellent establishment with a nice vibe, that’s popular with both students and professionals; we dined there several times during our stay in the city.

Afterwards we took the long uphill walk to the ruins of Tartu’s immense 13th century cathedral, now on the grounds of the University of Tartu. Construction of the Gothic style church started shortly after the Brothers of the Sword subjugated the pagan tribes around Tartu in the early 1200s and lasted nearly 400 years before it was destroyed during the Livonian Wars that ravished the region. It was never rebuilt.

We chose not to, but it’s possible to climb its towers to a viewing platform above the ruins for a panoramic view of the school’s campus and Tartu. The choir end of the cathedral has been restored and since 1981 houses The University of Tartu Museum.

Heading back to the old town we passed under the Angel Bridge, built in 1838 to ease students’ efforts getting across campus. The scenic spot has a bit of a lovers’ lane reputation, as well as having several legends associated with it. The most popular one being “when you cross the bridge for the first time you should make a wish, and if you can hold your breath until you reach the other side your wish will come true.”   

Just off the lane was the Gunpowder Cellar built into the side of a hill, it’s a rustic tavern set in a cavernous old 18th century munitions warehouse with an arched brick ceiling. It’s a popular beer hall and is known for its tasty Gunpowder Red beer, while also hosting frequent band appearances.

Later in the week after having lunch at the Café Werner a second time, we turned right and wandered down Ülikooli tn towards the neoclassic columned façade of the University of Tartu’s main building. It is Estonia’s oldest and largest university and the pride and joy of Tartu. The school was originally founded 1583 as a Jesuit institution during Poland’s brief rule of the country, but most of the credit is given to the Swedish King Gustave II Adolph when he upgraded the school to a university in 1632. It was forced to close several times over the centuries due to regional wars, but was later reopened by Russian Czar Alexander I in 1802 and was again reopened by the Soviet Union after World War II, where it became an important contact spot for Soviet academics to meet their western counterparts during the Cold War era.

Farther along some of the buildings near Tartu’s St. John’s Church had unique details. Archeological evidence suggests the church dates back to the late 1100s, and could be the first “Christian church building in Estonia before the 13th-century conquest and great Christianization of the country.”  The basic form of the current church dates from the beginning of the 13th century. Due to the region’s conflicts, the church has been reconstructed several times over the centuries. Unfortunately, the church was closed when we visited the area.

At the end of Ülikooli tn a short walk to the right led us to the Botanical Garden of the University of Tartu. Though in early October it was evident that Estonia has a short growing season and most of the plants were past their prime, but we still enjoyed exploring the various oases of greenery with a number of other couples and families, and imagined how beautiful the gardens must look in the Spring and Summer.

We followed Ruutli tanav, one of Tartu’s oldest streets, back towards the historic center of the town. During the Middle Ages when the winter snows melted during the spring thaw  – “mud season” or Estonia’s “fifth season” – traveling about the countryside was quite difficult. In the larger towns like Tartu the thoroughfares were lined with logs laid perpendicularly across the road to ease the life of the townsfolk and facilitate merchant trade with the Hanseatic League through the town’s riverside port on the Emajõgi. Evidence of these ancient timbered roads is still occasionally discovered whenever there is any infrastructure improvement required in the city. Cobblestones weren’t used for the lanes through town until the 15th century.

We made a short detour off our route to the Virgin Mary’s Dormition Cathedral, an Estonian Apostolic Orthodox Church. The beautiful Russian baroque style church was built in 1840 atop the foundations of an earlier wooden church that was burnt down during the 1775 Great Fire of Tartu, a devastating inferno which destroyed almost all the old wooden medieval era buildings in the central part of Tartu.

As we reached the central plaza it was evident that the weekend’s festivities were Tartu’s last big event for the summer high season. The weather was now noticeably colder with morning temperatures of 36F (2C) warming only to 54F (12C), and the outdoor café tables and chairs that lined the square were being taken down and sent into storage, until needed again next Spring. But the season is not over until the buskers stop playing and the trio of musicians from the other day were still entertaining folks around the Kissing Students fountain in the warm afternoon sun.

On our walks through the town, we came across some interesting and creative street murals. All were in well-chosen places that enhanced the wall, none were of the loud bubblegum type, though some were of a political nature. After all, our hotel was named for the Pallas Art School, which existed from 1919 to 1944 in Tartu, and was influential in establishing the aesthetic values of the newly independent country, but was closed during the communist occupation of the country.

Today the school’s artistic legacy continues at the  Pallas University of Applied Sciences which opened in 2000, and features ongoing exhibits in the Pallas Gallery.

The Gray House, now the KGB Cells museum, was uphill from the gallery, just three doors down from a busy intersection, on a street that leads to university housing. It was a non-descript door with buzzers for the three-story apartment building above it, and one for the museum. In the 1940s and 1950s the upper floors served as offices for the Soviet’s secret police. We buzzed and a voice released the door lock for us to enter the lobby, where an arrow pointed to a heavy metal door to the basement, and a set of intimidating stairs that descended to a flickering fluorescent lit hallway. It’s a small space with a dozen prison cells and several interrogation rooms in which the brutality of the Soviet years is documented. Notoriously, on July 8th & 9th, 1941, 173 men and 20 women were summarily executed and buried in the building’s courtyard. Mass deportations of 45,000 Estonians to the Soviet gulags in Siberia continued until 1953. For many it was a death sentence, and few ever returned to their homeland. Across the country the KGB is believed to have murdered nearly 60,000 political prisoners between 1940 -1991. It’s a reminder of the danger of authoritative regimes and sadly is still relevant today.

We discovered another street mural just around the corner from our hotel as we headed to dinner at Restoran Spargel. Over an enjoyable evening, we discussed plans to take advantage of the nice weather predicted for the next day by exploring the small fishing villages along the shoreline of Lake Peipus.

We thoroughly appreciated Tartu’s mix of history and youthful enthusiasm for the future. It’s a city but felt like a small town that we could see ourselves quite comfortably living in and enjoy experiencing all of its cultural events throughout the year.

Till next time,

Craig & Donna

Driving Through the Baltics: Part 9 – Sigulda, Latvia to Tartu, Estonia or Spires, Onion Domes and a Neat Cafe

Mornings with overcast skies, which cleared by noon, had prevailed for the past two days. We hoped that this weather pattern would continue as we headed north from Sigulda to Tartu under a gunmetal gray sky. It would be less than a three-hour drive if we drove directly there, but that’s not our modus operandi. Over wine the night before we had scoured the map along our tentative route and highlighted some picturesque and fascinating stops for further exploration in the region.

After a short 20-minute drive from Sigulda we stopped at Lielstraupe Castle. It was originally constructed in the later part of the 13th century as a crusader fortress by Voldemar von Rosen, a Teutonic knight and vassal to the Archbishop of Riga, who had initiated a crusade into the region to forcibly convert the area’s pagan tribes to Christianity. The thriving medieval village of Straupe grew around the castle and was a merchant town within the Hanseatic League. It was totally destroyed during the Polish – Swedish wars in the early 1600s and never rebuilt. The castle, now a substantial manor home after being rebuilt from ruins after the wars of the 17th century, remained sporadically in the possession of the von Rosen family, through centuries of the region’s conflicts, until 1939. During the Soviet era the manor was used as the Lielstraupe Tractor Station, with its rooms and stables being used for classrooms, workshops, and dormitories. In the 1960s the estate was used as a psychiatric hospital. Since 2023 the castle has been owned by the Municipality of Cēsis, which has opened it to tourists as it undergoes renovations. Unfortunately, we were unable to tour the interior of the manor, since we stopped by before its opening time.

Our “drive a little then café” instincts took us to Valmiera, the largest town in the Vidzeme region with a population of about 51,000. Like Cēsis and Sigulda, its founding is tied to the Northern Crusade in the 13th century. Parking was conveniently located across from Valmiera’s St. Simon Church. Amazingly, the medieval building, which dates to 1283, is believed to have survived the centuries without any major alterations. Russian Czar Ivan the Terrible ruled during the Livonian War (1558-1583), a conflict which included the medieval superpowers Sweden, Denmark, and the Polish-Lithuanian Commonwealth fighting for control of Latvia. Several cannon balls fired by Russian troops into the church’s walls are on display in the church’s narthex as testimony to the strength of its construction. It was a Catholic church until Martin Luther’s Protestant Reformation was brought to Latvia with the signing of the Truce of Altmark in 1629, which ended the Polish-Swedish War (1600-1629).

A short walk from the church were the 13th century ruins of a Livonian Order Castle. As ruins go, these were not very impressive, with only a small L-shaped wall section still standing. However, there was a very interesting 3D relief map of old Valmiera in the courtyard in front of the Museum of Valmiera which showed that the town was ringed with defensive fortifications, which signified the town’s importance within the Hanseatic League, second only to the town of Cēsis in the Vidzeme region. The ramparts stood until they were destroyed in the Russian Empire’s shelling of the city during the Great Northern War in 1702. After the war the castle’s ruins were used as a quarry to rebuild the villagers’ homes destroyed during the conflict. The church was easily located on the map and was a good reference point for understanding how the old town was laid out.

From the castle grounds we then followed a pretty path downhill to the bank of the Gaujas River before succumbing to our call for coffee. We stumbled upon Café Kekss totally by accident. They have several unique small greenhouses, with tables and chairs for 4 people in each enclosure, outside their small cafe. It was a chilly and windy day when we visited, but sitting in one of the glass houses was perfect. The staff was very nice and the barista who took our order delivered everything to our table.

We really enjoyed our experience there, and the greenhouses are a great way to extend the season. Before returning to the car we spent a little bit of time strolling along the Dzirnavu ezeriņa promenade in the park downhill from the café.

It was the last Saturday in September, and unexpectedly we had the road to ourselves, only occasionally seeing another car whiz by. As hoped for, the sun brightened the sky later that morning as we continued our drive through a mostly semi-rural landscape, dotted with farms, towards the Latvia/Estonia border.

Only a short distance away from the border we paused to stretch our legs at Valka-Lugaži’s Evangelical Lutheran Church, our last stop in Latvia. The church’s name first appears in medieval documents of 1477. Prominent nobles were patrons of the church since much of the congregation were the poor serfs who farmed the land of their lords during the feudal era, which unfortunately lasted in Latvia and Estonia well into the late 19th century. Church history notes that the Baron von Wrangell family rebuilt the church many times over four calamitous centuries which saw the region engulfed in wars. The last descendant offered to repair the church in 1910 when a fire collapsed the belltower into the church. With the Lord’s good graces and the steady hand of a bomb disposal expert, an unexploded WW2 bomb, ignored by the communist regime for fifty years, was finally removed from the belltower after Latvia regained its independence in 1991. We crossed over the waters of the Pedeli River into Valga, Estonia. Interestingly Valka and Valga were one town until their separation at the end of World War I. With the collapse of Imperial Russia, Estonia and Latvia declared their independence and a new border was determined which split the town in half down the center of the river. A spirit of unity still remains between the two towns, as extended families now travel freely across the border since the countries joined the Schengen Area, and even share a professional basketball team, the BC Valga-Valka/Maks & Moorits, along with the slogan “One Town, Two Countries.”

A few minutes outside of Valga we turned and followed a secondary road to Sangaste Castle in rural Otepää Parish. More manor home than castle, the estate’s history began in 1866 when F. G. M. von Berg (1845–1938), the last Lord of Sangaste, inherited the property from his uncle Count von Berg, a decorated Russian Field Marshal, and dreaming big decided to build his family a 99-room English style mansion. Its size was only curtailed by an imperial rule that permitted no homes with over 100 rooms unless they were built for the Czar. Von Berg was a successful agriculturalist, having developed a new rye variety, along with establishing a prized dairy herd with milk “so good that it was sold in the markets of St Petersburg.”  Though located deep in the rural countryside, the manor had all the modern conveniences available at the beginning of the 20th century, with a telephone line installed in 1896 and electric lights in 1907.

With Estonia’s independence from Russia at the end of the First World War the new government started to seize the lands and manor houses of Baltic Germans. The government however acknowledged von Berg’s contributions to Estonian agriculture and allowed the aging Baron to stay in his home until his death in 1938. During the communist occupation of Estonia, the castle was used as a Young Pioneer Camp and its interior was altered to have 146 rooms. Somewhere along the line someone determined that the manor was composed of 1.45 million red bricks, or one brick for every Estonian.

In the crossroads village of Sangaste, in front of its church, a lone tree showed off its spectacular yellow leaves, signaling Autumn was finally here.

Four miles beyond Sangaste we glimpsed the onion shaped domes of (EAÕK) Ilmjärve Jumalailmumise, an Estonian Apostolic Orthodox Church, amidst a clearing. The red brick and stone facade of the 1873 church was brilliant in the afternoon sun. Unfortunately, the church was closed, though we were able to peek at the interior through an old-fashioned skeleton lock, and even take a picture. A placard in front of the building noted that the church’s two large bells were donated by the Russian Czar Alexander II. The church suffered during WW2, but its spirit was wounded the most when thieves in 1979 stole the church’s silver treasures used for communion.

We hadn’t expected restaurants in the area to be so scarce and far apart. Many were already closed for the season, though the weather, now cooler in late September, was still very comfortable. Our hope rose when we approached a restaurant across from the ski lift, that was now carrying mountain bike riders to the summit for a thrilling downhill ride, at the Munamägi Ski Center, outside of Otepää, the “winter capital of Estonia.”

But as we neared an employee flipped the sign hanging in the door to CLOSED! It was only mid-afternoon, had we missed the lunch hours? With our stomachs now rumbling we breezed quickly through the town and regretfully bypassed the opportunity to visit the ruins of Otepää’s ancient hill fort from the Viking era, and the remains of a Bishop’s castle where the oldest known firearm in Europe was discovered. We also missed Otepää kirik, the town’s historic church, which in modern times is historically connected to the country’s flag, when in 1884 the blue, black and white flag of the Estonian Student Union was consecrated there during “Estonia’s Awakening.” The Student Union’s design became the flag of Estonia in 1991.

We eventually had a very nice late lunch at Pangodi kalarestoran, a fish restaurant, before  our last excursion to Luke Mõis, an ancient feudal estate that dates from the 13th century. The manor house is an unassuming building that now hosts events and weddings. But the real interests here were the cascading ponds and the Gardener’s Cottage. The estate’s head horticulturalist must have been highly regarded judging by the beauty of his ornately trimmed petite home, in a lovely bucolic setting along one of the ponds. If we had planned better this would have been the perfect spot for an afternoon picnic. It’s a very pretty spot that’s worth detouring to if you are driving from Riga to Tartu.

Tartu was only 30 minutes from Luke Mõis and we arrived to find Estonia’s 2024 Capital of Culture alive with activity as we checked into the Art Hotel Pallas, a creatively decorated boutique hotel, ideally located on a pedestrian mall that led into the town’s historic center.

After dinner we enjoyed a leisurely stroll over the Kaarsild, an arched bridge that spans the Emajõgi River, an important trade route since the Viking era that connects Lake Võrtsjärv to Lake Peipus and is still navigable all the way to the Baltic Sea. We wondered if a Viking ever imagined the bright lights of the bridge and Tartu’s growing skyline reflecting upon the river’s water.  

Till next time,

Craig & Donna

Road Tripping Through the Baltics: Part 6 – Riga, Latvia, or Where Old World Charm Meets Art Nouveau

We didn’t know what to expect when we first drove into Riga after following the E67 south from Pärnu, Estonia. It was a beautiful drive through evergreen forests that paralleled the Baltic Sea. But as we neared Latvia’s capital and largest city, with a population nearing 600,000, scattered nondescript low-rise apartment buildings sprouted from the landscape. The density of the housing and buildings grew along our route, which was now a six-lane tree-lined boulevard with a tramline. Closer to the city center the road narrowed at Brīvības iela (Freedom Street), and its older character began to shine through with many 19th and early 20th century buildings embracing Neoclassical elements.

Painted bright yellow, the Russian Orthodox St. Alexander Nevsky Church was eye-catching. The Palladian style building with columned facade and domed sanctuary looked solidly constructed of stone, but it is actually a wooden structure erected in the 1820s. An unusual feature was its freestanding belltower that was added in 1863. A building farther down the block was our first introduction to Riga’s early 1900s Art Nouveau architecture.

Continuing into the city center on Brīvības iela we parked along a side street next to the Esplanade Park and walked back through its well-manicured grounds, past statues and a delightfully whimsical birdhouse tree to Riga’s Nativity of Christ Orthodox Cathedral. It’s a beautiful stately building capped with a golden dome. Constructed in a Neo-Byzantine style during the late 19th-century, while Latvia was still part of the Russian Empire ruled by Russian Tsar Alexander II, it is the largest Orthodox church in the Baltic countries. When Riga was under the Soviet Union’s communist control the cathedral was used as a planetarium.

A short distance from the cathedral was the Latvian capital’s Freedom Monument. It’s a 42m (138 ft) tall obelisk that commemorates the soldiers killed during its War of Independence, which raged for two years between 1918-1920, when Latvia declared its sovereignty from a collapsing Russian Empire, but then had to fight off the newly formed communist Red Army of the Soviet Union, which didn’t want Latvia to secede. It was symbolically erected in the same spot that a statue of Russian Czar Peter the Great once stood. Latvia’s hard-fought liberty lasted only twenty years before the Soviet Union’s re- invasion and annexation in 1940. During the Soviet era, communist authorities considered demolishing the female figure of Liberty lifting three gilded stars, that represent the three original cultural regions of Latvia: Kurzeme, Vidzeme and Latgale, but dismissed the idea because they feared it would have pushed the citizenry of Riga to fill the streets in protest.

We secured overnight parking at Autostāvvieta and dragged ourbags noisily behind us, down cobbled lanes for several blocks to the Hotel Monte Kristo, which was located on the edge of the historic district, and had very budget friendly room rates.

We found the pedestrian-only Old Town the next morning a delight to wander through as we worked our way to Livu Square, which many consider the heart of the Riga’s Historic District with its numerous restaurants and umbrellaed cafes surrounding a picturesque square. Feeder streets were speckled with the facades of many Hanseatic League merchant houses from 13th to the 15th centuries that survived the destruction of the Second World War. It felt as if we were in a small village instead of metropolitan Riga.

Just off the square is one of Riga’s famous landmarks, the Cat House. It was built in 1909 and combines Art Nouveau decorations with medieval turrets and two angry cats. Local folklore tells of a wealthy merchant who, when snubbed by members of Riga’s Great Guild and denied inclusion, in response commissioned two cat sculptures. The felines were sculpted with arched backs and raised tails, and positioned on the top of the turrets with their butts insultingly facing the guild. When the merchant eventually received membership into the guild, the offending sculptures remained but were turned to show the guild their better side.

While some folks can persuasively argue that the larger more cosmopolitan Dome Square with the Cathedral of Riga, and its cloister, plus magnificent Baroque pipe organ – one of the largest in the world – and ornately carved 17th-century pulpit, anchoring the plaza, is ground zero for activities in Riga.

Dating from the early 1200s, the cathedral has undergone many alterations over the centuries that include a mishmash of Romanesque, Gothic and Baroque architectural styles that miraculously blend together beautifully. During the communist era the church was closed as a place of worship and used as a concert hall. It reopened for religious services in 1991, after Latvia regained its independence.

The plaza hosts a variety of events throughout the year, including an annual Christmas market, a Midsummer Fair in celebration of the Summer Solstice on June 23rd and 24th every year, and the Miķeļdiena Fair, a harvest festival held at the end of September. There is also a constant rotation of art installations on the plaza. When we visited an inviting open sided room called the Dome Next Door intrigued passersbys to investigate it further.

Then there is Rīgas Rātslaukums, the city’s spacious old 13th-century town hall/market square containing the House of the Black Heads, an extraordinary Gothic-style building originally built in 1334 by the Brotherhood of the Black Heads, a guild for unmarried merchants, shipowners and foreigners, that was for many decades the largest public building in the city. The Brotherhood takes its name from its patron saint, Saint Maurice, a Christian martyr traditionally depicted as a black man. Sadly, the iconic structure was destroyed in 1941 by Nazi bombing during World War II.

Only the building’s original foundation remained and the guild hall’s reconstruction, based on old drawings and early 20th-century photographs was, unfortunately not started until 1996, but then joyfully completed in time to be part of Riga’s 800th year anniversary celebration in 2001.

The plaza in front of the guild hall has excellent acoustics and is a popular spot for folks to gather and listen to classical music buskers. It also hosts a large RIGA sculpture in 6ft tall letters that’s a favorite spot for visitors to take Instagram-worthy selfies.

Across the square is the controversial Latvian Red Riflemen statue, a colossal red stone monument erected in 1971 by the Soviets commemorating a Latvian military unit that was formed as part of Russia’s Imperial army during World War I to defend the country from German invasion. It switched its allegiance to the communist cause after the Bolshevik revolution, with some units fighting against Latvia during its War of Independence. Many think that keeping the statue is an affront to Latvia’s history and want it removed, while others say it should stay to acknowledge a complicated past that the country is still coming to terms with.

Others still will point to the observation deck in the towering 123m (404ft) steeple of the 15th-century St. Peter’s Church that offers an unobstructed 360-degree panoramic view of the historic district and the metropolis that has spiderwebbed out from the center of Riga.

From this vantage point it was easy to understand why Albert of Buxhoevden chose this spot in 1199 to land 23 ships of Crusaders, the Brothers of the Sword, determined to convert the pagan tribes of Livonia to Christianity at the beginning of the Northern Crusade.

While the church is attractive, the streets around it are tight and there’s barely enough room to compose a photograph of the whole church. The church lost it spire and roof during the German Army’s shelling of the city in 1941. (But it was the Soviet Union’s scorched earth advance across Latvia in 1944 that left nearly fifty percent of Riga in rubble.) The resulting fire gutted the building, and it was left in ruins until a 20-year long renovation started in 1954. Fortunately, there were funds in the budget for an elevator, which now makes journeying to the viewing gallery quick and painless. The views out over the city were amazing. And from the tower’s vantage point it was easy to see how the Daugava River was so important to Riga’s prosperity as a naturally protected inland port city, in the early 1900s when Riga was the Russian Empire’s third largest city. We saw the city’s new prosperity emerging in a towering modern skyline across the river. Other points of interest around the church include the Chimney Sweep House and the whimsical Town Musicians of Bremen sculpture that’s based on a Brothers Grimm fairy tale.

We enjoyed all four of these destinations as they were each unique in their own way, but we also loved wandering down the smaller lanes between these sights to savor the ambiance of the Old Town.

Riga’s massive Central Market occupies three cavernous former Zeppelin hangars only a 10 minute walk from the old district. There must have been over 100 food stalls selling fruits, vegetables, cheese, honey, meats & tons of smoked fish. A foodie’s heaven, it was one of the best mind-boggling food markets we have ever been to. Embrace the smoked fish, it’s delicous! There was a remarkable selection available with a variety of flavor nuances depending on the type of fish and the wood or pinecones used to provide the smoke cure.

During its prosperous heydays in the late 19th and early 20th centuries, the city’s merchants and industrialists reinvested their wealth into a building boom that embraced the highly decorative frontispieces of Art Nouveau architecture.

Many fine examples of these buildings are scattered all across Riga, but there is a concentration of them designed by the architect Mikhail Eisenstein on Alberta, Strēlnieku, and Elizabetes Streets in “the Quiet Center,” a treelined residential neighborhood near the Latvian National Museum of Art, that has contributed to Riga being regarded as the “Baltic Pearl,” and the “Paris of the North.” 

To reach the neighborhood we crossed a footbridge over the Pilsetas canal in Bastejkalna, a sculpture filled park. The canal was once part of the defensive moat that encircled medieval Riga, but it was reworked into a scenic park when most of the town’s ancient ramparts were demolished in the 1860s to facilitate the expansion of a growing city. Small tour boats now offer rides along the tranquil scenic waterway. 

Our walk returning to the historic center passed a variety of buildings and protest murals before reaching the Latvian National Theatre, an eclectically designed cultural arts center where Latvia’s independence was declared from its stage on November 18, 1918.

Strolling along Krišjāņa Valdemāra iela in front of the theatre towards the Daugava River offered a nice view of the modern Vansu Tilts bridge and the skyscrapers of Riga’s new commerce center across the river.

The last remaining section of Riga’s ancient defensive wall stands along Torna iela and we re-entered the old town through its Swedish Gate, that dates to the 1600s.

It was an interesting neighborhood with charming narrow cobbled lanes that led to the Saint Mary Magdalene Church (13th-century), St. Jacob’s Catholic Cathedral which was built in 1225 and passed back and forth between Catholic and Lutheran denominations several times over the centuries, and the petite Blessed Sacrament Chapel, all located within a block of each other.

We had many pleasant meals all across Riga during our three days’ stay, as the local restauranters produce delicious, culinary experiences, for tourists and neighbors alike. Our dinner at Ala Pagrabs, an atmospheric subterranean speakeasy that serves classic Latvian fare, great beer, and offers live music, was outstanding. Riga is a lovely city that we thought we could enjoy living in, though the winters might be too cold for us.

Till next time,

 Craig & Donna

An Estonian Road Trip: Part 3 – Hiiumaa Island: Ghost Ships, Churches and Fog

Only the red hull of a fishing trawler tied against the breakwater was visible through the fog that cloaked the coast in its grey mist. We had just set sail from the port of Rohuküla, on the Estonian Mainland. Our destination, the village of Heltermaa on Hiiumaa Island, a short one hour crossing on the Praamid Car Ferry. We had spent the previous day exploring the charming town of Haapsalu. Fortunately, it was only a 15-minute drive to the ferry terminal, which left us with plenty of time to watch the fog-veiled activities of the port before our 8:30am sailing. Our ultimate destination at the end of the day would be a hotel in Kuressaare on the island of Saaremaa. We had debated going directly there, but thought three full days on Saarema would be too long, so we opted instead to spend a day investigating the southern part of its smaller neighbor, the island of Hiiumaa, before catching a late ferry from there to Saarema.

The fog seemed thicker as we disembarked and headed to the Pühalepa kirik, the oldest stone church on the island. We used to be fair weather photographers but have come to embrace the moody light that inclement days offer. The fog that morning provided us with numerous opportunities to hone our skills. Some fall colors were just beginning to show.

Archeological evidence found on the island’s Kõpu Peninsula date the first traces of habitation on Hiiumaa to nomadic seal hunters over 7000 years ago. Its early history is vastly unknown, but it is believed folks lived on the island seasonally, but there might have been small hamlets, as the island was near a Viking trading route. But curiously enough, the first written mention of Hiiumaa in a 1228 document by the Archbishop of Riga, creating the island as a Bishopric to Bishop Gottfried, refers to it as ‘Some empty island named Dageida.”

This might help explain why the island’s new Germanic settlers felt the need to build Pühalepa kirik, surprisingly without a steeple, as a safe haven fortress church in the early 1200s, since the indigenous pagan tribes across ancient Estonia were resisting foreign rule and the imposition of Christianity upon them. The early German influence on Hiiumaa faded after the island was conquered by the Swedish Empire in the late 1500s.

The small red roofed building next to the church is the 16th century crypt of the von Stenbocks, a noble Swedish family that had extensive land holdings on the island and played a significant role in the island’s economy at the time. The current shape of the church dates from an extensive 18th century renovation which added the steeple.

Suuremõisa Manor on the von Stenbock’s largest estate was nearby. The imposing Baroque-Rococo style country home featured a large central building with a wing on either side of a formal courtyard, where guests would arrive by carriage. Years later the property was acquired by Baron Otto Reinhold Ludwig von Ungern-Sternberg, a shipping magnate. Things didn’t go well for the Baron, and in 1803 he was accused of murdering one of his ship’s captains, racketeering, piracy, and multiple kidnappings. He was convicted of murder and sent to prison in Siberia.

Miraculously the building survived both world wars and the Soviet occupation of Estonia. Today the preserved manor house is used by two schools, one a technical college, the other a local primary school. The site maintains a very low-key approach toward visitors. After a receptionist signed us in we were able to visit several rooms where there were some amazing pieces of antique furniture featuring finely carved religious motifs. Even though the building has a contemporary use, we thought it still retained a grand understated elegance.

It was still foggy as we drove to our next destination: Kassari Chapel, nine miles away, along the island’s southern coast. After driving through a lushly forested landscape, we chuckled when turning onto a side road we saw a barn painted with palm trees. We speculated about how harsh the winters on the island might be and what tropical islands the painter dreamed of.

Much smaller than the Pühalepa kirik, the Kassari Chapel sits on the edge of a forest that backs to the waters of Õunaku Bay. A wooden church built in the 16th century stood on this site until it was replaced with this unique stone church, still covered with a thatch roof, in the early 1800s. All the worship services in the church take place by candlelight as the sanctuary has never had electricity. The quaint graveyard is almost lost in the woods, with headstones covered in moss and leaves. Many of the island’s notable poets, artists, teachers, and other island characters (a manor’s swineherd), along with several wealthy landholders are buried in the graveyard. Noticeably the wealthier folks had headstones made from imported marble, while the less well-off had iron crosses crafted by the local blacksmith.

At the crossroads nearby in the hamlet of Kassari stood a tall statue of the giant Leiger, carrying a large boulder on his shoulder, with two small islanders atop it. Leiger is an Estonian folk hero, and relative of Suur Tõll, with incredible strength, who lived on Hiiumaa. The sculpture captures the essence of one of the giant’s legendary feats when he built a bridge for the islanders across the waters of the Soela Strait that separate Hiiumaa from the island of Saaremaa, which lies to the south. According to legend, Säare Tirp, a long narrow, tail-like strip of land that protrudes from the mainland into the strait, is all that remains from his endeavor.

A place to break for coffee was difficult to find mid-week during the September shoulder season. While many eateries were noted on the map, they unfortunately were only open on the weekend. But luckily, Rannu Pubi in the village of Käina was open mid-week for lunch. Miraculously it seemed by the time we parked the car, the clouds parted, and we were able to eat outside in bright sunshine on the restaurant’s terrace. The food was delicious, and the coffee was welcomed.

The town of Käina was also an interesting stop with the ultra-modern Tuuletorn Experience Center, “a bit of a museum, a bit of a science center and a bit of a play world,” was a main attraction, along with the ruins of Martin’s Church. When it was built in the 16th century it was the largest church on the island, and could hold 600 people. Unfortunately, the church began to settle into the soil unevenly and in 1850 the corners were buttressed to prevent its collapse. During WWII the building was hit by an incendiary bomb, the resulting fire burned through the roof, and destroyed the interior.

Our stops earlier in the day were only minutes apart, so with the sun gloriously shining we returned to Pühalepa kirik and Suuremõisa Manor to take a few more outside shots on a now beautiful day before heading to catch the 4PM ferry from Sõru to Triigi, on Saaremaa.

The Rudolf Tobias House Museum, a centuries old farmstead, and the 1873 birthplace of the famous Estonian composer and organist, was on our route. The museum was closed, though we were able to walk around the grounds. Across the road we plucked some fruit from some wild apple trees.

First noted in 1254, Sõru was for centuries an important fishing harbor and its waterfront was lined with fish processing sheds. A ferry has run from the inlet since the time of Swedish rule, when two energetic young men first offered the service. The village’s ship builders used the plentiful pine and oak timber from Hiiumaa’s forests to construct vessels up until 1939, when Estonia’s last large, ocean-going wooden boat, the three-masted motor merchant ship Alar was launched, with the crack of a champaign bottle across its bow. Efforts are underway to fully restore the historic vessel after it was found in Denmark, after sailing the seas under several different flags. Today, Sõru is a small quiet harbor with a limited number of berths, a campground, and nautical heritage museum.

The ferry boat from Sõru to Triigi was much smaller than the morning ferry from the mainland, and only sails twice a day, so if you are traveling via car a reservation is highly recommended.

We boarded the 4PM ferry and struck up a conversation with a young woman who had spent several months bicycling camping her way from Paris through the Nordic countries and was now returning to Europe through the Baltic states. “It’s been a tremendous journey, but now that the weather is changing, it’s time to head south.” It was only mid-September, but there was a definite chill in the air, and we also wondered how many fair-weather days lay ahead.

Over the course of seven hours, and driving about 55 miles, we had a thoroughly delightful, leisurely day exploring the southern part of Hiiumaa Island. It was confirmation that our decision to detour through Hiiumaa, instead of heading directly to Saaremaa Island, was a good choice for us.

Till next time, Craig & Donna