A Balkans Road Trip Part 7: Sarajevo, Bosnia and Herzegovina – Beautiful and Resilient

Traveling south from Zagreb on the E70 we headed to the Gradiška border crossing into Bosnia and Herzegovina. With the European Union’s open border policy there is a seamless transition driving from one country to the next, but until Bosnia & Herzegovina acquires full EU membership, which is expected to happen by 2030, the old fashioned ‘show your papers,’ is required. With two loud thumps our passports were marked with a Croatia Exit stamp and returned to us along with the vehicle registration, and the insurance “Green Card,” from the rental agency allowing us to take the car into a non-EU country. Crossing the Sara River, we repeated the formalities with the border guards and received our Bosnia and Herzegovina entry stamps. We are rather fond of passport stamps considering most countries now rely on electronic records and don’t stamp at all.

We had an extra early start from Zagreb that morning, as the drive on the toll road to Saravejo takes about six hours, but we wanted to take a longer route through the countryside first to see several sites. And still hoped to make it to the “City of Spirit and Hope” before nightfall.

Small villages and farmland surrounded us quickly as we left the congestion of the border crossing behind. Our route the M16/E661 beyond Banja Luka hugged the narrow road beneath a steep cliff that paralleled the Vrbas River. Fields and rolling hills on the other side of the river were fresh with spring greenery. It wasn’t until we reached the Vrbas River Mountain View that the road widened enough to stop for a scenic overview. On the map this looks like an official overlook, but in reality, it’s a small, rough unpaved section of widened shoulder without a guardrail. You can’t actually see the river from the road at this point, but we drove past and did a U-turn so we could pull into it safely. Walking as close to the edge as we dared revealed a spectacular panorama of a horseshoe shape bend in the river.

Turning, we rose into the mountains and reached Mrkonjić Grad, a fairly good size town in this semi-rural area, and stopped for a moment at Храм Светог Саве Мркоњић град, the orthodox Temple of Saint Sava. Construction of this stunning gold domed church started in the mid-1930s, but was interrupted by World War Two, communist rule, and the Balkans war in the 1990s. Post-war reconstruction efforts finished the church in the early 2000s.

Luckily our timing was perfect as a large tour bus was just pulling away from Mlinčići, a collection of historic windowless wooden watermills, on the rapids below lake Plivsko Jezero. They date from the 16th century Ottoman Empire during which they were communally owned by extended family clans for their personal use, though they were occasionally rented out to other farmers for the payment of a ‘grain tax.’  With industrialization they fell into disuse and were abandoned, almost lost to history, until they were declared a national monument, and restored in 2009.

Earlier, as we drove to the Mlinčići we passed the lakefront restaurant Plaža, which looked like a perfect place for lunch. It was surprisingly busy for a Monday, but for many folks it was a vacation week between the Catholic and Orthodox celebrations of Easter. It was a pleasantly sunny day and warm enough to dine outside on the restaurant’s patio. Afterwards we strolled along the lake’s promenade where rental boats remained firmly tied to the dock, awaiting the tourist high season to begin later in the spring. Onward we stopped at Most Jubavi, the town of Jajce’s bridge of love, built across the top of a wide waterfall. It’s a beautiful setting with the boardwalk curving through a lush landscape of trees and rushing water.

The water from Plivsko Jezero flows downstream to Jajce, where it cascades thunderously 22m (72ft) from the 50m (164ft) wide Plivski Waterfall, at the confluence of the Pliva and Vrbas rivers. On the hill above the falls was the town’s citadel. It was constructed in the 14th century when Jajce was the capital of the Bosnian Kingdom. The fortress fell to the Ottomans in 1463, but was retaken by Hungarian King Matthias Corvinus in the following year. Jajce famously resisted for another 63 years before becoming the last town in Bosnia to fall to the Ottoman Empire 1527. 

Golden light warmed the late afternoon view of Sarajevo from our room at Kibe Mahala as shadows lengthened with the setting sun. It is primarily known for its well-regarded restaurant that features a selection of Bosnian dishes and lamb roasted on a spit, but it is also a smartly designed three-room boutique hotel with a modern aesthetic appeal that reflects Sarajevo’s culture. Free parking was a tremendous bonus, but because the hillside roads above the city were so narrow we relied on the expertise of taxi drivers to slalom us downhill to Baščaršijski trg, the historic heart of old Sarajevo.

Baščaršijski trg is a long narrow V shaped plaza, once the old daily market. At its center was a Sebilj fountain, a wooden kiosk covered well, where during the country’s Ottoman era was manned by Sebiljdžija, workers who received wages from the Voivode, mayor, to dispense free water to thirsty passersby.

Today Baščaršijski trg is lined with cafés and tourist shops, but still retains an exotic aura of east meets west, the merging of cultures, like Istanbul. The square was quite busy when we arrived, and we sat outside at a café, only to learn they served nothing but coffee or tea. The owner pointed to the bakery across the street and told us it would be okay to bring our purchase back and enjoy it at their table. We both crossed to the Bakehouse Edin, as the responsibility of choosing tasty delights for the first time in a new country is too much to bear for one individual. Really, we both can’t resist bakeries, and take every opportunity we get to investigate one. Hence, “our walk a little then café” philosophy. The café owner was delighted to see us when we returned.

It was a leisurely morning, and we enjoyed watching life go by on the square. Across the way families fed a large flock of pigeons and posed enthusiastically with the birds fluttering to perch on their arms and heads. Occasionally, something would spook the flock, and they would rise in unison to circle above the minaret of Baščaršijska Mosque, prompting some folks to cover their heads in anticipation of a bird bombing, though we didn’t hear any screeching to indicate disaster had struck.

Romans, Goths and finally the Slavs with the establishment of the Kingdom of Bosnia in the 7th century have influenced the region, but it wasn’t until 1415 that Sarajevo is first mentioned in historical records as Vrhbosna. It was only later in that century after the Turks conquered the region that the town’s name was changed to Sarajevo and it grew into an important trading center on the caravan route from Istanbul to the Adriatic coast. The town hosted numerous caravanserais, inns where merchants slept and stabled their horses, but only the Morića han (1551) survives and now shelters shop, restaurants and Caffe Divan.  Here we enjoyed the Ottoman-style ambiance and the tradition of ćejf, the art of lingering over coffee to savor life with friends, and the Rahat Lokum, Turkish Delight, which is always eaten before sipping Bosnian coffee. We also tried Ziam’s coffee, a large coffee with milk that is sprinkled with Nesquik, which is a popular order.

Many of the old lanes in the city are named for craftsmen who practiced their skills in workshops along the street. Just off Baščaršijski trg was Kazandžviluk, the old coppersmiths’ alley, where fine Bosnian džezva, traditional long handle coffee pots, cups and plates are still hammered with intricate designs.

The pedestrian only historic old town is made for wandering, one intriguing lane opening to another. Sarači seemed to be Sarajevo’s main lane and we followed it along to the shady courtyard of Gazi Husrev-beg, a 16th century mosque. In the center of the courtyard was the Šadrvan, a marble washing fountain used by worshippers for ritual ablutions before prayer. It was covered with an elaborate wooden octagonal pergola. In the background beyond the mosque’s wall was Sarjevo’s 17th century clock tower. It features gilded clock faces, on all four sides, synchronized to lunar time, in which the hands indicate 12 o’clock at the moment of sunset, the time of the Muslim Maghrib prayer.

This was a very interesting part of the old town, with many significant historical sites close to each other which include; Gazi Husrev-Beg’s Library (1537), the 16th century barrel-vaulted grand bazaar, the ancient Mezarje u haremu džamije Ferhadija cemetery & mosque, the Morića han caravanserais, the 1860s Serbian Orthodox Church of the Nativity of the Theotokos, the Museum of the Jews of Bosnia and Herzegovina, the Srebrenica Genocide Memorial, and Katedrala Srca Isusova, the Sacred Heart Cathedral, a 19th-century Gothic-style church which Pope John Paul II visited in 1997, to promote reconciliation after the Bosnian War.

During the Ottoman rule of Bosnia, Sarajevo attracted a diverse community of Orthodox Christians, Catholics and Jews. They were, however, treated as second class citizens and faced social restrictions forbidding them from carrying weapons, riding horses in public, or building houses and churches taller than those of Muslims. Men were additional required to pay theJizyataxin lieu of military service. Only Christian families were subjected to the Devshirme, a “Blood Tax,” where children were taken from their families, forcibly converted to Islam, and trained to become elite Janissaries, soldiers, or high-ranking government officials. These additional burdens to families encouraged many to convert to Islam.

Passing through the old bazaar, we admired some of the work of the silversmiths. This trade  has been thriving since the Middle Ages in Bosnia when silver mines were a major source of income for Bosnian kings. A piece of fine filigree jewelry made the perfect souvenir.

We crossed the Miljacka River and walked along the shaded riverside promenade to a café at the Music Pavilion in At Mejdan park, which dates from 1913. The park was a quiet oasis where families strolled with children, couples relaxed in each other’s arms and pensioners played chess at tables under the trees. Views back across the river showcased a blend of the city’s architecture that spanned the centuries from the Ottoman era to modern times, though the most predominant are the ones constructed in the 19thcentury European style during the Austro-Hungarian era.

From the promenade we could also see the Latin Bridge, the site where Austro-Hungarian Archduke Franz Ferdinand was assassinated on June 28, 1914, by Gavrilo Princip, a member of the revolutionary group Young Bosnia, whose members were mostly Serbs, Croats, and Bosniak students who sought to end Austro-Hungarian rule and unite Bosnia with Serbia and Yugoslavia. The event triggered World War I, the dissolution of the Austro-Hungarian Empire, the creation of the Kingdom of Yugoslavia, which included Serbia, Bosnia, Croatia, Montenegro, Slovenia and North Macedonia. While Sarajevo was part of Yugoslavia, Gavrilo Princip was celebrated as a hero and the Latin Bridge was renamed in his honor. With Bosnia’s independence the bridge has regained its original name.

Subsequently, the origins of nearly a hundred years of almost continuous wars, occupations and suppression across Europe, can be traced back to this event. The region’s death and destruction finally ended after the Balkan Wars were resolved with the signing of the Dayton Accords in 1995, an agreement which established a complex government with equal representation for Bosniaks, Serbs, and Croats in Federation of Bosnia and Herzegovina.

Farther along the riverside was Sarajevo’s City Hall, a late 19th century Moorish Revival style building with ornate geometric patterns and horseshoe arches. It was built during the Austro-Hungarian era to reflect Sarajevo’s importance as a cultural crossroads in the Balkans.

Later back in our hotel room we could hear the evening prayer, as the muezzin called from the city’s minarets, and it echoed across the valley. There is believed to be close to 100 mosques across Sarajevo, and from our hillside location we were amazed by the number of minarets we could see dotting the surrounding landscape.

The next morning we decided to drive up Mt. Trebević, 1,629m (5,345ft) which we could see from our hotel room, to visit the site of 1984 Winter Olympic Game’s luge and bobsleigh competitions. It was an exciting event and the first time a Communist Bloc country hosted the Winter Olympics, which Donna and I remember watching on TV (that seriously dates us). Exciting not just for the tremendous speed of the sledders, but also for the background color commentary about a part of the world behind the “Iron Curtain,” that had mosques and minarets that we associated with deserts of Arabia, not snow-covered mountains. It was a part of the world unknown to us at the time, and it looked enthralling. Sadly, this location and the other mountaintop Olympic venues around Sarajevo were seized by Bosnian Serb forces during the 1990s war and used as artillery positions to bombard Sarajevo during the Serbs’ four-year siege of the city.

First, we had hoped to see an old 16th century Ottoman era high-arched stone span across the Miljacka River on the outskirts of the city, but the traffic in that direction came to a total standstill, and folks were turning around to find alternative routes. We decided to do the same and followed our Maps app’s directions up the steep mountainside along roads that twisted through small neighborhoods where round traffic mirrors were mounted on the side of homes to see oncoming cars around blind corners. The road continued to narrow and steepen to the point that we thought if we ever had to stop, we’d never get going uphill again, until the grade lessened and we passed the last house to drive through the forested hillside.

We stopped halfway up the mountainside to check out two battle-scarred buildings in a lush green meadow and happened upon a family of four having a picnic. The kids sprawled on the blanket, intent upon their electronic gamepads, while their mom set everything in order and their dad grilled in the shadow of one of the war-torn buildings. Everyone waved as we walked by. A few minutes later as we were walking in the lower part of the field the woman called to us as she crested the hillside, and she happily handed us a large Ćevapi, – small, skinless, charcoal grilled minced meat sausages, stuffed into a large Somun, a soft bread similar to pita, and garnished with finely chopped raw onions, ajvar (roasted red pepper sauce) or kajmak (a clotted cream spread). It’s the national dish of Bosnia and a specialty in Sarajevo. Though we didn’t share a common language multiple thank-yous were said and smiles shared all around. Her Ćevapi was so good! Coincidentally, only the day before we had promised ourselves we would have to taste one of those wonderful local dishes. The reason – the enticing aroma of grilled meats wafting from Ćevabdžinica Petica Ferhatović, considered to be the best Ćevabdžinica in Sarajevo, as we walked along Bravadžiluk.  It caused us to pause and check out what everyone was enjoying. If we hadn’t eaten a half hour earlier, we would have stopped, and we told ourselves we’d have to definitely try Ćevapi later.

Covered with bullet holes and graffiti, the bobsleigh tracks, former symbols of international goodwill, are now grisly reminders of the brutal conflict that killed 11,000 people living in Sarajevo during the four-year siege of the city.

We continued on to the summit terminal of the Mt. Trebević ski lift where there were some spectacular views. The ski lift operates year-round and its lower terminal, Sarajevska žičara, is only a 9-minute walk from Sarajevo’s City Hall.

Later we had lunch atop the mountain at Hotel Pino, an attractive contemporarily designed 22 room lodging set in a forest clearing, before heading back down into Sarajevo to the Yellow Fortress, an Ottoman era cannon embattlement on Jekovac hill.

The panoramic views out over Sarajevo were beautiful in the late afternoon light and encompassed six centuries of the city’s history, from its earliest mosques on Baščaršija square to its modern skyline growing on the western horizon. A small café atop the roundel encouraged us to linger as we attempted to count the number of minarets scattered across the valley and hillsides and waited for the sun to set.

We thoroughly enjoyed visiting this resilient exotic city where everyone we encountered was so nice to us. We highly recommend visiting Sarajevo, as it is an engaging and very budget-friendly destination.

Till next time,

Craig & Donna

P.S. There are more than 20 museums in Sarajevo, with over 12 of them acknowledging the suffering which occurred during the Bosnia War. A few of them are: the Siege of Sarajevo Museum, Sarajevo Tunnel of Hope (Tunel Spasa), Museum of Crimes Against Humanity and Genocide, War Childhood Museum, and Galerija 11/07/95, a gallery-museum dedicated to the victims of the Srebrenica genocide.

Prague – What’s all the fuss about? Confessions, Castles and Černý

That was the question put forth on a Reddit travel thread. A rather jaded inquiry, we thought, that questioned the city’s continued popularity with tourists, who in their opinion have ripped the local fabric of life from the city’s historic center and Disneyfied it. We don’t share that opinion, and found it to be an intriguing destination for a four-night stay before continuing on to Croatia, but we can understand why it might be perceived that way, especially if you are visiting the city during the high season. Prague has been on our radar since the fall of the Berlin Wall in 1989. Unexpectedly, it took us nearly 40 years to make visiting this enchanting city a reality, but like a good wine it has aged well. And while some folks lament that it’s not as inexpensive as it used to be, it’s still one of the most budget-friendly cities in Europe.

As we descended through the clouds on the approach, Prague revealed thousands of acres of brilliantly yellow rapeseed blossoms carpeting the landscape that was slowly greening. The scene literally brightened our day after a cloudy grey connecting flight from Paris during the first week of April. It was a quick 30 minute Bolt drive from the Václav Havel Airport through Prague’s outer suburbs and parks before catching a glimpse of the Petrin Tower,a 59m (194ft) tall building constructed in 1891 for Prague’s Jubilee Exhibition, that loosely follows the design of the Eiffel Tower. A climb of two-hundred-ninety-nine steps to its to apex offers views out over Prague, and on a clear day it’s said “you can see nearly all of Bohemia.”  

A short time later the silhouette of Starý královský Palác, the old Prague Castle, and the spire of St. Vitus Cathedral, which centers the bastion, came into view. The cathedral’s completion in the early 1300s established the city’s iconic skyline which hasn’t changed much over the centuries.

A long descent towards the Vltava River provided views of some of the eighteen bridges that link the historic Malá Strana, Lesser Town, situated on the western riverbank below Prague Castle to Staré Město, the Old Town, and New Town on the eastern bank, as well as our first glimpse of the famous Charles Bridge, which has survived numerous floods and wars for nearly 700 years.    

Many of the narrow streets in the historic quarter of the city are pedestrian only, but our hotel the Luxusní hotel Černý slon, the Black Elephant Hotel, was right on the edge of the restricted vehicle zone and our Bolt driver was able to navigate it easily. We passed Staroměstské Náměstí, the Old Town Square, which was already festooned with Easter decorations and food stalls, and we arrived at the corner of a cobbled alley across from the 14th century Chrám Matky Boží před Týnem, Church of Our Lady before Týn, and its twin 80m (262ft) tall bell towers which dominate the square.

This charming hotel wonderfully retains its 13th century heritage, with a small and intimate polished wood bar, and a dining room with a Gothic vaulted ceiling, located across from the reception desk. Many of the rooms have painted wood ceilings, while the attic rooms incorporate the old wooden roof trusses into their atmospheric design. How it received its name remains an enigma.

Legend believes Holy Roman Emperor Charles IV was born in the neighboring house in 1316. An intricately designed arched doorway to a side apse of the church faced the hotel on the narrow alley that led to town square. The covered walkway across the ally once connected the church to its cloister, now the Stone Bell House, a contemporary art exhibition space.

It was a perfect spring day, and we were amazed by the amount of activity on the plaza, where folks were queueing for a spot under an arbor decorated with a beautiful floral arrangement, atop a raised platform in front of the church. It was a perfect location for a portrait.

Food stalls grilled aromatic sausages and meats while others offered dumplings and donuts. Thousands of colorful tulips bloomed, ringing the base of a monument commemorating Jana Husa, in the center of the plaza. One hundred years before Martin Luther, there was Jana Husa, a theologian at Charles University in Prague who “criticized the religious moral decay of the Catholic Church,” and advocated that Mass be conducted in the local language instead of Latin. His calls for reformation branded him as a heretic and he was burnt alive on the square in front of the church in 1415. His martyrdom led to the creation of a Pre-Protestant religious movement by his followers who called themselves Hussites. The statue honoring him was erected in 1915, 500 years after his death. During the county’s communist era, sitting on the wall surrounding the statue was a way for folks to quietly protest against the oppressive rule of communism.

St. Nicholas Church, a Hussite place of worship, stands across from the monument and has an interesting historical display about the Hussite religion.

The architectural integrity of the city has remarkably survived relatively unscathed through centuries of wars that have engulfed the region. Old Town Square is definitely the epicenter of Prague’s rich architectural history, with fabulous examples of the different architectural styles that the city has embraced, which prominently surround the plaza; the earliest examples of Romanesque style dating from the 12th century are followed by Gothic, Renaissance, Baroque, Rococo, Classicist/Neoclassical, and Neogothic designs through the centuries.

Prague’s Medieval Astronomical Clock dates from its installation on the side of city hall in 1410. Famously, it is the oldest still-operating astronomical clock in the world, with moving wooden apostles that appear on the hour as a skeleton, representing death, marks time with a bell.  

Walking was a delightful way to discover the city; it is relatively flat, and each morning we set off in a different direction to explore.  First, we walked along the riverbank to the Charles Bridge, a destination we returned to several times: to experience dawn breaking over the city as folks began to head to work, and later when it was jammed like the sidewalks along 5th Ave in New York City or Istiklal Caddesi in Istanbul, at the end of the day.

That morning a swan seemed to appear magically on the bridge, as if he was the reincarnation of a night watchman, intent on questioning our purpose for crossing the bridge.

Thirty statues commemorating the city’s significant religious leaders through the centuries line the balustrade of the bridge that was completed in 1402. At the center of the span there’s a 17th century bronze statue memorializing St John of Nepomuk. He was a beloved and heroic 14th century priest who was thrown to his death from the bridge, for not revealing the confession secrets of Queen Sophia to her husband King Wenceslaus IV. Though some believe the Archbishop of Prague at the time thought it was the most expeditious way to end a political dispute with the priest and had his henchmen carry out the deed. His recovered body was enshrined at St. Vitus Cathedral with an elaborate two-ton silver tomb, where it serves as a quiet reminder of moral integrity in the face of tyranny.

Centuries of patina have been rubbed away by folks who believe touching the relief plaques at the base of the monument will bring good luck, good fortune, and a future return to Prague. 

As we continued across the bridge, we stopped at another small bronze relief that actually marks the spot where the priest’s body was discovered floating in the water. Both memorials to St John of Nepomuk on the bridge are considered pilgrimage sites.

Reaching the other side, Malá Strana, the Lesser Town, we entered the old quarter through the Malostranská Bridge Tower, and happened upon a weekly market underway on the plaza, in the shadow of the tall walls of a former Jesuit college and St. Nicholas Church. Good coffee and tasty pastries helped alleviate the morning chill as we worked our way around the stands before heading into the church.

A Gothic church had been on this site from 1283 until 1743 when 100 years of construction started to create St. Nicholas, a Baroque masterpiece that was the vision of three generations of architects in the Dientzenhofer family. The interior is voluminous, and embellished with frescoes, gilded saints and cherubs. Mozart famously played the church’s organ, which has over 4,000 pipes, up to 6m (20ft) long, when he visited Prague in 1787.

Afterwards we wandered the cobbled lanes to the Franz Kafka Museum, mostly because it was on the way to two city parks we wanted to visit. A courtyard in front of the museum featured an offbeat, quirky, whimsical mechanical sculpture created in 2004 by Czech artist David Černý. It’s called Čůrající Postavy and features two robotic men shaking their things in what could best be described as a “pissing contest.” Born in Prague, some of the artist’s larger sculptures, we would later learn, are featured in several places across the city.

Vojanovy Sady, the park nearby, was a verdant oasis, in a city of sandstone and granite. The park’s blooming magnolia trees were the perfect backdrop for a photographer taking pictures of a newly engaged couple as they strolled along pathways lined with early spring flowers. 

The Senate of the Parliament of the Czech Republic gathers at the Waldstein Palace, a 17th century structure, which along with the formal gardens underwent extensive restoration in the late 1990s. 

The gardens are quite extensive and feature a large reflecting pool, sculpture garden, roaming peacocks, and a dripstone wall from the 1600s that hides the likeness of faces in its construction. It’s a popular spot for its view of Prague Castle which towers above it on a hill.

After heading back towards the church we had a very satisfying late lunch at Dvorek pod Hradem on Nerudova Street before recrossing the bridge to the Charles Bridge Museum. It had some very interesting exhibits on how the bridge was constructed, and copies of some of the sculptures on the bridge, as well as the history of floods and conflicts which have required its repair.

We are still amazed by the ingenuity of the stone masons who built the bridge and cathedrals in the city. The museum also has a window with one of the best views of Prague Castle across the river.

From the museum we took a Prague Venice Boat Trip, which originates from under one of the bridge’s arches at the foot of the bridge, out onto the Vltava River. It was a very nice experience and gave us a different perspective from which to view the city. During the boat ride the captain steered us close to a house on the west bank and pointed to a high-water mark on the side of a building. It was the result of a devasting 500-year flood that raised the level of the Vltava River 8m (26ft) above normal. The devastation was tremendous and forced 50,000 people to evacuate their homes.

Walking back to the hotel we noticed numerous buildings with ornamentalist Art Nouveau facades featuring intricate details, natural forms and figures. The elaborate exterior decorations were popular during the late 1890s until the 1920s, when there was an effort to bring art into everyday life.

The streets between Mansson’s Bakery, a great spot for coffee and pastry, and Old Town Square are full of interesting buildings and atmospheric street scenes.

The next morning, we headed to the Municipal House, a 1905 concert hall, and the Powder Tower, an old Renaissance era gate to the city. The visual contrast between the two buildings was striking. Unfortunately, we missed visiting the Jubilee Synagogue, one of Prague’s finest examples of art nouveau design with a Moorish influence.

The architectural styles we encountered changed quickly from block to block and we were soon walking under an arcade which led to one of our best discoveries, Černá Madona, an amazing café where desserts and pastries are created as visually stunning pieces of art.

Nearby was the Basilica of St. James the Greater, that seemed inconspicuous at first, but when we rounded the corner to its entrance, we were captivated by a large stone relief sculpture above the door that depicted a fluid scene of saints, angels and cherubs ascending higher.  It drew us in and we were enthralled by the church’s lavish 18th century Baroque interior, which was so busy with murals and sculptures we were not sure where to look first.

We returned to our hotel through the quaint Týn courtyard, which originally started as a fortified merchant’s warehouse, with workshops, and lodges, like a caravanserai, in the 11th century when Prague was part of the Holy Roman Empire. It was predominantly used by German traders who were required to pay their ungelt, a customs tax there.

This growing and prosperous German trading community eventually funded the construction of Church of Our Lady before Týn in the 14thcentury. By the early 1900s the courtyard’s glory days had passed and the buildings were neglected until a 1990s renovation of the area reestablished it as a tourist destination. One of the best dinners we had in the city was just down the street from the courtyard at the vegetarian/vegan restaurant Maitrea, where we enjoyed an absolutely delightful evening.

Many folks choose to walk up Zámecké Schody, the castle stairs, which start near St. Nicholas Church in Malá Strana to visit Prague Castle. But our knees are not what they used to be, and we used a Bolt ride to drop us off above the castle at Loreta Praha, a beautiful pilgrimage site built around a replica of the Holy House of Nazareth, which is believed to be the house where the Virgin Mary lived and received the Annunciation.

It is a fascinating complex with cloisters, the 18th century Church of the Nativity of Our Lord with a marvelous Roccoco interior, and the Loreto Treasury that safekeeps the shrine’s ecclesiastical treasures; the centerpiece of its collection is the Prague Sun, an ornate 17th century monstrance with 6,222 diamonds, which was crafted in Vienna.

In 2011 a long forgotten 1600s crypt was rediscovered at Loreto. Opening it unexpectedly revealed a tomb covered in gruesome yet heavenly black and white frescoes, the artwork copies of works by Dutch artists that included Rembrandt, Govert Flinck, David Vinckboons, and Hendrick Goltzius. The artist who created them was assumed to be an unknown monk. A full-size recreation of the crypt is now on display in the Loreto museum.

It was a pleasant downhill walk from the shrine to Prague Castle, passing fascinating examples of period architecture along the way, particularly Schwarzenberský Palace, a Renaissance era building that is now a museum featuring a collection of historic Czech art and medieval weaponry.

A crowd was gathering in front of the Castle in expectation of the changing of the guard ceremony which occurs every hour at the ornamental gate in front of the palace’s first courtyard. The gate features a monumental sculpture called the Clash of the Titans-Standbeeld which towers over the zebra striped guardhouses.

The castle is a sprawling array of majestically scaled buildings, the most impressive of which was St. Vitus Cathedral, with its beautiful interior, and the elaborate silver crypt of St John of Nepomuk, which dominates a side aisle of the church.

Construction of the Gothic cathedral started in 1344, but wasn’t fully completed until 1929. The delay was caused by devasting plagues and centuries of wars. The scale of the grand banquet hall in the royal place was also impressive.

It should really be part of the overall ticket to the castle, but unfortunately there is a separate entrance fee to Zlatá ulička u Daliborky, the “Golden Lane,” a row of buildings first used as barracks for the castle guards, but later the home of numerous goldsmiths that setup shops along it. The street was somewhat interesting, but can surely be missed if you are budgeting.

They are a number of spots within the castle grounds that have scenic views of Prague, but the best was at the mirador at the top of Zámecké Schody, the castle stairs, that lead back down to the Lesser Town.

On our last day in Prague we set out on a long walk to see the Dancing House, built in 1992, a deconstructivist project by Croatian-Czech architect Vlado Milunić and Canadian-American architect Frank Gehry that emphasizes a fluid asymmetrical design in the New Town section of the city. The undulating shape of the building has earned it the nickname Fred and Ginger (after the famous dancers Fred Astaire and Ginger Rogers). It stands out strikingly from the 19th century buildings which surround it.

Afterwards we set out on a route that zigged and zagged across New Town to see several interesting sculptures, which unbeknownst to us at the time, were more works of Prague’s favorite hometown artist David Černý. We first came across his large aircraft shaped butterflies with moveable wings that hang on the façade of the Levels building, an ultra-modern gaming facility. “The butterflies symbolize peace, while the Spitfire aircraft represents war,” and are a tribute to the 359 Czechoslovak fighter pilots, who served in RAF squadrons during World War II.

We enjoyed wandering in part of the city we hadn’t previously explored. There seemed to be something that interested us down every lane.

Eventually we arrived at Černý’s Franz Kafka head, a 11m (36ft) tall stainless steel kinetic sculpture of the writer’s head that is composed of 42 layers that shift on a regular schedule to alter the head’s shape.  It draws quite a crowd that patiently waits for the subtle changes to happen.

Our next stop was the Lucerna Palace, an early 1900s Art Nouveau shopping and entertainment venue that was the precursor of the modern mall. From its ceiling hangs Černý’s Saint Wenceslas Riding a Dead Horse. The 1999 piece is said to represent the artist’s opinion on the “political situation in the Czech Republic at the time and his views on the state of society.”

Though there are 22 tram lines that criss-cross the city, the best way to absorb the ambiance of Prague it is to wander its cobbled lanes and soak in the amazing architecture and streetscapes of one of Europe’s most beautiful timeless cities.

We had originally planned to spend 5 nights in Prague, but the airline we used canceled their flight on the day of our original departure. If we had that extra day, we would have used the time to explore the area around the National Museum and the Jerusalem Synagogue, both of which are in the New Town section of Prague. 

We had a grand time in the city and hopefully will get the chance to return one day, and maybe find the other 20 sculptures of Černý that are installed around the city.

Till next time,

Craig & Donna