A Latvian Road Trip: Part 8 – Aristocrats, Soviet Propaganda & the Mountains of Vidzeme or on the Road to Sigulda

Šiauliai, the Hill of Crosses, and the rustic wooden Chapel of Jakiškiai were our only stops in Lithuania. All three were incredibly interesting, and an art filled Šiauliai was a fantastic discovery that we hadn’t expected but thoroughly enjoyed wandering through. The city of Vilnius, Latvia’s capital, required a time-consuming loop to the east that we chose to forgo, but hope to have a chance of visiting in the future.

It was a beautiful fall day as we recrossed the border into Latvia. Our route took us through the Zemgale Plain, Latvia’s agricultural heartland, an area flat to the horizon as far as our eyes could see. The country’s most fertile region, it’s often called the breadbasket of Latvia. Farmers ploughing their fields revealed dark rich soil ready for the planting of winter wheat.

We don’t do a lot of research before a trip, just enough to determine that we will probably enjoy where we are headed. We find spots along our intended route, to break up the drive, by examining Google maps the evening before the next morning’s departure. That’s how we discovered the Rundāle Palace, an exquisitely restored 18th-century baroque manor with ornamental gardens and museum highlighting the history of the Dukes of Courland, and their thoroughbred stud farms that were renown throughout the Baltics and Russia for the horses they supplied for the equestrian pursuits of various royal courts.

The interior of the palace was splendidly restored with period furniture and elaborate stucco decorations in every room. It was one of the nicest estate type homes we have visited in Europe, and was well worth the price of admission, something we can’t say for some of the other “palaces” we’ve toured.

Being gardeners, we enjoyed the extensive formal landscape plantings that have been described as the “Versailles of Latvia.”

Ten minutes down the road, Bauska Castle stood strategically on a small hill above the confluence of the Mūša and Mēmele rivers where they merge to form Lielupe River, a vital trade route in ancient times through southern Latvia. It was the highest point of land we had encountered in several days. Originally it was a hill fortress built with timber by the Semigallians, a pagan tribe noted for their strong resistance to the Livonian Order of Teutonic Knights during the Northern Crusades, before their subjugation in the last years of the of the 13th-century. In the early 1400s the knights constructed the first stone castle on the hill. It became one of the main residences of the Dukes of Courland, before the Rundāle Palace was built, when the castle was given to the Dukes after the Livonian Order collapsed in 1562.

A long path through dense woods led to a vast field dominated by five towering brutalist, as in the Soviet style, depictions of prisoners. The field was once Salaspils Camp (1941-1944) built by the Nazis as a “detention center,” for political prisoners and a “labor correction camp,” for Latvians who resisted the forced labor demanded of them by the occupying German army during World War 2. It was later used as a “transit and collection camp” for Jews before they were sent to concentration camps in Poland and Germany. One thousand Jews were brought from Austria, Czechoslovakia, and Germany, to build the camp, and died from exposure during the brutally cold winter of 1941/1942. Two walls of barbed wire and six towers with machine guns, search lights and sirens that wailed at any sign of escape surrounded the field.

It’s estimated that over the camp’s three years of operation, 23,000 people, half of them ordinary citizens captured during special campaigns against civilians in Belarus, Russia and Latgale, a region of eastern Latvia, were imprisoned behind its barbed wire. Trainloads were sent as forced laborers to Germany, and roughly two-thousand men were forcibly conscripted to fight for the German army.

In the museum a video displays historical footage of the camp when it was liberated by the Russian Red Army, including survivor testimonies as documentation of the brutality the Nazis inflicted upon the people of Latvia. Many in Latvia believe the Soviet Union built the Salaspils Camp Memorial in 1967 during the communist occupation of Latvia as propaganda to divert attention away from their policies of deporting Latvians to Siberia and Ukraine, while depicting themselves as great liberators who also suffered at the hands of the Nazis. The communist regime ignored the fact that the Soviet Union’s 1939 Molotov-Ribbentrop Pact, a non-aggression treaty with Nazi Germany, contained a secret amendment that allowed the USSR to forcibly annex Latvia, Estonia and Lithuania, while Germany invaded Poland, starting World War 2. The irony of our visit to this somber site on a sunny fall day was not lost on us. We can only hope for a better future.

The flat farmlands slowly changed to rolling hills then mountains as we drove into the Gauja National Park, Latvia’s largest nature preserve, which surrounds the small town of Sigulda, and straddles both sides of the picturesque Gauja River valley, as it flows through the Vidzeme region. An area filled with steep ravines and historic medieval castles, which is often referred to as the “Switzerland of Latvia.” It’s an outdoor enthusiast’s paradise with over 560km (350 miles) of hiking trails and 320km (200 miles) of cycling paths, all of which are popular with the cross-country skiers during the winter months.

There might be a little bit of wishful thinking along the lines of “one country’s mountains are another country’s hills,” as the highest point in the Gauja National Park is 160 meters (525ft) tall. Though that’s the equivalent of 52 story building and a significant height if you had to climb the stairs to the top, especially if you are from the lowlands around Riga. During the winter months the region is a snowy wonderland with several ski resorts and a bobsleigh, luge & skeleton track that twists down a Sigulda mountainside for 1.2 km and has 16 curves. It’s a challenging course successfully used by the Latvian National Team to train ten Winter Olympics medalists since Latvia’s independence in 1999. One team won a gold medal in the four-man bobsled event at the 2014 Sochi Olympics, in Russia.

The Emperor’s Chair was not far from the sports complex and offered a nice view of the Gauja River flowing through its valley, which was just beginning to show the first signs of autumn color in late September. Sigulda is a quaint town without a center as the buildings along its treelined streets are very far apart. Now late in the afternoon, we checked into the Hotel Sigulda, a beautiful older ivy-covered building. The front houses the restaurant, with rooms above which hide a modern wing that faces the parking area. The hotel would be our home for the next two nights while we explored the surrounding area.

The next morning was very overcast as we entered the grounds of Sigulda’s New Castle and Old Castle. Partially restored stone ruins are all that remain of an older fortress that was built in the 13th century by Order of the Sword Brothers over the spot where an 11th century log fortress built by the Livonians of Gauja advantageously overlooked the river and Turaida Castle across the valley to the north.

By the late 1700s the von der Borch family had acquired the ruined castle and its surrounding lands. A century later a von der Borch daughter, Olga, married Prince Dmitry Kropotkin of Russia and the estate was passed to him as part of her dowry.

Construction of the Sigulda New Palace, a neo-gothic style manor house, began in 1878 with masons reusing stones taken from the older ruins; the best local woodworkers were hired to craft the fine interior. Princess Kropotkin was instrumental in getting the new railway line from Riga to Pskov, which then branched to St Petersburg and Moscow, to run through the town, and promoted Sigulda area as a burgeoning resort area. Her son Prince Nikolai Kropotkin followed her civic mindedness and built the first bobsleigh and luge track in Latvia and the Baltics.

The interior of the manor style castle is full of highly polished wood and stained-glass windows. But we thought the best part was being able to climb the circular stairs of the building’s tower to the catwalk at the top.

Even on a rainy day it offered a spectacular panoramic view of the old castle and the refurbished outbuildings of the estate that now host workshops and craftspeople selling their wares.

It was from this lookout that we spotted the aerial tram that crosses the river valley from Sigulda to the Turaida Museum Reserve.

We drove there instead as we thought it was too windy for us to take the aerial lift, after a pleasant lunch at Kaķu Māja, the Cat House, which also operates as a bed & breakfast inn. It is a very pretty restaurant that has a nice vibe. The food is served cafeteria style and was surprisingly very delicious, while also being extremely budget friendly.

The Turaida reserve is a large 42 hectares (104 acres) park with a partially restored medieval castle, period buildings and Dainu Kalns, which translates as “I sing the mountain,” but is commonly referred to as Folk Song Park, a tremendous rolling field with over 25 large stone sculptures inspired from Latvian folktales by the artist Indulis Ranka.

Dainu Kalns was constructed in 1985 to celebrate the 150th anniversary of Krišjānis Barons, a Latvian folklorist who collected and transcribed over 30,000 of the country’s folk songs that had been passed down through the generations, and is recognized as being an important contributor to Latvia’s National Awakening in the mid-19th century. Folk Song Park also hosts various folk festivals throughout the summer months.

You have to admire the gumption of the city of Cēsis, a forty minute drive through a beautiful landscape from Sigulda, for declaring themselves the Latvian Capital of Culture 2025, the first in the country, after losing the title of European Capital of Culture 2027 to the Baltic port city of Liepāja . This was on top of an earlier disappointment in 2014, when  Riga won the honor. Not wanting to see all their efforts of planning fall by the wayside, city officials designed a year-long celebration with numerous historical and art exhibitions, dance performances, theatre, and concerts with the motto – “Culture in minds, castles, and yards.”

Cēsis is considerably larger than Sigulda and has a well-established old town with Rīgas iela, a pedestrian mall running for several blocks through its core. We arrived to the Cēsis Castle late in the afternoon, as the sun was painting the rough castle walls in its golden glow.  It shares a similar history with the castles of Sigulda. Construction of this castle started in 1209 and in 1279 Teutonic knights rode from the castle into battle carrying a red-white-red banner, first noted in the 13th-century Livonian Rhymed Chronicle.

Legend believes this banner was made from the bed of a knight fatally wounded in an earlier battle. The colors became the Latvian flag. By the mid-1400s the castle was the permanent base of the Livonian Order of Teutonic Knights, and the growing town’s location near the Gauja River made it a key trading hub, which led to its membership in the Hanseatic League in the early 1500s.

Crossing a creaky drawbridge over a dry moat, we entered the courtyard of the castle and were greeted by a Latvian maiden, a costumed reenactor, who offered us two glass lanterns holding lighted candles to illuminate our way through the dark passages of the fortress.  I was about to decline, but Donna convinced me otherwise with “come on, this will be fun,” and it was! We carried them up and down the narrow tower stairs and through various cavernous halls with only the ambient light from small windows providing a little bit of illumination.

The third floor of the tower hall hosted the immersive Multimedia Story of Cēsis Castle, that used surround sound and digital technologies to project an engaging animated film onto the castle’s  walls.It was very well produced and contributed greatly to our understanding of the history of the area and life in a medieval castle. It was really surprising how such a simple prop as a lantern could enhance our experience so much. We had a great time, and it was well worth the modest admission price.

On the way out of town we stopped in the park below the castle to photograph Cēsis’ pretty Byzantine style Enlightenment of Christ Orthodox Church, which dates from the mid-1800s.

On our way into Cēsis earlier an old cemetery caught our attention. We had time to stop and wander through it now as we drove out of the city. The cemetery was interesting but very neglected with overgrown bushes and roots covering toppled headstones. It’s named Vācu kapi, though it’s also referred to as the German Cemetery, as it contains 371 graves bearing the Iron Cross, identifying German soldiers killed in Latvia during WW2.

But there are also the graves of Ottoman Empire soldiers who died in Cesis as prisoners of war during the Russo-Turkish War of 1877-1878. The Turks weren’t really incarcerated – “First they lived in Cēsis under supervision, but afterwards, as they were so far away from their motherland, their regime became freer – they could traverse the city, go to the pub, the sauna. After a while some went back to their homes, while others struck root in Cēsis.” But it’s also believed the cemetery contains the graves of Latvian Germans, Russian atheist, and some Jewish citizens of Cēsis. Most of the vandalism to the cemetery is thought to have occurred during the communist occupation of Latvia. It’s an interesting side note to the history of a complex part of the world.

In hindsight, staying in the larger town of Cēsis might have been a better choice, as it has a compact historic center with cobbled streets and shops that would have been interesting to explore had we stayed there.

Till next time,

Craig & Donna

Road Tripping Through the Baltics: Part 6 – Riga, Latvia, or Where Old World Charm Meets Art Nouveau

We didn’t know what to expect when we first drove into Riga after following the E67 south from Pärnu, Estonia. It was a beautiful drive through evergreen forests that paralleled the Baltic Sea. But as we neared Latvia’s capital and largest city, with a population nearing 600,000, scattered nondescript low-rise apartment buildings sprouted from the landscape. The density of the housing and buildings grew along our route, which was now a six-lane tree-lined boulevard with a tramline. Closer to the city center the road narrowed at Brīvības iela (Freedom Street), and its older character began to shine through with many 19th and early 20th century buildings embracing Neoclassical elements.

Painted bright yellow, the Russian Orthodox St. Alexander Nevsky Church was eye-catching. The Palladian style building with columned facade and domed sanctuary looked solidly constructed of stone, but it is actually a wooden structure erected in the 1820s. An unusual feature was its freestanding belltower that was added in 1863. A building farther down the block was our first introduction to Riga’s early 1900s Art Nouveau architecture.

Continuing into the city center on Brīvības iela we parked along a side street next to the Esplanade Park and walked back through its well-manicured grounds, past statues and a delightfully whimsical birdhouse tree to Riga’s Nativity of Christ Orthodox Cathedral. It’s a beautiful stately building capped with a golden dome. Constructed in a Neo-Byzantine style during the late 19th-century, while Latvia was still part of the Russian Empire ruled by Russian Tsar Alexander II, it is the largest Orthodox church in the Baltic countries. When Riga was under the Soviet Union’s communist control the cathedral was used as a planetarium.

A short distance from the cathedral was the Latvian capital’s Freedom Monument. It’s a 42m (138 ft) tall obelisk that commemorates the soldiers killed during its War of Independence, which raged for two years between 1918-1920, when Latvia declared its sovereignty from a collapsing Russian Empire, but then had to fight off the newly formed communist Red Army of the Soviet Union, which didn’t want Latvia to secede. It was symbolically erected in the same spot that a statue of Russian Czar Peter the Great once stood. Latvia’s hard-fought liberty lasted only twenty years before the Soviet Union’s re- invasion and annexation in 1940. During the Soviet era, communist authorities considered demolishing the female figure of Liberty lifting three gilded stars, that represent the three original cultural regions of Latvia: Kurzeme, Vidzeme and Latgale, but dismissed the idea because they feared it would have pushed the citizenry of Riga to fill the streets in protest.

We secured overnight parking at Autostāvvieta and dragged ourbags noisily behind us, down cobbled lanes for several blocks to the Hotel Monte Kristo, which was located on the edge of the historic district, and had very budget friendly room rates.

We found the pedestrian-only Old Town the next morning a delight to wander through as we worked our way to Livu Square, which many consider the heart of the Riga’s Historic District with its numerous restaurants and umbrellaed cafes surrounding a picturesque square. Feeder streets were speckled with the facades of many Hanseatic League merchant houses from 13th to the 15th centuries that survived the destruction of the Second World War. It felt as if we were in a small village instead of metropolitan Riga.

Just off the square is one of Riga’s famous landmarks, the Cat House. It was built in 1909 and combines Art Nouveau decorations with medieval turrets and two angry cats. Local folklore tells of a wealthy merchant who, when snubbed by members of Riga’s Great Guild and denied inclusion, in response commissioned two cat sculptures. The felines were sculpted with arched backs and raised tails, and positioned on the top of the turrets with their butts insultingly facing the guild. When the merchant eventually received membership into the guild, the offending sculptures remained but were turned to show the guild their better side.

While some folks can persuasively argue that the larger more cosmopolitan Dome Square with the Cathedral of Riga, and its cloister, plus magnificent Baroque pipe organ – one of the largest in the world – and ornately carved 17th-century pulpit, anchoring the plaza, is ground zero for activities in Riga.

Dating from the early 1200s, the cathedral has undergone many alterations over the centuries that include a mishmash of Romanesque, Gothic and Baroque architectural styles that miraculously blend together beautifully. During the communist era the church was closed as a place of worship and used as a concert hall. It reopened for religious services in 1991, after Latvia regained its independence.

The plaza hosts a variety of events throughout the year, including an annual Christmas market, a Midsummer Fair in celebration of the Summer Solstice on June 23rd and 24th every year, and the Miķeļdiena Fair, a harvest festival held at the end of September. There is also a constant rotation of art installations on the plaza. When we visited an inviting open sided room called the Dome Next Door intrigued passersbys to investigate it further.

Then there is Rīgas Rātslaukums, the city’s spacious old 13th-century town hall/market square containing the House of the Black Heads, an extraordinary Gothic-style building originally built in 1334 by the Brotherhood of the Black Heads, a guild for unmarried merchants, shipowners and foreigners, that was for many decades the largest public building in the city. The Brotherhood takes its name from its patron saint, Saint Maurice, a Christian martyr traditionally depicted as a black man. Sadly, the iconic structure was destroyed in 1941 by Nazi bombing during World War II.

Only the building’s original foundation remained and the guild hall’s reconstruction, based on old drawings and early 20th-century photographs was, unfortunately not started until 1996, but then joyfully completed in time to be part of Riga’s 800th year anniversary celebration in 2001.

The plaza in front of the guild hall has excellent acoustics and is a popular spot for folks to gather and listen to classical music buskers. It also hosts a large RIGA sculpture in 6ft tall letters that’s a favorite spot for visitors to take Instagram-worthy selfies.

Across the square is the controversial Latvian Red Riflemen statue, a colossal red stone monument erected in 1971 by the Soviets commemorating a Latvian military unit that was formed as part of Russia’s Imperial army during World War I to defend the country from German invasion. It switched its allegiance to the communist cause after the Bolshevik revolution, with some units fighting against Latvia during its War of Independence. Many think that keeping the statue is an affront to Latvia’s history and want it removed, while others say it should stay to acknowledge a complicated past that the country is still coming to terms with.

Others still will point to the observation deck in the towering 123m (404ft) steeple of the 15th-century St. Peter’s Church that offers an unobstructed 360-degree panoramic view of the historic district and the metropolis that has spiderwebbed out from the center of Riga.

From this vantage point it was easy to understand why Albert of Buxhoevden chose this spot in 1199 to land 23 ships of Crusaders, the Brothers of the Sword, determined to convert the pagan tribes of Livonia to Christianity at the beginning of the Northern Crusade.

While the church is attractive, the streets around it are tight and there’s barely enough room to compose a photograph of the whole church. The church lost it spire and roof during the German Army’s shelling of the city in 1941. (But it was the Soviet Union’s scorched earth advance across Latvia in 1944 that left nearly fifty percent of Riga in rubble.) The resulting fire gutted the building, and it was left in ruins until a 20-year long renovation started in 1954. Fortunately, there were funds in the budget for an elevator, which now makes journeying to the viewing gallery quick and painless. The views out over the city were amazing. And from the tower’s vantage point it was easy to see how the Daugava River was so important to Riga’s prosperity as a naturally protected inland port city, in the early 1900s when Riga was the Russian Empire’s third largest city. We saw the city’s new prosperity emerging in a towering modern skyline across the river. Other points of interest around the church include the Chimney Sweep House and the whimsical Town Musicians of Bremen sculpture that’s based on a Brothers Grimm fairy tale.

We enjoyed all four of these destinations as they were each unique in their own way, but we also loved wandering down the smaller lanes between these sights to savor the ambiance of the Old Town.

Riga’s massive Central Market occupies three cavernous former Zeppelin hangars only a 10 minute walk from the old district. There must have been over 100 food stalls selling fruits, vegetables, cheese, honey, meats & tons of smoked fish. A foodie’s heaven, it was one of the best mind-boggling food markets we have ever been to. Embrace the smoked fish, it’s delicous! There was a remarkable selection available with a variety of flavor nuances depending on the type of fish and the wood or pinecones used to provide the smoke cure.

During its prosperous heydays in the late 19th and early 20th centuries, the city’s merchants and industrialists reinvested their wealth into a building boom that embraced the highly decorative frontispieces of Art Nouveau architecture.

Many fine examples of these buildings are scattered all across Riga, but there is a concentration of them designed by the architect Mikhail Eisenstein on Alberta, Strēlnieku, and Elizabetes Streets in “the Quiet Center,” a treelined residential neighborhood near the Latvian National Museum of Art, that has contributed to Riga being regarded as the “Baltic Pearl,” and the “Paris of the North.” 

To reach the neighborhood we crossed a footbridge over the Pilsetas canal in Bastejkalna, a sculpture filled park. The canal was once part of the defensive moat that encircled medieval Riga, but it was reworked into a scenic park when most of the town’s ancient ramparts were demolished in the 1860s to facilitate the expansion of a growing city. Small tour boats now offer rides along the tranquil scenic waterway. 

Our walk returning to the historic center passed a variety of buildings and protest murals before reaching the Latvian National Theatre, an eclectically designed cultural arts center where Latvia’s independence was declared from its stage on November 18, 1918.

Strolling along Krišjāņa Valdemāra iela in front of the theatre towards the Daugava River offered a nice view of the modern Vansu Tilts bridge and the skyscrapers of Riga’s new commerce center across the river.

The last remaining section of Riga’s ancient defensive wall stands along Torna iela and we re-entered the old town through its Swedish Gate, that dates to the 1600s.

It was an interesting neighborhood with charming narrow cobbled lanes that led to the Saint Mary Magdalene Church (13th-century), St. Jacob’s Catholic Cathedral which was built in 1225 and passed back and forth between Catholic and Lutheran denominations several times over the centuries, and the petite Blessed Sacrament Chapel, all located within a block of each other.

We had many pleasant meals all across Riga during our three days’ stay, as the local restauranters produce delicious, culinary experiences, for tourists and neighbors alike. Our dinner at Ala Pagrabs, an atmospheric subterranean speakeasy that serves classic Latvian fare, great beer, and offers live music, was outstanding. Riga is a lovely city that we thought we could enjoy living in, though the winters might be too cold for us.

Till next time,

 Craig & Donna

An Estonian Road Trip: Part 5 – Pärnu to Riga or A Hidden Gem and Rocky Beaches

Decisions, decisions, decisions: where to go, what to see, which hotel to choose, how far to drive? An hour earlier we had driven from the ferry port in Virtsu, after spending three days on Saaremaa Island, and arrived in Pärnu.

A long 4-hour drive to Riga, Latvia, at the end of the day, which would have had us navigating the city after dark, did not appeal to us. Instead, we opted for a one-night stay in Pärnu, a popular summer resort town, with a long, wide, sandy beach. The northern end of the beach has low dunes and the Muuli boardwalk that parallels the Pärnu River and leads to a breakwater that extends far out into the waters of Pärnu Bay and the Gulf of Riga. In the wide middle section of the beach there is the Purskkaev, an illuminated, dancing fountain at the beginning of a long walkway that follows the edge of the sand farther south. While the beach that September afternoon was a little too chilly for us to enjoy, we did find the historic center of Pärnu to be a wonderful, sleepy gem of a destination, with intriguing architecture. A pleasant surprise that fully exceeded our expectations, instead of the boring overnight stay that we had anticipated.

Valli Park with the last section of moat that once encircled a Hanseactic League fortress, and the 17th-century old Tallinn Gate, the only surviving monumental rampart gate in the Baltics, was our first stop. Its ancient drawbridge once connected the citadel to the old Postal Road that ran from Riga to Tallinn. Originally the town was founded on the right bank of Pärnu River in the early 13th-century, during the Northern Crusades, by the bishop of Ösel-Wiek, as a base to Christianize the indigenous pagans of ancient Estonia. After local tribes raided and destroyed much of old Pärnu, the decision was made to establish new Pärnu as a citadel across the river. New Pärnu prospered under the Hanseactic League, the powerful Germanic merchant guild that influenced the growth of many of the port cities along the Baltic Sea. A succession of rulers – the Teutonic Knights, Lithuania, and Poland – have left their marks on the city. But most notable was the Swedish Empire’s construction of the moat and earthen ramparts in the 1670s to defend the city from being engulfed by the Russian Empire’s desire to expand west into the Baltic.

A walk across town to Punane Torn, Red Tower, revealed a cornucopia of wonderful 17th, 18th, and 19th century architectural styles that included painted doors, timbered buildings, stucco facades, orthodox church domes, and protestant steeples.

The tower, once part of the city’s defensive wall, was constructed in the 15th century, during the tenure of the Teutonic Knights, as a prison with a 6-meter-deep prisoner pit. It is the oldest preserved structure in Pärnu and houses a branch of the city’s museum. A block from the tower is the Seegi Maja Almshouse, first built in the13th-century to help Parnu’s destitute and disabled; it was rebuilt in 1658 and is now used as the restaurant for the St. Peterburg Hotel.

Rüütli Tänav, a pedestrian mall with several side alleys, runs for several blocks through the old town and is the center of activity. It boasts an array of coffee houses, shops, and restaurants featuring international menus. Later that evening we had a great dinner at Kolhethi, a Georgian restaurant, which we highly recommend.

On the edge of Old Town, the streets around the Hotel Victoria still hosted interesting architecture and a variety of street murals and graffiti.

The hotel, with its distinctive mansard roof, was built in 1926 and opened as the Grand Hotel with a café in 1931, “where the great soloists from Tallinn performed.” During the Soviet era it was known as the Hotel Voit and it was the only sanctioned hotel in Pärnu that westerners were allowed to stay in when visiting the city. But the café’s music tradition continued with a small orchestra that performed twice a day. The building was renovated after Estonia’s independence in 1991 and reopened as the Hotel Victoria with the Grand Café.

As we were checking in a celloist, an older gentleman, was playing in the lobby. We commented on how splendid his playing was, and the receptionist responded, “he practices in the lobby every time he stays with us, and he’s been coming here for many years.” Unaware of the hotel’s history then, we now wonder, was he old enough to have been an echo of the Soviet era orchestra?

The next morning, we continued to Riga. After entering Latvia, our search for a place to stop for a morning coffee break (there were few opportunities) took us to Saulkrasti, a small seaport along the rugged Baltic, where we found the Ostmala Café, in the lower level of the Saulkrasti Cultural Center. The café is a wonderful little hidden gem and the perfect spot to relax for a while on the way from Pärnu to Riga. It’s nicely decorated with paintings by local artists and seemed to have only two employees – our friendly and helpful waitress/cashier, and the talented chef in the kitchen. The restaurant had a simple menu with some tasty Latvian dishes and was very budget friendly. Afterwards we followed the walkway from the cafe along the harbor for a short way, and watched logging trucks bring their cut trees to the port for export. Afterwards we headed to nearby Saulkrasti beach for a walk along a dramatic stretch of boulders and sand.

Closer to Riga we stopped at Carnikavas Pludmale, a picturesque and inviting wild beach that stretched for miles along the Baltic coast, north and south, as far as our eyes could see. A strong breeze off the water lifted the soft golden sand into the wind and tingled our skin. Latvia’s pristine coastline is the unintended result of Joseph Stalin’s paranoia that the western alliance was going to stage an amphibious landing along the coast. Do defend the USSR against this threat, the communists razed all the homes along the seacoast for 300km (186mi) and heavily guarded it against attack and preventing escape from behind the Iron Curtain.

Riga’s Brīvības Piemineklis, Freedom Monument, greeted us later that day as we arrived in the city.

Till next time, Craig & Donna

An Estonian Road trip: Part 2 – Across the Pine Barrens to the Pakri Peninsula & the Gulf of Finland or Soviets, Swans, Windmills & a Polar Bear

Dense forest lined the road, occasionally thinning to provide a glimpse of Tallinn Bay. It seemed as if we had only left Tallinn minutes earlier, quickly passing through its outer boroughs to enter a semi-wilderness beyond the city limits. To paraphrase; We weren’t in Tallinn anymore. Lively, and charming, one third (461,000) of Estonia’s 1,370,00 citizens call this “gem of the Baltic,” home.

Only 15 minutes from the center of Old Town, we were in the surprisingly different forested landscape of Eesti Vabaõhumuuseum, the Estonian Open Air Museum, an ethnological recreation of a historic fishing village on the shore of Tallinn Bay, with the wonderful mission of showcasing the country’s rural architecture and way of life during the 18–20th centuries.

A pleasant set of trails through the woodland connected 14 separate areas that featured different buildings.  Some of the buildings have docents dressed in traditional clothing to help explain how residents lived centuries ago. The wooden windmills were particularly interesting and the large sturdy log cabins surely would have made Daniel Boone envious.

Leaving Tallinn behind: this was the first stop of our 21-day road trip through Estonia, Latvia, and Lithuania. There was hardly any traffic on the roads through the sparsely populated countryside that traversed stretches of open fields, bogs, pine forests and swaths of beautiful birch trees. Vast tracks of forest still cover over fifty percent of Estonia’s territory. Set away from the roadway a bike path, just one of 7,230 cycling routes and bike trails in Estonia, loosely followed our route from the Open Air Museum to Keila in search of a mid-morning coffee break.

It was a surprisingly frustrating endeavor. Takeaway coffee from a gas station? No no. This was nearing a crisis situation for us. Those in the know understand that without that a coffee fix, life in the universe is imperfectly balanced. Fortunately, we found a very nice gourmet café, Cake Atelier, on the main road through Keila. Chatting with the owner about our trip through Estonia, she shared that we were in luck today, as it was one of the town’s twice-yearly craft and food festival days and pointed down the road.

We both like exploring local markets and this one in Keila, while very small, was a perfect local event to have stumbled across. Set up in the parking lot of a small strip mall, it wasn’t geared toward tourists. It was simply regional food purveyors sharing what they love to do. Samples were abundant. There were extraordinary amounts of smoked fish, pickles, sauerkraut, and baked goods, along with foraged lingonberries and wild mushrooms.

From July to October foraging for berries and other wild edibles is a popular activity in Estonia and explains why we saw so many cars parked at various spots along the road in the middle of nowhere. We ended up purchasing a bottle of artisanal Rose Hip liqueur from a middle-aged woman who had been an exchange student in Florida in the early 2000s. Her cordial, lovingly crafted from her grandmother’s ancient family recipe, was very tasty. We purchased a bottle and enjoyed it as a nightcap during the rest of our trip.

Next to the parking lot was a pretty church, Mihkli kirik, Keila’s St. Michael’s Church.  This wooden church was first erected here shortly after the Danes conquered northern Estonia in 1219. A century later a larger stone church was constructed to accommodate the worshippers living in the growing village. The present church replaced an older one destroyed during the Livonian War of the 16th century. There were some interesting stone carvings around the door to the church, and an intriguing cemetery that called for further investigation.

Across the way the Scottish House, with its majestic sculptures of highland stags in its courtyard, seemed incongruously placed. But we enjoyed resting, enveloped in its warm wood interior, and lunch was very good.

Our destination at the end of the day would be the guesthouse Pakri Baron, at the foot of the lighthouse, at the top of Pakri Peninsula. But we rarely drive the fastest and most direct route. Our road trips usually connect the dots, and resemble Ws or Zs to points of interest along the way. With that in mind we headed to the Keila Waterfall in Lõokese tee, Meremõisa – gotta love that name – 13km (8 miles) away.

Without any tall mountain ranges, Estonia really isn’t noted for its waterfalls. But the Keila Falls, the third largest in the country, were relatively close. The falls are in a pretty river park that has a trail over a wooden suspension bridge that crosses to the opposite side of the falls. There is a small renovated hydroelectric power plant at the Keila waterfall that first started to produce electricity in 1928; the river park was originally part of the extensive grounds of the Keila-Joa manor. The neo-gothic style building was built in 1833 and is one of Estonia’s best surviving examples of the popular 19th-century architectural style. Unfortunately, the grounds of the manor house/museum were closed the day we were there.

Nearby, the all-wood Kõltsu Manor built in the late 1800s was another fine example of Estonian architecture. The large home was commissioned by a baroness to be used as her summer residence. After World War II, the house and grounds were used by the communist Russians as one of their Pioneer Camps. The name sounds so benign, but in reality, while they did offer camp activities, they were Soviet re-education camps that indoctrinated Estonian youth with communist ideology. Today the manor hosts events, weddings, and outdoor concerts during the summer months.

The forests in Estonia have their own stories to tell. We did not stop at the memorial to the 2000 Jewish victims of the Nazi massacre in 1944 at the forced labor Klooga concentration camp. Closer to our destination we stopped in Paldiski to purchase the makings of a picnic dinner and breakfast the next morning at the guesthouse. Apple trees grew wild along the edge of the road. We picked a few for munching later. White with a pink center, they were probably an heirloom variety called “Eva Kuld,” similar to the Pink Pearl variety. The apples were delicious.

We had timed our arrival at Pakri Baron to coincide with the sunset in hope of getting some nice photographs of the lighthouse and the coast as the sun dropped. However, the weather was fickle. But the guesthouse was wonderfully situated next to the lighthouse, which towered over us, and was a stone’s throw from the Baltic Sea. The still active lighthouse was built in 1889, and during the summer months it’s possible to climb its 275 steps to the top. Unfortunately, it was closed during our visit in mid-September. In front of the lighthouse is a copy of sculpture called The Ship’s Last Sigh (1899) by the Estonian artist Amandus Adamson (1855–1929), who grew up near Paldiski. The sculpture was chosen by vote from 5 of Adamson’s works by the residents of the community in 2008 to commemorate their native son. The guesthouse even had a traditional Estonian sauna in a separate building, just one of the 100,000 saunas in a country of 1.3 million. It’s definitely a cultural thing.

It was still dreary the next morning as we started our drive to the resort town of Haapsalu on the west coast of Estonia. But there were places to explore along the way. We don’t recall how we actually came across the existence of the Ämari Pilots’ Cemetery, but most likely it was a result of scouring Google Maps to find points of interest along our route. More accurately it could be referred to as the Russian Pilots’ Cemetery.

What piqued our interest was the use of tail fins from crashed Soviets planes as headstones to mark the graves of the pilots that died in accidents while flying from the former Russian airbase, Suurküla Aerodrome, during the Cold War era. The cemetery’s discreet location, in a forest almost obscuring it from the road, was so that reminders of the peacetime deaths, from a high accident rate, would not affect the morale of the military base.

The cemetery appeared to be well cared for, but it’s a reminder of a painful and repressive 46 yearlong occupation by communist Russia, unlike the monumental Soviet propaganda sculptures that were in public spaces across the country, which were destroyed or sent to the Soviet Statue Graveyard in Tallinn. This reminder of a dreaded past, like an uncle no one wants to talk about, was left to rest in peace.

Nearby was another reminder of Soviet rule: Murru vangla was a Soviet forced labor camp and re-education center where prisoners were sent to work in a limestone quarry for the duration of their sentences. After Estonia’s independence the prison and quarry were closed and abandoned. Water eventually filled the quarry and partially submerged some of old mining structures and prison buildings. Set against tall, eroded dunes created from slag left over from processing the limestone, the water of the quarry shimmers like a Caribbean beach. The uniquely beautiful manmade setting has slowly become a popular destination for divers and swimming. What’s left of the prison was turned into a museum. There is an admission fee to access the quarry area, but since the day was still heavily overcast, we kept driving a short distance down the road to the Padise Monastery. Founded in the early 14th Century by monks displaced from a monastery in Latvia, it flourished until the St. George’s Night Uprising, when Estonians rebelled against Danish rule and the imposition of Christianity upon them and killed 28 monks. The building was later turned into a fortress, but by the early 1700s the stones of the deteriorating fortification were used to build an adjacent manor house. What’s left of the monastery’s ruins has been preserved and now operates as a museum, and the manor house is now a boutique hotel and spa.

One of the many things we enjoy about traveling during the shoulder season, aside from fewer tourists like us out and about, is the affordability of really nice hotel rooms. Our case in point was our midweek 2-night stay at Hermannuse Maja, which backed up to the ramparts surrounding Haapsalu Castle, cost only €97.00, and included breakfast. Parking was easily available on the street.

Around the corner from our hotel the Müüriääre café, with an attractive interior and tempting food display, was the perfect spot for lunch before exploring the unusually named Haapsalu Episcopal Castle on a cloudy afternoon.

In the late 1100s Christian missionaries followed German merchants along old Viking trade routes into the region known as Livonia, that is today Estonia, Latvia, and Lithuania. The land was originally populated by pagan tribes, but unfortunately located between Orthodox Russia and Catholic Western Europe. Never happy with the status quo, religious zealots called for a Northern Crusade against the Baltic pagans, and with the blessing of Pope Celestine III, persecution began in 1195. The efforts to recruit an army was assisted by a papal bull which declared that “fighting against the Baltic heathens was of the same rank as participating in a crusade to the Holy Land.”  The medieval era was fierce, and bishops not only accompanied the crusaders spiritually into battle, but wielded swords alongside their troops fighting those heathen tribes. Haapsalu Episcopal Castle was built to project the power of the church during the thirty years it took to subjugate the region. In 1583 during the War of Reformation the Catholic stronghold fell to Protestant Sweden and the cathedral became a Lutheran church.

A tall defensive wall still encircles the nearly 1000-year-old castle. And the church has been nicely restored after surviving fires in 1668 and 1726 and neglect during the Soviet occupation when it was used as a granary. Though only the outer walls of the monastery, which was later converted to a palace, remain after the 1668 fire.

We enjoyed walking along the ramparts and climbing the castle’s tower. Surprisingly in mid-September we practically had the site to ourselves. Wandering through the ancient, vaulted dungeon-like rooms of the castle’s museum that showcased life in Medieval era was particularly interesting. The grounds of the castle are quite extensive, and one section in a now dry moat has a medieval themed playground with all sorts of structures for kids to climb on. During the summer the castle hosts a series of concerts, and the town welcomes tourists with a busy schedule of events.

Dinner that evening was across the street at the rustic Talumehe kõrts, which specialized in traditional Estonian dishes.

The next morning, we woke to a perfectly clear sky. The sunny weather was a welcome reprieve from several gloomy days, and we took full advantage of it to explore the picturesque town and walk along the Haapsalu’s bayside promenade. The walkway extends for quite a distance along the waterfront, and is flanked with a variety of architecturally interesting buildings along its length.

At one point we spotted a polar bear standing on an ice flow. A statue! It was one of several exotic animal sculptures, recreated from old photographs of the wooden figures made in the 1920s, for a section of the boardwalk called Africa Beach, a beloved small park from the 1800s. During the Soviet occupation the original wooden sculptures were used as firewood by Russian soldiers. With the Russians finally gone in 1991 the park was revamped as a children’s playground.

A short distance beyond the playground the walkway ends at the 5-story tall Tagalaht birdwatching tower. Climbing the tower offers views over the saltwater marshes of Haapsalu Bay, which is an important stopover for artic birds during their Spring and Fall migrations. Swans, cranes, and a variety of ducks can also be spotted.

The small town existed on the region’s fishing and agricultural base until a visiting physician observed that the local folk used sea mud to treat a number of ailments. He opened Haapsalu’s first therapeutic mud treatment resort in 1825. It soon became a popular destination for several generations of Russia’s czars and aristocracy. A bench along the path commemorates the spot from which the composer Tchaikovsky watched the sunrise when he summered there.

Walking back to town we passed the distinctive green onion shaped dome of Haapsalu’s Maria-Magdaleena kirik, a Russian Orthodox church. The church was consecrated on July 21, 1852. In the audience was the son of Czar Nikolai I, Alexander (later Czar Alexander II, Emperor of Russia, King of Poland and Grand Duke of Finland.)

We worked our way across town to Lake Väikese and savored a delicious lunch overlooking the water from the enclosed patio at Wiigi Kohvik, before following a walking path along the water that circled the lake. Along the pathway we noticed that nearly every home on the lake had a traditional Estonian sauna in their back yard. They were all different sizes and shapes, with some constructed with wood and others totally covered with earth. We wondered if folks jumped into the lake as part of their sauna ritual. Brrr! Just thinking of it made me shiver.

Overall, we had a very nice tme in Haapsalu. The next morning, we checked out early and drove to the harbor at Rohuküla to catch the first ferry of the day to Heltermaa on Hiiumaa Island.

Till next time, Craig & Donna

Estonia Part 1: Tallinn – Captivating, Charming & Caffeinated

Why Estonia? We are sure folks can relate, our pockets aren’t as deep as we’d like, but that doesn’t keep us home. A low budget, off-season destination is more attuned to our lifestyle anyway. So, when an under $400, September fare from New York City to Tallinn, Estonia popped up in our email we jumped at it after some research confirmed we could find some very nice hotels from $50 to $100 per night, often with breakfast included. Exploring the lesser visited Baltic countries of Estonia, Latvia, and Lithuania also fulfilled our desire to extend our travels beyond western Europe, which previously had been very Mediterranean-centric. Living in the very hot and humid southern United States is also affecting our decisions concerning vacation destinations, as we are now seeking alternative destinations as a result of climate change. The heat of a southern summer often continues into September and October, with temperatures at home in Georgia often in the high nineties. Estonia offered a wonderful reprieve from the sweltering summer heat with a daily high average of 14°C (57°F).

The history museum at Maarjamäe Castle was an unusual first stop for us after picking up our rental car at the airport. But it was the closest we’d be to it during our three-week road trip through Estonia, Latvia, and Lithuania. The museum is in a renovated 17th-century chateau, which was left to ruin for decades during the communist Russia occupation of Estonia. It is beautifully set on a bluff across from Tallinn Bay, and was built by the Brotherhood of Black Heads, a professional association of unmarried ship owners, merchants and foreigners dating from the 14th century, as a summer retreat.

Today the museum’s permanent exhibit, My Free Country, explores 100 years of modern Estonia’s history, from its 1918 declaration of independence from Russia, and the following War of Liberation, through twenty years as a sovereign nation before being invaded by Nazi Germany and communist Russia during the Second World War. The fifty years of brutal Russian occupation after World War II and communist propaganda are also covered, up to Estonia’s 1991 second declaration of independence from Russia, which was overwhelmingly supported by 78 percent of Estonians. It’s a difficult mission to reconcile the terror of the communist years into a bright, hopeful future, but historical research, as well as oral histories, document forced resettlements to Siberia and imprisonment in labor camps during the Soviet reign of terror, when Estonians were prisoners within their own country and shot if they tried to escape. The exhibit highlights a proud history of an unrelenting desire for freedom, which prevailed under the worst conditions. A history that, it is hoped, the younger generation of Estonians, who have not experienced communism, never forgets. As one quote on an exhibit referring to Russia said, “Nothing good ever comes from the east.”

After the 1991 independence, colossal, large-scale Russian propaganda sculptures, which once dominated prominent public spaces across the country, were removed from view but not destroyed, as they are part of Estonia’s history. However, they were erected behind the museum in a space fittingly called, with Estonian humor, “the Soviet Statue Graveyard.”

Our first lunch in Estonia was at the museum’s café, Maarjamäe Resto, an unexpected culinary delight, which could be considered a destination in and of itself.

It was still too early to check in to our hotel in Tallinn, so we headed nearby to the Tallinn Botanic Garden, a large park with an extensive greehouse. The grounds were quite pleasing with their plantings, and the greenhouse with its various collections of tropical plants was very interesting. Though in the section filled with cactuses from around the world, Donna, ouch!, accidently brushed one with her hand and imbedded some spines into her skin. Not a huge issue when you are home and have the proper tools to pluck the pesty spines from your skin and relieve the discomfort, but when you are traveling, it’s another issue entirely.

Fortunately, the barista operating the café in the greenhouse had dealt with this before, and he ran out to his car to fetch a roll of good old-fashioned duct tape to grasp those microscopic thorns. He was very nice, a 30ish Italian man who during conversation jokingly related that being a part time medic was not part of his job description when he was hired, and visitors getting pricked with cactus thorns happens more often than you would think.  We were curious how a warm-blooded southerner ended up in the northern Baltics. “You know there is always a woman to blame, and I followed my love back to her Estonian homeland.” We asked if he missed the warm Mediterranean weather and la dolce vita. Yes, the weather is nicer, so we visit my family, but life is better here in Estonia as there are more opportunities for those willing to work and get ahead. Estonia is leaps and bounds ahead of the other European countries in embracing digital technologies. So much so that the government considers internet access a fundamental right and ensures that everyone across the country, even on the smallest islands, has reliable internet, and offers digital literacy programs for the technology challenged. The government also endorses working from home remotely, and offers an Estonian Digital Nomad Visa. “Estonia is very big in cybersecurity, and this enables every person, business, and government institution to be connected. We are one of the most digitally advanced countries, and we can even vote securely online in Estonia.” This digital future contrasted with as well as complemented the vibrant centuries-old walled city of Tallinn.

Despite not having particular plans for Tallinn, we knew we would enjoy exploring the city as soon as we saw the ancient architecture along the way to our hotel. Having a rental car and finding a hotel with free parking is difficult in any city, but we scored big withTaanilinna Hotell. The hotel was in an excellent location, just on the opposite side of the old town’s historic ramparts, and a short walk from the 14th-century stone towers of the Viru Gate’s flower market.

Google Maps got us close, but the hotel was a little difficult to find, and we mistakenly drove through a pedestrian only area; fortunately, there were few people about. In order to find the hotel, we parked and walked down the street, when we spotted the hotel’s sign, which was set back from the lane. It’s a modest hotel, and the staff was very nice. We enjoyed a quiet 4-night stay.

With Tallinn’s old defensive wall only a stone’s throw away, history surrounded around us, and we quickly set out to explore and to find a place for dinner as twilight descended on the old town. Our wandering took us down various lanes, past distinctive centuries-old 4 to 5 story tall buildings that served, as was the medieval custom of the time, as the multifunctional home/warehouse/offices of wealthy merchants.

Lights twinkled on and illuminated the cobblestones in a golden glow. I know it’s cliché, but our first impressions of Raekoja Plats, the Town Hall Square, anchored with its soaring 64M (300FT) tall 13th-century watch tower, were beautiful, charming and magical. We were disappointed to learn that the tower is only open from the beginning of June to the end of August. We love a good tower climb!

Still retaining its original footprint, Tallinn is one of Europe’s best preserved medieval cities, with 26 watchtowers along its ancient ramparts and city gates, topped with distinctive cone-shaped red roofs.  The walled city still encircles a vibrant and active community, which supports a lively arts scene, along with a robust nightlife.

Its preservation seems surprising for a city that has stood at the crossroads of conflict since it was founded by a Danish King in the early 1200s. In addition to the Danes, Tallinn has been ruled by the Brotherhood of the Sword, the Teutonic Order, the Holy Roman Empire, the Swedish Empire, Czarist Russia, Nazi Germany, and the Soviet Union. The city’s prosperity and resilience throughout the centuries is testimony to the strong spirit of the Estonian people. 

One of the nice things we enjoy about staying in one place for several days is the opportunity to experience the locale as it quietly awakens with the sun. Whether it is cloudless blue skies or a place cloaked under clouds with folks huddled under umbrellas to ward off the rain, a place breathes and its mood changes by the hour, from day to day. The destinations on our walks were always different, but we often crossed the same lanes and stopped to photograph something different that caught our eye, which we hadn’t noticed before.

Old town Tallinn is mostly flat and is a wonderfully walkable city. There is a short uphill stretch to Toompea Hill (the upper city), where we visited the Kiek in de Kök Museum, the Bastion Tunnels, and Neitsitorn, the Maiden’s Tower. During the 1700s when the towers lost their military significance they were often repurposed as private apartments, with a craftperson’s workplace on the lower level, and rooms above. During both world wars the tunnels were used as air raid shelters. While the towers were lived in continually, most famously by the Estonian painters and twin brothers, Kristjan and Paul Raud, until the 1960s, when the city deemed them unsafe for habitation.  Abandoned, the towers became a destination for homeless squatters and Estonia’s emerging counterculture. The extensive tunnels were an area the police refused to go. A popular, unlicensed bar opened in the tower on New Year’s Eve in 1980. Unfortunately, it didn’t survive the economic turmoil of the era as the Soviet Union began its descent into a failed state.

After an extensive multiyear renovation, the Kiek in de Kök Museum opened in 2005. The Maiden’s Tower now hosts a new Neitsitorn café, which has a nice view out over the Danish King’s Garden, and the ghostly blackened bronze statues of three monks named Ambrosius, Bartholomeus, and Claudius. Legend holds that they occasionally appear spectrally in the garden, though the only thing that appeared the morning we visited was a sleek red Ferrari 296 GTB that was the center of a photo shoot. The tower also has the re-created art studio of the twins, Kristjan and Paul Raud. The tunnels under the ramparts have been creatively reenvisioned and now house a variety of interactive digital multimedia and historical exhibits.

A walkway along the ramparts between the towers at the museum led to an exhibit about Tallinn’s café culture. Though the first coffee house opened in the town of Narva in 1697, Tallinn didn’t get its first café until 1702 when one opened on Town Hall Square. The oldest still-operating café dates from 1864, when the renown marzipan bakery, Maiasmokk, decided to offer coffee to go along with their tasty, sweet treats. After 160 years the Maiasmokk Café, even surviving nationalization during the Soviet occupation, is still open and a beloved cultural institution in Tallinn. Most of the exhibits address Tallinn’s café culture during the repressive communist era, when going to a café to share a coffee was one of the few recreational activities people could afford. With our “walk a little then café” philosophy for exploring a city, we felt we had found kindred spirits in Tallinn.

Decades later Estonian’s infatuation with coffee continues. This cultural obsession was fully on display when Estonian singer Tommy Cash performed “Espresso Macchiato,” during the finals for Estonia’s 2025 Eurovision contest and came in third place! Though in Italy some humorless Italians didn’t like the caffeinated cliches and called for the song’s banning.

Other points of interest on the hill included the onion-shaped spires of the Russian Orthodox Alexander Nevsky Cathedral. It’s across the street from the pink building that houses the Estonian Parliament. (A very good eye-level view of the cathedral can be seen, on the uphill walk, from the restored bell tower of the mid-1400s St. Nicholas’ Church.

He was the patron saint of merchants and seafarers. It was formerly one of the wealthiest churches in Tallinn until it was severely damaged by WWII bombing. Fortunately, many of its fine ecclesiastical art works, acquired from the art capitals of Europe during the Hanseatic era, had been removed from the church for safekeeping at the start of World War II.  Now restored after a 30-year long renovation, the church serves as the Niguliste Muuseum, and exhibits the works that survived that cataclysmic war. Fortunately, the 105 meters, 345 ft, tall spire has an elevator that whisked us to the viewing deck.)

Farther along in one of Tallinn’s oldest churches, the 13th century St Mary’s Cathedral, there is a unique private worship box, totally enclosed with shaded windows, built directly across from and on the same level as the pulpit. Jokingly, we speculated it was designed for a wealthy patron so he could fall asleep and snore, without embarrassment, as the priest orated endlessly.

The hill also has the best vantage point for cityscapes of Tallinn’s historic skyline, the Patkuli Viewing Platform, and a mysterious red gorilla, that seems incongruously out of place. But we will leave him for you to find.

Stairs from the viewing platform ascended back toward the lower town, and we were close to Balti Jaama Turg, the Baltic Station Market. It was Tallinn’s first train station constructed in the 1860s, and became a market hall in 1993. A major renovation in 2017 totally revamped the three-level market, which has become a magnet for residents and tourists seeking a lively venue filled with diverse international eateries, antiques vendors, clothing shops, and food stores.

The next day, closer to our hotel, we wandered about, climbed more towers, walked along arched and tunneled alleyways, and descended into a cellar or two. Our walk along Müürivahe Street to the Hellemann Tower and Town Wall Walkway was quite interesting. The real prize was the view from the tower window towards Town Hall Square – it was a panorama filled with red tiled roofs and steeples.

Across from it was the Dominican Convent built in 1246. It was the oldest monastery in Tallinn and supported the adjacent St. Catherine’s Church which was completed in the early 1300’s. The convent couldn’t exist solely on the alms it collected, but the friars were an industrious group who supported themselves as farmers, and traders of fish, while also operating a brewery that sold four different kinds of beer, while they spread the gospel. “The monastery also drew profit from the veneration of relics,” and at one time, records suggest, they had “twelve silver reliquaries containing the heads of saints, with each head reputed to cure a different set of diseases.”

But everything came to an abrupt end during the Protestant Reformation in 1524 when a Lutheran mob ransacked the church and monastery, and the friars were expelled from Tallinn. A partial restoration was undertaken in 1954, and it’s now a museum, which also hosts art exhibits. Its rough stone chambers and some fine carved stone works were intriguing. We didn’t notice any fireplaces, which left us wondering how difficult living within these spartan walls must have been.

Next to the monastery is Katariina käik, St. Catherine’s Passage, an old medieval lane that separates the church from the surrounding buildings. Today it’s lined with restaurants offering Estonian cuisine, and artisanal crafts shops, featuring the talented women of the Katariina Gild who craft jewelry, weavings, ceramics, blown glass, and leatherwork. At the far end of the lane, under the arched entrance off Vene Street we found the Restaurant Munga Kelder to be a nice place to dine.

Within earshot of a town crier’s call was the Masters’ Courtyard. It similarly has unique craft vendors, but also has a restaurant that fills the courtyard with rustic tables covered with colorful tablecloths, which gives the courtyard a joyful, boisterous look.

Marzipan lovers, we had to stop one afternoon at the Maiasmokk Café. The ambiance in the front room was very old school with an ornate ceiling, and mirrored walls with polished wood trim and newspaper hooks! When’s the last time you’ve actually seen a newspaper? Their colorful back room is a temple to marzipan with display cases showcasing the sweet crafted into figurines and other shapes.  The variety was just mind boggling. And if your timing is right you might be able to see them being made.

With our sugar cravings satiated, we checked out Tallinn’s Great Guild Hall, directly across from the café. It featured several floors of interesting exhibits dedicated to the city’s history and trade guilds.

Across from the guild hall and the café is the Church of the Holy Spirit. During the medieval era it was the main church for everyday folk in Tallinn, and the first chapel to offer masses in Estonian, not German or Latin as was the tradition of the other churches in Tallinn at the time. With its stark white interior and original dark wood ornamentation, it is one of Tallinn’s least altered churches.

There were several other interesting facades down the street from the Great Guild Hall.

Tallinn has a rich nautical heritage that started during the early Viking era in the 6th-century when the area that would become Tallinn was a stop on the Baltic trade route that connected Sweden to Constantinople.  The area of Tallinn traded furs and bog iron for wine, spices, glass, and jewelry. Shortly after the Danes established rule over northern Estonia in the early 1200s, Tallinn now a larger port city, joined the Hanseatic League, a confederation of medieval trading cities located along the Baltic and North Sea coasts. The Dutch, German and Swedish merchants of this association brought several centuries of prosperity to the city that’s still reflected in the fine examples of merchants’ houses and guildhalls that line Pikk Street. The league’s maritime trading also supported ship building which remained a vital industry through the Soviet Era which saw the shipyards build warships and submarines for the Russian navy.

The importance of Tallinn’s maritime history is well told with two museums in the city.  One is housed in a squat, round, 16th-century cannon tower called Fat Margaret, which once guarded the port, but now is a modern, state of the art museum, with ship models, interactive displays, and the hull of an excavated wooden shipwreck to view.   

Its sister museum is on Tallinn’s waterfront at the Lennusadam Sea Plane Harbor. It was raining heavily the day we visited, so we didn’t see the historic ships docked outside, but we did enjoy the full-size boats on display inside the old seaplane hangar. Especially the submarine Lembit, built in Tallinn and launched in 1936, which was the pride of the Estonian Navy.

The large concrete hangars themselves are noteworthy, as the three connected shells were the largest reinforced concrete domes in the world, without any central support columns when their construction started in 1912. They were ordered built by Russian Tsar Nicholas II to shelter the seaplane squadron that was part of Peter the Great’s naval forces. It’s a cavernous space with a seaplane hanging from the ceiling, and where you can actually walk under a submarine. The museum also had a nice café which overlooked the exhibits.

When the weather was inclement or the walking distance too great, we used Uber to get around. The service worked very well for us in Tallinn. Getting to Telliskivi Loomelinnak, the Telliskivi Creative City, from the Lennusadam Sea Plane Harbor was one of those occassions and it worked perfectly.

It’s an old, street-mural covered industrial site that’s been revamped into a hip entertainment and nightlife destination with theaters, galleries, restaurants, and bars. It was a fun place to explore, but I think we skewed the demographics a little bit.

 Till next time, Craig & Donna

P.S. We purchased Tallinn Cards to use during our stay in the city and found it to be quite beneficial and cost effective. The card offered access to over 50 museums and attractions, free travel on public transportation, and discounts on sightseeing tours.

An Albanian Road Trip: Theth – Majestic Isolation in the Accursed Mountains & A Castle in Kruje

The day was crisp, the sky a clear blue, the mountains beautiful with their peaks still covered with late spring snow. We zigged and zagged our way along the infamous SH21, higher into the mountains, around many challenging blind corners and switchbacks. In spots the road narrowed to a single lane, but there were pullover areas to allow for oncoming cars to pass.  Fortunately, in late April we had the roads and the overlooks in this pristine region mostly to ourselves. The views were breathtaking. A half-hearted complaint if any, there just were not enough places to stop safely to enjoy the picturesque landscapes.

After cresting the Thore Mountain Pass, at 5,547ft the highest along the route, we stopped at the Monument commemorating Edith Durham, a British anthropologist who championed Albanian independence in the early 1900’s, and was lovingly called, “Queen of the Highlanders.” After that we could have coasted all the way into Theth, like Olympic bobsledders, but we were very judicious with braking.

Centuries ago, the inhospitable, saw-toothed mountains of northern Albania were a sanctuary for folks fleeing invaders. It’s a massive area at the southern end of the Dinaric Mountain Range, with nearly twenty mountain peaks having 9000 ft high summits, and it encompasses the border region where Albania, Montenegro, and Kosovo meet. The Dinaric Mountains are the spine of the Balkans, stretching from Slovenia through Croatia, Bosnia and Herzegovina, Serbia, Montenegro, and Kosovo before ending in Albania, where today they are called the Albanian Alps. A much friendlier name to encourage tourism than the Accursed Mountains, or “Bjeshkët e Namuna” as the original Albanian name goes.

There are three prevalent legends as to how the mountains got that original title, but hardship is at the core of each. One of the earliest legends credited the creation of the torturously steep mountains to the Devil when he escaped from Hell for a day. While there are streams and waterfalls throughout the mountains, they are not easily accessible and are often dry during the summer months. These dry conditions explained the tale of a mother fleeing her burning village. Her husband was killed in the fighting with Ottoman invaders, and she took her children into the mountains to save them from being forcibly converted to Islam. The days were hot, the terrain steep and unforgiving; her children were thirsty after three days without any water. Distraught, she cursed the mountains for causing their suffering. It’s also believed that soldiers struggling to cross the treacherous mountain terrain cursed the steep slopes, and most likely used many foul adjectives to make their point.

Footpaths and donkey trails were the only way into Theth for a millennium. The village didn’t have a school until 1917. The American Red Cross arrived in Theth in 1921 to help expand the educational opportunities in the Shala Valley. The American journalist Rose Wilder Lane tells of this school building mission in her 1922 book Peaks of Shala. Communication with the modern world didn’t expand until the first dirt track, a single lane, serpentine road that crested numerous mountain passes, was carved into the side of the masiffs that isolated the remote valley in 1936. It took another thirty years before the village received electricity in 1966.  

It is difficult to find accurate figures on the ancient population of Theth, which in some instances includes the entire Shala valley and its nine hamlets, and at other times just the village of Theth itself. But it’s thought that at the end of Albania’s Communist regime in 1991 the remote area had a population of roughly 3000 folks in 700 households, though it is much less today. Interestingly, most of these villagers claim Zog Diti as a common ancestor of the Shala tribe or clan. Oral tradition relates that the name Shala is derived from shalë, a saddle, a gift he was given by his brothers, when led his family into the northernmost reaches of the Shala Valley. They fled from the region of Pashtrik, during the Ottoman invasion of Albania in the early decades of the 15th century to preserve their Catholic faith.

A road changes everything. While it brought progress in its early years, it eventually was the route of exodus for families seeking non-agrarian jobs for themselves and better educational opportunities for their children. It was extremely difficult to recruit teachers to live in the “wilderness.” Currently Theth has about 370 summer residents that return to support the tourist season, but only a hearty, resourceful handful of residents winter over in the often snowbound valley.

Today the village, with its modest tourist infrastructure, is the jumping off spot to pursue outdoor activities in the northern Albanian park system that includes Nikaj-Mertur Regional Nature Park, Valbona Valley National Park, and Theth National Park. This vast area encompasses many diverse ecosystems that include oak and beech forests at lower elevations that transition to pine trees and scree-covered slopes the higher up the mountains you go. The region is home to over 50 bird species, including kestrels and eagles. And if you are lucky enough you can spot gray wolves, wild goats, brown bears, and roe deer.

We arrived at the Royal Land Hotel & Restaurant as the shadows were lengthening and the sun skimmed the snowy ridge across the valley from the hotel. Just a week earlier the hotel had reopened for the season, and we, along with several other couples, were some of the hotel’s first guests of the year. After checking in, we sat at picnic tables on the terrace outside, sipping glasses of their homemade red wine, and watching the inn keeper’s son rototill the fertile dark soil of a garden plot. The sky stayed light for several more hours, but the sun had disappeared behind the mountains behind us. The lodge is very rustic with fourteen cedar-planked rooms, and a glass enclosed dining area, where each table has fantastic views of the surrounding mountains. The Inn’s restaurant is open to the public, as are most of the hotel restaurants in the valley. The family that owns the hotel was very friendly and helpful. Their breakfast buffet and home cooked dinners were delicious, with many of the items on the menu homemade or locally sourced. The sky was clear that evening and the stars brilliant across the night sky. Early the next morning, moonlight filled our room.

Hiking is the main activity in the Shala Valley, and we eagerly headed down into the village to explore the valley. Many folks choose to trek the popular Theth to Valbona trail, a nine-hour hike one way, covering 11 miles that takes you through a pristine high alpine wilderness. Being the city folks we are, we stayed in the relatively flat flood plain of the Lumi i Shalës which tumults from its source in the mountains north of the village. Near the bridge that crossed the river we spotted an understated monument that upon closer inspection commemorated the schools built by the American Red Cross in the Shala Valley.

Farther along we reached Kisha e Thethit, Theth’s iconic church, and could hear music softly emanating from the Sunday service being held inside. Built in 1892, the church is a strong stone building with a steeply pitched roof, and a belltower, that looks like a small medieval castle, ready to withstand a siege. Though, during Albania’s communist era, the building was used as a health center. Nearby a sign pointed the way to the trailhead for the Theth – Valbonë hike. Sheep contentedly grazed as their shepherd checked his cell phone. Untethered horses sauntered nearby.

From the church we could see Kulla e Pajtimit, the Reconciliation Tower, or “Lock-in Tower,” and headed there. The formidable two-story stronghold, with three small windows, was built four centuries ago, and served a dual purpose; to provide shelter for the villagers in times of trouble, and to serve as the reconciliation tower, a neutral ground where disputes within the village were resolved by a council of elders. In more serious cases that involved a murder or threat of murder for revenge, the accused party would be locked in the tower for fifteen days as a cooling off period, while the elders tried to reconcile all parties affected by the crime.

This millennia old tribal custom was widespread throughout Albania and was part of the “Code of the Mountains,” that was passed down through an oral history tradition from generation to generation until it was codified in the 15th century by Lekë Dukagjini, an Albanian nobleman and contemporary of Skanderbeg, an Albanian hero. Since then, the tribal laws have been known as the Kanun of Lekë Dukagjini. The kanun has an extensive set of 1263 rules that cover everything from beekeeping to marriage and honor. It is most famously known for obligating families to partake in gjakmarrja, (blood feuds), that permitted koka për kokë (a head for a head), and hakmarrja, (vendettas), to maintain honor by seeking revenge. The heavy hand of Albania’s communist government had some success in outlawing this practice, but unfortunately, it’s still an issue for law enforcement today.

Later we stopped for lunch at the Thethi Paradise restaurant and enjoyed fresh trout, grilled lamb, and a few Korça beers, at an umbrella covered table on the patio.Surrounded by mountains from end to end, the Theth Valley was absolutely stunning and serenely tranquil in its “majestic isolation,” borrowing a phrase from Edith Durham.

The next morning, we retraced our drive across the mountains to Shkodër before continuing south to the Lezhë Castle and Kruje, where we spent the night. The drive out of the valley was just as beautiful as the drive in.

Our only companions on this quiet stretch were a flock of sheep being herded down the road, and a sow followed by her piglets crossing behind her. The drive was uneventful until the bridge over the river ahead of us was closed for road repairs, and we were directed to follow a deeply rutted farm track through the countryside for several miles. The road surface was so unforgiving that the car bottomed out several times regardless of how slowly we were going. At this point we didn’t have a cell signal, and there were no other detour signs, so we had to dead reckon our way back to the highway. The rental car company had cautioned us that they prohibited driving on dirt roads, and that we would be fined if their satellite tracking recorded us doing so. We kept our fingers crossed.

It was easy to spot Lezhë Castle, perched high on a hill, from miles away. Though getting there was a little more challenging and involved driving on some of the steepest roads we ever encountered. Think hills of San Francisco steep, but worse.

The castle had a commanding view of the surrounding terrain, though especially important was its western vista, where ships on the Adriatic Sea could be spied before they reached Albania’s shore. It was in this castle in 1444 that Skanderbeg, Albania’s national hero, rallied his countrymen to resist the occupation of the country by the Ottoman Empire. The best view of the castle was from the parking area. The area behind the walls is left in a rather rustic state with tumbled ruins and cisterns to explore. Overlooking the sea, we enjoyed a picnic lunch in the shade of the ramparts. 

The hillside town of Kruje, set high above the Tirana Valley, was our last destination in Albania. On our way to the Hotel Panorama we passed a large statue of Skanderbeg astride his steed, which commanded an overlook in a city park.

Albania’s national identify, a spirit of perseverance and resistance, is intimately linked to Skanderbeg and Kruje, his hometown. Born into the noble Kastrioti family during the early 1400’s, his parents were forced to give him to the Ottoman Empire as part of Sultan’s devşirme system. This “child tax” was to ensure a family’s loyalty to the sultan. Only one son could be taken. These children were then taught the Koran, given an education, and raised as Muslims, before being sent to serve in the Ottoman Empire’s Janissary corps, a highly trained infantry. Skanderbeg excelled as a skilled Ottoman soldier and rose through the ranks. But after a 1443 battle in Serbia he renounced Islam and escaped back to his homeland and reclaimed his title. A year later he led a league of Albanian Princes in revolt against the Ottoman occupiers. For over twenty years he rallied his fellow Albanians to repel 13 invasions, and was considered a hero throughout a Europe that feared the expansion of Islam across the continent. The citadel in Kruje was his headquarters during this time and endured three intensive sieges. Ten years after Skanderbeg’s death the castle fell and the Albanians relinquished their independence to the Ottomans for 400 years.

Its name said it all, and the Hotel Panorama’s guest rooms and rooftop terrace were the perfect spot for views out over the town’s ancient caravan market and Kruje castle. An arched stairway descended under the hotel from the main street and led to the historic bazaar, which is over 400 years old. A 16th century minaret towered above us.

It’s believed to be the most historically accurate representation of an ancient marketplace in Albania, with its cobbled street centered with a drainage divert and canvas awnings hung from the shops, to protect shoppers from the midday sun.

In centuries past it would have had a full array of merchants offering a wide assortment of ancient everyday items, and luxuries crafted in faraway lands. Today, it’s a gauntlet of tourist themed merchandise, but we found one hidden gem, the Berhami Silver shop. The proprietor and sole craftsman, specializes in unique, intricately woven filigree jewelry.

We shielded our eyes from the bright sun as we left the long, arched tunnel through the ramparts, and looked up at the Skanderbeg National Museum. Built in a historical style to reflect its surroundings, it was a majestic sight, its sandstone blocks glowing in the afternoon sun, and the red and black Albanian flag full out in the breeze.

Its exhibits feature artifacts from Skanderbeg’s era and Albania history. One of the most intriguing displays was a replica of the hero’s signature goat head-topped helmet. Albania’s flag evolved from the two headed eagle on the Byzantine Empire’s flag which flew over Albania from the 4th to 14th centuries.

The double eagle heads symbolized the unity between the Orthodox Church and the Byzantine Empire. The black eagles above the Kastrioti family coat of arms on a crimson background became the flag of rebellion when Skanderbeg raised it above Kruje in 1443. Its colors black and red represent the strength, bravery and heroism of the Albanian people.

Above the castle we rested outside at a small café with an expansive panoramic view. Unaware of castle’s closing time we headed down the slope to the Tekke of Dollma, a small Bektashi Sufi shrine that contains the tomb of the mystic leader, Baba Shemimi. We reached the gate of the tekke’s courtyard just as the caretaker was about to lock the door for the day.

Graciously, he let us stay for a few minutes. The building was still under repair from the 2019 earthquake, but still very interesting. Legend believes the ancient olive tree in the courtyard was planted by Skanderbeg. The castle was a wonderful site to explore, and if we had had more time, we would have visited its ethnographic museum.

The sun was casting a golden glow across the hillside by the time we reached the rooftop terrace of our hotel. We clinked glasses and reflected back upon a fabulous vacation exploring Albania.

Till next time, Craig & Donna

An Albania Road Trip: On the road to Shkodër or Olives, Castles, and Lamb

Ancient, gnarled olive trees covered the sharp slopes on either side of the road, along a narrow razorback ridge. Their silver-gray olive leaves undulated with light from a morning breeze. Some of the older trees are 3000 years old, and the fruit from the trees is believed to make the best olive oil in Albania, and is sought after by connoisseurs and chefs. An elderly man herded a small flock of sheep across the road, a common occurrence in rural Albania where it seems there is more four-legged traffic than cars.

We parked and walked up a short steep lane, past a school where a coed basketball game was enthusiastically underway, to the ridge’s 1300ft summit and the Preza Fortress. The stronghold was built in the mid 1400’s and played an important role in the Albanian resistance to Ottoman rule.

It was once a massive compound with commanding views of the broad plane of the Tirana Valley to the east. This valley was the favored north-south route for invaders, and was the fertile breadbasket of Albania since the Iron Age. Mid-week in late April we had the site to ourselves except for a group of older men, seemingly an old boys’ club, enjoying each other’s company, tucked away in a small outbuilding with a large glass window through which we could see them playing cards, drinking coffee, and reading the newspaper. Unfortunately, only one tall watch tower remains of the compound, but the panoramic view was fantastic.

Bar Kalaja e Prezës is the restaurant at the site and was a great place to relax with a coffee and absorb the serenity of the landscape from their terraces. There was also a very large lover’s heart perched on the overlook that was the perfect spot for an Instagram photo.

We had left Durrës earlier that morning, headed toward the northern city of Shkodër, and followed the A1 north. We had been in southern Albanian for the prior two weeks and were surprised now by the amount of traffic congestion along this main artery. It was mostly due to the construction project widening the two-lane road, and the economic activities of businesses, with parking lots right next to the road which creaed all sorts of mayhem – cars were pulling off and onto the highway. There were few traffic lights. One section of the road was lined with folks selling parrots and chickens right from the curbside, while at another point men on either side of the road carried puppies up and down the traffic, offering them for sale. Fruit and vegetable stands were a common occurrence. As we’ve mentioned in our earlier blogs, we found Albanians to be very friendly. But put them behind the wheel of a car, and there is an aggressive personality shift, where they throw the driving rules out the window. I know this is a sweeping statement, but when you experience the roads firsthand, you’ll understand, and any Albanian citizen will agree with me. Driving in Albania was a blood sport – the automotive version of rugby.

The one big plus of driving along Albania’s main roads was the superb quality of restaurants attached to gas stations. In the states these are often fast-food chains or “greasy spoons,” that serve caloric, processed foods. Albanians take their cuisine quite seriously, and we found it nearly impossible to have a bad meal in the country. The key though to these roadside restaurants is to pick one where the parking lot is almost full. It’s always a good sign that the place is busy with satisfied customers. The restaurant Autogrill Emanuel, along the SH1, in Balldren was a wonderful find, and a great place for lunch. The façade was ho-hum, it is after all located at a gas station, but the inside was pleasant, and the tables were covered with linen tablecloths.

Near closing time we arrived at Rozafa Castle, parked and started to walk around a small hill that obstructed our view of the fortress. It quickly became apparent that it was too long of a trek uphill, and it would diminish our time exploring the site. Several cars passed us coming downhill and we realized we just might get lucky finding a place to park nearer the entrance. Fortunately, that was the case, but even so it was still a strenuous walk to the center of the citadel.

The views were fantastic. We could see for miles around, especially out over Shkodra Lake where the mountains of Montenegro rose on the northern horizon. To the east the small metropolis of Shkoder spread imposingly across the flatland beneath the foothills of Albanian’s beloved Accursed Mountains. While the panorama to the south encompassed the meandering Drin River.

The first fortifications on the hill date to the Illyrian kingdom during the 4th century BC, though archeological discoveries confirm the hilltop had inhabitants since the Bronze Age. Albania folklore is full of tales of stoic women sacrificing for their country. Though the legend of how Rozafa Castle received its name is one of the more tragic and involves human sacrifice. The tale goes that construction of the castle was beset with difficulties, walls collapsed, workers died. An oracle was consulted and advised that a woman be entombed in the castle’s wall to appease the Gods. Rozafa, a young mother, was chosen, and as the legend goes, willingly participated as long as her chest was left exposed for her infant to breastfeed. For ages afterward it was believed that the liquid dripping from the limestone stalactites on the ceiling of the ancient Illyrian gateway to the fortress was the entombed mother’s milk, and that the castle was alive with her spirit.

The Roman Empire defeated the Illyrians, and over the following centuries the fortress was controlled by an ever-evolving list of rulers that included the Byzantine Empire, Kingdom of Serbia, Lordship of Zeta, Principality of Zaharia, the Venetian Empire, the Ottoman Empire, the Pashalik of Scutari, and the Kingdom of Montenegro.  T

We were taken by the beauty of the old town at the Migjeni roundabout, where an intriguing cityscape included Ebu Beker Moosque’s minarets, and Kisha Katolike Frencekane’s belltower; crenellates and fountains revealed themselves. Shkodër today is Albania’s fifth largest city with a population of 102,000. Though thriving today, the city has had a tumultuous history. Most poignantly in 1967, the Communist dictator Enver Hoxha declared Albania an atheist state and banned the practice of all religions. Churches and mosques were seized and converted to other uses or destroyed. Religious leaders were executed or imprisoned for decades in brutal labor camps and prisons to break their faith. The communist regime viewed anyone who believed in religion as an enemy of the state. Family members of the accused were victimized as well, with the denial of educational opportunities, and decent jobs. Consequently, the citizens of Shkodër who cherished their religious harmony and embraced each other’s Muslim and Christian traditions, in a city where it was not uncommon for members of the same family to practice different religions or intermarry, suffered greatly under communism.

The most poignant insult was the creation of the National Museum of Atheism, an anti-religious propaganda center, in the city. While the borders of Albania were closed to the outside world, even the cities within the country were isolated from each other, and Shkodër sat alone and inaccessible in the northern part of the country. Any news it received of events in southern Albania was heavily censored. Even folks that were “free” likened it to living in a penal colony, as the town had 23 prisons, and nearly every family had someone in jail. The Sigurimi, the communist secret police, had a heavy presence in the city, and encouraged informants to denounce anyone, even for simply wearing a religious cross. Similar to Bunk’Art 2 in Tirana, the site of the Witness and Memory Museum in Shkodër documents the atrocities the communists committed against the townsfolk, in a confiscated Catholic school that was operated as an interrogation center.

The Çoçja Boutique Hotel was only a few minutes from the roundabout, had underground parking, and most importantly was a short walk away from the pedestrian only streets Rruga Kolë Idromeno, and Rruga 28 Nëntori. We are not sure why this small 17-room hotel is only rated three-stars, but it was one of the nicest hotels we have ever stayed in. It’s a newer building that’s exquisitely well decorated, and our bathroom was a modern wonder. The staff was also very nice.

Ten thousand undergraduates attend the University of Shkodër, and the cosmopolitan city’s streets are full of students pedaling across the town’s flat roads. Their presence contributed greatly to Shkodër’s youthful contemporary vibe, that’s much different from the rest of the country. In the evenings the restaurants and cafés along the pedestrian mall were filled with their energetic enthusiasm.

We took advantage of a warm night and enjoyed eating outside on the second-floor balcony, which overlooked the mall, at Bar Restaurant San Francisco, on Rruga Kolë Idromeno. I tried the traditional Shkodër specialty, Tavë kosi, made with lamb, yogurt, eggs, garlic, and oregano, while Donna ordered baked lamb with rice. Roasted vegetables and the house wine accompanied our dinner. All were quite good. We ordered lamb frequently while traveling around Albania, as in the states it is not offered in many restaurants, and when it is it’s very expensive.  

The next morning, we strolled in the opposite direction down the shaded Rruga 28 Nëntori, where preparations were underway for the 11th annual Hemingway Jazz Fest & Swing Marathon, that’s held at the end of April. Unfortunately, we were not in Shkodër for it, but it would have been really nice to watch folks cutting loose. Towards the end of our walk, we reached Shatërvani Park, where there were several sculptures.

One was a whimsical and retro collection of towering, stylized dandelions, which I haven’t been able to find any information about. Nearby, across from the City Hall, stood the Monument Dedicated to the Victims of Communist Persecution.

A plaque near the sculpture states it’s dedicated to the sacrifices, and resistance the people of Shkodër made during the communist dictatorship. This is the first memorial of its kind in Albania and considered long overdue. Many think it is an important first step towards reconciling the atrocities of Albania’s communist past with survivors of the nightmare.

In hindsight two nights in Shkodër wasn’t enough time to adequately explore the city. An extra day would have allowed time to visit some of the museums in the city.

Till next time, Craig & Donna

On the Road to Durrës, Albania: or Lady Bugs, Metallic Men and a Beautiful Seaside City

Loose gravel gently slid down from the top of the earthen embankment along the road. It was the “heads up!” prelude to a small herd of goats scurrying down the slope to cross the road ahead of us. The last to cross was a young yearling goat, unsure of his footing. It was a transition day for us. We had left Lin, on the shore of Lake Ohrid, near the border with North Macedonia, earlier that morning to drive to Durrës, on the Adriatic Sea. The journey of only 90 miles, 142 km, was our longest single drive in Albania, and can be accomplished in three hours, if so desired. But with us there is always something that piques our interest and requires a detour or U-turn.

Much of the SH3 highway that connects Lin, through Elbasan, to Durrës traverses a sparsely populated remote region of Albania. Occasionally, in what seemed the middle of nowhere, we passed enterprising farmers who had set up temporary produce stands perched atop the road’s guardrails, their donkeys tied nearby. Sadly, factories abandoned after the fall of communism littered the countryside. In Prrenjas though, the artist Eljan Tanini whimsically covered the towers of a defunct nickel mine with 1,380 charming ladybugs, a symbol of good fortune and hope for the future.

On the outskirts of Elbasan we stopped for a snack at the Elita Grill, a newly opened restaurant. It was a very attractive, contemporary space, which stood as a nice counterbalance to the rustic region we had just driven through. The pastries and coffees were very good, and the prices budget friendly. Across the street, the dome of a larger-than-average Cold War era concrete bunker inched above a mechanics shop.

Entering Elbasan we passed the Xhamia e Nazireshës mosque. Across the street from it, a dreamy street mural of a child playfully dancing amidst clouds graced the side of an apartment building. Unfortunately, the traffic was too congested in this spot, and we didn’t stop. An abandoned train track paralleled most of our route from Prrenjas to Elbasan. The rail line once carried nickel ore to the Kombinati Metalurgjik, a huge industrial complex that was built with cooperation from Chairman Mao’s Chinese Communist Party in the 1970’s. The site, easily seen from the highway, now lies in ruins and is a popular spot for amateur industrial archeologists. But at its height it employed 12,000 people and produced the iron, steel and cement for Albania’s 173,000 military bunkers ordered built by the paranoid communist dictator Enver Hoxha, who feared invasion from everyone. We were getting hungry as we reached Tirana. While there were numerous lunch options available, we wanted something with easy on and off access, close to our route. With a quick google search we chose the restaurant Xhafa, which had an outside patio on a hillside that overlooked Tirana. From our experiences across Albania we found that the food was delicious no matter where we stopped. As it was here. Leaving the restaurant, we noticed a large futuristic metallic head in front of an office building next door. We are not sure, but we think the sculpture can be accredited to the Albanian sculptor, Ilirjan Xhixha.

We continued our westerly drive along SH3 until signs for Durrës directed us onto SH2. We wished we had been prepared with our cameras for what emerged next. Across the highway, the most unusual building crowned a small hill. It was seven stories tall, with a neoclassical birthday cake-like façade. On the multi-level corners of the building larger than life statues of the Illyrian Kings stood, as if they were surveying the landscape. Centered atop the colossal building was a mammoth sculpture of the great warrior Skanderbeg, the famous 15th century commander who united Albanians to rebel against the Ottoman Empire. This grand building, with its Las Vegas-type schmaltz, was the Amadeus Palace Hotel. If you enjoy quirky, off-beat things, this might be a place to check out.

We arrived in Durrës late in the afternoon, just in time to see a passenger ferry from Italy enter the harbor, as we drove along the waterfront. Parking with a rental car is always a concern, but we had asked the hotel, Ventus Harbor, where to park. “During the April shoulder season there is plenty of free parking available close to the hotel,” was the response. We are always skeptical of these easy answers, and there was street parking a short distance from the hotel. Though there was an informal parking assistant waving to drivers coming down the street, pointing as to where to park or wait as a cement truck driver readied a delivery to a construction site. We tipped him and hoped for the best. At the reception desk we told them where we left the car, and they said it would be okay, but we could also park on the pier which led to the floating hotel if we preferred. While that option was closer, it required driving through a small, pedestrian-filled shopping mall. The car stayed where we left it and was fine for two days.

Though the futuristically designed Ventus Harbor appears to float above the Adriatic Sea like a spaceship, it is in fact built securely atop pilings pounded into the seabed and connected to shore via a narrow, 300ft long suspension bridge. The hotel’s refreshing uniqueness, which contrasts so distinctively with the stone castles and villages of rural Albania, was our main reason for choosing to stay there.

Towards sunset we headed to the promenade along the seafront and were engulfed by families and friends enjoying the xhiro, the Albanian tradition of an evening stroll to relax and socialize. Fishermen cast the last lines of the day into gentle waves as we walked towards the setting sun and the Sfinksi, a small concrete step pyramid where folks gathered to watch the sun dip below the horizon as the sky faded from a fiery orange to the blue of the evening.

The city’s night skyline slowly awakened with lights, before the stars shined. It was a warm April evening and we slept well with the door to the balcony open, listening to the water lap against the pilings below us.

After breakfast we walked along the promenade into Durrës’ historic old town, which has been centered around the harbor since time immemorial. It has been Albania’s economic engine and vital link connecting Europe to Asia Minor since Greece established a trading colony there in 7th century BC. An Illyrian Kingdom followed in the 4th century BC. But it was the Roman Empire which left the most significant impact. The Romans turned the ancient town, now Illyricum, into a vital trade and military hub with the creation of the Via Egnatia, a cobbled road that crossed 700 miles through the rugged Balkan mountains to Thessaloníki, Greece, and Constantinople. Troops, merchants and religion flowed across its path. The Apostle Paul traveled this route to Durrës in the 1st century, a time when Christians were still thrown to the lions for entertainment in the coliseum across the Roman Empire. Upon the Western Roman Empire’s collapse in 476, the Byzantine Empire filled the void until the tumultuous Dark and Middle Ages brought a succession of invaders to the region. Visigoths, Huns, Bulgarians, Slavs, Normans, and Venetians conquered and fled until the armies of the Ottoman Empire arrived in the 15th century. Austria ruled for a time during WWI. Mussolini’s Fascist troops landed in the port at the start of WWII. The Albanian’s communist partisans defeated their opponents after WWII. In 1967, as if needing to put a sword into the heart of any remaining hope the people of Albania had, the communist dictator, Enver Hoxha, banned all religions, and proclaimed, in the city where the Apostle Paul preached, that Albania is “the first atheistic state in the world.” The city and country has had a turbulent history to say the least.

“Walk a little, and the café,” is a philosophy we like to indulge in, and after our stroll along the promenade past statues of gladiators, liberation fighters, and modern art we needed a break to savor a fine Spring day before reaching the ruins of the city’s ancient Roman amphitheater. The amphitheater was the largest in the Balkans and capable of holding 20,000 spectators.

We passed through a gate in the last remaining section of a defensive wall that once encircled the city. The city’s first ramparts, which stood 40ft tall and stretched for three miles around the core of Durrës, were built by the Byzantine Emperor Anastasius I, a native son, in the 5th century AD. The walls were later expanded and improved upon by the Venetians with stones repurposed from the amphitheater after it suffered irreparable damage from a devastating earthquake in 1267. During the Ottoman era homes were built over the site. Surprisingly, they were rediscovered in 1966 by archeologists surveying the area to identify sites that might be of interest to western tourists. Based on the size of its ruins, the amphitheater must have been magnificent. Sadly, the site has not been improved, and sits surrounded by apartment buildings, but it is on the short list of sites for future inclusion in the UNESCO World Heritage program. Oddly, archeology and building concrete bunkers across Albania were two of Enver Hoxha’s passions.

From the amphitheater it was only a short stroll to the Bulevardi Epidamn, Durrës’ prettiest avenue. It’s not a particularly long street, but its pleasant five blocks are lined with stately palm trees, that give it a splendid Costa del Sol vibe.

We followed it until we reached a well-preserved Venetian Tower, that was once part of the defensive wall that encircled the city, across from the harbor. It was an interesting plaza with more statutes commemorating partisan heroes and a gleaming metal sculpture of Redon, the Illyrian god of the sea, which was strikingly similar to the statue in Tirana. This statue, which nicely blends modern technology with the historical past through its use of materials, was also created by the Durrës-born artist, Ilirjan Xhixha.

Before returning to the waterfront, we detoured back towards the amphitheater, where earlier we had passed a tiny window-in-the-wall bakery, confidently named Bule’s Best Byrek in Town, and single handedly run by the formidable Bule. We bought several byrek and enjoyed them as we picnicked along the coast. The cheese and spinach ones were our favorites, and indeed were delicious, and so inexpensive. Go early, as they sell out quickly.

It was still the Spring shoulder season, and many restaurants stayed closed until the warmer weather in May arrives. We had crisscrossed Albania for two weeks by this time and were familiar with prices, but the night before we choose to dine at slightly upscale establishment, for a nice seafood dinner, that received good reviews. While our dinners were tasty, the portions were smaller than what’s typically Albanian. And it was the first time that we felt there was some tourist price-gouging happening.

For our last night in Durrës we decided to go no-frills. After much hemming and hawing we entered the Hepta Grill, a Greek fast-food restaurant, located at the base of the walkway that led to our hotel. The place was lively, the staff was nice, and the food was perfect. We left thinking we could enjoy living in Durrës.

Till next time, Craig & Donna

An Albanian Road Trip: Lin, Lake Ohrid & the Monastery of Saint Naum

Our planned route for a 3-week trip around Albania looked like a large numeral 6. After starting in Tirana, we’d head south to Berat, and Sarande, before cutting across the southeastern part of the country to Gjirokaster, Leskovik, Korçë, and Lin, on Lake Ohrid. Of course, there were numerous other stops and detours along the way, which we wrote about in our earlier blogs. But the road from Korce to Lin passed through the small city of Pogradec on the southern shore of Lake Ohrid, only 9 miles from the border with North Macedonia. From there the 10th century Monastery of Saint Naum was only minutes away. “It’s so close, and we have the car. It’s an opportunity we’ll regret not taking.”  Let’s go, we both agreed. Many day trips to the monastery originate in Tirana, but if you have a rental car, it’s less expensive than taking an organized tour. Albania and North Macedonia are not part of the European Union Schengen program, which permits unrestricted passage through member nations’ borders without stopping at a border checkpoint for a passport stamp. Traveling between Albanian and North Macedonia is done the old fashion way. Not all car rental companies in Albania allow their cars to be driven into North Macedonia. Notify the car rental company when making the reservation that you want to drive to into North Macedonia, as there are some documents needed from the car rental company: a Green Card, which is proof of international car insurance; permission from the car rental country that they are allowing the car to be driven in North Macedonia; and an International Driver’s License in Latin characters in case it is requested. At the border be prepared to show all travelers’ passports and pay a Border Crossing Fee.

Grey skies hung low over Pogradec as we headed east along SH64. Occasionally we passed abandoned Cold War era concrete bunkers along the lakefront. These were remnants of Albania’s communist dictator Enver Hoxha’s paranoia, which convinced him that Albania was surrounded by enemies, and that Pogradec would be prepared to resist an amphibious attack.

The border crossing at Tushemisht – St. Naum went very quickly, with only a few questions about our intended destinations and length of stay in North Macedonia. Minutes later we entered the manicured grounds of Saint Naum’s Monastery. Our first impressions were that we had arrived at a resort or theme park the way the souvenir shops and restaurants lined the midway as we headed to the ancient monastery.

It was built by Saint Naum, in 905, during the later part of his life, after he had spent decades spreading Orthodox Christianity and literacy throughout the Balkans as a follower of Saints Cyril and Methodius. Past the souvenir shops, boat rentals were available for rowing on the amazingly clear waters of the Black Drin spring. Its waters emerge through an underground stream from Lake Prespa, located higher in the mountains, before they flow into Lake Ohrid.

Getting closer, we crossed a footbridge and encountered our first of several splendid peacocks, roaming freely about the complex. Then there were only directional signs pointing the way around the multistory, three-star Hotel Saint Naum, which encircles the monastery on three sides, and obscured any distant view of the monastery, which commands a small knoll on the lake edge. Saint Naum is recognized as a miracle worker and healer who cured the sick as soon as they looked him in the eye. This belief in his ability to heal has inspired Christian and Bektashis Muslim pilgrims to visit the site since his death in 910. The veneration of the saint’s relics is believed to help those suffering from psychological and fertility issues.

Eventually, we found a very ancient door into the courtyard where the monastery stands overlooking Lake Ohrid. Little remains left of the original monastery. After five centuries, the current church was built atop the old monastery’s original foundation.

The interior of that 16th century church survives, but the exterior design and brickwork has been renovated numerous times over the years, and hardly shows its age. Unlike the ancient churches nearby in Voskopojë, Albania, which still carry every wound inflicted upon them over the centuries.

Inside the chapel is quite small, but richly decorated with warmly polished, intricately carved woodwork, and a gilded iconostasis created by local Macedonian craftsmen in the early 18th century. The religious frescoes that adorn the walls of the chapel were painted in 1806 by Trpo Zograf of Korçë. Many of the lower parts of the murals have been worn away by the touches of the faithful seeking blessings.

Leaving the site, we descended the knoll in a different direction and happened upon the Church of Saint Petka at the base of the hill. It’s a charming petite chapel that serves as the monastery’s baptistry. Brilliantly colored Orthodox iconography covers every inch of the walls from floor to ceiling in a celebration of faith. A comparison between the two churches was inevitable, and led us to reflect upon what the interior of the older church might have looked like ages ago.

The restaurants at the monastery complex were too overpriced for what they served, so we headed back to Pogradec for lunch. During the high season, mostly Albanian vacationers are drawn to the city’s long sandy beach along Lake Ohrid, the largest on the lake, and support a thriving hotel, and restaurant scene.

But in late April many were still closed, and some of the ones which were open didn’t have any customers. So, we opted for lunch at Pizza Restorant Artist, on Rruga Reshit Çollaku, across from the waterfront. The place was fairly busy, and to our great joy they offered an amazing variety of Italian dishes and pizza. It was some of the best Italian food we’ve had outside of Italy, and very budget friendly. Parking on the street was a little unusual as there was an authorized parking attendant that watched several blocks and ran up to us to secure payment when we pulled into a space. He gave us in return a receipt for display on the dashboard. After lunch a window display in a shop next to the restaurant caught our attention. It was the workshop of Pirro Icka, a fourth-generation woodcarver, according to the plaque in the window. Unfortunately, the shop was closed, but the window display featured some wonderfully intricate carved pieces, which would have been the perfect Albanian souvenir.

Late in the afternoon we arrived at Lin. It’s a small, isolated village on a headland that protrudes into Lake Ohrid, like a thumb up on a closed fist. We took a few minutes to scout along the narrow lane that runs the length of the village and passes a mosque and church, before it dead ends between homes near the tip of the headland. We had passed the arrow pointing to House 1960, our lodging for the night, but did not know where to park. The village seemed empty, and we had not encountered any other cars along the lane. So, I waited while Donna followed a walkway between homes and returned a few minutes later with one of our hosts, Emory. His wife, Merita, was waiting for us when we arrived at their home, an older village house, that the couple had renovated with help of their adult sons. The inn was very nice and our room stunning with a high cathedral ceiling.  Accented with gorgeous blond wood trim, it was bright and airy. In late April all the small restaurants were still closed, but Merita offered to cook meat or lake fish, caught that morning, for our dinner. The Lake Ohrid brown trout accompanied with homemade pickled vegetables was delicous.

Fishermen from Lin and other villages in Albania and North Macedonia, which surround the lake, set out early every morning in small boats to catch trout, which has been considered a delicacy, and a staple in the local communities since ancient times. Recently discovered submerged archeological evidence of a community that lived in stilt houses above the lake dates to 6500 BC, and confirms Lin as one of the oldest communities in Europe. The weather still hadn’t cleared as we went to bed, but we kept our fingers crossed for better conditions in the morning.

A brilliant blue sky greeted us and prompted a quick decision to trek to the far side of the headland before breakfast. The trail started where the lane dead ended and wove between several homes before we were out of the village. Walking along the lakeshore, the blues of the lake blended seamlessly into the sky. On the landward side the headland towered over us as we rounded the shoreline. The path was only as wide as our feet and somewhat treacherous at certain points, when a section required a rock scramble across it. The shoreline between the lake and the headland eventually widened to reveal farm plots, separated by rows of rough stone walls. Our host had mentioned the evening before that the folks of Lin pride themselves on being nearly self-sufficient. That it was an ethic and skill passed down over the generations, because of the village’s remote location. It’s a beautiful but not a particularly easy trek to the farm plots on the lakeshore, and yet we saw several older villagers carrying their tools on their daily trek to their garden plots.

Continuing back to the village we worked our way to the apex of the headland, where the ruins of a 6th century Byzantine church are cordoned off to protect a very large and well preserved intricate floor mosaic from an earlier Roman temple. Signage on the fence details the site and mentioned that the mosaics, which are unprotected from the elements, are currently covered with sand to protect them from further deterioration. The information plaque also mentioned that the mosaics are uncovered twice a year for public viewing and included the phone number of the local caretaker.

The panoramic views out over the lake from the top of the peninsula were amazing. The lake’s clear water sparkled, and dozens of small fishing boats rocked gently on small waves that rolled across its surface. No wonder Lin and its surroundings are part of the Natural and Cultural Heritage of the Ohrid Region, an UNESCO site, which recognizes the importance of the unique aquatic ecosystems surrounding the clearest and deepest lake, reaching depths of 945 ft, in the Balkans. Lake Ohrid is thought to be one of the oldest bodies of fresh water in the world, and supports a diverse variety of 1200 different plant and animal species, 200 of which are endemic to the lake.

Walking downhill back through the village we stopped to photograph a scene. It was only when we started walking again that I caught some motion in my peripheral vision and saw the freshly slaughtered cow hanging from a sturdy tripod stand, with three villagers attending to it, in front of a store that had a coffee shop sign above its door. They waved. A little farther down the lane, we passed an older woman walking up the hill carry small buckets of milk.  She must have been 15 years older than us, but she was a hearty soul and ended up lapping us three times.  When we returned to the inn Merita had some freshly baked bread and muffins waiting for us, along with a fig jam, made with the fruit from the tree in the front yard, feta cheese, butter, yogurt, and eggs sourced from various neighbors. We enjoyed our short time in Lin and wished that we had made plans to stay longer.

Back on the highway, the road rose into the mountains and we pulled over for one last look. In the fields outside the village a row of Hoxha’s bunkers sporadically emerged from the soil like mushroom caps, near where the marine archeologists discovered the submerged village on pilings.  Perhaps Hoxha’s paranoia was justified, but he was several millennia late.

Till next time, Craig & Donna