Portugal Road Trip – Part 4: North to Amarante (They’re Obsessed), Guimares & Soajo

Cresting the ridgeline that overlooks Mesão Frio, we left the vineyard-covered slopes of the Douro Valley behind us and headed to Armarante on roads lined with forests and fields. Crossing the bridge over the Tâmega River we viewed a beautiful scene reminiscent of a Romanesque cityscape painted by a 16th century Dutch master, uniquely different from the other Portuguese towns we had visited so far, the ambiance and architecture more northern European than Iberian. Surprisingly for Portugal, this historic town, one of the oldest in the north of the country was never centered around a castle, even though the site has been continually inhabited since its founding in the 4th century BC.

Colorful, whimsical pedal boats were beached on the riverbank, waiting for customers, as we walked along the path that followed the river into town. It ended in a parking lot full of craft vendors, at the foot of a grand triple-arched stone bridge that spanned the river. Here in 1809 the brave citizenry barricaded the bridge and repelled Napoleon’s Army for fourteen days during the Peninsular War, before their village was looted and razed. With a bag of freshly roasted chestnuts in hand, we strolled through the craft fair and came upon a grandmotherly woman with a table full of doces fálicos (literally “phallic sweets”) for sale. Bolos de São Gonçalo, Saint Gonçalo cakes were created and named after a beloved 13th century hermit, and the town’s patron saint, who slept in a forest cave for many years. Yep, boldly-sized penis-shaped baked goods! Best to just allow your imagination to run wild here and you’ll visualize them perfectly. It’s thought that this tradition originated from a pagan fertility ritual and was syncretized by the church to encourage more folks to follow Christianity. It’s nice to think some early church leaders had a good sense of humor.

I digress here, but it’s my blog and I’m occasionally irreverent. What’s the back story for such cherished tradition? While he bathed in a stream, was he happened upon by a group of women foraging for firewood? His manhood was suddenly legendary, the talk of the village. “I hear the hermit has a pretty good package.” “Yes, I saw him. He’s hung like a horse.” “Someone else said it hung to his knees!” And so, legends begin and grow. Did mothers, aunts and neighbors make idols of his manhood to encourage young newlyweds who couldn’t conceive quickly? Perhaps some women made a pilgrimage to his cave in the middle of the night in the face of their husbands’ inadequacy, thus ensuring the birth of an heir. What tales do mothers tell their daughters as they stand at their kitchen tables kneading the balls of dough? Could Amarante have been the inspiration for Chaucer’s Canterbury Tales?

At the foot of the bridge stands the grand Igreja de São Gonçalo. Yes, as if naming a pastry after him wasn’t enough, he’s also celebrated on January 10th, plus there’s a June festival in his honor. Will the sacrilege ever stop, we wondered with a smile.  Unfortunately, a military dictatorship came to rule Portugal in 1926. Not nearly as liberal as the early church leaders in Amarante, and definitely insecure in their masculinity, they outlawed the pastries and festival as “obscene and against public morals.” Like resistance fighters, the practice went underground and Bolos de São Gonçalo were made and exchanged behind bolted doors, in order to hide from the dreaded pastry police! Wait, I just make that up! The tradition was allowed again after the last dictatorship fell during the Carnation Revolution in 1974, which eventually led to Portugal becoming a democracy again. The June São Gonçalo Festival is now one of the most popular events in Portugal.

Dating from the mid-1500s, the interior of the church is known for its gilded pulpits and baroque altar. It also features an amazing organ held aloft by sculptures of fish-tailed giants. São Gonçalo’s tomb stands in a side chapel. His stone features have been rubbed smooth over the centuries by folks hopeful for love and marriage. The cloisters attached to the church have been renovated into the Museu Municipal Amadeo de Souza-Cardoso, which is dedicated to the works of many famous artists and writers born in Amarante.

Included amidst the artworks on exhibit are the “The Devils of Amarante,” two near life size, carved wooden statues of he and she devils, with exaggerated sexual features. They are thought to be of Nubian or Far East origin and gifted to the monks of the convent by a sailor or merchant returning from a Portuguese colony sometime in the 1600s. These beloved mafarricos, tricksters, were used by the monks to frighten their congregation before confession. To the horror of the monks, French soldiers dressed the devils in religious vestments and paraded them through the streets before putting the statues and the town to the torch in 1809.  The distraught friars quickly tasked a local craftsman to replace them. This troubled pair was then later ordered expelled from the walls of such a sacred institution by King D. Pedro V, The Hopeful, when he visited sometime in the mid-1800s. They were hidden away until 1870, when the Archbishop of Braga, José Joaquim de Moura, who thoroughly lacked a sense of humor, ordered them burned again! The Prior of the Convent didn’t have the heart to destroy this cherished pair, but ordered the male statue be castrated. A local wood sculptor was tasked with reshaping the she-devil to be less offensive. Somehow Alberto Sandeman, of port wine fame, discovered them and shipped them to London to promote his business. Outraged that their mafarricos were sold and their culture misappropriated, the citizens of Amarante waged a decades long campaign to have them returned. Finally, after much public anguish and through the intercession of the Portuguese Minister of Foreign Affairs, their return was celebrated with a parade through the streets and the crowd singing “Aí vem os Diabos!”, “Here come the Devils!” They are still celebrated every August 24th.

Crossing the narrow bridge, we were surprised that cars are still allowed to use it. We were in search of a café with tables overlooking the river. The cobbled lane seemed to be lined with every other shop window displaying various sizes of doces fálicos. Cocks, dicks, peckers, peters, schlongs, willies and weinies, from three feet long to bags of full of thumb sized ones for wedding shower gifts, and every size in between were proudly displayed, front and center. Does size really matter? Seems this quaint village is possessed and has been wrestling with this archaic question for centuries. Why is this religious monk associated with having a big one? Really, there must be something in the drinking water.

After our adventurous morning in Amarante, the afternoon in Guimarães seemed tame by comparison. The day was still mild, but the sky had greyed by the time we reached the Castelo de Guimarães. An impressive shield-shaped castle with eight towers and a massive keep at its center, it crowns a small hill. It was built in the mid-900s on the orders of Countess D. Mumadona Dias to protect the nearby town and monastery from Viking raids, which did torment northern Portugal in the 10th century, and Moors who were contesting the area. In 1095, when Portugal was still part of Spain, the King of León and Castile gave his daughter D. Teresa in marriage to the French nobleman, Henry of Burgundy, as a reward for his heroic efforts to drive the Moors from Northern Spain. The castle and lands extending to Porto were part of her wedding dowry. It is believed Teresa gave birth to Afonso Henriques in the castle. An advocate for Portuguese independence, he would later crown himself the first King of Portugal in 1139, establishing Guimarães as Portugal’s first capital, after defeating his mother who allied herself with the King of León and Castile, her father.

The Igreja de São Miguel do Castelo is set a short walk down the hill from the castle’s entrance. A rather austere medieval church, its floor is created of gravestones of ancient nobility. Their carved stone features have slowly been worn away over centuries by the feet of the faithful. It is also believed that Afonso Henriques was baptized here.

Farther down the hill stands the 15th century Paço dos Duques, Ducal Palace, with an exquisitely crafted cathedral ship’s hull ceiling. The former royal residence is full of exquisite renaissance era artworks, castle furnishings, and priceless items from the Far East. Large Flemish tapestries celebrating military victories hang on the walls. The collection represents the vast wealth flowing into the country from its far-flung colonies during the age of exploration. Portugal was at the time a superpower.

The Trovador City Guest House was our home for the next two nights. Set on a small square across from the historic district, it occupies three historic buildings which have been keenly modernized. For €43 a night in October it was a tremendous value, and we were able to use one of the hotel’s parking spaces on the square for free.

After dropping our bags in the room, we walked along cobbled lanes that twisted about through the old town. Narrow centuries-old buildings, many three or four stories tall with colorful Azulejo tile facades and shallow wrought iron balconies, lined our way. Our destination was the Padrão do Salado, a 14th century monument, then on to Largo da Oliveira in the Centro Histórico. It commemorates the Battle of Salado in 1340, when combined Spanish and Portuguese armies defeated a larger Muslim force in southern Spain. It’s an arched rectangular structure open on four sides. A stone roof shelters a tall cross with the Portuguese Coat of Arms at the base. 

Adjacent to it stands the Igreja de Nossa Senhora da Oliveira. In 949, the church was built as part of a Benedictine monastery financed by Mumadona Dias, the same Countess responsible for Guimarães Castle. She’s an interesting character in her own right. Refusing to remarry after her husband Count Hermenegildo González died, she ruled alone an area from the Minho River to Coimbra, which would eventually become the foundation of Portugal. Suddenly the square erupted into a cacophony of music, when a group of folk singers joined a group of accordion players and burst forth with song. We grabbed an open table on the plaza, ordered beers, and tapped along.

The next morning, we headed to see the espigueiros, stone granaries, of Soajo and Lindoso. These really are off the beaten track destinations in the far north of Portugal near the border with Spain. It’s a remote mountainous region that includes the Parque Nacional Peneda-Gerês, an area where wolves still roam. The sunny days we had at the start of our trip slowly evolved into rain showers, and then downpours. I hesitate to say unfortunately because we’ve been quite lucky over the years concerning adverse weather. It did slow us down a bit, and I do prefer blue skies in my photos, but moody works too. Oh, and there was that funky windshield wiper on our rent-a-wreck!

The vineyards that we became so accustomed to earlier in our trip disappeared in this corner of the Minho region. Thick forests that grew to the road’s edge were occasionally interrupted by verdant pasture lands. Turning off the N203 we followed the sign for Soajo down a narrow road that crossed the Limia River. Three loose horses grazed along the road’s edge, oblivious to our passing, their pasture and owner out of sight. Farther along, a large bull eyed us from his enclosure. Signs for hiking trails to two still-standing, ancient stone bridges, the Ponte Medieval de Ermelo and Ponte Romana, attest to the long history of the area. We parked in the municipal lot.

The unique stone granaries are perched dramatically atop a rocky outcrop behind the village’s school. From a distance the twenty-four stately stone structures, elevated several feet off the ground, could be confused for ancient sarcophagi of long dead Kings and Queens. The unique structures, now textured with lichen, were built to keep vermin away from farmers’ harvested crops. Evidently effective, several were still being used. Though they appear much older, the espigueiros were constructed in the 18th and 19th centuries.

The rain came down harder as we sought warmth and hot coffee at Seara Nova, the only café open mid-week during the slow season. “Ah, he’d like an Americano,” my request broadcast across the café with a smile to her pal stationed at the espresso machine. “As much as I try to convince him otherwise, he always does,” my wife apologized as she ordered a cappuccino. It’s not that I don’t enjoy an espresso, all the coffees in Portugal have been great, but they just don’t have enough liquid in them to satisfy my java cravings. And like the Brits with a proper cup of tea, I’m inspiring the uninitiated in how to serve a good cup of joe. Just top that cup of espresso off with hot water to the rim of the cup and its perfect. Smiles all around. I was not disappointed. Our two cafes and pastries came to less than €4. 

Warm again and relieved that the rain had stopped, we drove to Lindoso to see their espigueiros and adjacent castle. Here, about fifty granaries sit on a gentle slope that leads to the town’s castle. The castle’s proximity was an added bonus and we quickly scampered up the hill to investigate. It was built in the 13th century during the reign of Afonso III to defend Portugal’s northern frontier from Spanish invasion.

The border in fact is just a catapult shot away. It was renovated in the 1600s to include an outer star-shaped bastion defensive wall, with a moat and drawbridge, along with watchtowers and machicolations for pouring hot oil on any besiegers. Despite all those impressive defensive features, Spaniards captured it for a brief time. From its walls we watched a moody mist begin to fill the valley below.

We heard Braga calling.

Till next time, Craig & Donna

Portugal Road Trip – Part 3: Everywhere a Miradouro – Into the Douro River Valley

Portugal is blessed with wonderfully diverse landscapes, making it a challenge for photographers like us to actually make any forward progress in a timely manner toward our ultimate destination. As we were constantly tempted to divert and explore a photo opportunity.  Fortunately, after a time the backroads from Ucanha narrowed. Only teasing us with vistas quickly glimpsed, as if shuffling a deck of cards, between houses hugging the road that snaked down into the Douro River Valley.  Whetting our enthusiasm for the days ahead. To our surprise we occasionally passed snowflake signs warning of wintry conditions that sometimes encompass the region. Something we had difficulty reconciling with our sunny view of Portugal, especially since we were experiencing a splendidly warm stretch of fine October weather.

The gate to Casa Vale do Douro slowly swung open to reveal a steep long driveway, which abruptly ended atop the edge of a high retaining wall. It could have been used by Portugal’s Ski Jumping team for practice, if they had one. The view was glorious. Maneul, the charming owner, helped us with the bags to our room. Within minutes we were ensconced in chairs on our balcony. Savoring our glasses of wine and the view. One of the things we appreciate about vacationing in Portugal, during the shoulder seasons, is that it’s still possible to find marvelous accommodations for under €100 a night, that include breakfast. We’d be calling Casa Vale do Douro home for the next three nights.

Incredible scenery attracted us to the Douro region, and we were not dissappointed, especially with the views from our room which faced due east. Brilliant sunrises transitioned to the river valley slowly being filled with fog.

Each morning we watched mesmerized as this ghostly blanket slowly engulfed buildings, vineyards and eventually us as we stood on the balcony. By ten o’clock it had usually burnt off.

The small village of Mesão Frio was a short walk from our guesthouse and as luck would have it, market day. Being mid-October, it was a smaller affair than what we imagined takes place during the high season, but it was still interesting enough, with cheese, meat and vegetable purveyors, along with hardware tents and garden suppliers selling seedlings for fall planting. With a round of Portuguese cheese and jamon secured for a picnic lunch later it was time to enjoy our, “walk a little then café,” break. Afterwards we wandered from one end of the village to the other, along the village’s main lane bordered on one side with a wide plaza and lined with shade trees. At the far end stood the Church of São Nicolau.

Tradition believes that the church was ordered built by Queen d. Mafalda, wife of d. Afonso Henriques in the 12th century, but the thickness of the church’s walls hint that it was constructed in the 14th century. Eighteenth century remodeling left the Baroque and Rococo character that’s visible today.  Several ancient stone sarcophagi, trapezoidal in shape, dating from the Medieval era stood under a side portico.

Heading back through the village we entered the Igreja de Santa Cristina, its interior now modestly decorated after it was looted and destroyed by Napoleon’s army during the Peninsula War of the early 1800s. Leaving only one bell tower that still stands today. It’s attached cloister, dating from 1724, was originally dedicated to Franciscan friars until 1834 when all male religious orders were banned from Portugal and their properties confiscated by the state.

Leaving many original stone details in place the building has been wonderfully repurposed as municipal offices. The most interesting detail a “janelas de vinho” or wine window from which wine used to be sold. The Regional Tourism Board located in the cloister has produced a very comprehensive 54-page Douro Tourism Guide that is a great resource and available to download for free. Listing an astonishing 120 major viewpoints, along with wineries, festivals, lodging, restaurants, and activities throughout the valley. There’s enough wonderful information in guide to encourage multiple vacations into the area.

After coffee, we drove leisurely along the north side of the river, stopping frequently to take photos. Driving through Peso da Régua to Covelinhas, where we followed the sinuous road high up into the mountains.

Occasionally passing olive groves and fruit orchards, their novelty highlighted by being oddities in a sea of grapes, until we reached the Miradouro São Leonardo de Galafura. At an elevation of 2100 feet it’s one of the highest viewpoints overlooking the valley.

Hawks circled on the thermal updrafts below us. As far as we could see, waves of undulating vineyards covered the hillsides, their pattern like a stone thrown into a pond. The unbroken views from the miradouro seemed if we were flying.  

Highly recommended by our host we dined each evening in Mesão Frio alternately at Tasca do Zéquinha an intimate rustic eatery with a silhouette of a wine cask hanging above the front door. Inside was a small bar packed with regulars. With a smile one pointed us upstairs when he saw our dismay that it was standing room only on the street level. Upstairs we were pleasantly greeted in a small dining room of eight tables. We enjoyed lamb chops, a rare and outrageously expensive menu item in the states, but well priced here and delicious. Fully sated, we were pleasantly pleased with how inexpensive appetizers, a house wine, dinner, dessert, and coffee were. In the Douro Valley the wine choices are infinite, or fathomless and as much as we enjoy wine, we are not knowledgeable oenophiles and are content with most restaurant’s house wines. Which in our experiences have found to be very good. 

The next night we ate at Convívio. Honestly, I can’t remember what we ordered, but we thoroughly relished the meal and the house wine. Here the house wine was a bottle of Serro d Asno, which featured a humorous illustration of a donkey’s ass. I’m not sure if the waiter was secretly a radical protesting the invasion of tourists into the Douro Valley or expressing his discontent with something I did not say, ha ha, my mind wanders. The wine was very good. Unfortunately, we haven’t been able to find it here in the states. For a change of pace we had dessert and coffee at Café Avenida, which features a tantalizing display case full of their divine homemade pastries. Staying open to 12AM, this quiet place is the ultimate experience for nightlife in Mesão Frio.

The waters of the Douro River rise in the mountains of central Spain, north of Madrid and flow of west for 557 miles before meeting the pounding waves of the Atlantic Ocean on the Portuguese coast at Porto. The famous region known for its production of Port, a fortified wine, encompasses 615,000 acres along 75 miles of river valley from the Spanish border to Mesão Frio.  

In September 1756 a Portuguese royal charter acknowledged the Douro River Valley as the exclusive region for the production of Port wine. Becoming the world’s first wine region to have a formal demarcation or DOC (Denominação de Origem Controlada).

Though renowned for its Port wines, today production is evenly divided with Douro table wines, which are gaining international recognition. Eighty different grape varietals, many native to Portugal, are cultivated in the region, but by far the most popular red grape varieties are Touriga Franca, Tinta Roriz, Tinta Barroca, Touriga Nacio, nal, Tinta Cao, and Tinta Amarela. While Rabigato, Viosinho, Malvasia Fina, Donzelinho, Gouveio, and Codega are the favored white varieties. Used alone to make full-bodied reds or delicate white wines they are also blended to create the beloved Port wines of the region.  Interestingly grapes growns for Port wine are planted on rocky schist areas while grapes grown for table wines favor a looser soil. The steep terrain of the narrow-terraced hills along the valley are no match for modern harvesting equipment, dictating that every September into early October the grapes are harvested by hand.

Small hamlets with parish churches of all different sizes are speckled across the landscape of the Douro Region. Picking one out on the map we headed to Cidadelhe for the Igreja de São Vicente. Built in the 1700s the stately baroque-style church is showing its age, with its textured graceful patina along with faded and peeling wood.

The backroads through the Douro Valley offered endless vistas of rolling hills and vineyards beginning to display their fall colors around every bend of the road. Fortunately, in October there were few cars or caravans on the roads and we able to stop often. With 119 official viewpoints in the region there’s and infinite number of photography worthy panoramas available just by pulling over onto the shoulder. The landscapes were endless. The fog intriguing.

We really didn’t have any solid plans for our time in the region. No must to this or that. Instead we chose, often remote miradouros on the map for our morning and afternoon destinations. The journey to reach them an integral part of the adventure.

We just brushed the surface of this alluring Douro Valley region. Hopefully, one day we’ll get a chance to return.

Till next time, Craig & Donna

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Portugal Road Trip – Part 2: For the Love of Guardrails

To misquote RWE, “It’s the journey, but an interesting destination helps.” We left Tomar, destined for Piodão, one of the 27 Aldeias do Xisto, Schist villages, in the mountainous central part of Portugal. Only two and a half hours from Tomar, we rarely passed another car as we drove. Our route quickly transitioned to serpentine roads traversing rolling hills covered in eucalyptus and pine forest. Then the higher above the tree line we drove, an expansive vista of shrublands fielding heather, broom, carqueja and rosemary were revealed. Hair raising, twisting and turning roads would truthfully be a better description, made all the more unsettling because there seemed to have been a transportation department budget crisis, as in, they forgot to install guardrails on most of those mountainous roads! My wife’s knuckles were white from tightly grasping the “Oh Jesus” handle above her door. With all the gorgeous panoramas, they could have planned more miradouros for folks to safely enjoy the views from.

We are not novice mountain drivers, having taken many switchback roads to remote places on several continents, which has reinforced or belief in and appreciation for a nice sturdy guardrail when we see one.

This was also the day our moody rent-a-wreck of a car went psychotic, every warning light on the dashboard blinking violently in Portuguese, requiring us to pull over to check the vehicle. Reluctant to turn off the engine in such a remote area, we listened closely for any sounds of motor distress. The car sounded fine. We drove on. With a quick, blind left turn and an “Oh God!” we descended a steep single lane road on the far side of the village that eventually led us across terraced slopes to Casa da Padaria for the night.

With warm greetings and help with our bags Gorete, the innkeeper, showed us to our room. For many years, decades before its renovation, the inn served as the town’s bakery run by Gorete’s father in-law. She and her husband returned to the village and remodeled the original building into a small four-bedroom guesthouse. The bakery’s large brick oven still takes up one whole wall of the breakfast room, which also displays a huge dough trough and long wooden bread peels used to take the loaves out of the wood fired oven.

Schist, schist, schist, everywhere schist! Walls, roofs, cobbled lanes, terraces, everything in the village is built with this durable brown and grayish stone, from a distance giving it the appearance that it has grown organically from the earth of the box canyon that shelters cradles it.  Everyone’s blue doors and window frames are not the result of superstition to ward off demons or to bring good fortune, but a shop keeper buying many years’ worth of paint in only one color. It became tradition.  

Channeled narrow rivulets of cold mountain water run quickly between homes, under doorsteps and along the edges of walkways before cascading downhill into irrigation trenches for the terraced crops below the village.  Small fountains throughout the hamlet offer spring water for drinking and washing for some of the older homes that still might not have plumbing.   

Slowly exploring the village, we made our way to its central plaza for dinner at O Solar dos Pachecos and enjoyed delicious bowls of Moelas Guisadas a Portuguesa, stewed chicken gizzards. This dish might not be for everyone, but it is truly one of Portugal’s culinary treasures. The owner enthusiastically shared tidbits of information and pointed across the way to the only mailbox in this unique village for the 120 full-time residents left here. Pity the poor postman otherwise trying to figure out the twist, turns and stairways of the hamlet’s ancient lanes. Surely everyone gets to know one another this way with the mailbox strapped to a tree on the main square in front of the village’s only white-washed building, the church.  Before leaving he suggested we enjoy some of the hiking trails the area is known for with a short trek through the valley to Praia Fluvial de Foz d’Égua, a scenic spot with a suspension bridge over a stream that widens into a natural swimming hole. Later for coffee and dessert we watched part of a soccer game on the TV above the bar at O Fontinha.

Piodão owes its unadulterated charm to the fact that it was pretty much forgotten and slowly abandoned until the 1970’s when the donkey and horse trails leading to the village were replaced with roads carved into the isolating mountains of the Serra do Açor that surround it. It is located not far from Parque Natural da Serra da Estrela and continental Portugal’s highest peak, Torre at 6,539ft. Difficult terrain lured fugitives, seeking to escape justice, to the isolated villages of the area. Allegedly one of the assassins of D. Inês de Castro, the mistress of Pedro l, sought refuge here in the late 1300s. Other than that interesting historical footnote and mention in a 1529 census, folks got by on a subsistence economy of farming, grazing sheep and goats, along with wood and stone cutting for centuries.

Its rediscovery and revitalization in the 1980’s brought the isolated village built with the abundant local schist stone recognition as one of the “most Portuguese villages of Portugal,” with a Galo de Prata “silver rooster” award.  

Waking during the night to close the window against the mountain chill, I observed a full moon illuminating a single arched stone bridge over a babbling brook at the bottom of the valley. The mountain songbirds were loud enough to encourage an early wakening as the sun rose over the ridge behind the village. The next morning Gorete’s homemade jams, pastries and a neighbor’s artisanal cheese nourished us before we explored the village and moved on.

The drive to Praia Fluvial de Foz d’Égua was through forest thick with oak, chestnut and laurel cherry and arbutus trees. Arriving, we understood immediately why this beautiful area is such an out of the way tourist magnet. Traveling during the fall shoulder season, we were fortunate to experience the tranquility of this serene spot in solitude.

Continuing the next day, we headed north to Ucanha for its old Roman bridge with fortified tower that spans the Rio Varosa. In the off-season not as many restaurants are open, but we were fortunate to find Casa da Eira near the bridge still welcoming folks for a splendid meal.

The walk to it was down a lane bounded with high walls draped with bunches of grapes dangling beneath, the vines sporting brilliant fall foliage. Just before reaching the restaurant, we peeked through the broken shutters of a long-abandoned church, its wedding cake altar and walls stripped of any religious embellishments.

After lunch we strolled across the bridge and under its tower which served as a toll booth for travelers crossing the river and gateway to the vast land holdings of the Mosteiro de Santa Maria de Salzedas in the 1400s, and further on to the Portuguese frontier.  

The bridge we crossed is thought to have replaced an earlier Roman structure from the first century AD. Through the tower’s archway we followed the lane up to the village’s parish church, Igreja de S. João Evangelist, that dates from 17th century.

It was surprising to learn about the ancient Roman presence here in central Portugal, but we had already noticed signs for the old Roman route as we drove through the area and tried to find two ancient bridges nearby, the Ponte Românica de Vila Pouca de Salzedas and Ponte Romana without any success while on our way to Salzedas. In searching for them, we did however thoroughly enjoy an afternoon ride through tiny hamlets, vineyards, olive groves, and apple orchards, where the tastiest apples were plucked from a tree within reach of our car window.

Reaching Salzedas we parked and walked towards the monastery across a small bridge over a dry riverbed. Stopping across from the monastery to take a photo, we spotted the most unusual statue along the watercourse’s retaining wall: a carved stone sculpture of a naked man sitting with a huge serpent-head phallus bursting forth from between his legs. Its location across from the monastery was all the more bewildering, but we had to laugh. Odd, just really odd, some of the things you discover when you travel.

Shorter opening hours are one of the disadvantages of travel during the shoulder season as by the time we were done exploring the Mosteiro de Santa Maria de Salzedas the small cathedral next to it was closed. Having paid fully for our entry tickets, we were startled by the guard’s request request for coins. “Do you have any foreign coins? I don’t travel, it’s my hobby and I ask all the foreign visitors if they don’t mind sharing.”  Having collected foreign money ourselves we could relate to this desire to touch something of the outside world. “We have some somewhere in our suitcase. I’ll check before we go,” I replied. The attendant replied with a subtly disappointed, “okay.” We were sure he thought we were just giving an excuse as we climbed the stairs to the exhibition.

From its placement in 1155 near the Torno River, in keeping with the sect’s requirements that its buildings be near watercourses, this was one of the largest and wealthiest Cistercian monasteries in Portugal, having been gifted extensive land holdings, by a royal patron, with the express duty of exploiting the land for profit. A century later it was consecrated after the monastic complex was finished. Over the centuries it continued to be financed by various members of succeeding royal dynasties, perhaps seeking divine intervention or to influence the politics of the almighty Catholic church. Like all things old, it underwent several significant renovations during the 16th and 17th centuries. The addition of a second larger cloister in the 18th century left the façade of the monastery we saw today.

“Enough is enough, we’ve had enough,” could have been the chant of the Liberal government after their victory over the Absolutists at the end of the Portuguese Civil War, 1828 -1834, a war fought for basic human rights and to reverse centuries of disenfranchisement from autocratic monarchies and their allies, namely the Catholic church. Reforms started by the enlightened Marquês de Pombal in the mid-1700s to restrict the powers of old aristocratic families and the church with the expulsion of the Jesuits from the Portuguese Empire had stalled. In 1834 the new minister of justice, Joaquim António de Aguiar, enacted a law, The Extinction of the Religious Orders, requiring the dissolution of “all monasteries, convents, colleges, hospices and any other houses of the regular religious orders.” Their properties and moveable assets were to be nationalized and sold, the profits to be entered into the National Exchequer. Convents were allowed to stay open until the last nun died. Joaquim António de Aguiar earned the nickname, O Mata-Frades, “The Friar-Killer,” because of the anti-ecclesiastical spirit of this law. Over 500 monasteries were closed. Urban buildings were easily sold and repurposed, but many monasteries and convents in the rural areas were abandoned. Their religious art and iconography was redistributed to local parish churches, sold into private collections or “lost.” The Santa Maria de Salezadas Monastery sat abandoned and left to ruin for over 160 years until renovation work started in 2002 and culminated in the reopening of the cloisters in 2011 as a museum with displays of the monastery’s medieval and renaissance religious art and treasures recollected from afar.

With a wave and “thank you,” we left the monastery and headed to our car. “Wait, I’ve got to find those coins for you to take him.” Returning to the car with a smile on her face, Donna relayed that he was delighted that we remembered. A small connection.

It’s the journey. We headed to the Douro Valley. 

Till next time, Craig & Donna

Portugal Road Trip – Part 1: Searching for Templar Castles

“It’s okay, you can just ignore that caution light on the dashboard. It never goes off.” “Do you have another car?” “No.” All rental cars appear equally perfect when you are making comparisons and a final selection from a website. Staying within our budget, we chose an off-airport car rental agency with good reviews, that picked us up at the arrivals terminal and sped us away to our awaiting wheels, for €12.50 a day.  The Fiat Panda assigned to us had been driven hard and put away wet, you might say. Reviewing the preexisting body blemishes with the rental agent resulted in a cartoon of the car that looked like it had been ambushed in a gangster movie and sprayed with machine-gun fire, including the roof. Nevertheless, the engine sounded fine, and our twelve-day journey began, driving in a large figure-eight, north to south route, around Portugal. Our first destination – Castelo de Almourol, before arriving in Tomar. But by the afternoon of day three we were referring to our car as the Portuguese version of the American rent-a-wreck concept. When driving through the mountains, on the way to a schist village, every warning light on the dashboard started blinking violently in Portuguese. If we had been flying an airplane, we would have donned parachutes and bailed out.  The engine sounded fine, so we flew on.

Not being sure what is open during the week in the off season, we headed for the Miradouro do Almourol, an overlook above the island that the castle commands. Located on the south side of the Tagus River, it’s not particularly easy to get to. But my wife and I enjoy the off the beaten track routes that take us through less traveled countryside. Crossing the Tagus River, we followed the N118 north into the Alentejo (beyond the Tagus) Region through flat farmlands and wine estates dating back to the 1700’s. The red wines of the area vinted with the Portuguese varietals Castelão, Trincadeira, and Touriga Nacional are acquiring international recognition now, as are the regions white wines made with Antão Vaz, Arinto, and Fernão Pires grapes.

The drive was slowed occasionally by tremendously large John Deere combines, the width of the entire road, as farmers drove them between different fields waiting to be harvested. Seasonal spring floods that replenish the soil have made this river plain an important area for cereal crops and wheat since the Roman times. Our walk a little then café philosophy quickly transformed into drive a little then café when we did our first U-turn of the trip as we passed a small place that had a tractor parked in front. Our espressos only €.70 each. It was nice to be back in Portugal.

The wetlands of the Tagus River valley are ideal for bird watchers looking for black-winged stilt, marsh harrier, purple heron, pratincole and Kentish plover. Occasionally we spotted storks atop centuries-old chimneys of abandoned homes, resting in new nests that were stacked like pancakes atop older ones before continuing their winter migration south to Africa. Quiet lanes, faded sun-bleached pastels, and centuries old weather-worn buildings dotted the landscape. Bullrings, Praça de Touros, still stand in Chamusca and Salvaterra de Magos, and the latter’s traffic circle has a large sculpture of a cavaleiro and bull to celebrate the tradition. Though interest in bullfighting has been waning since Queen Maria II of Portugal banned the spectacle in 1836 with the argument that it was “unbefitting for a civilised nation,” it regained popularity in the Alentejo region after the fights were reinstated in 1921, and the climatic killing of the bull was outlawed in 1928.

Before we reached the castle, we stopped for lunch along the riverfront in Arripiado at the ABC Bar Café. It was a tranquil spot with a boardwalk that had a view of the Tagus River and the small village of Tancos across the water. Small boats offer rides to Almourol Castle from the Arripiado riverbank here.

With its striking island location, just below the junction of the Zezere and Tagus rivers at Constância, Almourol Castle is one of the most picturesque medieval fortresses in Portugal.

Constância was once an important fishing village during the Middle Ages where it was said the rivers there were “two-thirds fish and one-third water.”

As with most things ancient on the Iberia Peninsula, the castle’s history started with an early tribe. The Lusitanians built a small fortress on the island as protection against the Romans in the first century B.C.E. Visgoths, Vandals, Alans and Moors followed until it was captured by the Portuguese during the Reconquista in 1129 and subsequently entrusted to the Knights Templar to rebuild for defense of the frontier border at the time.  It eventually lost its strategic relevance and was consequently abandoned. Various phases of reconstruction began in the mid-1900s. 

Train service to Tancos, Castelo de Almourol and the hilltop village of Constância is available from the Santa Apolónia Station in Lisbon. The trip takes about an hour and a half.   

We arrived in Tomar just as the late autumn sun was low in the sky and beginning to cast lengthening shadows on the forested slope that led to the jewel that crowns this quaint village.  We followed the winding cobbled lane to Castelo de Tomar and only got a brief glimpse of the castle through its outer gate as the heavy wooden door was closed for the day with an echoing clang. The castle combined seamlessly with the Convento de Cristo next to it and creates an immense structure that’s best observed from a distance to appreciate its scale. Admiring the expansive view from the miradouro in front of the castle, we made plans to return the next day via a tuk-tuk taxi, from the town square.

This beguiling medieval village with its narrow lanes and tranquil riverside location discreetly hides its outsized contribution to the history of Portugal.

It starts with those mysterious Knights Templar when in 1159 the first King of Portugal, D. Afonso Henriques, granted land to Gualdim Pais, the fourth Grand Master of the Knights Templar in Portugal as reward for their military prowess and religious zeal during the Portuguese wars for independence and the subsequent Reconquista. When the town was first founded, the population was so minuscule, most of the villagers lived behind the castle’s defensive walls.

In 1160 Gualdim Pais order the construction of a monastery and fortified citadel that would be known as the Convent of Christ, a combination of a fortress and a monastery, that is sometimes referred to as the Convent of Christ Castle. The convent’s most interesting feature is a round sanctuary with an ornate ceiling soaring over a central altar, its design said to be influenced by the Church of the Holy Sepulcher in Jerusalem.  Legend states that the knights attended mass on horseback here, the open circular design facilitating the horse’s easy entrance and exit. Famously in 1190, outnumbered Templars defeated a larger Muslim army after their six day siege of Castelo Tomar failed.

Founded in 1118 and slowly gaining recognition from their vowed mission to protect pilgrims journeying to the Holy Lands, the Knights received Papal endorsement in 1139. Pope Innocent II’s Papal Bull sanctioned the Templars as “an army of God,” and provided them special rights that included exemption from paying taxes, allowed them to build their own oratories, immunity from local laws, freedom to cross borders, and obedience only to the Pope. With this blessing Pope Innocent ll made the first papal monetary gift to the Templars. Now a church-endorsed charity, they began receiving land, money, businesses and young nobles from wealthy families who were enthusiastic to find glory in the crusades and willingly donated their assets in order to take the vows of poverty, chastity, piety, and obedience.

Today the Templars most likely would have been charged with running a racketeering enterprise which forced pilgrims and others to pay for protection services they have not requested. This protection was usually from the very people who were demanding the money in the first place.

Things were going well for the Templars across Europe until 1307 when King Philip lV, heavily indebted to the Templars from a war against England, lobbied the Holy Church to disband the Knights Templar as it was a state within a state with its own military, preached heresy and practiced idolatry.

The Templars’ fatal day (eerie music, please) was Friday, the 13th of October 1307. Early that morning all the Templars in France were arrested as enemies of God. Upon torture many falsely confessed and were burned at the stake.  A month later Pope Clement V, a relative of King Philip, decreed that the rest of the Catholic kingdoms in Europe should arrest the remaining Templars and seize their properties. All complied except Portugal!

King Dinis of Portugal did not believe the charges leveled against the Templars, remembering instead their service to a fledging country, and offered sanctuary to knights that had escaped capture.  He then persuaded Pope Clement to support the creation of a new organization, the Order of Christ, into which he transferred all the Templars’ wealth and holdings. The new Order’s mission was now the liberation of the Iberian Peninsular from the Moors and wars against Islam in Africa.

Same group with a new name, but to ensure that the deception of the Pope succeeded, the headquarters of the new order were established, almost in exile, 210 miles away in Castro Marim, a frontier town on the Guadiana River, that serves as the border with Spain.

One hundred years later Dom Henrique of Portugal, Duke of Viseu, better known as Prince Henry the Navigator, allowed the Templars/Order of Christ to return to their former seat of influence in Tomar.  Here they now helped Prince Henry the Navigator establish a medieval think tank: a research institute dedicated to developing navigational tools for a ship to determine its accurate position at sea, relying on the Arabic studies of astronomy, mathematics, trigonometry, which were farther advanced than European knowledge at the time.

The Order of Christ succeeded the Knights Templars as the country’s banker and financed building the fleets of ships needed at the beginning of Portugal’s nautical age of discovery. As rewards, fleets of caravels with white billowing sails boldly embellished with the distinctive red cross of the Order (perhaps the first attempt at global branding) carried explorers down the west coast of Africa and around the Cape of Good Hope into the Indian Ocean in 1487. Portugal’s age as an expanding empire had begun!

Wandering the cobbled lanes of the old town in mid-October, we seemed to have the whole village to ourselves. Later, as the day was perfect, we walked along the Nabao River, crossing a small footbridge in Parque do Mouchão. The view back toward the village was sublime with ducks slowly trailing ripples through the mirrored reflections of the buildings in the water.

Till next time, Craig & Donna

Lodging: Casa dos Ofícios Hotel

Dining: Restaurant Beira Rio and Sabores ao Rubro

Seville Part 4 – Road trip to Olvera & Setenil de las Bodegas

The countryside on the way to Olvera was more verdant than the earth toned landscape we traversed on our way to Zahara de la Sierra at the beginning of our road trip.  Now the hillsides were a mosaic of greens, light and soft, dark and vibrant, signaling the arrival of spring. 

As the road curved, Olvera’s Castle and the belltowers of the town’s church broke the horizon. We are never quite sure where to park in small villages.  Worried about getting fined for a parking violation, we always opt to play it safe and find a car lot.  But the parking in Olvera was at the bottom of a steep incline below the historic castle and we just didn’t have the oomph that morning to walk from there uphill and then continue higher to the top of the tower.  With some persistence we navigated the town’s labyrinth of narrow one-way lanes into the Plaza de la Iglesia. At the apex of the village, the plaza straddles the area between Olvera’s citadel and the town’s majestic church, Our Lady of the Incarnation Parish.  Since it was still the off-season, we were in luck and found the last, barely viable parking spot on the plaza. It was a narrow space that required the driver’s side door to be parked tightly against a wall. Fortunately, I’m still limber enough to climb over the car’s center console and stick shift, with a limited amount of grunting and moaning.

The view from the mirador at the edge of the plaza was wonderful.  Incredibly, the views across the village continued to get better and better as we climbed the different levels to the top of the Castillo de Olvera, perched atop a rocky outcrop at an altitude of 2000 feet. The climax was a spectacular view of the cathedral and panorama of whitewashed homes with red tiled roofs backed by a shimmering sea of silver green foiliage. Outside the village, the surrounding olive groves harbor nearly two million trees.

Constructed in the 12th century, the castle was part of a line of signal towers along the Moorish frontier in southern Spain. The castle was expanded in the 14th century when it was captured by King Alfonso XI during the Reconquista. The castilo is one of five in proximity to each other on The Castles Route, Witnesses of the Spanish Reconquest through the Moorish Strip, a no-man’s land that separated the ancient Christian Andalusia frontier from the Arab Kingdom of Granada. The other castles on the circuit are Castillo de las Aguzaderas, Castillo de Cote, Castillo de Morón de la Frontera, and the Castillo del Hierro.

With its size and architectural presence, Our Lady of the Incarnation Parish looks more like a cathedral than just a church. The neoclassical church was started in 1823 on the foundation of an earlier dismantled, gothic- mudéjar style church and dramatically counterbalances the castle on ridge above the village.  Ordered built by The Dukes of Osuna, the feudal lords over Olvera, the vaulted interior is lined with marble imported from Italy and has many interesting religious icons. To fulfill this extravagance the Dukes diverted the town’s taxes, away from improving the village, to pay for it.  They were the last feudal lords over Olvera and declared bankruptcy in 1843 when the church was completed. Then fled, never to be seen again.

A cloudless morning in Olvera turned overcast by the time we arrived in Setenil de las Bodegas only thirty minutes later. While considered a pueblo blanco, it’s totally different from Olvera and Zahara de la Sierra where the homes ascend the steep slopes under their town’s hilltop fortress.  In Setenil de las Bodegas, whitewashed homes front caves under large stone overhangs which line both sides of a gorge, created eons ago from the erosion caused by the swift moving water.

The homes along the gorge use the mammoth natural stone ledge as their roofs. The once raging Rio Trejo is now a quiet stream in the narrow gorge, which widens into a shallow ravine where an ancient Moorish castle still guards the approach to the village.  When the Romans colonized the area two thousand years ago folks had already been dwelling in the natural caves along the gorge for several millennia. Over the centuries the cave fronts were enclosed to create the unique village that still survives.

Before touring the village, we checked into the Hotel El Almendra to drop our bags, just oustside the historic district, with the intent of driving back and finding parking closer to the gorge.  We were just about to pull out of the hotel parking lot when a group of police cars with lights flashing and sirens wailing roared past. A slower patrol car parked and blocked the hotel driveway. Folks were beginning to gather on the sidewalk. We had no idea why until a motorcycle carrying a cameraman facing backward led the first wave of bicycle racers that were a blur of pedaling color as they sped by. A continual surge of racers crested the knoll of the road and coursed downhill towards the village. The race was one leg of the annual Vuelta a Andalucia – Ruta del Sol. A five-day, 500 mile cross-country cycling event that summits 17 mountain passes in the region and attracts 600 riders. Leaving the car at the hotel, we decided to walk the half mile into the village.

By the time we reached Cuevas del Sol, Caves of the Sun, the narrow one-way road through the gorge lined with small taverns and inns, the sun was brightly shining again.  Even though the road is open to cars, it was filled with folks walking and was almost pinched closed by tables from the restaurants narrowing its width.  We found a table and enjoyed both the lunch and the warmth of the February sun.

Afterwards we walked the length of the lane through the deep chasm until a set of stairs led to the Mirador del Carmen and the small 18th century chapel Ermita de Ntra. Sra. Del Carmen.  The view from the overlook encompassed a sweeping vista of the valley filled with whitewashed pueblos stacked atop one another filling the valley to its rim. 

The Nazari Castle, the town’s 12th century Moorish fortress, still stands vigilantly on the edge of the valley, the invaders now camera-wielding tourists.  Across from it the Gothic style Church of Our Lady of the Incarnation, itself an imposing fortress-like structure, was ordered built by the Spanish Crown. It was constructed in 1505, above the town’s previous mosque, to celebrate the liberation of the village from centuries of Arab rule.  We walked back to our hotel along a lane above the gorge lined with newer buildings. 

Heading back to Seville before sunrise the next morning we stopped high above the village on the road that followed the ridge opposite the Cuevas del Sol, in one last attempt to capture the iconic pueblos of the village as dawn cast its first rays of light across the gorge.

Till next time, Craig & Donna

PS. Our 226-mile weekend roundtrip from Seville only used slightly more than a half tank of gasoline.

Seville Part 4 – The Pueblos Blancos – Olvera & Setenil de las Bodegas

The countryside on the way to Olvera was more verdant than the earth toned landscape we traversed on our way to Zahara de la Sierra at the beginning of our road trip.  Now the hillsides were a mosaic of greens, light and soft, dark and vibrant, signaling the arrival of spring. 

As the road curved, Olvera’s Castle and the belltowers of the town’s church broke the horizon. We are never quite sure where to park in small villages.  Worried about getting fined for a parking violation, we always opt to play it safe and find a car lot.  But the parking in Olvera was at the bottom of a steep incline below the historic castle and we just didn’t have the oomph that morning to walk from there uphill and then continue higher to the top of the tower.  With some persistence we navigated the town’s labyrinth of narrow one-way lanes into the Plaza de la Iglesia. At the apex of the village, the plaza straddles the area between Olvera’s citadel and the town’s majestic church, Our Lady of the Incarnation Parish.  Since it was still the off-season, we were in luck and found the last, barely viable parking spot on the plaza. It was a narrow space that required the driver’s side door to be parked tightly against a wall. Fortunately, I’m still limber enough to climb over the car’s center console and stick shift, with a limited amount of grunting and moaning.

The view from the mirador at the edge of the plaza was wonderful.  Incredibly, the views across the village continued to get better and better as we climbed the different levels to the top of the Castillo de Olvera, perched atop a rocky outcrop at an altitude of 2000 feet. The climax was a spectacular view of the cathedral and panorama of whitewashed homes with red tiled roofs backed by a shimmering sea of silver green foiliage. Outside the village, the surrounding olive groves harbor nearly two million trees.

Constructed in the 12th century, the castle was part of a line of signal towers along the Moorish frontier in southern Spain. The castle was expanded in the 14th century when it was captured by King Alfonso XI during the Reconquista. The castilo is one of five in proximity to each other on The Castles Route, Witnesses of the Spanish Reconquest through the Moorish Strip, a no-man’s land that separated the ancient Christian Andalusia frontier from the Arab Kingdom of Granada. The other castles on the circuit are Castillo de las Aguzaderas, Castillo de Cote, Castillo de Morón de la Frontera, and the Castillo del Hierro.

With its size and architectural presence, Our Lady of the Incarnation Parish looks more like a cathedral than just a church. The neoclassical church was started in 1823 on the foundation of an earlier dismantled, gothic- mudéjar style church and dramatically counterbalances the castle on ridge above the village.  Ordered built by The Dukes of Osuna, the feudal lords over Olvera, the vaulted interior is lined with marble imported from Italy and has many interesting religious icons. To fulfill this extravagance the Dukes diverted the town’s taxes, away from improving the village, to pay for it.  They were the last feudal lords over Olvera and declared bankruptcy in 1843 when the church was completed. Then fled, never to be seen again.

A cloudless morning in Olvera turned overcast by the time we arrived in Setenil de las Bodegas only thirty minutes later. While considered a pueblo blanco, it’s totally different from Olvera and Zahara de la Sierra where the homes ascend the steep slopes under their town’s hilltop fortress.  In Setenil de las Bodegas, whitewashed homes front caves under large stone overhangs which line both sides of a gorge, created eons ago from the erosion caused by the swift moving water.

The homes along the gorge use the mammoth natural stone ledge as their roofs. The once raging Rio Trejo is now a quiet stream in the narrow gorge, which widens into a shallow ravine where an ancient Moorish castle still guards the approach to the village.  When the Romans colonized the area two thousand years ago folks had already been dwelling in the natural caves along the gorge for several millennia. Over the centuries the cave fronts were enclosed to create the unique village that still survives.

Before touring the village, we checked into the Hotel El Almendra to drop our bags, just oustside the historic district, with the intent of driving back and finding parking closer to the gorge.  We were just about to pull out of the hotel parking lot when a group of police cars with lights flashing and sirens wailing roared past. A slower patrol car parked and blocked the hotel driveway. Folks were beginning to gather on the sidewalk. We had no idea why until a motorcycle carrying a cameraman facing backward led the first wave of bicycle racers that were a blur of pedaling color as they sped by. A continual surge of racers crested the knoll of the road and coursed downhill towards the village. The race was one leg of the annual Vuelta a Andalucia – Ruta del Sol. A five-day, 500 mile cross-country cycling event that summits 17 mountain passes in the region and attracts 600 riders. Leaving the car at the hotel, we decided to walk the half mile into the village.

By the time we reached Cuevas del Sol, Caves of the Sun, the narrow one-way road through the gorge lined with small taverns and inns, the sun was brightly shining again.  Even though the road is open to cars, it was filled with folks walking and was almost pinched closed by tables from the restaurants narrowing its width.  We found a table and enjoyed both the lunch and the warmth of the February sun.

Afterwards we walked the length of the lane through the deep chasm until a set of stairs led to the Mirador del Carmen and the small 18th century chapel Ermita de Ntra. Sra. Del Carmen.  The view from the overlook encompassed a sweeping vista of the valley filled with whitewashed pueblos stacked atop one another filling the valley to its rim. 

The Nazari Castle, the town’s 12th century Moorish fortress, still stands vigilantly on the edge of the valley, the invaders now camera-wielding tourists.  Across from it the Gothic style Church of Our Lady of the Incarnation, itself an imposing fortress-like structure, was ordered built by the Spanish Crown. It was constructed in 1505, above the town’s previous mosque, to celebrate the liberation of the village from centuries of Arab rule.  We walked back to our hotel along a lane above the gorge lined with newer buildings. 

Heading back to Seville before sunrise the next morning we stopped high above the village on the road that followed the ridge opposite the Cuevas del Sol, in one last attempt to capture the iconic pueblos of the village as dawn cast its first rays of light across the gorge.

Till next time, Craig & Donna

PS. Our 226-mile weekend roundtrip from Seville only used slightly more than a half tank of gasoline.

Seville Part 3 – Walk a Little then Café

Parts of this ancient city with its labyrinth of cobbled lanes feel more akin to a small village with an earth toned, sun drenched patina. Vibrant traditions and a youthful vitality along with numerous historic sites scattered across the city all contribute to make Seville a walker’s delight. There’s no correct way to explore the city. How you do it depends on the amount of time you have to indulge yourself in the history and atmosphere of this beautiful city. Strolling through the city is the finest way to discover its character. Immersing ourselves into the city for six weeks, we walked the familiar cobbled lanes multiple times with many variations and sporadic detours that we hope you find interesting.  Seville never ceased to charm us. 

The routes we favored most webbed out from behind the Cathedral of Seville’s Patio de los Naranjos on Calle de Placentines, around the corner from the Palacio Arzobispal on Plaza Virgen de los Reyes, and wandered through the Alfalfa, Centro and La Macarena districts.

An old-world fabric store bedecked with selections of gold embroidered trim, ribbons, and tassels hanging from worn wooden cabinets enticed us inside.  Further on the display window of a religious goods store fascinated us with its selection of all things sacred. Before crossing into the Plaza Jesus de la Pasion, the savory window display at Confiteria La Despensa De Palacio stopped us dead in our tracks. Lovingly run by generations of the Santaella family, the shop has been Seville’s premiere chocolatier and pastelería for over 250 years. The pastries were sumptuous!

Across the street the Plaza Jesus de la Pasion widens to reveal a wonderful example of 19th century Andalusian architecture. The far end of the square features a façade of red brick framing Azulejos tiles and Moroccan influenced, pointed arched windows.  The plaza also seems to be a favored place for a protest or political rally as we came across several, over the weeks we spent there.

At this point it’s possible to head one block over to visit the Iglesia Colegial del Divino Salvador, on the plaza of the same name. This is a very popular square with many restaurants and outdoor tables along with buskers providing entertainment.

The Iglesia Colegial del Divino Salvador is the second most important church in Seville after the main cathedral and features a monumental and intricately carved 18th century Baroque altar. The beautiful piece was created by the Andulasian altarpiece architect and sculptor Cayetano de Acosta, who contributed works to numerous churches across southern Spain.

Returning to Plaza Jesus de la Pasion, the far end of the square funnels into the very cosmopolitan C. Puente y Pellon. Lined with a wide variety of shops, we found the most interesting to be the Zapaterias, shoe cobblers, and the dress shops, their windows filled with colorfully clad mannequins displaying tight fitting and frilly dresses called traje de flamenco or traje de gitana, for the upcoming Seville Fair (La Feria De Abril).

Here we found what we regard as the best bread bakery in Seville, Crustum Panem Bridge and Pellón, https://www.crustum.es/ sandwiched between window displays featuring towering pyramids of tasty Bocadillo de jamón, the ultimate hoagie lunch para llevar, to carry away, for an inexpensive picnic. The bakery offered a wide assortment of breads and empanadas. Our favorite though was a very dense bread made with nuts, seeds, and dried fruit which they sold by the slice and weight.  We returned often.

A little further on the Setas de Sevilla loomed over us as we left the alley.  The Setas is a massive, multi-story, Lego-like freeform sculpture with a viewing deck atop it. Constructed entirely of wood, it nearly covers a full city block. It’s an iconic symbol of modern Seville that the locals lovingly call The Mushroom because of its shape. 

For over 150 years this plaza was the true center of the city for Sevillianos when 400 market stalls of the Mercado de la Encarnación occupied the land above the ruins of the medieval Convento de la Encarnación, from which the plaza took its name.  The market operated until 1973 when the building was demolished for structural reasons and the remaining ninety vendors were housed in temporary facilities for what was hoped to be three years.  Inaction by the city left the site closed for 31 years and the area around the plaza became blighted, until the local government sponsored an international design competition in 2004 for ideas to revitalize the plaza and return it to its former prominence. 

Jürgen Mayer, a German architect, won with a concept called Metropol Parasol, constructed with sustainable wood. At 490 feet long by 230 feet wide and just under 100 feet tall, it is the largest wooden structure in the world made with laminated Finnish pine. Its unique design features 3500 sections attached together with 16 million nuts and bolts. The interior of the Setas now hosts a daily market with 38 vendors offering fruits and vegetables, fish, meat, poultry, and cheese. The base of the monument and plaza is ringed with restaurants that have excellent outdoor seating in the shade of the mammoth structure. Inside by the market stalls are several traditional luncheonettes that offer inexpensive daily specials.

A detour to the Guadalquivir River and Triana can be easily made here by following Calle Imagen west. This walk took us past many older buildings with interesting architectural details, and the 14th century Iglesia de San Antonio Abad which hosts the Brotherhood of Silence, the oldest brotherhood in Seville.

A block away the aroma of freshly roasted coffee beans drew us into Elhombre Pez, where you can only purchase bags of whole or ground coffee beans. Their coffee beans are definitely worth the purchase if you have an apartment stay in the city.

The Seville Museum of Fine Arts, set in a former 17th century palace, is also in this direction and is an intriguing detour with its extensive collection of Spanish masterpieces.

Several blocks farther the Real Parroquia de Santa María Magdalena was an interesting discovery. Built in 1691, this Baroque church has a fascinating interior.  The small bar on the corner, Casa Murillo, was a reliable spot for café and lunch. Across the street Churreria San Pablo always seemed to have a line waiting for its sweet treats.

Calle Regina directly behind the Setas de Sevilla begins to funnel folks away from the bustling historic district and into a more residential area, though it’s still lined with a variety of shops and eateries. And if you share our belief that the food is always better and more affordable two blocks away from a popular tourist attraction, you will like this neighborhood. On this stretch Mr. Cake Sevilla with its artfully prepared and tasty offerings is a nice place to rest.

The Iglesia de San Juan de la Palma stands at the crossroad to our favorite tapas bar in Seville, the Bodega La Plazoleta. The gothic portal of the church is one of its few remaining original features. Compared to other churches in Seville its relatively small, but it features three interesting side chapels devoted to the Brotherhoods of Bitterness, the Virgin of the Head, and Our Lady of Montemayor.

The restaurant is on a small square, to the right of the church, that was far enough off the main path that it didn’t attract many tourists. Over our six-week stay in Seville this was our go to bodega for its excellent food, relaxing atmosphere and chocolate cake! The restored 15th century Palacio de las Dueñas is nearby, but let’s face it, it’s impossible to do everything and we needed to save some ideas for future visits to this wonderful city.

If you make a left at this crossroad, it’s a simple detour to the Alameda de Hércules. The origins of this large park date to 1574 and it is believed to be the oldest public garden with tree lined promenades in Europe.  The park takes its name from a statue of Hercules, the mythical founder of Seville, excavated from the ruins of a nearby ancient Roman wall.  This part of the city now has a younger hipster atmosphere and is known for its nightlife and club scene as well as its array of restaurants offering a variety of international cuisine. In this barrio the Basílica de Jesús del Gran Poder is an unusual church with its circular sanctuary which is surprisingly hidden within the church’s traditional façade.

Back at the crossroads: Thursdays are, as the name Mercadillo Histórico del Jueves suggests, the best day for this final leg of the walk. Legend says that this street market has been a feature of the city since the Moors ruled Seville.  Every Thursday several blocks of Calle Feria are closed to traffic, and it becomes a pedestrian mall lined with vendors now selling antiques and flea-market type items.  The market is a popular destination, and occasionally we felt like we were in a conga-line weaving through a sardine can.  We did find a small, folkloric style painting of Seville’s La Feria de Abril that just fit into our suitcase.

It was quite a walk from our apartment on Plaza de Doña Elvira, but our favorite local food market in Seville was the Mercado de la Feria, several blocks past the mercadillo histórico.  The market had a very authentic feel to it, being in a neighborhood that is far away from the tourist center of the city. It had a wonderful fish monger, cheese shop and fresh pasta maker. Accustomed to their neighborhood clientele, the vendors seemed surprised with our purchases which indicated that we actually cook for ourselves.  This is also a great destination for lunch as there are a number of small restaurants that ring the market.

Next to the market – It’s not always open, but if the door under the 13th century pointed Gothic arch of the Real Parroquia de Omnium Sanctorum is ajar, it’s worth stopping to investigate – is one of the oldest churches in Seville. It has gone through many incarnations over the centuries, most notably after a 1355 earthquake, and arson attack in 1936 during the Spanish Civil War.

At this point in the walk, you can choose to head back towards the Alameda de Hércules or continue on towards the towers of the Puente del Alamillo bridge, which you’ve probably already spotted, that spans the northern part of the Guadalquivir River. Head to the river. There is a wonderful pedestrian foot/bike path that follows the course of the river. This stretch of the river is also popular with anglers using traditional long poles and line gear to catch fish from its bank.

It is a long but pleasant walk south along the river back towards the bustle of Seville.  Mid span on the Puente del Cachorro is a great vantage point for photos of the historic Triana waterfront with kayakers and scullers enjoying the river.

If its late in the day and you want to catch a movie, the Centro Comercial Plaza de Armas is only two blocks inland from here, in the restored 19th century Old Cordoba Train Station.

Till next time, Craig & Donna

Ronda Road Trip – The Pueblos Blancos or Blinded by the Light

Needing a break from city life we rented a car at the Santa Justa train station and within minutes we were out of Seville heading south to Ronda, one of Andalucia’s many “Pueblos Blancos,” the white villages, so called because of their uniformly whitewashed houses.  Although it was less than two hours from Seville, it took us all day due to the number of planned stops and spontaneous detours we made.

Lime paint was introduced to the region when Rome controlled the Iberian peninsular. Its use was greatly expanded during the mid-1300’s when a bubonic plague pandemic swept through the Mediterranean countries.  Residents of villages were required yearly to cover the outside and the interiors of their homes and churches with a limewash, known for its natural anti-bacterial and insecticidal properties, in an effort to reduce the spread of disease. Community inspections were done, and folks were fined for noncompliance. This mandated conformity was eventually appreciated as an aesthetically pleasing look and a symbol of meticulous tidiness. Fortunately, the custom stayed and has become an iconic signature of southern Andalusia.

Cresting a low hill on the A-375, we spotted a small castle with crenellated walls and towers in a shallow valley not far from the road. Turning towards it we followed a dirt track through farmland not yet ploughed for the Spring planting to a small intersection where the castle stood next to a narrow, babbling brook.  The history of the Castillo de Las Aguzaderas isn’t really known, but it is thought to have been built in the 1300’s by the Moors as they retreated from advancing territorial gains made by the Spanish during the Reconquista. 

Of Spain’s 2500 castles this is the only one that does not sit atop the high ground of a hill or mountain to command the surrounding terrain, but according to its historical placard, stands in a hollow to protect the spring that emerges from the earth outside its wall. With no attendant and an open gate, we were free to scramble around the walls and climb stairs in a terrible state of disrepair to the top of the castle keep for views all around. In the distance an ancient stone watchtower, Torre del Bollo, dominated a hill.

From afar the whitewashed casas of Zahara de la Sierra brilliantly reflected the sunlight like polished marble.  The homes, stacked like building blocks, rose up the hillside until they met a sheer butte. A square tower crowned the butte’s summit.

We followed the long ring road that circles the mount through the village and decided to have lunch at Meson Oñate where we were drawn to the outdoor patio that overlooks the Zahara-El Gastor Reservoir and the rolling farmland that surrounds it. 

After lunch, to work off our delicous meal, we hiked to the Castillo de Zahara, which crowns the mountaintop above the village. It was a well paved steep path at the start, but soon the slope decreased to a manageable incline that zigzagged up the mountain.  For our effort we were rewarded with stunning bird’s eye views over the red tiled roofs of the village and to the distant lake below. A tower is all that is left of a larger Moorish castle from the 13th century that was built over the ruins of a small Roman settlement that once called the mountaintop home. Barely accessible, it provided a safe haven during times of trouble. The castle had a turbulent history with its control passing back and forth several times between the Moors and Spanish. Even French troops once commanded its summit through Napoleon’s conquest of Spain during the Peninsular War that raged in the early 1800’s.

With a last-minute decision to take a longer route to Ronda, we headed into the mountains outside of Zahara de la Sierra on CA-9104, a serpentine road with steep slopes that took us into the Sendero La Garganta Verde, a rugged and wild scenic area that is known for its population of Griffon vultures, and Monte Prieto.  The wind was insanely whipping around us when we parked the car at the Puerto de las Palomas (4500ft above sea level) mountain pass and walked to an observation deck in hope of viewing some vultures.  Griffons are large birds of prey that have wing spans up to nine feet across. We were fortunate to spot some, far off in the distance before we ran back to the car, chilled to the bone.

The sun sets early when you are on the eastern side of the steep Sierra del Pinar mountain range.  The last rays of sunlight still illuminated Grazalema as we drove into the village, but the temperature dropped along with the vanishing light of a February afternoon.

We sat in the plaza and had café across the sidewalk from an interesting statue of a bull being roped.  The statue commemorates the ancient practice of hunting wild bulls. The tradition continued through the Romans and Arabs and was Christianized by the church into the feast of the bull to celebrate the Virgen del Carmen. During the festival, three times a day, a bull is released to run through the village for an hour with the men chasing after, in hopes of roping it. The beginning and end of each bull’s run is announced with fireworks throughout the day.  Sections of an old Roman road that led up into the village are still visible from the mirador on the edge of town.

Enjoying the freedom and spontaneity a rental car offers is a big plus when developing itineraries. Finding convenient and affordable hotels that have free or inexpensive onsite parking was another whole issue.  It was dark by the time we reached Ronda and we were having difficulty finding the hotel’s parking. With one last call to the hotel receptionist the garage door to their secret lair, that was our parking space, was magically revealed to us on a back alley, under the Hotel Plaza de Toros. Only big enough for six cars, our tiny Fiat 500 easily fit in its tight confines.

The next morning revealed that the hotel was in an excellent location, just a block from the town’s famous bullring, Plaza de Toros de la Real Maestranza de Caballería de Ronda, built in 1784. Aside from bullfights it has been used as an armory and calvary training grounds by the Real Maestranza de Caballería de Ronda, a noble order of horsemen in the 18th and 19th centuries.

The promenade next to bullring is dedicated to famous literary talents who were enamored with the “Ciudad Sońada” or “Dreamed City,” as Ronda is also called. While Don Quixote didn’t tilt at any windmills in Ronda, his creator Miguel de Cervantes certainly drew inspiration from the area as he traveled between villages for his day job as Royal Tax Collector. Washington Irving found inspiration in the rugged landscape of southern Spain when he traveled through Ronda in 1828 prompting him to write, “There is something in the austere presence of this Spanish landscape that wounds the soul with a feeling close to the sublime.” He also romanticized the brigands, who some saw as Robin Hood figures that lived in the mountainous terrain surrounding Ronda, and Irving was disappointed in not encountering any on his journey through Andalusia, ignoring the poverty and repressive feudal system that forced many into a life of crime. Ernst Hemingway was drawn to the machismo and pageantry of bullfighting in Ronda, where the sword and red muleta cape were first introduced into the ring by the legendary matador Francisco Romero in 1726.  Orson Welles explained bullfighting as “an unjustifiable yet irresistible, three-act tragedy.” Wells was so fascinated with this quintessential Andalusian village that he chose to be buried here on the hacienda of a bullfighter friend – “A man does not belong to the place he was born in, but to the place he chooses to die.” Spanish poet, José Agustín Goytisolo summed it up best for us with, “We sighted Ronda. It was raised up in the mountains, like a natural extension of the landscape, and in the sunlight it seemed to me to be the most beautiful city in the world.”

The mirador beyond the park overlooked olive groves and spring fields still dormant.  Past them distant mountains faded into the horizon.  The path through the mirador led to the Puente Nuevo bridge that connects the younger old town to the ancient village across the steep sided El Tajo (The Deep Cut) gorge, carved out eons ago by the rushing waters of the Rio Guadalevín.  Finished in 1793 after 34 years of construction, the new bridge isn’t so new anymore, but it was an engineering feat when it was constructed across the shear 390ft deep chasm that divided the village. It replaced a poorly built 1735 bridge that tragically collapsed after only six years’ use, killing fifty people.

Ronda is a fabulous city for walking and as we continued across the bridge into La Ciudad, Ronda’s old-town quarter, we stopped in awe, to photograph the iconic whitewashed houses that are tenuously perched atop the walls of the gorge. Precarious to the point that if their front door slammed too hard the back of the house might fall into the gorge! 

We worked our way to Plaza Duquesa de Parcent in the center of the historic district for lunch. Passing architectural details from Ronda’s Moorish and Spanish past still evident on some of the ancient buildings.

In the off-season not all of the restaurants were open, but it was a beautiful day and we didn’t mind waiting for a table in the fascinating historical surroundings. A few minutes later we were seated at a table in the sun, caddy corner between the Convento de Clarisas de Santa Isabel de los Ángeles and the Convento De La Caridad, both built in the 16th century. The classic symmetry of Ronda’s Town Hall with its two-tier colonnade anchored the far side of the plaza.  

Adjacent to the town hall the Iglesia de Santa María la Mayor is the real draw to this side of the historic district.  With two rows of covered balconies next to an adjoining former minaret turned belltower, it’s a unique façade for a church and it’s built on the foundation of a 14th century mosque. Ronda and Granada were the last Moorish strongholds in Andalusia, and the mosque was ordered destroyed after Ronda surrendered in 1485. King Ferdinand and Queen Isabel immediately ordered that a Gothic church be built upon the spot. 

The balconies on the front were added during the reign of King Felipe II in the 1500s for the well-to-do and nobles of the city to watch maestranza tournaments in the plaza, before the Plaza de Toros de la Real Maestranza de Caballería de Ronda was built. A century later the church was partially destroyed in an earthquake and the rebuilding over the next two centuries embraced a mishmash of Gothic, Renaissance and Baroque styles that sends architectural purists into a frenzy of “how could they.” Though smaller than the churches in Seville, we found the Iglesia very refreshing with its lofty interior and fabulous religious art.